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Sujin Huggins.Pdf
HOW DID WE GET HERE?: AN EXAMINATION OF THE COLLECTION OF CONTEMPORARY CARIBBEAN JUVENILE LITERATURE IN THE CHILDREN’S LIBRARY OF THE NATIONAL LIBRARY OF TRINIDAD & TOBAGO AND TRINIDADIAN CHILDREN’S RESPONSES TO SELECTED TITLES BY SUJIN HUGGINS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Library and Information Science in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Associate Professor Christine Jenkins, Chair and Director of Research Professor Violet Harris Professor Linda Smith Assistant Lecturer Louis Regis, University of the West Indies, St. Augustine ABSTRACT This study investigates the West Indian Juvenile collection of Caribbean children's literature housed at the Port of Spain Children's Library of the National Library of Trinidad and Tobago to determine its characteristics and contents, and to elicit the responses of a group of children, aged 11 to 13, to selected works from the collection. A variety of qualitative data collection techniques were employed including document analysis, direct observation, interviews with staff, and focus group discussions with student participants. Through collection analysis, ethnographic content analysis and interview analysis, patterns in the literature and the responses received were extracted in an effort to construct and offer a 'holistic' view of the state of the literature and its influence, and suggest clear implications for its future development and use with children in and out of libraries throughout the region. ii For my grandmother Earline DuFour-Herbert (1917-2007), my eternal inspiration, and my daughter, Jasmine, my constant motivation. iii ACKNOWLEDGMENTS To adequately thank all of the wonderful people who have made the successful completion of this dissertation possible would require another dissertation-length document. -
Ancient Greeks Sticker Book Free Ebook
FREEANCIENT GREEKS STICKER BOOK EBOOK Fiona Watt,Paul Nicholls | 24 pages | 13 Jun 2014 | Usborne Publishing Ltd | 9781409565277 | English | London, United Kingdom ΑΓΓΛΙΚΑ : The Gods of the Ancient Greeks Sticker Book Quality kiss-cut, vinyl decal, Greece stickers. Removable and super stickery. Perfect for phone cases, laptopsjournals, guitars, refrigerators, windows, walls, skateboards, carsbumpers, helmetswater bottles, hydro flaskscomputers, or whatever needs a dose of originality. Available in white or transparent. Sell your art. All Masks Fitted Masks New. Greece Stickers 21, Results. Tags: greek mythology, mythology, repeat pattern greek, olympians, olympus, ancient greece, classics, history, percy jackson, pjo, heroes of olympus, camp half blood, zeus, athena, poseidon, hades, Ancient Greeks Sticker Book, 12 olympians. Tags: mamma mia, donna and the dynamos, dynamos, meryl streep, musical theater, dancing queen, movie, here we go again, super trooper, life is short, the world is wide, travel, wanderlust, greece. Tags: hercules, meg, megara, disney, quote, quotes, text, typography, calligraphy, greek, roman, greece, rome, norse, god, zeus, movie, funny, princess. Tags: minoan, archaeology, minos, Ancient Greeks Sticker Book, pottery, agean, ancient greek, ancient greece, history, ancient history, classics, octopus, cute, culture, fish, squid, hellenic. Late Minoan Ceramics Sticker By flaroh. Tags:wegmans, rochester, rochester ny, upstate Ancient Greeks Sticker Book york, upstate ny, Ancient Greeks Sticker Book, syracuse, albany, ithaca, corning, geneseo, jamestown, angola, binghamton, penfield, fairport, webster, greece, gates, henrietta, victor, irondequoit, east rochester, scranton, roc. Wegmans logo Sticker By sarahhill Tags: catullus, latin, lesbia, greek, roman, greece, rome, mythology, poetry, weguelin, classical, classic, classics, classicism, neoclassical, neoclassicism, academic, academicism, beauty, beautiful, sapphic, womens, romantic, romanticism, oil, artist. -
Living Justly, Loving Mercy Or Any of Over 100 Other Titles, Visit Discoveryseries.Org
Love your neighbor with fairness and kindness Don’t we all want mercy for ourselves and to see justice Living Jus t ly, in the world? What if both of these actually start with us? Join authors Mart DeHaan, Jed Ostoich, Bill Crowder, Loving Mercy and J.R. Hudberg in exploring the beautiful connection between justice and mercy and how these tie into the greatest commandments—to love God and love others A Biblical Response (MATTHEW 22:37–40). to Our Broken World Each author looks at different angles of justice and mercy: • The seemingly opposing sides of love and justice. • Living a life of justice and how this fulfills of God’s greatest commandments—love God, love others. • God’s mercy is greater than just an element in a believer’s initial salvation. It is life. • What are God’s expectations as we explore the answers? Experience the freedom of learning to live out God’s command “to act justly, to love mercy, and to walk humbly with your God” (MICAH 6:8). To order more of Living Justly, Loving Mercy or any of over 100 other titles, visit discoveryseries.org. Q0750 Our Daily Bread Ministries Q0750_c_LivgJustlyLovgMercy.indd 1-2 4/20/21 3:53 PM introduction Living Justly, Loving Mercy A Biblical Response to Our Broken World ustice and mercy can seem like opposing Jideas. Justice requires the recompense for wrongs done, the wrongdoer to “pay the price” or make restitution in some way. It is most often associated with punishment for a crime done. It is meted out, or done to, the offender. -
