The Ukrainian Weekly 1989
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Tradition, Transformation and Innovation in Bandura Playing in the Ukrainian Diaspora of Australia
HISTORY Bulletin of Kyiv National University ISSN 2616-7581 (Print) 2019 • 2(2) • 163-172 of Culture and Arts. Series in Musical Art ISSN 2617-4030 (Online) DOI: 10.31866/2616-7581.2.2.2019.187440 UDC 780.614.13(94=161.2) TRADITION, TRANSFORMATION AND INNOVATION IN BANDURA PLAYING IN THE UKRAINIAN DIASPORA OF AUSTRALIA Victor Mishalow PhD. in Arts, Adjunct Research Fellow; ORCID: 0000-0002-5194-8964; e-mail: [email protected] Monash University, Melbourne, Australia Abstract In the post WWII years, the isolated Ukrainian Diaspora population in Australia preserved a type of Ukrainian folk instrument known as the Kharkiv bandura, the method of playing, its repertoire and technique well into the late 1980’s. During this period the style underwent some transformation and innovation that shed light onto the history of the bandura and demonstrates the process of transformation that ethnic musical culture undergoes when isolated. It also demonstrates the process of innovation. The aim of the study is to focus on bandura tradition, transformations and innovations in the performance practice of bandurists in the Ukrainian Diaspora living in Australia; to observe those aspects of the tradition that were retained, and those performance practices that changed, 163 and the differentiation of this phenomena in comparison to its original counterpart in Ukraine. The methodology of the study is grounded in historic, systemic, sociological and cultural approach and related methods of scientific study, in particular, a historic-chronological analysis of bandura playing techniques in Ukraine, in particular, the method of systematic classification and complex analysis that performance practice that has taken place in Ukrainian culture. -
The Ukrainian Weekly 1991, No.22
www.ukrweekly.com lished by the Ukrainian National Association inc., a fraternal non-profit assoclationl rainian Weeklу vol. LIX mNo. 22 THE UKRAINIAN WEEKLY SUNDAY, JUNE 2,1991 50 cents Khmara trial is lnterconfessional problems surface as Lubachivsky visits Kiev by Marta Kolomayets there will be no peace here until you on Monday afternoon, May 27. He postponed again Kiev Press Bureau accept Orthodoxy." explained that on Saturday, he had by Mart a Kolomayets According to the press office of the blessed land in vyshhorod, where the KlEv — The government of the Ukrainian Greek-Catholic Church, Catholics plan to build a church. Kiev Press Bureau Ukrainian SSR is ready to officially some women screamed at the Rev. recognize and legalize the Ukrainian Raphael Turkoniak, vice-chancellor of The Ukrainian Catholic community KlEv - The trial of Ukrainian Greek-Catholic Church, but inter- the Archeparchy of Lviv: "This is an in Kiev has been petitioning the Kiev People's Deputy and radical opposition confessional problems continue to exist Orthodox city. We are the Church of City Council for more than a year and leader Stepan Khmara was postponed in this capital city, as evidenced by the saints and want nothing to do with has been told repeatedly that it would be for the third time on Tuesday morning, events on Sunday, May 26. your pope and your cardinal, if Luba– difficult to give the Ukrainian Greek- May 28. Catholics a church because it would Cardinal Myroslav 1 van Lubachiv– chivsky and you all want to get out of Ukrainian SSR Supreme Court this city alive, you'd better leave now." upset the Ukrainian Orthodox of the Judge vasyl Bilousenko cited the sky, the head of the Ukrainian Greek- Moscow Patriarchate and Ukrainian illnesses of Dr. -
Tradition and Innovation in the Bandura Performances of Vasyl Yemetz
HISTORY Bulletin of Kyiv National University ISSN 2616-7581 (Print) 2020 • 3(1) • 59-70 of Culture and Arts. Series in Musical Art ISSN 2617-4030 (Online) DOI: 10.31866/2616-7581.3.1.2020.204339 UDC 78.071.2:785.5 TRADITION AND INNOVATION IN THE BANDURA PERFORMANCES OF VASYL YEMETZ Victor Mishalow PhD in Arts, Adjunct Research Fellow; ORCID: 0000-0002-5194-8964; e-mail: [email protected] Monash University, Melbourne, Australia Abstract In the XX century, specific individuals in the Ukrainian Diaspora preserved, developed and propagated aspects of bandura culture and tradition, much of which disappeared in Ukraine in the light of new political realities. This included such aspects as the loss of the Kharkiv type bandura, the Kharkiv method and technique of playing, and its traditional repertoire. During the 20th century, Vasyl Yemetz made a significant contribution to the development of the modern bandura and the establishment of the solo concert performance on the instrument. This study is an attempt to glean new information regarding traditional playing techniques he learned as a youth and new techniques he later developed, and also a reevaluation of his repertoire