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Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
Read Book the Half
THE HALF MAN PDF, EPUB, EBOOK Anne Billson | 208 pages | 19 Apr 2019 | Createspace Independent Publishing Platform | 9781718632936 | English | none The Half Man PDF Book After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The band are lazy in the best sense, and utterly unwilling to make sensible career moves. His shoulders were now broad, his limbs of the firmest form, his eyes clear, keen, and penetrating. Edit Cast Series cast summary: Jon Cryer He showed him the rows of men toiling in the meadows or felling trees. The people are the system. He went for a walk and saw the king's daughter. It has been mayhem - there have been schedules to adhere to, studio dates and at least two live gigs to accommodate, and voice-overs to record. The boy complained. Poor 9. Crazy Credits. Retrieve credentials. Charlie is a freelance jingle composer and irresistible Cassanova who lives in a luxurious beach-house and rarely gets up before noon. For your further edification. Painful Consequences. But when it comes to Cyborgs Jake, Ace and the bloke in the sea who looked like Tom Selleck had their hands full week after week as their nemesis nemesises…nemisi? One day, the mother sent the sons for wood. An old wrestler from Cornwall, whom Arthur had brought with him, was the judge. -
The Hard Men of Welsh Rugby Free
FREE THE HARD MEN OF WELSH RUGBY PDF Lynn Davies | 144 pages | 31 Dec 2011 | Y Lolfa Cyf | 9781847713520 | English | Talybont, United Kingdom History of rugby union in Wales - Wikipedia Steve Morris 1 September — 29 May was a Welsh international rugby union flanker who played club rugby for Cross Keys. A hard man, Morris was extremely physical in the way he played the game, sometimes over physical and he was unafraid to The Hard Men of Welsh Rugby to violence if it was warranted. It is reported that he once knocked out a Welsh heavyweight boxing champion in a sparring session. A The Hard Men of Welsh Rugby miner by profession, Morris would work down the pit at Risca Colliery on a Saturday morning and then turn out to play for Cross Keys in the afternoon. Morris spent his entire playing career at Cross Keys and later became the club's chairman. On his death his ashes were scattered at Pandy Park, the team's home ground. Morris began playing rugby before the outbreak of World War I and continued playing when he could as a recruit in the British Army. Morris made his international debut against England inthe first Cross Keys player to represent his country. In the game against France inMorris played alongside his Cross Keys team mate, Fred Reevesmade all the more special as the two of them were also co-workers at the Risca Colliery. Morris's aggression was used to good effect in other games; when in against an overly violent French team he and Swansea's Tom Parker were called upon to fight back to subdue their opponents. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
Wru Copy Master
WELSH RUGBY UNION LIMITED ANNUAL REPORT 2005-2006 ADRODDIAD BLYNYDDOL 2005-2006 UNDEB RYGBI CYMRU CYF 125 YEARS OF RUGBY EXCELLENCE Whatever it takes WRU staff - delivering key objectives in the interests of our game WELSH RUGBY UNION LIMITED ANNUAL REPORT 2005-2006 Contents Officials of the WRU Chairman’s View 5-9 Patron 125 Years and Counting 10 Her Majesty Queen Elizabeth II Principal Sub-Committees WRU Chief Executive’s View 11 Honorary Life Vice-Patron The Right Honourable Sir Tasker Watkins VC, GBE, DL Finance Committee Financial Report 13-15 Martin Davies (Chairman), David Pickering, Kenneth Hewitt, President David Moffett (resigned 31 December 2005), Humphrey Evans, Group Commercial Report 16 Keith Rowlands Steve Lewis, John Jones, Alan Hamer (resigned 30 June 2006) Group Compliance Report 17 Board Members of Welsh Rugby Union Ltd. Regulatory Committee David Pickering Chairman Russell Howell (Chairman), Mal Beynon, Geraint Edwards, The Professional Game 19-27 Kenneth Hewitt Vice-Chairman Brian Fowler, John Owen, Ray Wilton, Aurwel Morgan High Performance Rugby 29-33 David Moffett Group Chief Executive (resigned 31 December 2005) Mal Beynon Game Policy Committee Refereeing Report 35 Gerald Davies CBE, DL Alan Jones (Chairman), Roy Giddings, Gethin Jenkins, Gerald Davies CBE DL, Martin Davies David Matthews, Mostyn Richards, Peredur Jenkins, Community Rugby 37-42 Geraint Edwards Anthony John, Steve Lewis, Mike Farley, Rolph James Obituaries 43-45 Humphrey Evans International Rugby Board Representatives Brian Fowler David Pickering, Kenneth Hewitt Accounts 46-66 Roy Giddings Russell Howell Six Nations Committee Representatives Gethin Jenkins David Pickering, Martin Davies Peredur Jenkins ERC Representatives Welsh Rugby Union Ltd Anthony John Steve Lewis, Stuart Gallacher (Regional Representative) Alan Jones 1st Floor, Golate House John Jones Celtic Rugby Representatives 101 St. -
Bob Howard: the Laundry Series
Bob Howard: The Laundry Series free short stories by Charles Stross Table of Contents The Concrete Jungle..........................................1 Down on the Farm...........................................50 Overtime..........................................................72 Equoid..............................................................87 0 The Concrete Jungle I manage to pull on a sweater and jeans, tie my shoelaces, and get my ass downstairs just before by Charles Stross the blue and red strobes light up the window http://www.antipope.org/charlie/ above the front door. On the way out I grab my emergency bag — an overnighter full of stuff that Andy suggested I should keep ready, just in The death rattle of a mortally wounded case — and slam and lock the door and turn telephone is a horrible thing to hear at four around in time to find the cop waiting for me. o'clock on a Tuesday morning. It's even worse Are you Bob Howard? when you're sleeping the sleep that follows a Yeah, that's me. I show him my card. pitcher of iced margueritas in the basement of the Dog's Bollocks, with a chaser of nachos and If you'll come with me, sir. a tequila slammer or three for dessert. I come to, Lucky me: I get to wake up on my way in to sitting upright, bare-ass naked in the middle of work four hours early, in the front passenger the wooden floor, clutching the receiver with seat of a police car with strobes flashing and the one hand and my head with the other — purely driver doing his best to scare me into catatonia. -
