Stargate Sg1 "Flesh and Blood" Episode #1001 Dialogue Continuity Script
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Simgate: Full-System, Cycle-Close Simulation of the Stargate Sensor Network Intermediate Node
SimGate: Full-System, Cycle-Close Simulation of the Stargate Sensor Network Intermediate Node Ye Wen, Selim Gurun, Navraj Chohan, Rich Wolski, and Chandra Krintz Department of Computer Science University of California, Santa Barbara Abstract— We present SimGate – a full-system simulator of most Stargate components including the processor, memory for the Stargate intermediate-level, resource-constrained, sen- hierarchy, communications (serial and radio), and peripherals. sor network device. We empirically evaluate the accuracy and As the result, SimGate boots and runs the Familiar Linux performance of the system in isolation as well as coupled with simulated Mica2 motes. Our system is functionally correct and operating system and any program binary that executes over achieves accurate cycle estimation (i.e. cycle-close). Moreover, it, without modification. the overhead of simulated execution is modest with respect to Our system is also unique in that we use it to simulate the previously published work. ensemble of both intermediate and base level sensor devices, i.e. Stargate and motes (e.g. Mica2). We do so by coupling I. INTRODUCTION SimGate with SimMote, a cycle-accurate full-system simulator Sensor networks have emerged as a technology for transpar- of motes [17]. This interoperability reveals the potential of ently interconnecting our physical world with more powerful simulating a complete sensor network setting including both computational environments, and ultimately, global informa- basic nodes, gateway nodes, and their interactivity. tion systems. In a typical sensor network, computationally We evaluate the accuracy of our system by comparing simple, low-power, sensor elements take physical readings the simulated clock cycles to measured clock cycles using a and may perform minor processing of these readings before range of stressmarks and community benchmarks. -
Telling Stories with Soundtracks: an Empirical Analysis of Music in Film
Telling Stories with Soundtracks: An Empirical Analysis of Music in Film Jon Gillick David Bamman School of Information School of Information University of California, Berkeley University of California, Berkeley [email protected] [email protected] Abstract (Guha et al., 2015; Kociskˇ y` et al., 2017), natural language understanding (Frermann et al., 2017), Soundtracks play an important role in carry- ing the story of a film. In this work, we col- summarization (Gorinski and Lapata, 2015) and lect a corpus of movies and television shows image captioning (Zhu et al., 2015; Rohrbach matched with subtitles and soundtracks and et al., 2015, 2017; Tapaswi et al., 2015), the analyze the relationship between story, song, modalities examined are almost exclusively lim- and audience reception. We look at the con- ited to text and image. In this work, we present tent of a film through the lens of its latent top- a new perspective on multimodal storytelling by ics and at the content of a song through de- focusing on a so-far neglected aspect of narrative: scriptors of its musical attributes. In two ex- the role of music. periments, we find first that individual topics are strongly associated with musical attributes, We focus specifically on the ways in which 1 and second, that musical attributes of sound- soundtracks contribute to films, presenting a first tracks are predictive of film ratings, even after look from a computational modeling perspective controlling for topic and genre. into soundtracks as storytelling devices. By devel- oping models that connect films with musical pa- 1 Introduction rameters of soundtracks, we can gain insight into The medium of film is often taken to be a canon- musical choices both past and future. -
A Primer on U.S. Intellectual Property Rights Applicable to Music Information Retrieval Systems Michael W