based on reminiscences and recordings made by the author in 1979. The purpose of this research is to focus on traditional, transformational and innovational 59 aspects in the performance practice and playing technique of Vasyl Yemetz; to reevaluate those aspects of the kobzar tradition that he retained, and those that he modified in his concert performance practices, and to compare these to contemporary practices later developed in Ukraine. The research methodology is grounded in historic, systemic, sociological and cultural approach and related methods of scientific study, in particular, a historic-chronological analysis of the bandura playing techniques used by Vasyl Yemetz, in particular, the method of systematic classification and complex analysis of the playing techniques that he retained and also later developed. -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine. -
During 2014, What Started out As the Euro-Maidan
No. 3 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 18, 2015 5 2014: THE YEAR IN REVIEW From Euro-Maidan to Revolution of Dignity uring 2014, what started out as the Euro-Maidan was transformed into the Revolution of Dignity. By Dyear’s end, Ukraine had a new president, a new Verkhovna Rada and a new government. And, at the end of the year, the Rada voted to abandon the country’s previ- ous “non-bloc” status and set a course for NATO member- ship. A civilizational choice had been made. As the year began, there was concern about the regular presidential election that was to be held in March 2015 as the opposition – that is the pro-Western parties of Ukraine – appeared to have no unified election strategy other than being against Viktor Yanukovych. Ukrainian Democratic Alliance for Reform (UDAR) Chair Vitali Klitschko was call- ing on his rivals to ditch their campaigns and unite behind his single candidacy. The expected Batkivshchyna candi- date, Arseniy Yatsenyuk, and Svoboda party candidate Oleh Tiahnybok said they would compete independently in the first round of the presidential election. Billionaire confectionary magnate Petro Poroshenko also was plan- ning to throw his hat into the ring. The concern among observers was that so many candidates could cannibalize the pro-Western vote or spread it too thinly, letting anoth- Vladimir Gontar/UNIAN er victory slip through their fingers. On January 10 came The scene on January 20 on Kyiv’s Hrushevsky Street, where violent clashes between the Berkut and protesters news of a rift between Euro-Maidan activists and leaders broke out on January 19 and were continuing. -
The Ukrainian Weekly 1990, No.48
www.ukrweekly.com frubHshed by the Ukrainian National Association inc., a fraternal non-profit association rainian Weekly vol. LVIII No. 48 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER 2,1990 50 cents, Ukraine, Russia sign pact Khmara declares hunger strike faction of the democratic National as equal, sovereign states Public rallies Council in Ukraine's Parliament, was KlEv - Leaders of the Ukrainian sentatives of the Ukrainian government around deputy stripped of his parliamentary immunity and Russian republics on November 19 as well as of the democratic opposition by the Communist majority on signed a 10-year bilateral agreement in Parliament, the National Council. КІЕУ— Five Kiev residents were November 14, which cleared the way for covering political, economic, cultural Some 1,000 persons also were on hand, arrested between November 15 and his November 17 arrest. The former and other issues. carrying Ukrainian national flags and 21 in connection with the case of dentist from Chervonohrad in Lviv The chairmen of the Ukrainian and banners proclaiming brotherhood be– Ukrainian People's Deputy Stepan Oblast has been charged with abusing Russian Parliaments, respectively, tween the two sovereign states of Khmara, who began a new hunger the authority of his office under Article Leonid Kravchuk and Boris Yeltsin, Ukraine and Russia. strike in prison protesting his arrest for 166 of the Ukrainian SSR Criminal emphasized that the pact was an agree– The next day, Mr. Yeltsin and his a November 7 incident involving an Code. ment between two sovereign and equal entourage arrived at the Supreme officer of the interior Ministry forces, Mr. Khmara renewed a hunger strike states. -
The Ukrainian Weekly 1988
