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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Never Play with Dead Things
Never Play With Dead Things An Audience-Participation Mystery Comedy By Kamron Klitgaard Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co. Inc. Call the publisher for additional scripts and further licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Co. Inc.” PUBLISHED BY ELDRIDGE PUBLISHING www.hiStage.com © 2005 by Kamron Klitgaard Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=135 Never Play With Dead Things - 2 - STORY OF THE PLAY The premise is simple: A group of students dig up a corpse as a prank but the dead get upset and rise from the grave, trapping the students inside the mausoleum. Which character has the power to stop the Zombie menace? The audience gets the opportunity to band together in groups to solve the mystery. This part of the play is called the Clue Quest and happens during the intermission. Clue Characters (Zombies) are scattered around the building at strategic locations to give clues to the audience groups. All the clues lead to the identity of the character with the “power” to solve the story and save the world! ORIGINAL CAST HOST ......................... Gentry Sparrow KAREN………. ........... Melissa White MIKE…………. ........... Robert Sant SPIKE………… .......... Huu Tran DEATH………. ........... Tori Blanchard LISA………….. ........... Danielle Peterson JONES………... ......... Chris Jones CARETAKER. ............ Kristen Smart ORSON ...................... Robert Dana ASSORTED ZOMBIES: Sara Stevenson, Nikki Chambers, Joe Reader, Chase Larsen, Ian Marietti, Colleen Monaghan, Jason Kitten. -
Nme-1952-07-18-S-Ocr
Registered at the G.P.O. as a Newspaper MUSicirAl (XE111111ESS No. 288 (NEW SERIES) EVERY FRIDAY PRICE 6d. JULY 18, 1952 Top left : US singer GuyMitchell,who arrived herethis week to open at the London Palladium, for a fortnight from Mondaynext.Top right: Mike Daniels' Band serenades Tower Bridge, in the first of the fortnightly " Rhythm on the River " trips last Sunday. Centre right: Happyopening of Ivor Kirchin's Man- hattan Club.(1. to r. seated)CabKaye, Phil Moore, Ivor Kir- chin. Standing, Jimmy Walker and Benny Lee. Bottom left: French nation- als celebrate July 14 inappropriatecos- tumeat Chelsea Town Hall.Bottom right:Luscious MarionDavis, who can be heard singing everyFridaynight withAmbrose and his Orchestra. 2 THE NEW MUSICAL EXPRESS formation to NME readers, par- ticularly in Yorkshire. The Palace Cinema,Heck- mondwike,arepresenting on Deal Sift August 1 and 2, a Republic Pic- ELL,ALL WRITE! ture which should be of great interest to jazz and pop fans tErrERs TO THE EDITOR 40 Foreign Orchestras and Musi-attempt cut everybody's throat,alike. cians.Jazz Concerts-June 28their own included. The title is "Chance of Heart"and exciting proposition to me.one way of doing it-if enough and 30. One such critic -cum -compereand features the bands of Count If the experiments come off,people joined in the Bunyard THANK you for publishing theof a well-known West End jazzBasie, Ray McKinley andthen everyone will jump on theProtest Movement, but person- statement we prepared. Ihaunt (in this case a modernFreddy Martin, with specialitiesband waggon to shout " I toldally I think the only way is for could spend a lot of time com-one)brought dawn from theby The Golden Gate Quartetyou so ". -
Grief and Healing Table of Contents
Grief and Healing Table of Contents Rage Makes Me Strong .................................................................................. 1 Grief Overview .............................................................................................. 2 Types of Grief ............................................................................................... 4 Complicated Grief ....................................................................................... 4 Delayed Grief ............................................................................................. 5 Disenfranchised Grief .................................................................................. 5 Traumatic Grief .......................................................................................... 5 Children and Grief ......................................................................................... 6 When Children Grieve ................................................................................. 6 How Children Show Their Grief .................................................................... 7 Children's Understanding of Loss ................................................................. 8 Preschool Children ...................................................................................... 8 Early Years of School ................................................................................... 9 Developmental Ages & Possible Reactions to Death ..................................... 10 Grieving Child - What Parents and Adults -
