26.04.2016 Press Release Pop-Kultur
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IONA Technologies PLC (Exact Name of Registrant As Speci®Ed in Its Charter and Translation of Registrant's Name Into English)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington D.C. 20549 FORM 20-F ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Fiscal Year Ended Commission File December 31, 1998 No. 0-29154 IONA Technologies PLC (Exact name of Registrant as speci®ed in its charter and translation of Registrant's Name into English) Ireland (Jurisdiction of incorporation or organization) The IONA Building Shelbourne Road, Ballsbridge Dublin 4, Ireland (Address of principal executive of®ces) Securities registered pursuant to Section 12(b) of the Act: None Securities registered pursuant to Section 12(g) of the Act: Ordinary Shares, IR£0.002 Par Value (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act: None Indicate number of shares outstanding of each of the registrant's classes of capital or common stock as of December 31, 1998: 19,451,723 Ordinary Shares, IR£0.002 Par Value Indicate by check mark whether the registrant (1) has ®led all reports required to be ®led by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months, and (2) has been subject to such ®ling requirements for the past 90 days. Yes X No Indicate by check mark which ®nancial statement item the registrant has elected to follow: Item 17 Item 18 X This Annual Report on Form 20-F was not prepared for ®ling in Ireland in compliance with Irish law or the listing rules of the Irish Stock Exchange. -
Thank You for Purchasing This Tesla Immersion Heater. This Unit Is
Specialist Immersion Heaters by Tesla UK Thank you for purchasing this Tesla Immersion Heater. This unit is guaranteed for a period of 12 months from the date of receipted purchase provided that it has been installed correctly by a suitably qualified person. The installer must ensure: • The immersion heater is installed in a system where the heating element is always below water level. • There is water in the tank before the immersion heater is first switched on. • It is only subjected to normal operating conditions in a domestic hot water system which conforms to BS699, BS1566 or BS3198 and in which the system temperature is no more than 75°C. No warranty is hereby given or implied in other uses except domestic. • It must be fitted in accordance with current IEE wiring regulations and must be wired through a double pole isolator or suitable controller which must have a contact separation of at least 3mm in all poles. This appliance can be used by children aged from 8 years and above and persons with reduced physical, sensory or mental capabilities or lack of experience and knowledge if they have been given supervision or instruction concerning us of the appliance in a safe way and understand the hazards involved. Children shall not play with the appliance. Cleaning and user maintenance shall not be made by children without supervision. This unit must not be modified in any way. BEAB approval for all models is dependent upon the fitting of the appropriate Dual Safety Thermostat that is listed in these instructions. Tesla UK Ltd, Unit 3b First Avenue, Minworth, Sutton Coldfield, B76 1BA Tel: +44 (0) 121 686 8711 Technical: +44 (0) 121 686 8733 [email protected] www.teslauk.com Specialist Immersion Heaters by Tesla UK General Fitting Information The Aquatherm range of immersion heaters are direct equivalents to the immersion heaters fitted to Heatrae Sadia Megaflo cylinders. -
Michael Grace / Tapeop Behind the Gear
was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio. -
Nachwuchs/2016
NACHWUCHS/2016 VORWORT 4 PREFACE ORTE 10 VENUES ZEITEN 12 TIMES ERÖFFNUNGSREDEN 16 OPENING TALKS MUSIKPRAXIS 20 PRACTICAL MUSIC SKILLS MUSIK, MEDIEN, MARKETING 32 MUSIC, MEDIA, MARKETING MUSIKGESCHÄFT 42 MUSIC BUSINESS CLUB- UND FESTIVALKULTUR 58 CLUB AND FESTIVAL CULTURE KULTURWISSENSCHAFTLICHE PERSPEKTIVEN 64 PERSPECTIVES IN CULTURAL STUDIES KOOPERATIONSVERANSTALTUNG 68 COOPERATION EVENT NETZWERKEN 70 NETWORKING IMPRESSUM 74 IMPRINT Lieber Nachwuchs, Interview: Björn Böhning Chef der Senatskanzlei des Landes Berlin »Exhausting long hours. No wages.« (Erschöpfend lange Arbeitszeiten, keine Bezahlung.) So haben Head of the Senate Chancellery of the Federal State of Berlin wir im Frühjahr für dieses Coachingprogramm namens »Pop-Kultur Nachwuchs« plakatiert. Und ihr? Ihr habt euch trotzdem beworben, aus den unterschiedlichsten Bereichen der Musikbranche und aus Pop-Kultur: Das letzte Festival liegt ein Jahr zurück. Wie sehen Sie die popkulturellen Szenen der nicht weniger als 24 Ländern. 