American University Washington College of Law Digital Commons @ American University Washington College of Law Articles in Law Reviews & Other Academic Journals Scholarship & Research 2003 A Primer on U.S. Intellectual Property Rights Applicable to Music Information Retrieval Systems Michael W. Carroll American University Washington College of Law, [email protected] Follow this and additional works at: http://digitalcommons.wcl.american.edu/facsch_lawrev Part of the Entertainment and Sports Law Commons, and the Intellectual Property Commons Recommended Citation Carroll, Michael W. “A Primer on U.S. Intellectual Property Rights Applicable to Music Information Retrieval Systems.” University of Illinois Journal of Law Technology & Policy 2003, no. 2 (2003): 313-328. This Article is brought to you for free and open access by the Scholarship & Research at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Articles in Law Reviews & Other Academic Journals by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. A PRIMER ON U.S. INTELLECTUAL PROPERTY RIGHTS APPLICABLE TO MUSIC INFORMATION RETRIEVAL SYSTEMS Michael W. Carroll* [Note to reader: Pagination for this article is accurate, although the page breaks are sometimes in awkward places due to typeface constraints.] Digital technology has had a significant impact on the ways in which music information can be stored, transmitted, and used. Within the information sciences, music information retrieval has become an increasingly important and complex field. This brief article is addressed primarily to those involved in the design and implementation of systems for storing and retrieving digital files containing musical notation, recorded music, and relevant metadata – hereinafter referred to as a Music Information Retrieval System (“MIRS”). -
Interfacing STARGATE-IP to UPB Networks
Interfacing STARGATE-IP to UPB Networks INTRODUCTION This Application Note describes Stargate-IP and Stargate-Lite support for controlling UPB Powerline devices. These control- lers, when connected to the powerline by a UPB Powerline Interface Module, can control a network of up to 250 UPB lighting dimmers and other UPB devices. This application note assumes a working knowledge of UPB and that the UPB devices have been installed and properly configured using the UPStart program (available from PCS or Simply Automated websites). Support for UPB requires a UPB Powerline Interface Module (PIM), also called a Computer Interface Module (CIM) and a UPB serial adapter and cable. The PIM connects to COM2 or COM3 of the Stargate via the UPB serial adapter cable. Once configured, the UPB devices are fully integrated into Stargate and can be controlled in the same manor as X10 or ALC lighting devices. Stargate Controllers NEW Controllers Stargate-IP and Stargate-Lite controllers shipped with firmware 4.0.0 or later are modified and ready for UPB support. These units are shipped with a UPB serial adapter and cable for connection to a UPB Powerline Interface Module. The UPB Powerline Interface Module is not supplied. The UPB Powerline Interface Module (PCS PIM) or Computer Interface Module (Simply Automated CIM) are available from various distributors. NOTE: Your PIM or CIM must be in MESSAGE mode, not PULSE mode, in order for this module to behave correctly. If you are experiencing problems when the PIM or CIM is connected to Stargate, your interface is likely in PULSE mode and needs to be changed to MESSAGE mode. -
Mayevent 2006 Horizon Volume 13 Issue 7
Hamilton Amateur Astronomers MayEvent 2006 Horizon Volume 13 Issue 7 Chair’s Report by Glenn Muller 34”, or about a degree East of M104. And, the fun doesn’t end there. In that immedi- Regular EH readers will know of my affinity for aster- ate vicinity is yet another asterism with the ominous isms; those unique formations of stars that prompt the moniker of “Jaws”. Situated just off the imaginary line imagination with their chance alignments. connecting Stargate to M104 are four bright stars in a Well, at a recent Binbrook session I was pushing the row. They form the head and mouth of a celestial shark, 6” reflector around Corvus, looking for the Sombrero the body of which consists of a string of fainter trailing Galaxy, when I chanced across six stars in a cluster stars. Both the Stargate and Jaws are mentioned in Phil no wider than 10’ forming two nested triangles. They Harrington’s book The Deep Sky: An Introduction. In instantly piqued my interest so, using the common sci- fact, it was Harrington who gave Jaws its label. Another entific jargon, I alerted the rest of the group. “Hey,” I good source of information for this interesting group is said. “Come take a look at these neat stars!”