Jan 02 1987, Vol. 15 No. 01
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IONA Technologies PLC (Exact Name of Registrant As Speci®Ed in Its Charter and Translation of Registrant's Name Into English)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington D.C. 20549 FORM 20-F ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Fiscal Year Ended Commission File December 31, 1998 No. 0-29154 IONA Technologies PLC (Exact name of Registrant as speci®ed in its charter and translation of Registrant's Name into English) Ireland (Jurisdiction of incorporation or organization) The IONA Building Shelbourne Road, Ballsbridge Dublin 4, Ireland (Address of principal executive of®ces) Securities registered pursuant to Section 12(b) of the Act: None Securities registered pursuant to Section 12(g) of the Act: Ordinary Shares, IR£0.002 Par Value (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act: None Indicate number of shares outstanding of each of the registrant's classes of capital or common stock as of December 31, 1998: 19,451,723 Ordinary Shares, IR£0.002 Par Value Indicate by check mark whether the registrant (1) has ®led all reports required to be ®led by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months, and (2) has been subject to such ®ling requirements for the past 90 days. Yes X No Indicate by check mark which ®nancial statement item the registrant has elected to follow: Item 17 Item 18 X This Annual Report on Form 20-F was not prepared for ®ling in Ireland in compliance with Irish law or the listing rules of the Irish Stock Exchange. -
Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
Read Book the Half
THE HALF MAN PDF, EPUB, EBOOK Anne Billson | 208 pages | 19 Apr 2019 | Createspace Independent Publishing Platform | 9781718632936 | English | none The Half Man PDF Book After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The band are lazy in the best sense, and utterly unwilling to make sensible career moves. His shoulders were now broad, his limbs of the firmest form, his eyes clear, keen, and penetrating. Edit Cast Series cast summary: Jon Cryer He showed him the rows of men toiling in the meadows or felling trees. The people are the system. He went for a walk and saw the king's daughter. It has been mayhem - there have been schedules to adhere to, studio dates and at least two live gigs to accommodate, and voice-overs to record. The boy complained. Poor 9. Crazy Credits. Retrieve credentials. Charlie is a freelance jingle composer and irresistible Cassanova who lives in a luxurious beach-house and rarely gets up before noon. For your further edification. Painful Consequences. But when it comes to Cyborgs Jake, Ace and the bloke in the sea who looked like Tom Selleck had their hands full week after week as their nemesis nemesises…nemisi? One day, the mother sent the sons for wood. An old wrestler from Cornwall, whom Arthur had brought with him, was the judge. -
Michael Grace / Tapeop Behind the Gear
was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio. -
Nachwuchs/2016
NACHWUCHS/2016 VORWORT 4 PREFACE ORTE 10 VENUES ZEITEN 12 TIMES ERÖFFNUNGSREDEN 16 OPENING TALKS MUSIKPRAXIS 20 PRACTICAL MUSIC SKILLS MUSIK, MEDIEN, MARKETING 32 MUSIC, MEDIA, MARKETING MUSIKGESCHÄFT 42 MUSIC BUSINESS CLUB- UND FESTIVALKULTUR 58 CLUB AND FESTIVAL CULTURE KULTURWISSENSCHAFTLICHE PERSPEKTIVEN 64 PERSPECTIVES IN CULTURAL STUDIES KOOPERATIONSVERANSTALTUNG 68 COOPERATION EVENT NETZWERKEN 70 NETWORKING IMPRESSUM 74 IMPRINT Lieber Nachwuchs, Interview: Björn Böhning Chef der Senatskanzlei des Landes Berlin »Exhausting long hours. No wages.« (Erschöpfend lange Arbeitszeiten, keine Bezahlung.) So haben Head of the Senate Chancellery of the Federal State of Berlin wir im Frühjahr für dieses Coachingprogramm namens »Pop-Kultur Nachwuchs« plakatiert. Und ihr? Ihr habt euch trotzdem beworben, aus den unterschiedlichsten Bereichen der Musikbranche und aus Pop-Kultur: Das letzte Festival liegt ein Jahr zurück. Wie sehen Sie die popkulturellen Szenen der nicht weniger als 24 Ländern. 