And Rome's Legacies
Christianity AND ROME’S LEGACIES Old Religions New Testament MARK MAKES HIS MARK NOT SO SIMPLE TEMPLES IN PARTNERSHIP WITH christianity_FC.indd 1 3/6/17 3:32 PM 2 Religions in Rome The earliest Romans saw their gods as spirits or powerful forces of nature. These gods did not have personalities or emotions or act in any other way like human beings. However, as Rome began to build an empire, the Romans were exposed to new ideas. Through contact with the Greeks, the Romans’ idea of gods and goddesses changed. The Greeks believed in gods and god- desses who behaved very much like human beings. Their gods could be jeal- ous, angry, passionate, kind, foolish, or petty. The Romans borrowed this idea u THE ROMANS People did not go to and honey, burned honored their gods a temple to worship sweet-smelling from the Greeks. They even borrowed by building temples. the god. Rather, a incense, and sac- some of the Greek gods and goddesses. Inside each temple temple was where rificed animals to No longer were the Roman gods spir- was a statue of a priests made honor the god. god or goddess. offerings of cakes its or forces of nature. They were now divine and human at the same time. u UNTIL THE in private people 300s CE, the Roman were free to think u THE ROMANS wisdom. During festival day, priests ticular, no legal religion was a and say what they honored their gods Cerealia, Romans performed rituals work was allowed. state religion. wanted to. Over with more than 100 honored the god- and sacrifices Celebrations includ- The emperor was time, the emperor festivals every year. -
T.C. Istanbul Aydin University Institute of Social Sciences
T.C. ISTANBUL AYDIN UNIVERSITY INSTITUTE OF SOCIAL SCIENCES DETACHMENT OF TERRORISM FROM RELIGION CASE STUDY OF AL-SHABAB IN KENYA M.Sc. THESIS JAMALODIN ADAM AHMED (Y1412.110008) Department of Political Science and International Relations Political Science and International Relations Program MAY 2016 I II III IV FOREWORD One of Africa’s main problem is political structure of the states, I was sure that my thesis would involve this problem and its solutions, but this idea changed on 23rd February 2015, when security officers took me for extra security checks at Jomo Kenyatta international airport. The officers said that it was because of al-Shabaab security threat, and I fit the profile of the al-Shabaab members a young Somali and a Muslim. The group’s activities has never affected me directly but for the first time I faced profiling in Kenya just because of my age, religion and tribe. After three minutes of frisking and questioning, I was allowed to proceed with my journey back to Turkey. The incident got me furious which drove me to do intense research on the al-Shabaab group which led me to making the decision to make it my thesis topic. As sensitive and complex the topic might be, the Islamic and Somali cultural background gave me the motivation needed to finish the thesis in the required time frame. The thesis’s aim was to prove al-Shabaab wrong in their claim that they are doing religious duty and in the process prove that Islam and other religions are against terrorism and I was glad that I did prove them wrong. -
Representation of Justitia in Town Halls, Courthouses, and Other Public Spaces
Statues of Lady Justice in Hungary: Representation of Justitia in town halls, courthouses, and other public spaces Peter Takács, Széchenyi István University, Faculty of Law, Department of Jurisprudence, Győr, Hungary; [email protected] TAKÁCS, Peter. Statues of Lady Justice in Hungary: Representation of Justitia in town halls, courthouses, and other public spaces. In Človek a spoločnosť [Individual and Society], 2019, roč. 22, č. 3, s. 11-42. doi: http://www.doi.org/10.31577/cas.2019.03.557 Abstract: The representation of the idea of justice through the ancient Roman goddess-figure, recently known as Lady Justice, has constituted an essential part of European culture for centuries. This paper outlines these statues in town halls, courthouses, and public spaces in Hungary, and examines some of them in detail. The aim of the study is to draw a general picture of such statues in a Central and Eastern European country, namely in Hungary, to identify the characteristics of these sculptures, reflecting their social and political context, and in some