І Hf" І Published by thg Ukrainian National Association Inc.. a fraternal non-profit as50ciation| Ukrainian WeeklV Vol. LVI No. 11 THE UKRAINIAN WEEKLY SUNDAY, MARCH 13, 1988 25 cents Walter Poiovchok's book describes Millennium resolution passes Senate struggle to become 'Freedom's Child' WASHINGTON - The United Nadia Komarnycky-McConnell, States Senate on Friday, March 4, chairperson of the Government Rela by Marta Kolomayets Walter Polovchak making headlines unanimously approved a resolution tions Committee of the Ukrainian across the nation as the "littlest defec deploring the Soviet government's community's National Committee to NEW YORK - It's hard to believe tor." He first came into the public eye active persecution of religious believers Commemorate the Millennium of that eight years have gone by since when, at the age of 12, he refused to go in Ukraine on the occasion of the Christianity in Ukraine, stressed that Americans first caught a glimpse of back to the Soviet Union with his Millennium of Christianity in Kievan- the Senate action "underscores the parents. He ran away from home when Rus'. primacy of Ukrainian claims to the his parents decided, after six months, The bill's principal sponsor in the Millennium of Christianity" which took that life in the United States was not for Senate, Dennis DeConcini (D-Ariz.), place in Kiev in 988. them. stated that, "if the Soviet government Ms. McConnell further emphasized, Walter was granted religious asylum, truly wants to commemorate the that the passage of S.J. Res. ^5 "adds but a five-year struggle in the courts Millennium of Christianity, it can to the growing internationaf pressure ensued before the issue was declared legalize the Ukrainian Catholic and being put on the Kremlin" regarding moot when Walter turned 18 and Ukrainian Orthodox Churches and Ukrainian concerns in general and became a U.S. -
Sound Recording Dynamics in Bandura Art of Ukrainian Diaspora in the Xx – the Beginning of Xxi Centuries
DOI https://doi.org/10.36059/978-966-397-143-8/17-37 SOUND RECORDING DYNAMICS IN BANDURA ART OF UKRAINIAN DIASPORA IN THE XX – THE BEGINNING OF XXI CENTURIES Dutchak V. H. INTRODUCTION Bandura art, as a separate kind of professional folk art of Ukrainians, from the twentieth century has received new vectors of development, determined not only by changes in immanent features of instruments, genre-style priorities, education conditions, forms of performance, but also the by the expanding of territorial boundaries caused by the spread of this kind outside of the Ukraine. The new socio-political and cultural conditions in Ukraine, the specificity of cultural formation in other countries of the world provided the dynamics of the bandura art development, which affected many levels: structural, logical, cultural- artistic, communicative, etc. What was important in the development of the diaspora bandura art – the absence of political (e.g. censorship) harassment about the bandura, including its repertoire, which made it possible to preserve the unique epic genres – dumas, historical songs, spiritual songs, psalms, as well as heroic- patriotic liberation songs. The prominence of overseas bandura art has identified the priority of solo male performance, both traditional and the latest chapel-ensemble, driven by the need of gathering by Ukrainians, who live abroad. The artistic achievements of soloists and leading bands of bandura players helped to popularize the best samples of folk music and art of Ukrainian composers, presenting Ukrainian culture in the world. In the contemporary art of the diaspora, with the assistance and activity of bandura masters, the traditions of the Kharkiv-Poltava method of playing were preserved and promisingly developed. -
1.0 ARCHIVAL/REFERENCE 1.5 Vasyl Avramenko 1.6 Postage
1.0 ARCHIVAL/REFERENCE 1.5 Vasyl Avramenko Canadian Dances, Natalka Poltavka, Ukrainian Folk Ballet at the Metropolitan, Nation Building in Sask. The Ukrainian Prominent Ukrainian Canadians Avramenko, Vasyl Video 89-1270 Marusia Avramenko, Vasyl Video - 110 minutes, Avramenko Archival Material 89-1268 Pionyeri Avramenko, Vasyl Video - Archival material from Ottawa Archives Some scenes printed out of Frame. Avramenko Archives in Ottawa. Features our first Ukrainian pioneers and their history. 89-1269 Prominent Ukrainian Canadians, Second Ukrainian World Congress Avramenko, Vasyl Video - Archival material from Ottawa Archives 89-1272 Ukrainian News Event of the Day - 1934, Ukrainian News Event of the Day - 1937 Avramenko, Vasyl Video - Archival material from Avramenko Archives in Ottawa 89-1271 1.6 Postage Stamp Book Souvenir Collection of Postage Stamps of Canada 1988 Long, G. and Lortie, C. (Editors) Canada Post Corporation, c1988 box that contains a book about stamps and their production in 1988, stamps included, b/w and color illustrations 00-2657 2.0 CATALOGUES/RESOURCES 2.1 Print Material Ukraine & Ukrainian Canadians Gregorovich, Andrew 88-203 2.2 Guide Books In the Homeland of T. Shevchenko Goncharenko, V.A. 95-2430 Kiev; Atlas for Tourists A complete guide to Kyiv, the sites, monuments, recreation sites, etc. Completely translated into English 95-2431 Odesskay Hosudarstveniy Lyteraturniy Musei Lebedeva, F.C.(ed.) 95-2442 Shevchenkiv kraj - Shevchenko Land (Photo-Guide Book) Bas, V. V. 93-2087 Ternopil: Who?, Where?, How? Duda, Ihor Mystetstvo, Kyiv; c1989 tall, narrow, 230 pp., hardcover book, full colour with numerous maps, illustrations and photos 95-2411 Ukrainian Film Guide Sawycky, Roman 88-188 Ukrajina Putivnyk (Ukraine.