250 seid ihr nun. Stadt heute? Über 40 Expert_innen erwarten euch: Pop-Kultur-Acts, Festivalchefs, Radiomacher_innen, Urhe- Björn Böhning: Die Popkulturszene Berlins ist außergewöhnlich. Künstlerinnen und Künstler aus der berrechtsanwälte, Kulturberat_innen u.v.m. Sie haben erfolgreich ihren Weg in die Musikwirtschaft ganzen Welt kommen hierher, weil sie frei arbeiten können, ohne Konventionen, über Kulturen und gefunden und wollen die dabei gesammelten Erfahrungen an euch weitergeben. Wie stellt ihr euch Genres hinweg. Daraus entsteht eine Energie, die überall spürbar ist. Und ich freue mich, dass sich professionell auf? Wie überwindet ihr Schreibblockaden und Sinnkrisen? Wie fördert ihre eure Kreati- einige der jungen, damals noch weniger bekannten Talente aus dem letzten Jahr einen Namen in der vität? Damit es eben nicht bei Überstunden und Magerlöhnen bleibt! internationalen Szene gemacht haben. -
Bay Guardian | August 26 - September 1, 2009 ■
I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr. -
Beacons 2 Day Rally Entry 2018
THE BEACONS 1-Day RALLY 15th August 2021 Organised by WELSH TRAIL RIDERS ASSOCIATION (WTRA Ltd.) ACU Permit: ACU 60857 ANNOUNCEMENT: With the kind permission of Natural Resources Wales, Llandovery District, the Welsh Trail Riders Association Ltd will hold a Restricted All-Terrain (Rally) event. Held under the ACU National Sporting Code, the ACU All-Terrain Standing Regulations, these Supplementary Regulations and any Final Instructions that may be issued. OFFICIALS Clerk of the Course Julian Harvey (Licence No 90257) Assistant C.O.C. Jim Lee (licence No. 145111) Chief Marshal Phil Wilkinson (Licence 6236) Course Planner Bob Perring Technical Official Steve Smith Time Keeping & Results Bob Jeffries Event Director Mandy Bartlett Safety Officer Jon Davies (Licence No. 177398) Liaison Officer Colin Newman (Licence No. 83799) ACU Steward tba Club Steward Ray Bartlett ENTRIES SECRETARY Mandy Bartlett (email: [email protected]) Any queries please ring on 07519 168 457 (between 18.00 and 21.00hrs only PLEASE) ELIGIBILITY: The event is for WTRA members only; annual membership of WTRA is £7.50. You must also hold an ACU or SACU licence and be aged 18 years and over. ACU one event licences can be purchased with entry for £15.00 EVENT: This is a type of event specifically designed to be suitable for TRAIL bikes. The event will be decided over a number of "SPECIAL STAGES" which will be timed to the nearest second. BIKE CLASSES: 1. Rally Lite 1 - 2 stroke up to 250 cc & 4 stroke up to 350cc 2. Rally Lite 2 - 2 stroke over 250cc and 4 stroke over 250cc 3. -
Bob Howard: the Laundry Series
Bob Howard: The Laundry Series free short stories by Charles Stross Table of Contents The Concrete Jungle..........................................1 Down on the Farm...........................................50 Overtime..........................................................72 Equoid..............................................................87 0 The Concrete Jungle I manage to pull on a sweater and jeans, tie my shoelaces, and get my ass downstairs just before by Charles Stross the blue and red strobes light up the window http://www.antipope.org/charlie/ above the front door. On the way out I grab my emergency bag — an overnighter full of stuff that Andy suggested I should keep ready, just in The death rattle of a mortally wounded case — and slam and lock the door and turn telephone is a horrible thing to hear at four around in time to find the cop waiting for me. o'clock on a Tuesday morning. It's even worse Are you Bob Howard? when you're sleeping the sleep that follows a Yeah, that's me. I show him my card. pitcher of iced margueritas in the basement of the Dog's Bollocks, with a chaser of nachos and If you'll come with me, sir. a tequila slammer or three for dessert. I come to, Lucky me: I get to wake up on my way in to sitting upright, bare-ass naked in the middle of work four hours early, in the front passenger the wooden floor, clutching the receiver with seat of a police car with strobes flashing and the one hand and my head with the other — purely driver doing his best to scare me into catatonia. -
