Ancient Coins Greek
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Gold Coins of England, Arranged and Described
THE GOLD COINS OF ENGLAND. FMOTTIS PIECE. Edward die Coiiiessor. 16 TT^mund, Abp.of Yo Offa . King of Mercia ?.$.&&>. THE GOLD COINS OF ENGLAND AERANGED AND DESCRIBED BEING A SEQUEL TO MR. HAWKINS' SILVER COINS OF ENGLAND, BY HIS GRANDSON KOBEET LLOYD KENYON See p. 15. Principally from the collection in tlie British Museum, and also from coins and information communicated by J. Evans, Esq., President of the Numismatic. Society, and others. LONDON: BERNARD QUARITCH, 15 PICCADILLY MDCCCLXXXIV. : LONDON KV1AN AND <ON, PRINTERS, HART STREET. COVENT r,ARI>E\. 5 rubies, having a cross in the centre, and evidently intended to symbolize the Trinity. The workmanship is pronounced by Mr. Akerman to be doubtless anterior to the 8th century. Three of the coins are blanks, which seems to prove that the whole belonged to a moneyer. Nine are imitations of coins of Licinius, and one of Leo, Emperors of the East, 308 to 324, and 451 to 474, respectively. Five bear the names of French cities, Mettis, Marsallo, Parisius. Thirty- nine are of the seven types described in these pages. The remaining forty-three are of twenty-two different types, and all are in weight and general appearance similar to Merovingian ti-ientes. The average weight is 19*9 grains, and very few individual coins differ much from this. With respect to Abbo, whose name appears on this coin, the Vicomte de Ponton d'Ainecourt, who has paid great attention to the Merovingian series, has shown in the " Annuaire de la Societe Francaise de Numismatique " for 1873, that Abbo was a moneyer at Chalon-sur-Saone, pro- bably under Gontran, King of Burgundy, a.d. -
Thursday, Dec. 1950
Second Day's Sale: THURSDAY, DEC. 1950 at 1 p.m. precisely LOT COMMONWEALTH (1649.60). 243 N Unite 1649, usual type with m.m. sun. Weakly struck in parts, otherwise extremely fine and a rare date. 244 A{ Crown 1652, usual type. The obverse extremely fine, the rev. nearly so. 245 IR -- Another, 1656 over 4. Nearly extremely fine. 246 iR -- Another, 1656, in good slate, and Halfcrown same date, Shilling similar, Sixpence 1652, Twopence and Penny. JtI ostly fine. 6 CROMWELL. 247* N Broad 1656, usual type. Brilliant, practically mint state, very rare. 1 248 iR Crown, 1658, usual type, with flaw visible below neck. Extremely fine and rare. 249 A{ Halfcrown 1658, similar. Extremely fine. CHARLES II (1660-85). 250* N Hammered Unite, 2nd issue, obu. without inner circle, with mark of value, extremely fine and rare,' and IR Hammer- ed Sixpence, 3rd issue, Threepence and Penny similar, some fine. 4 LOT '::;1 N Guinea 1676, rounded truncation. Very fine. ~'i2 JR Crowns 1662, rose, edge undated, very fine; and no rose, edge undated, fine. 3 _'i3 .-R -- Others, 1663, fine; and 1664, nearly very fine. 2 :?5-1 iR. -- Another, 1666 with elephant beneath bust. Very fine tor this rare variety. 1 JR -- Others, 1671 and 1676. Both better than fine. 2 ~56 JR -- Others of 1679, with small and large busts. Both very fine. 2 _57 /R -- Electrotype copy of the extremely rare Petition Crown by Simon. JR Scottish Crown or Dollar, 1682, 2nd Coinage, F below bust on obverse. A very rare date and in unttsually fine con- dition. -
Guide to the Collection of Irish Antiquities
NATIONAL MUSEUM OF SCIENCE AND ART, DUBLIN. GUIDE TO THE COLLECTION OF IRISH ANTIQUITIES. (ROYAL IRISH ACADEMY COLLECTION). ANGLO IRISH COINS. BY G COFFEY, B.A.X., M.R.I.A. " dtm; i, in : printed for his majesty's stationery office By CAHILL & CO., LTD., 40 Lower Ormond Quay. 1911 Price One Shilling. cj 35X5*. I CATALOGUE OF \ IRISH COINS In the Collection of the Royal Irish Academy. (National Museum, Dublin.) PART II. ANGLO-IRISH. JOHN DE CURCY.—Farthings struck by John De Curcy (Earl of Ulster, 1181) at Downpatrick and Carrickfergus. (See Dr. A. Smith's paper in the Numismatic Chronicle, N.S., Vol. III., p. 149). £ OBVERSE. REVERSE. 17. Staff between JiCRAGF, with mark of R and I. abbreviation. In inner circle a double cross pommee, with pellet in centre. Smith No. 10. 18. (Duplicate). Do. 19. Smith No. 11. 20. Smith No. 12. 21. (Duplicate). Type with name Goan D'Qurci on reverse. Obverse—PATRIC or PATRICII, a small cross before and at end of word. In inner circle a cross without staff. Reverse—GOAN D QVRCI. In inner circle a short double cross. (Legend collected from several coins). 1. ^PIT .... GOANDQU . (Irish or Saxon T.) Smith No. 13. 2. ^PATRIC . „ J<. ANDQURCI. Smith No. 14. 3. ^PATRIGV^ QURCI. Smith No. 15. 4. ^PA . IOJ< ^GOA . URCI. Smith No. 16. 5. Duplicate (?) of S. No. 6. ,, (broken). 7. Similar in type of ob- Legend unintelligible. In single verse. Legend unin- inner circle a cross ; telligible. resembles the type of the mascle farthings of John. Weight 2.7 grains ; probably a forgery of the time. -
Wayneflete Tower, Esher, Surrey
Wessex Archaeology Wayneflete Tower, Esher, Surrey. Archaeological Evaluation and Assessment of Results Ref: 59472.01 March 2006 Wayneflete Tower, Esher, Surrey Archaeological Evaluation and Assessment of Results Prepared on behalf of Videotext Communications Ltd 49 Goldhawk Road LONDON SW1 8QP By Wessex Archaeology Portway House Old Sarum Park SALISBURY Wiltshire SP4 6EB Report reference: 59472.01 March 2006 © Wessex Archaeology Limited 2006, all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 Contents Summary Acknowledgements 1 BACKGROUND..................................................................................................5 1.1 Introduction................................................................................................5 1.2 Description of the Site................................................................................5 1.3 Historical Background...............................................................................5 1.4 Previous Archaeological Work ...............................................................12 2 AIMS AND OBJECTIVES...............................................................................13 3 METHODS.........................................................................................................14 3.1 Introduction..............................................................................................14 3.2 Dendrochronological Survey...................................................................14 3.3 Geophysical Survey..................................................................................14 -
The Milled Coinage of Elizabeth I
THE MILLED COINAGE OF ELIZABETH I D. G. BORDEN AND I. D. BROWN Introduction THIS paper describes a detailed study of the coins produced by Eloy Mestrelle's mill at the Tower of London between 1560 and 1571. We have used the information obtained from an examination of the coins to fill out the story of Eloy and his machinery that is given by the surviving documents. There have been a number of previous studies of this coinage. Peter Sanders was one of the first to provide a listing of the silver coins1 and more recently one of us (DGB) has published photographs of the principal types.2 The meagre documentary evidence relating to this coinage has been chronicled by Ruding,3 Symonds,4 Craig,5 Goldman6 and most recently by Challis.7 Hocking8 and Challis have given accounts of what little it known of the machinery used. This study first summarises the history of Mestrelle and his mill as found in the documents and then describes our die analysis based on an examination of enlarged photographs of 637 coins. We combine these two to propose a classification for the coinage in Appendix 2. Mestrelle and the Milled Coinage of Elizabeth I Queen Elizabeth I succeeded her sister Mary I as queen of England and Ireland in November 1558. On 31 December 1558 she signed a commission to Sir Edmund Peckham as high treasurer of the mint to produce gold and silver coins of the same denominations and standards as those of her sister, differing only in having her portrait and titles.9 The coins struck over the next eighteen months mostly never saw circulation because the large amount of base silver coin in circulation drove all the good coin into private savings or, worse, into the melting pot. -
Notes on the Gold Coinage of Elizabeth I
NOTES ON THE GOLD COINAGE OF ELIZABETH I I. D. BROWN and C. H. COMBER I. Introduction THE gold coinage of Elizabeth I is a much neglected series. The account given by Kenyon in 1884 even with Montagu's additions of 1895 is incomplete and contains confusing errors.1 More recent listings in the standard works of Brooke, North, and Seaby are more accurate but rather brief.2 The latter two further suffer from inappropriate attempts to divide the series into different issues. Whitton gave the most accurate and well referenced check list of the known coins.3 The milled gold coins have been described by Borden and Brown.4 Only Kenyon and Brooke attempted to set the coinage in the context of the documented history of the mint which has been the subject of works by Ruding, Symonds, Craig, and Challis.5 In view of the increase in our understanding of the workings of the Elizabethan mint in recent years a review of this coinage is overdue. II. Numismatic History The coinage has been divided into three issues in accordance with the scheme proposed by one of us in an earlier article.6 First (Tentative) Issue (1558-1572) On 31 December 1558 Elizabeth I issued a commission to Sir Edmund Peckham authorising him to strike sovereigns (30/-), angels (10/-) and half-angels in fine gold (995 fine) and pounds (20/-), half-pounds, crowns (5/-) and half-crowns in crown gold (917 fine). Mary had struck only fine gold. Crown gold, which was a product of Henry VIII's debasement, had last been issued by Edward VI. -