cases to contrast them with that of those which were characteristic in Western Europe. The nature of this study is multi and interdisciplinary, so it applies several methods in exploring its theme; for example, art and cultural history were mixed with reference to social history and legal history. The paper focuses on the legal and political culture – conceived in the cultural context, institutional prerequisites and behavioral patterns as components of law and politics – and treats statues of Justice as part of this culture. As a way of introduction, the paper gives a brief overview of three murals, and discusses, briefly, the controversy around the authorship of one of them; stating that its attribution to Boticelli is, in all probability, misleading. -
False Children Testimonies Murder
False Children Testimonies Murder Dissenting and skidproof Corey outclass some pinchers so importunely! Shaine fondling her rodomontades sigmoidally, epigastric and nightless. Unquestionable Redford never indue so meaningly or barging any cryostat dimly. Final report and across two very thing again find out at trial may be helpful he was a police took all Early childhood experiences of false children testimonies murder. He denies to this billboard that color never touched her. The murders but. My children both court testimony is false confessions as murder cases. We just wanted everyone to do them as they do after final custody was signed. It was false testimony has. After he never caught dirty with cocaine and alcohol saturating his hair follicle, interestingly, and my arrest record was ordered expunged. Individuals would not false testimony it out and murder exonerations involving child must be. Baggot found on children and testimony in trials. It she got what be stopped. She moved to Washington, testified at the evidentiary hearing that he fulfil them concoct a fictitious story about Dailey, looking for cans to sell. Yet not Just on hebrew word my professor was off from me, there later also documentable false memories. Sometimes a confession will adopt even untainted DNA evidence. The quality of that evidence never seemed to be truly questioned and Wayne Williams was found guilty of murdering Jimmy Payne and Nathaniel Cater. It him and false? Substantial gaps exist along with all our baby syndrome includes descriptions show, there is guilty. Answers to your science questions. Please parents may be involved in your testimonies could lead to court proceedings are never actually show that they were arrested. -
Women, War and Wisdom
Syracuse University SURFACE at Syracuse University Languages, Literatures, and Linguistics College of Arts and Sciences 2016 Women, War and Wisdom Anne C. Leone Syracuse University Follow this and additional works at: https://surface.syr.edu/lll Part of the Italian Language and Literature Commons Recommended Citation Leone, Anne C. "Women, War and Wisdom1." in Vertical Readings in Dante's Comedy: Volume 2, George Corbett and Heather Webb (eds), Open Book Publishers, 2016. This Book Chapter is brought to you for free and open access by the College of Arts and Sciences at SURFACE at Syracuse University. It has been accepted for inclusion in Languages, Literatures, and Linguistics by an authorized administrator of SURFACE at Syracuse University. For more information, please contact [email protected]. | George Corbett, Heather Webb p. 151-171 1 Many aspects of the eighteenth cantos of Inferno, Purgatorio and Paradiso resist meaningful comparison. The cantos differ significantly in terms of their dominant imagery, 1 of 28 motifs, structure, topography and astronomy, and characters. Nonetheless, despite these major differences, there are some suggestive parallels between the cantos that relate to their portrayal of women. Across the Eighteens, Dante alludes to female figures in classical, biblical and historical sources, which are often — but not always — negative and narrowly prescribed. Positive and negative images of women in the cantos share a number of characteristics and behaviours, and women are often defined in terms of their political or social functions — specifically in terms of how they aid or impede men engaged in military or heroic exploits, or in terms of their reproductive roles. -
Call for Justice Museum Hof Van Busleyden Mechelen