Ian Siegal Wire the Crazy World of Arthur Brown
OCTOBER 2013 SEPTEMBER 2013 LIVE IN LEICESTER PRESENTS... MAGIC TEAPOT PRESENTS... FRI 4 TUE 3 THE CRAZY WORLD OF ARTHUR BROWN JOHN MURRY £16adv - plus support £10adv - plus Liam Dullaghan The source of Arthur Brown’s music lies beyond both the spiritual Hailing from Tupelo, Mississippi; John Murry’s solo debut album and the material. His first album The Crazy World of Arthur Brown ‘The Graceless Age’ is imbued with the ghosts of the Southern was his theatrical statement of this. It, and the single Fire! - which states and the personal demons that have haunted him throughout came from it - were both a hit on the two sides of the Atlantic. his life. He has described himself as more absorbed in the world He is a performance artist who also became a rock icon and his of literature than in the day-to-day concerns of the modern world, influence was felt through his theatrical musical style, his theatrical and for good reason: he’s second cousin to William Faulkner and presentation, his dancing, and his vocal ability. His voice has been has spent much time with his second cousin’s work. Throughout described as “one of the most beautiful voices in rock music” and his songs in the key of heartbreak, there is nonetheless a strong his presentation is second to none! Recently he won Classic Rock’s and abiding sense of salvation and reconciliation. Showman of the Year Award. www.arthur-brown.com www.johnmurry.com TUE 15 XANDER PROMOTIONS PRESENTS... ROACHFORD THU 12 £12adv £14door KATHRYN WILLIAMS Ever since bulldozing his way onto the scene with unforgettable £12adv £14door - plus Alex Cornish tracks like ‘Cuddly Toy’ and ‘Family Man’ in the late 80s, Andrew Kathryn Williams’ artful and soulful compositions and sweet Roachford’s maverick take on music has spread far and wide. -
Nero Numero 0
questo primo numero è dedicato a Emiliana Mensile a distribuzione gratuita Direttore Responsabile Giuseppe Mohrhoff 02 / RUSS MEYER Direzione 05 / ANOMOLO RECORDS Francesco de Figueiredo 08 / MELTING & DISTINGUISHING ([email protected]) Luca Lo Pinto 10 / CONTEMP/OLACCHI ([email protected]) Valerio Mannucci 12 / RAYMOND SCOTT ([email protected]) Lorenzo Micheli Gigotti 15 / PARIS-DABAR ([email protected]) 16 / OLAF NICOLAI Collaboratori 19 / ENDOGONIDIA Francesco Tato’ 23 / CESARE PIETROIUSTI / Rosso Ilaria Gianni Rudi Borsella 27 / WAKING LIFE Francesco Ventrella Carola Bonfili 30 / ACCUMULAZIONI > DISPERSIONI Anna Passarini Edoardo Caruso 32 / JUSTIN BENNETT Paolo Colasacco Nicola Capodanno 35 / ARCHIGRAM Andrea Proia Anna Neudecker 37 / WIRE Marco Cirese Marta Garzetti 40 / TORE SANSONETTI Edgardo Ferrati 42 / NERO TAPES Progetto Grafico e Impaginazione Industrie Grafiche di Roma 43 / RICCARDO PREVIDI / Supercolosseo 2004 Daniele De Santis ([email protected]) 44 / RECENSIONI Pubblicita’ 48 / NERO INDEX [email protected] 06/97600104 339/7825906 339/1453359 Distribuzione [email protected] 333/6628117 333/2473090 Editore Produzioni NERO soc. coop. a r.l NERO Numero 1 Via Paolo V, 53 00168 ROMA tel. 06/97600104 - [email protected] www.neromagazine.it registrazione al tribunale di Roma n. 102/04 del 15 marzo 2004 Stampa OK PRINT Via Calamatta, 16 - ROMA In copertina un’illustrazione di Carola Bonfili ogni erotomane assillato dall’abbondanza godereccia e sbavona dei seni gonfi, grossi e fecondi. Erotismo e violenza, spirito di sopraffazione tra sessi e ironia, prorompenti pin-up e reietti sociali sono miscelati all’interno di vicende narrative sconclusionate e RUSS MEYER demenziali. di Lorenzo Micheli Gigotti Quello di Russ Meyer è uno sguardo provocatorio “Signori e signore benvenuti alla violenza. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.