Gold, Silver and the Double-Florin
GOLD, SILVER AND THE DOUBLE-FLORIN G.P. DYER 'THERE can be no more perplexing coin than the 4s. piece . .'. It is difficult, perhaps, not to feel sympathy for the disgruntled Member of Parliament who in July 1891 expressed his unhappiness with the double-florin.1 Not only had it been an unprecedented addition to the range of silver currency when it made its appearance among the Jubilee coins in the summer of 1887, but its introduction had also coincided with the revival after an interval of some forty years of the historic crown piece. With the two coins being inconveniently close in size, weight and value (Figure 1), confusion and collision were inevitable and cries of disbelief greeted the Chancellor of the Exchequer, George Goschen, when he claimed in the House of Commons that 'there can hardly be said to be any similarity between the double florin and the crown'.2 Complaints were widespread and minting of the double-florin ceased in August 1890 after scarcely more than three years. Its fate was effectively sealed shortly afterwards when an official committee on the design of coins, appointed by Goschen, agreed at its first meeting in February 1891 that it was undesirable to retain in circulation two large coins so nearly similar in size and value and decided unanimously to recommend the withdrawal of the double- florin.3 Its demise passed without regret, The Daily Telegraph recalling a year or two later that it had been universally disliked, blessing neither him who gave nor him who took.4 As for the Fig. -
A Group of Coins Struck in Roman Britain
A group of coins struck in Roman Britain 1001 Antoninus Pius (AD.138-161), Æ as, believed to be struck at a British travelling mint, laur. bust r., rev. BRITANNIA COS III S C, Britannia seated on rock in an attitude of sadness, wt. 12.68gms. (Sp. COE no 646; RIC.934), patinated, almost extremely fine, an exceptional example of this very poor issue £800-1000 This was struck to commemorate the quashing of a northern uprising in AD.154-5 when the Antonine wall was evacuated after its construction. This issue, always poorly struck and on a small flan, is believed to have been struck with the legions. 1002 Carausius, usurper in Britain (AD.287-296), Æ antoninianus, C mint, IMP C CARAVSIVS PF AVG, radiate dr. bust r., rev. VIRTVS AVG, Mars stg. l. with reversed spear and shield, S in field,in ex. C, wt. 4.63gms. (RIC.-), well struck with some original silvering, dark patina, extremely fine, an exceptional example, probably unique £600-800 An unpublished reverse variety depicting Mars with these attributes and position. Recorded at the British Museum. 1003 Carausius, usurper in Britain (AD.287-296), Æ antoninianus, London mint, VIRTVS CARAVSI AVG, radiate and cuir. bust l., holding shield and spear, rev. PAX AVG, Pax stg. l., FO in field, in ex. ML, wt. 4.14gms. (RIC.116), dark patina, well struck with a superb military-style bust, extremely fine and very rare thus, an exceptional example £1200-1500 1004 Diocletian, struck by Carausius, usurper in Britain (AD.287-296), Æ antoninianus, C mint, IMP C DIOCLETIANVS AVG, radiate cuir. -
New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 Pm
New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 pm Photo:Photo: Benoit © Paul Lemay Kolnik 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. ARTISTIC DIRECTOR PETER MARTINS ARTISTIC ADMINISTRATOR JEAN-PIERRE FROHLICH THE DANCERS PRINCIPALS ADRIAN DANCHIG-WARING CHASE FINLAY ABI STAFFORD SOLOIST UNITY PHELAN CORPS DE BALLET MARIKA ANDERSON JACQUELINE BOLOGNA HARRISON COLL CHRISTOPHER GRANT SPARTAK HOXHA RACHEL HUTSELL BAILY JONES ALEC KNIGHT OLIVIA MacKINNON MIRIAM MILLER ANDREW SCORDATO PETER WALKER THE MUSICIANS ARTURO DELMONI, VIOLIN ELAINE CHELTON, PIANO ALAN MOVERMAN, PIANO BALLET MASTERS JEAN-PIERRE FROHLICH CRAIG HALL LISA JACKSON REBECCA KROHN CHRISTINE REDPATH KATHLEEN TRACEY TOURING STAFF FOR NEW YORK CITY BALLET MOVES COMPANY MANAGER STAGE MANAGER GREGORY RUSSELL NICOLE MITCHELL LIGHTING DESIGNER WARDROBE MISTRESS PENNY JACOBUS MARLENE OLSON HAMM WARDROBE MASTER MASTER CARPENTER JOHN RADWICK NORMAN KIRTLAND III 3 Play now. Play for life. We are proud to be your locally-owned, 1-stop shop Photo © Paul Kolnik for all of your instrument, EVENT SPONSORS accessory, and service needs! RICHARD AND MARY JO STANLEY ELLIE AND PETER DENSEN ALLYN L. MARK IOWA HOUSE HOTEL SEASON SPONSOR WEST MUSIC westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Photo: Miriam Alarcón Avila Season Sponsor! Play now. Play for life. We are proud to be your locally-owned, 1-stop shop for all of your instrument, accessory, and service needs! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Season Sponsor! THE PROGRAM IN THE NIGHT Music by FRÉDÉRIC CHOPIN Choreography by JEROME ROBBINS Costumes by ANTHONY DOWELL Lighting by JENNIFER TIPTON OLIVIA MacKINNON UNITY PHELAN ABI STAFFORD AND AND AND ALEC KNIGHT CHASE FINLAY ADRIAN DANCHIG-WARING Piano: ELAINE CHELTON This production was made possible by a generous gift from Mrs. -
Kate Ashton Resume May 2021
KATE ASHTON 347.489.5088 LIGHTING DESIGNER [email protected] www.kateashtonlighting.com LIGHTING DESIGN: OPERA & MUSIC (selected) A Thousand Acres (premiere) Des Moines Metro Opera Kristine McIntyre upcoming, July 2022 Hometown to the World (premiere) Santa Fe Opera Kristine McIntyre upcoming, December 2021 Sweeney Todd Des Moines Metro Opera Kristine McIntyre upcoming, July 2021 Midsummer Night’s Dream The Juilliard School Edward Berkeley upcoming, June 2021 Elixir of Love The Juilliard School John Giampietro May 2021 Wozzeck Des Moines Metro Opera Kristine McIntyre July 2019 Resident Lighting Designer, Aspen Music Festival Edward Berkeley Summer 2018-2019 Wheeler Opera House Turn of the Screw The Juilliard School John Giampietro November 2018 Burning Fiery Furnace The Juilliard School Edward Berkeley October 2017 Romeo and Juliet Baltimore Symphony Orch. Edward Berkeley October 2015 Tango Song & Dance (premiere) Kennedy Center and tour Edward Berkeley October 2014 Senior Opera Theatre (annual) Manhattan School of Music Dona Vaughn March 2011-2017 LIGHTING DESIGN: DANCE (selected) Resident Lighting Designer Williams College Dance Sandra Burton 2015-present Resident Lighting Designer Joffrey Ballet School Jo Matos 2011-present Resident Lighting Designer Joffrey Jazz School Angelica Stiskin 2011-present Resident Lighting Designer Syren Modern Dance Kate St. Amand 2009-present Resident Lighting Designer Sarah Berges Dance Co. Sarah Berges 2011-present LIGHTING DESIGN: THEATRE (selected) All I Want is One Night (premiere) 59 E 59 Theatre Jessica Walker June 2018 Josephine & I Joe’s Pub, The Public Theatre Phyllida Lloyd February 2015 Pride & Prejudice Bristol Riverside Theatre (PA) Keith Baker November 2014 Divorce Party! The Musical (premiere) Kravis Center (FL) and tour Jay Falzone 2012-2013 Death of a Salesman 14th St Y and tour Rubén Polendo 2008-2018 A Tree Grows in Brooklyn* Theatre at St. -
Ancient, Islamic, British and World Coins Historical Medals and Banknotes
Ancient, Islamic, British and World Coins Historical Medals and Banknotes To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Day of Sale: Thursday 29 November 2007 10.00 am and 2.00 pm Public viewing: 45 Maddox Street, London W1S 2PE Friday 23 November 10.00 am to 4.30 pm Monday 26 November 10.00 am to 4.30 pm Tuesday 27 November 10.00 am to 4.30 pm Wednesday 28 November See below Or by previous appointment. Please note that viewing arrangements on Wednesday 28 November will be by appointment only, owing to restricted facilities. For convenience and comfort we strongly recommend that clients wishing to view multiple or bulky lots should plan to do so before 28 November. Catalogue no. 30 Price £10 Enquiries: James Morton, Tom Eden, Paul Wood or Stephen Lloyd Cover illustrations: Lot 172 (front); ex Lot 412 (back); Lot 745 (detail, inside front and back covers) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. -
British Coins
______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BRITISH COINS 567 Eadgar (959-975), cut Halfpenny, from small cross Penny of moneyer Heriger, 0.68g (S 1129), slight crack, toned, very fine; Aethelred II (978-1016), Penny, last small cross type, Bath mint, Aegelric, 1.15g (N 777; S 1154), large fragment missing at mint reading, good fine. (2) £200-300 with old collector’s tickets of pre-war vintage 568 Aethelred II (978-1016), Pennies (2), Bath mint, long