Park Promotion Pontypool Rugby Club
Neutral Citation Number: [2012] EWHC 1919 (QB) Case No: HQ12X01661 IN THE HIGH COURT OF JUSTICE QUEEN'S BENCH DIVISION Royal Courts of Justice Strand, London, WC2A 2LL Date: 11 July 2012 Before : SIR RAYMOND JACK SITTING AS A JUDGE OF THE HIGH COURT - - - - - - - - - - - - - - - - - - - - - Between : PARK PROMOTION LIMITED T/A Claimant PONTYPOOL RUGBY FOOTBALL CLUB - and - THE WELSH RUGBY UNION LIMITED Defendant - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ian Rogers (instructed by Messrs Geldards LLP) for the Claimants Adam Lewis QC and Tom Mountford (instructed by Messrs Charles Russell LLP) for the Defendants Hearing dates: 25, 26 and 27 June 2012 - - - - - - - - - - - - - - - - - - - - - Judgment Sir Raymond Jack : 1. This case is concerned with the right of the claimant, the Pontypool Rugby Club, a club with a proud history, to continue to play in the Premier Division of Welsh rugby in the 2012/13 season. The defendant is the Welsh Rugby Union, which organises and controls the sport of rugby union in Wales. It is the view of the WRU that as a result of the re-organisation of the Premier Division to reduce the number of clubs playing in it and Pontypool’s position in order of playing meritocracy of the fourteen clubs formerly in the division, the club is now only eligible to play in the Championship, the next division down. The essence of Pontypool’s case is that clubs which are above it on a basis of playing merit have not met the requirements to hold an A licence as required for the Premiership by the WRU’s National League Rules 2011/2012, and so there is a place for Pontypool within the Premiership. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Racism and Anti-Racism in Football
Racism and Anti-Racism in Football Jon Garland and Michael Rowe Racism and Anti-Racism in Football Also by Jon Garland THE FUTURE OF FOOTBALL: Challenges for the Twenty-First Century (co-editor with D. Malcolm and Michael Rowe) Also by Michael Rowe THE FUTURE OF FOOTBALL: Challenges for the Twenty-First Century (co-editor with Jon Garland and D. Malcolm) THE RACIALISATION OF DISORDER IN TWENTIETH CENTURY BRITAIN Racism and Anti-Racism in Football Jon Garland Research Fellow University of Leicester and Michael Rowe Lecturer in Policing University of Leicester © Jon Garland and Michael Rowe 2001 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2001 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. Martin’s Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Rugby League As a Televised Product in the United States of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism and Mass Communications, College Journalism and Mass Communications of 7-31-2020 Rugby League as a Televised Product in the United States of America Mike Morris University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Journalism Studies Commons, and the Mass Communication Commons Morris, Mike, "Rugby League as a Televised Product in the United States of America" (2020). Professional Projects from the College of Journalism and Mass Communications. 23. https://digitalcommons.unl.edu/journalismprojects/23 This Article is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Rugby League as a Televised Product in the United States of America By Mike Morris Abstract Rugby league is a form of rugby that is more similar to American football than its more globally popular cousin rugby union. This similarity to the United States of America’s most popular sport, that country’s appetite for sport, and its previous acceptance of foreign sports products makes rugby league an attractive product for American media outlets to present and promote. Rugby league’s history as a working-class sport in England and Australia will appeal to American consumers hungry for grit and authenticity from their favorite athletes and teams. -
Theatre Archive Project: Interview with Michael Grade
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Michael Grade – interview transcript Interviewer: Sue Barbour 29 April 2009 Chief Executive of ITV. ATV; Billy Cotton and his Band; Blackpool variety; Bernie Delfont, Baron Delfont; Delfont and Toko; dressing rooms; Foster's Agency; GAC (Buddy Howe); Lew and Leslie Grade Ltd; Leslie Grade; Lew Grade, Baron Grade; The Grade Organisation; Laurel and Hardy; London Palladium; Billy Marsh; Moss Empires; Val Parnel; running orders; Richard Tauber; Bob Williams; Cissie Williams. SB: This is Sue Barbour from the University of Sheffield interviewing Michael Grade, son of Leslie Grade and nephew of Lew Grade and Bernard Delfont. First of all, Michael, I would like to ask you if you are in agreement for this interview to be used for the British Library Theatre Project and for future generations to learn about Variety Theatre. MG: Absolutely. Very happy. SB: Well, first of all, I would like to ask you….Where were you born and brought up? MG: I was born in London in 1943. I was brought up in London. We lived for a short time in Bournemouth at the end of the war, but mostly in London. SB: Oh right. And what I wanted to ask you was… what were your earliest recollections of you coming from a show business family? MG: From a very, very early age I can remember events that I couldn’t place the date of but clearly when I was four, five or six I can remember Richard Tauber, the great tenor, coming to tea with Uncle Bernie and Auntie Carol, as I called them and falling through the deck chair in the garden of the house.