. John and the internet link Dianna, a nice couple from Winona who were observing www.backyard-astro.com/deepsky/ This fine site has a nice map of the with us for the first time, politely pried themselves from top100/15.html region and a couple of excellent sketches – well worth the wonderful views through their 11” Celestron SCT checking out. -
Inside Tv Pg 7 01-03
The Goodland Daily News / Friday, January 3, 2003 7 Channel guide Legal Notice Prime time 2 PBS; 3 TBS; 4 ABC; 5 HBO; 6 CNN; 7 CBS; 8 NBC (KS); 11 TVLND; 12 Pursuant to K.S.A. 82a-1030, the board of directors of ESPN; 13 FOX; 15 MAX; 16 TNN; 18 the Northwest Kansas Ground water Management LIFE; 20 USA; 21 SHOW; 22 TMC; 23 Mammograms can District No. 4 will conduct on February 19, 2003 a TV MTV; 24 DISC; 27 VH1; 28 TNT; 30 public hearing in order to hear testimony regarding FSN; 31 CMT; 32 FAM; 33 NBC (CO); save your life. 34 NICK; 36 A&E; 38 SCI; 39 TLC; 40 If you are between 50-64 revisions to the 2003 operating budget. Said revisions FX; 45 FMC; 49 E!; 51 TRAV; 53 WB; you may qualify for a FREE consist of incorporating all 2002 unexpended funds 54 ESPN2; 55 ESPN News; 58 HIST; mammogram. into the previously approved 2003 operating budget. schedule 62 HGTV; 99 WGN. The hearing will begin at 11:30 a.m. central standard For more information time at the Comfort Inn, 2225 S. Range, Colby, Kan- regarding this program Friday Evening January 3, 2003 contact: sas. Copies of the proposed revised 2003 budget will 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KLBY/ABC Tostitos Fiesta Bowl Local Local Local Dorendo Harrel be made available at the hearing site. Attest: Robin Deeds, GMD 4 Secretary KBSL/CBS Hack 48 Hours Local Late Show Late Late Show Local (785) 899-4888 KSNW/NBC Dateline NBC Local Tonight Show Conan Local KUSA/NBC Dateline NBC Law & Order: SVU Local Tonight Show Conan KDVR/FOX The Nutty Professor Local Local Local Local Local Local Cable Channels A&E No Mercy Third Watch Biography No Mercy AMC Smokey and the Bandit II Tales from Empire of the Ants Tales from CMT Living Proof: The Hank Williams, Jr. -
October 1984
EDITOR: Judy Butcher Send all articles to- (3i3) 254-1786 45200 Keding; Apt. 102 Utica, MI 48087 The W.A.S.P. is the official publication of the Warren Astronomical Society and is available free to all club members. Requests by other clubs to receive the W.A.S.P. and all other correspondence should be addressed to the editor. Articles should be submitted at least one week prior to the general meeting. Warren Astronomical Society President: Frank McCullough 254-1786 P.O. Box 474 1st V.P.: Joe Gulino 979-4041 East Detroit, MI 48021 2nd V.P.: Ken Strom 977-9489 Secretary: Ken Kelly 839-7250 Treasurer: Bob Lennox 689-6139 Librarian: John Wetzel 882-6816 'The Warren Astronomical Society is a local, non-profit organization of amateur astronomers. The Society holds meetings on the first and third Thursdays of each month. The meeting locations are as follows: 1st Thursday – Cranbrook Institute of Science 3rd Thursday – Macomb County Community 500 Lone Pine Road College – South Campus Bloomfield Hills, MI B Building, room 209 14500 Twelve Mile Rd. Warren, MI Membership is open to those interested in astronomy and its related fields. Dues are as follows and include a year’s subscription to Sky and Telescope. Student ................... $21.00 College ........................ $25.00 Senior Citizen ................... $25.00 Individual ............... $30.00 Family......................... $35.00 Observatory Chairman: Ken Strom 977-9489 Stargate Observatory is owned and operated by the Warren Astronomical Society in conjunction with Rotary International. Located on the grounds of Camp Rotary, Stargate features a 12½” club-built Cassegrainian telescope under an aluminum dome. -
Plural Subjectivity in Stargate SG-1
Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN: 2547-0044 ellids.com/archives/2020/07/3.4-Ferebee.pdf CC Attribution-No Derivatives 4.0 International License www.ellids.com “Pain in Someone Else’s Body”: Plural Subjectivity in Stargate SG-1 K.M. Ferebee Abstract Lennard Davis, in his work on visualizing the disabled body, argues that at root the body is inherently and always already fragmented. The unified “whole body” is, therefore, hallucinatory in nature—an imaginary figure through which the body’s multiplicity is repressed. There is much in this view that is consonant with posthumanism, which so often seeks to destabilize the “whole” and singular one in favor of the multiple, the fragmentary, and the hybrid. Yet despite these considerations of the body as fragmentary, little attention has been paid to the value of considering the body not only as fragmentary, but also as potential fragment. What might we learn by rejecting anthropocentric assumptions about the body-mind’s inherent completeness, and exploring the radically plural ontologies offered by visions of shared, joint, or group body-minds? This paper turns to science fiction as a source of such visions, considering depictions of symbiotic and hive minds through the non-traditional models of ontology and agency. While science fiction has traditionally represented plural being as a troubling and fearful injury to wholeness, this paper aims to highlight the symbiotic Tok’ra1 of television series Stargate SG-1 as a model of excess being that not only challenges the naturalization of the “complete” body, but also asks us to interrogate presumed boundaries between self and other. -
Tim Burgard IATSE 800 & 839 Film Credits Caesar: Rise of the Apes
Tim Burgard IATSE 800 & 839 Film Credits Feature Director Caesar: Rise of the Apes Rupert Wyatt The Help Tate Taylor 20,000 Leagues Under the Sea: Mc G Captain Nemo Thor Kenneth Branagh Percy Jackson: The Lightning Thief Chris Columbus Salt Phillip Noyce 2012 Roland Emmerich The Ruins Carter Smith Wolverine Gavin Hood Blood the Last Vampire Chris Nahon Norbit Brian Robbins Next Lee Tamahori Garfield 2 Tim Hill The Incredible Hulk Louis Leterrier Evan Almighty Tom Shadyac X-Men: The Last Stand Brett Ratner Fun with Dick and Jane Dean Parisot Bewitched Robert Stadd Son of the Mask Larry Guterman Me Again Dean Parisot Cursed Wes Craven The Day After Tomorrow Roland Emmerich Domestic Disturbance Harold Becker Scorpion King Chuck Russell Mothman Prophecies Mark Pellington Ali Michael Mann Rush Hour 2 Brent Ratner Diablo F. Gary Gray Swordfish Dominic Sena The New Guy Ed Decter Pluto Nash Ron Underwood Down and Under David McNally The Patriot Roland Emmerich The Red Planet Anthony Hoffman Mission to Mars Brian dePalma Dungeons & Dragons Cory Solomon Stuart Little Rob Minkoff Inspector Gadget David Kellogg Small Soldiers Joe Dante Supernova Walter Hill 20 Billion Michael Tolkin Mighty Joe Young Ron Underwood Superman Returns John Sheehy Virus John Bruno Batman and Robin Joel Schumacher Chain Reaction Andrew Davis Mars Attacks! Tim Burton The Borrowers Michael McAlister The Phantom Joe Dante Jumanji Joe Johnston Tank Girl Rachel Talalay Cutthroat Island Renny Harlin Terminal Velocity Deran Sarafian Holy Matrimony Leonard Nimoy Stargate Roland -
Park Open Release DRAFT
FOR IMMEDIATE RELEASE “It’s playtime!”™ SIX FLAGS MARINE WORLD OPENS 2004 SEASON ON th SATURDAY, MARCH 20 New Shows, New Dolphins, New Year To Celebrate Fun, Family & Friends! Six Flags Marine World – the Bay Area’s most popular playground – is now open for monkey business! The Northern California place to go for the pursuit of happiness starts off its 2004 Season on Saturday, March 20, with a darling new dolphin to meet, a new STARGATE™ ride to thrill to, and new ways to beat the wintertime blahs. America’s first combination wildlife park, oceanarium and theme park is filled with cool playtime gear for big kids and little kids. With 35 rides that range from world- class roller coasters to family-friendly children’s rides, along with nine sensational shows and 35 animal attractions, Six Flags Marine World is open on weekends in the Spring and Fall, and open daily over Spring Break (April 2 – 