250 seid ihr nun. Stadt heute? Über 40 Expert_innen erwarten euch: Pop-Kultur-Acts, Festivalchefs, Radiomacher_innen, Urhe- Björn Böhning: Die Popkulturszene Berlins ist außergewöhnlich. Künstlerinnen und Künstler aus der berrechtsanwälte, Kulturberat_innen u.v.m. Sie haben erfolgreich ihren Weg in die Musikwirtschaft ganzen Welt kommen hierher, weil sie frei arbeiten können, ohne Konventionen, über Kulturen und gefunden und wollen die dabei gesammelten Erfahrungen an euch weitergeben. Wie stellt ihr euch Genres hinweg. Daraus entsteht eine Energie, die überall spürbar ist. Und ich freue mich, dass sich professionell auf? Wie überwindet ihr Schreibblockaden und Sinnkrisen? Wie fördert ihre eure Kreati- einige der jungen, damals noch weniger bekannten Talente aus dem letzten Jahr einen Namen in der vität? Damit es eben nicht bei Überstunden und Magerlöhnen bleibt! internationalen Szene gemacht haben. -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Beacons 2 Day Rally Entry 2018
THE BEACONS 1-Day RALLY 15th August 2021 Organised by WELSH TRAIL RIDERS ASSOCIATION (WTRA Ltd.) ACU Permit: ACU 60857 ANNOUNCEMENT: With the kind permission of Natural Resources Wales, Llandovery District, the Welsh Trail Riders Association Ltd will hold a Restricted All-Terrain (Rally) event. Held under the ACU National Sporting Code, the ACU All-Terrain Standing Regulations, these Supplementary Regulations and any Final Instructions that may be issued. OFFICIALS Clerk of the Course Julian Harvey (Licence No 90257) Assistant C.O.C. Jim Lee (licence No. 145111) Chief Marshal Phil Wilkinson (Licence 6236) Course Planner Bob Perring Technical Official Steve Smith Time Keeping & Results Bob Jeffries Event Director Mandy Bartlett Safety Officer Jon Davies (Licence No. 177398) Liaison Officer Colin Newman (Licence No. 83799) ACU Steward tba Club Steward Ray Bartlett ENTRIES SECRETARY Mandy Bartlett (email: [email protected]) Any queries please ring on 07519 168 457 (between 18.00 and 21.00hrs only PLEASE) ELIGIBILITY: The event is for WTRA members only; annual membership of WTRA is £7.50. You must also hold an ACU or SACU licence and be aged 18 years and over. ACU one event licences can be purchased with entry for £15.00 EVENT: This is a type of event specifically designed to be suitable for TRAIL bikes. The event will be decided over a number of "SPECIAL STAGES" which will be timed to the nearest second. BIKE CLASSES: 1. Rally Lite 1 - 2 stroke up to 250 cc & 4 stroke up to 350cc 2. Rally Lite 2 - 2 stroke over 250cc and 4 stroke over 250cc 3. -
Ian Siegal Wire the Crazy World of Arthur Brown
OCTOBER 2013 SEPTEMBER 2013 LIVE IN LEICESTER PRESENTS... MAGIC TEAPOT PRESENTS... FRI 4 TUE 3 THE CRAZY WORLD OF ARTHUR BROWN JOHN MURRY £16adv - plus support £10adv - plus Liam Dullaghan The source of Arthur Brown’s music lies beyond both the spiritual Hailing from Tupelo, Mississippi; John Murry’s solo debut album and the material. His first album The Crazy World of Arthur Brown ‘The Graceless Age’ is imbued with the ghosts of the Southern was his theatrical statement of this. It, and the single Fire! - which states and the personal demons that have haunted him throughout came from it - were both a hit on the two sides of the Atlantic. his life. He has described himself as more absorbed in the world He is a performance artist who also became a rock icon and his of literature than in the day-to-day concerns of the modern world, influence was felt through his theatrical musical style, his theatrical and for good reason: he’s second cousin to William Faulkner and presentation, his dancing, and his vocal ability. His voice has been has spent much time with his second cousin’s work. Throughout described as “one of the most beautiful voices in rock music” and his songs in the key of heartbreak, there is nonetheless a strong his presentation is second to none! Recently he won Classic Rock’s and abiding sense of salvation and reconciliation. Showman of the Year Award. www.arthur-brown.com www.johnmurry.com TUE 15 XANDER PROMOTIONS PRESENTS... ROACHFORD THU 12 £12adv £14door KATHRYN WILLIAMS Ever since bulldozing his way onto the scene with unforgettable £12adv £14door - plus Alex Cornish tracks like ‘Cuddly Toy’ and ‘Family Man’ in the late 80s, Andrew Kathryn Williams’ artful and soulful compositions and sweet Roachford’s maverick take on music has spread far and wide. -
Nero Numero 0