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship -
Polyphonic Spree Hallelujah Time Everybod
A high school production of Jesus Christ Superstar or annual Branch Davidian jamboree? Polyphonic Spree Hallelujah Time Everybody has voices in their head. Little angels and devils telling us to sing nice gospel tracks about God and videotape yourself having sex with your underage "goddaughter." For Tim DeLaughter, it wasn't a voice so much as a sound. The sound he heard made about as much logical sense as "If you build it, they will come" but has had nearly as magical effect on those who've witnessed his musical equivalent of a baseball diamond in a cornfield. Like anyone who has had a song lodged in their head, no matter how much you like it, it becomes a nuisance after while—backseat driver to all the other things you'd rather think about. A soundtrack that fits on one side of a 45 and loops the last groove into itself. You'd do anything to get it out of your head. So, DeLaughter did something remarkable. He rounded up a posse, and gave birth to one of the more intriguing musical phenomena to hit the scene since Parliament. This is the story of a troupe of 24 choir-robed freaks called the Polyphonic Spree. You might have seen them on the MTV Video Music Awards, introduced by Marilyn Manson who claimed the band was the love child spawned by him and co-presenter Mandy Moore. Maybe the news clip about the mic that was mistaken for a pipe bomb and shut down a major airport. Perhaps you caught them when they opened for David Bowie on his recent tour. -
But, You're Just a Girl
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-17-2013 But, You're Just A Girl Sasha McTee [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons Recommended Citation McTee, Sasha, "But, You're Just A Girl" (2013). University of New Orleans Theses and Dissertations. 1655. https://scholarworks.uno.edu/td/1655 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “But, You’re Just A Girl:” The Female Hero in Modern Science Fiction and Fantasy A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Sasha Rene McTee B.A. University of Colorado at Boulder, 2007 May, 2013 Table of Contents Abstract ............................................................................................................................. -
Flesh World Final
Flesh World by Thomas Riccio 469.569.0970 [email protected] www.thomasriccio.com 2012© Flesh World 1 Scene 1 The Cage The cage. Silence. A male figure is seated and wearing a business suit and has a black bag over his head, aware but relaxed, patient and waiting and following and sensing movements around him. K-LOW (Off Stage) I’ve died more times than Jason from Friday the 13th, and I am NOT HAPPY. Mess with this bitch and I’ll cut your head off, jab it repeatedly with a rusty fork. Is that clear? This bitch did not have the time of her life, now she's kicking ass. (K-LOW, enters, she a woman in her twenties, is stylishly dressed, wearing a skirt, high heels, and make-up as if she is about to go out on the town.) You're going to feel this bitch's pain, whether you want to or not. Look out for this deceptively cute bitch, all I have to say. Back from the dead, this long-time “Bitch from Hell!” hasn't slowed down a step. I’m wondering if I should kick you in the balls to start? Okay, let’s get this going... I'm thinking...should I torture you? How about I strip down to my underwear, finger myself for fun? (K-LOW pulls the bag off of the male figure to reveal CAMERON.) CAMERON is about to speak.) Shut up. You need to be very careful. CAMERON Can I say something? K-LOW Let us hear, let us hear. -
Collaboration Among General and Special Educators: the Influence
DOCUMENT RESUME ED 351 289 SP 034 062 AUTHOR O'Connor, Rollanda; AndOthers TITLE Collaboration among Generaland Special Educators: The Influence Teachers. Exerton the Process. PUB DATE Apr 92 NOTE 16p.; Paper presented atthe Annual Meeting of the American Educational ResearchAssociation (San Francisco, CA, April 20-24, 1992). PUB TYPE Reports Descriptive (141) Speeches/Conference Papers (150) EDRS PRICE MF°1/PC01 Plus Postage. DESCRIPTORS Case Studies; Collegiality; *CooperativePlanning; Educational Cooperation;Elementary Education; Mainstreaming; Problem Solving;*Regular and Special Education Relationship; SpecialNeeds Students; *Teacher Influence; *Teamwork IDENTIFIERS *Collaborative Teaching ABSTRACT The study described in thispaper explored collaboration between elementary regular and special educatorswho were motivated by a schoolwide commitmentto serve children with learning difficulties in the mainstream. All teachers atone school were invited to join in a collaborativeproblem solving format to handle student reading difficultiesin trhich regular and special educators collaborated in analyzing each child's readingprogram. The process addressed patterns of readingperformance, priorities, potential interventions,intervention selection, and 6 months, data timeliness. Over were collected from foursources: audiotaped collaborative problem solvingmeetings; taped semi-structured interviews with subjects; classroom observations; andrecords of students' reading graphs, documented teacher discussions,and intervention plans. Data were analyzed -
Han Keene LWI.Pdf
ARTICLE Community Building for Better Out- comes: Our Silver Lining from Teaching in a Pandemic Eun Hee Han Associate Professor of Law, Legal Practice Georgetown University School of Law Sherri Lee Keene Associate Professor of Law, Legal Practice Georgetown University School of Law Published: April 2021 When we set out to plan our fall remote legal-writing course in summer 2020, we found ourselves in a bit of a panic. We covered it well on the surface, sharing exercises and tips with colleagues to ground ourselves and show that we had con- crete ideas for the fall. Beneath that surface, however, we each frantically re- searched how to teach effectively online,1 considered high-tech, low-tech,2 and 1 See, e.g., HARV. BUS. PUBL’G: EDUCATION, ONLINE TEACHING RESOURCES, https://hbsp.har- vard.edu/teaching-online-resources/. 2 See, e.g., Flower Darby, 5 Low-Tech, Time-Saving Ways to Teach Online During Covid-19, CHRON. HIGHER EDUC., Apr. 14, 2020, https://www.chronicle.com/article/5-low-tech-time- saving-ways-to-teach-online-during-covid-19/. 2 The Second Draft | Vol. 34:1 | 2021 flipped-classroom tools, and watched videos on how to make videos.3 We spent too much time curating our work-at-home spaces, taught each other all the fea- tures of an ever-changing Zoom, and worried about whether we would be at all personable, let alone funny,4 online. Beyond the classroom, we wondered whether we would have time to finish any kind of scholarly writing or connect with our colleagues. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Song List by Artist
AMAZING EMBARRASSONIC Song list by Artist CALIFORNIA LUV 2PAC AND DR.DRE DANCING QUEEN ABBA MAMA MIA ABBA S. O. S. ABBA BIG BALLS AC/DC HAVE A DRINK ON ME AC/DC HELLS BELLS AC/DC HIGHWAY TO HELL AC/DC LIVE WIRE AC/DC SIN CITY AC/DC TNT AC/DC WHOLE LOT OF ROSIE AC/DC YOU SHOOK ME ALL NIGHT LONG AC/DC CUTS LIKE A KNIFE ADAMS, BRYAN SUMMER OF '69 ADAMS, BRYAN DRAW THE LINE AEROSMITH SICK AS A DOG AEROSMITH WALK THIS WAY AEROSMITH REMEMBER( WALKING IN THE SAND) AEROSMITH BEAUTIFUL AGUILARA, CHRISTINA LOST IN LOVE AIR SUPPLY MOUNTAIN MUSIC ALABAMA ROOSTER ALICE IN CHAINS ONE WAY OUT ALLMAN BROS RAMBLIN MAN ALLMAN BROS SISTER GOLDEN HAIR AMERICA SHE'S HAVING MY BABY ANKA, PAUL SUGAR, SUGAR ARCHIES AINT SEEN NOTHING YET BACHMAN TURNER OVERDRIVE LET IT RIDE BACHMAN TURNER OVERDRIVE TAKIN CARE OF BUSINESS BACHMAN TURNER OVERDRIVE EVERYBODY BACKSTREET BOYS FEEL LIKE MAKIN' LUV BAD CO. GOOD LOVIN' GONE BAD BAD CO. SHOOTING STAR BAD CO. NO MATTER WHAT BADFINGER DO THEY KNOW IT'S X-MAS BAND-AID MANIC MONDAY BANGLES WALK LIKE AN EGYPTIAN BANGLES SATURDAY NIGHT BAY CITY ROLLERS IN MY ROOM BEACH BOYS FIGHT FOR YOUR RIGHT TO PARTY BEASTIE BOYS COME TOGETHER BEATLES DAY TRIPPER BEATLES HARD DAYS NIGHT BEATLES LET IT BE BEATLES HELTER SKELTER BEATLES HEY JUDE BEATLES SOMETHING BEATLES TWIST AND SHOUT BEATLES LOSER BECK JIVE TALKIN' BEE GEES www.amazingembarrassonic.com Page 1 9/30/15 AMAZING EMBARRASSONIC Song list by Artist MASSACHUSETTS BEE GEES STAYIN' ALIVE BEE GEES HEARTBREAKER BENATAR, PAT HELL IS FOR CHILDREN BENATAR, PAT HIT ME W/YOUR BEST SHOT