18) and during the Summer (May 28 – August 29). A DOLPHIN LOVE STORY… Cupid, the Valentine’s Day dolphin, makes his public debut on the Park’s Opening Day, March 20. The playful two-year-old dolphin was discovered near death, washed up on a Texas beach on Valentine’s Day 2003 and came to Six Flags Marine World just before Valentine’s Day this year. Park guests can watch Cupid the dolphin swim and frolic through the Dolphin Discovery pools underwater viewing window. He was nursed back to health by dedicated efforts of the Texas Marine Mammal Stranding Network. Cupid survived and thrived thanks to human care, A permanent neurological disorder and occasional seizures-like episodes make Cupid a likely lunch for a shark if the dolphin had been returned to the ocean. -
CTPR-441 Sound Design August 15,2019 Units: 2 Fall 2018 - Thursday - 1:00 - 3:50PM Location: SPS 115
CTPR-441 sound design August 15,2019 Units: 2 Fall 2018 - Thursday - 1:00 - 3:50PM Location: SPS 115 Instructor: Stephen Flick SA: Audrey Gu Office: SCA 444 Office Hours: By Appointment Sound Department 213-740-7700 Course Description Exploration of the techniques and processes for creating sounds that don’t exist. Learning Objectives To establish an understanding of the processes and techniques used to create “sounds never heard before.” Sound Design has the most expressive and creative opportunities and challenges in Genre Films; particularly Science Fiction, Fantasy, Horror, and Action/Thrillers. Students will be exposed to the historical, theoretical, and practical aspects of sound design for these genres. Students will be challenged to analyze, design, record and present new concepts and sounds as well as constructively critique. Exercises will include audio-only constructions/montages as well as to existing synchronous images. This class will specifically cover Creatures and their Worlds, historical, futuristic, magical, organic, inorganic, and mechanical. By the completion of this class students will have developed strategies and skills to deal with new and different challenges in genre sound design Prerequisite(s): CTPR-310 Intermediate Production or CTPR-508 Production II Description and Assessment of Assignments Assignments will be to create voices from creature video clips, which will include vocal elements, character movement, and interaction with scenic elements. Assignments will also Include audio-only pieces. The work will be done and reviewed in Avid Protools. Assume that there will be quizzes each week covering the material from the previous lectures and assignments. This is to encourage attendance and retention. -
STARGATE by Dean Devlin & Roland Emmerich Devlin/Emmerich Draft 7
STARGATE by Dean Devlin & Roland Emmerich Devlin/Emmerich Draft 7/6/93 FADE IN: PRIMITIVE SKETCHES E.C.U. Etched on stone, a JACKAL. Another of a GAZELLE, a spear piercing its skin. Primitive, yet dramatic tribal etchings. The SOUND of ancient CHANTING is HEARD. Widen to REVEAL... 1 EXT. DESERT LANDSCAPE, NORTH AFRICA - SUNSET 1 A young BOY chisels his artwork into the stone ROCKFACE at the edge of this valley. An old MEDICINE MAN, his face painted with bizarre white stripes, CHANTS nearby. The boy abruptly stops his work at the SOUND of distant CRIES. Quickly he climbs the stone. Standing at the top he SEES... HUNTERS 2 RETURNING FROM A KILL. THEY MARCH TOWARDS A SMALL CAMPSITE. 2 The tribes people rushing to greet them. Super up: North Africa 8000 B.C. 3 OMITTED 3 4 A BLAZING FIRE - LATER THAT NIGHT 4 Silhouetted tribesmen dancing in bizarre animal MASKS. Feet STOMPING. The young Boy stares at the fire, SPARKS rising into the air. We PAN UP following the sparks into the sky. A full moon. A SHADOW is suddenly cast across the moon, blotting it out. 5 INT. TENT - LATER THAT NIGHT 5 The young Boy sleeps. Above him hangs an odd carving that slowly begins to RATTLE. The tent's fabric begins to FLAP. The Boy's eyes pop open. He HEARS the sounds of a quickly brewing storm. Footsteps. People hurrying, calling out to each other. Suddenly the tent's entrance flap SAILS OPEN. BRIGHT LIGHT pours in through the entrance. 6 EXT. CAMPSITE - NIGHT 6 The Boy exits his tent, staring at the light, intrigued.