questo primo numero è dedicato a Emiliana Mensile a distribuzione gratuita Direttore Responsabile Giuseppe Mohrhoff 02 / RUSS MEYER Direzione 05 / ANOMOLO RECORDS Francesco de Figueiredo 08 / MELTING & DISTINGUISHING ([email protected]) Luca Lo Pinto 10 / CONTEMP/OLACCHI ([email protected]) Valerio Mannucci 12 / RAYMOND SCOTT ([email protected]) Lorenzo Micheli Gigotti 15 / PARIS-DABAR ([email protected]) 16 / OLAF NICOLAI Collaboratori 19 / ENDOGONIDIA Francesco Tato’ 23 / CESARE PIETROIUSTI / Rosso Ilaria Gianni Rudi Borsella 27 / WAKING LIFE Francesco Ventrella Carola Bonfili 30 / ACCUMULAZIONI > DISPERSIONI Anna Passarini Edoardo Caruso 32 / JUSTIN BENNETT Paolo Colasacco Nicola Capodanno 35 / ARCHIGRAM Andrea Proia Anna Neudecker 37 / WIRE Marco Cirese Marta Garzetti 40 / TORE SANSONETTI Edgardo Ferrati 42 / NERO TAPES Progetto Grafico e Impaginazione Industrie Grafiche di Roma 43 / RICCARDO PREVIDI / Supercolosseo 2004 Daniele De Santis ([email protected]) 44 / RECENSIONI Pubblicita’ 48 / NERO INDEX [email protected] 06/97600104 339/7825906 339/1453359 Distribuzione [email protected] 333/6628117 333/2473090 Editore Produzioni NERO soc. coop. a r.l NERO Numero 1 Via Paolo V, 53 00168 ROMA tel. 06/97600104 - [email protected] www.neromagazine.it registrazione al tribunale di Roma n. 102/04 del 15 marzo 2004 Stampa OK PRINT Via Calamatta, 16 - ROMA In copertina un’illustrazione di Carola Bonfili ogni erotomane assillato dall’abbondanza godereccia e sbavona dei seni gonfi, grossi e fecondi. Erotismo e violenza, spirito di sopraffazione tra sessi e ironia, prorompenti pin-up e reietti sociali sono miscelati all’interno di vicende narrative sconclusionate e RUSS MEYER demenziali. di Lorenzo Micheli Gigotti Quello di Russ Meyer è uno sguardo provocatorio “Signori e signore benvenuti alla violenza. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding. -
Issue 184.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 184 November Oxford’s Music Magazine 2010 Oxford’s Greatest Metal Bands Ever Revealed! photos: rphimagies The METAL!issue featuring Desert Storm Sextodecimo JOR Sevenchurch Dedlok Taste My Eyes and many more NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net COMMON ROOM is a two-day mini-festival taking place at the Jericho Tavern over the weekend of 4th-5th December. Organised by Back & To The Left, the event features sets from a host of local bands, including Dead Jerichos, The Epstein, Borderville, Alphabet Backwards, Huck & the Handsome MOTOWN LEGENDS MARTHA REEVES & THE VANDELLAS play Fee, The Yarns, Band of Hope, at the O2 Academy on Sunday 12th December. Reeves initially retired Spring Offensive, Our Lost Infantry, from performing in 1972 due to illness and had until recently been a Damn Vandals, Minor Coles, The member of Detroit’s city council. In nine years between 1963-72 the trio Scholars, Samuel Zasada, The had 26 chart hits, including the classic `Dancing In The Streets’, `Jimmy Deputees, Message To Bears, Above Mack’ and `Heatwave’. Tickets for the show are on sale now, priced £20, Us The Waves, The Gullivers, The from the Academy box office an online at www.o2academyoxford.co.uk. DIVE DIVE have signed a deal with Moulettes, Toliesel, Sonny Liston, Xtra Mile Records, home to Frank Cat Matador and Treecreeper. Early Turner, with whom they are bird tickets, priced £8 for both days, on Friday 19th November, with be released and the campaign bandmates, and fellow Oxford stars A are on sale now from support from Empty Vessels plus culminates with the release of ‘Fine Silent Film. -
Method Statement For: Hollow Stem Piling
Galliard Construction Limited Method Statement for: Hollow Stem Piling Contract No: 34767A1 Contractor: Galliard Construction Limited Site Address: ISLINGTON SQUARE, ANGEL Site Manager: Grant Van Wyk 07901009064 Mobile No: Working Hours: 08:00am to 5:45pm. Mon – Fri. Project Type: Crane Base / Block B Contig Piles No of Piles: 16 + 12 Pile Diameter: 450Ø Contract Start Date: W/C 01/02/2016 Scope of Works: Construction of 2 crane bases and a section of contig piles that cannot be reached with the CFA machine. Central Park, Colchester Rd, Halstead, Essex. CO9 2EU Tel: 01787 474000. Fax: 01787 472113. Email: [email protected] Created by Sam Nicole on 20/01/2016 14:24:43 Revision: B Page 1 of 11 Galliard Construction Limited 1. Responsible Persons: Managing Director: Steve Hadley Tel: 01787 474000 Email: [email protected] Responsibilities: Director of Health & Safety at Central Piling. To implement, co-ordinate control the administration of Health and Safety matters within the Company. Contracts Director: Roger Cox Tel: 01787 474000 Mobile: 07816 325054 Email: [email protected] Responsibilities: To manage all contracts and to stay abreast of developments in Health and Safety legislation and good working practices and to ensure that any new developments are communicated both quickly and effectively to all Company staff. HSQE & Operations Manager: Colin Newman Tel: 01787 474000 Mobile: 07976 219209 Email: [email protected] Responsibilities: To monitor, control and correct the Health and Safety actions of all Employees and others under his jurisdiction to ensure Health and Safety is given top priority and that the Company’s Health and Safety Policy is fully understood and implemented by them.