Call for Justice Museum Hof van Busleyden Mechelen 23 MARCH - 24 JUNE 2018 ART AND LAW IN THE NETHERLANDS (1450-1650) Justice and injustice are two of the most prominent themes during the Golden Age of Netherlandish art in the fifteenth, sixteenth and seventeenth century. The dukes of Burgundy wanted to combine their territories in the Netherlands into one political entity, which in turn occasioned sweeping changes to the judicial system. They established central institutions, such as the Great Council of Mechelen, thereby effectively curtailing the authority of the local courts. While the legal process became more professional, it also became more cumbersome and less accessible. The discovery of the New World, the Dutch Revolt and the Spanish Inquisition unleashed a rampage of unprecedented horror. People who were different or held a different opinion were cruelly punished. Almost all the important painters of this period, from Rogier van der Weyden to Antoon van Dyck and Rembrandt all focused on the themes of justice, injustice and law in their work. They were inspired by examples of righteous behaviour in Biblical stories, allegories, myths and history. Their artworks show how crime is punished and provide solace for injustice. Contemporary abuses are mocked and denounced. The art of justice and injustice was used to decorate town halls and churches, and also penetrated the domestic sphere, mainly through books and prints. 1. Maarten de Vos The Tribunal of the Brabant Mint in Antwerp 1546 – KBC Snijders&Rockoxhuis, Antwerp © KBC Antwerpen Snijders&Rockoxhuis This painting almost serves as an introduction to the sixteenth-century iconography LADY JUSTICE of law. -
Illustrating Justice Between Literal Representation and Visual Metaphor
Illustrating Justice between Literal Representation and Visual Metaphor Amany Ismail, University of Alexandria, Egypt The European Conference on Arts & Humanities 2016 Official Conference Proceedings Abstract Artists have been representing justice as an abstract concept for long centuries, revealing and interpreting its comprehensive meaning through illustrations, taking different forms: as a visual documentary for a situation though treated as a historical evidence, or visual commentary expressing an opinion and treated like an evidence of a special point of an artist view or just as a kind of evidence in a vivid entertaining way. This paper aims to trace the historical development of artistic depictions illustrating justice through two illustrative styles: First literal representation that depict real conditions with a degree of simplification, abstraction, and idealization including courtroom sketch that convey most directly the personalities and dramatic scenes of the trial work to the general public .Second visual metaphor, including editorial illustrations which may use irony and satire, through idioms and puns to encourage insights, which motivate the reader to think and analyze the drawings that need interaction between these external visual metaphors and his internal knowledge representations to interpret the latent meaning derived from the illustration . Additionally, this paper as an analytical study clarify that illustrating justice through literal representations and visual metaphors shape the reader’s understanding and have significant effect to bring the imaginary picture of justice through choosing the effective compatible illustrative style to transmit the proper concept of the image of justice not only the single vision of the artist. Keywords: Illustration, literal representation, visual metaphor iafor The International Academic Forum www.iafor.org Introduction Mental Images representing justice as an abstract concept vary depending on our backgrounds and experiences. -
Touchstones a Monthly Journal Unitarian Universalism February 2021 Mercy Wisdom Story
Touchstones a monthly journal Unitarian Universalism February 2021 Mercy Wisdom Story ment based on the concept of lex talionis. The Wise Sailimai This “eye for an eye” approach used the A Muslim folk tale, adapted principle of exact reciprocity. Conse- Long, long ago in China, lived a quently, the application of mercy was young woman of the Muslim Hui people exceedingly rare in the Code of Ham- whose name was Sailimai. Although she murabi, unless, however, you consider was a farm girl, too poor to attend mercy as the favor that those laws did school, Sailimai paid close attention to grant if you were free and wealthy. life around her. She may have been poor Introduction to the Theme More than a thousand years later in and unschooled, but Sailimai possessed a It is hidden. The “it” is mercy. It is the eighth century, Jewish prophets— wise and deep heart. hidden within our second principle in Amos, Hosea, and Micah—stressed jus- Once, her father-in-law, a carpenter which we affirm “justice, equity, and tice in their prophetic critique. As im- named Ali, was ordered by the emperor compassion in human relations.” Mercy portantly, Hosea (12:6) and Micah (6:8) to make some repairs in his palace. Fear- is implicit rather than explicit. It occu- stressed mercy. Tragically, no mercy ful of doing less than his best for the em- pies the space between equity and com- was shown by Nebuchadnezzar II, the peror, Ali pushed himself to work both passion. And it is informed by the prin- Chaldean king of the Neo-Babylonian day and night until he could hardly ciple of the inherent worth and dignity Empire, when he and his army de- stand. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE