The Ukrainian Weekly 1990, No.48
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37 September 12, 1999
INSIDE:• Investment fund promotes development in Ukraine — page 3. • And the winner of the 1999 Narbut Prize in philately is ... — page 9. • “Ukrainian Week” at Wildwood: what it’s all about — page 17. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXVII HE No.KRAINIAN 37 THE UKRAINIAN WEEKLY SUNDAY, SEPTEMBER 12, 1999 EEKLY$1.25/$2 in Ukraine T U Vitrenko shows staying powerW in presidential race As expected, politics at top of agenda for Verkhovna Rada by Roman Woronowycz Kyiv Press Bureau KYIV – Chairman Oleksander Tkachenko opened the fall session of the Ukrainian Parliament on September 7 by asking the national deputies to refrain from paralyzing the work of the body and unduly politicizing daily legislative debates with pre-election rhetoric during the run-up to October presidential balloting. He then proceeded to criticize the policies and actions of the administration of President Leonid Kuchma, who is considered the current front-run- ner in a lengthy discourse. The first two months of the fourth session of the third Verkhovna Rada of Ukraine are expected to be filled with political electioneering, with the podium of the Parliament as the stump, and devoid of substantive legislative action as the presidential campaign season moves to its finale on October 31. Because Chairman Tkachenko is one of the 14 candidates battling to oust President Kuchma, his comments surprised no one. Neither did the presentations from most of the Progressive Socialist Party leader Natalia Vitrenko (third from left) participates in a recent demonstration leaders of the Verkhovna Rada’s 14 factions, who under her party's banner in Kyiv. -
The Ukrainian Weekly, 2021
Part 3 of THE YEAR IN REVIEW pages 7-13 THE UKRAINIAN WEEKLY Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXXIX No. 5 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 31, 2021 $2.00 Ukraine celebrates Unity Day Ukraine’s SBU suspects former agency colonel of plotting to murder one of its generals by Mark Raczkiewycz KYIV – On January 27, the Security Service of Ukraine (SBU) said it had secured an arrest warrant for Dmytro Neskoromnyi, a former first deputy head of the agency, on suspicion of conspiring to murder a serving SBU general. Mr. Neskoromnyi, a former SBU colonel, allegedly plotted the assassination with currently serving Col. Yuriy Rasiuk of the SBU’s Alpha anti-terrorist unit. The alleged target was 38-year-old Brig. Gen. Andriy Naumov. Mr. Naumov heads the agency’s internal security department, which is responsible for preventing corruption among the SBU’s ranks. RFE/RL In a news release, the SBU provided video RFE/RL A human chain on January 22 links people along the Paton Bridge in Kyiv over the and audio recordings, as well as pictures, as Security Service of Ukraine Brig. Gen. Dnipro River that bisects the Ukrainian capital, symbolizing both sides uniting when evidence of the alleged plot. The former col- Andriy Naumov the Ukrainian National Republic was formed in 1919. onel was allegedly in the process of paying “If there is a crime, we must act on it. $50,000 for carrying out the murder plot. by Roman Tymotsko (UPR), Mykhailo Hrushevskyy. And, in this case, the SBU worked to pre- Mr. -
A Guide to the Archival and Manuscript Collection of the Ukrainian Academy of Arts and Sciences in the U.S., New York City
Research Report No. 30 A GUIDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Canadian Institute of Ukrainian Studies University of Alberta Edmonton 1988 Canadian Institute of Ukrainian Studies University of Alberta Occasional Research Reports Publication of this work is made possible in part by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6G 2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies. PRINTED IN CANADA Occasional Research Reports A GUDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Project Supervisor Research Report No. 30 — 1988 Canadian Institute of Ukrainian Studies University of Alberta Edmonton, Alberta Dr . Yury Boshyk Project Supervisor for The Canadian Institute of Ukrainian Studies Research Assistants Marta Dyczok Roman Waschuk Andrij Wynnyckyj Technical Assistants Anna Luczka Oksana Smerechuk Lubomyr Szuch In Cooperation with the Staff of The Ukrainian Academy of Arts and Sciences in the U.S. Dr. William Omelchenko Secretary General and Director of the Museum-Archives Halyna Efremov Dima Komilewska Uliana Liubovych Oksana Radysh Introduction The Ukrainian Academy of Arts and Sciences in the United States, New York City, houses the most comprehensive and important archival and manuscript collection on Ukrainians outside Ukraine. -
The Ukrainian Weekly 1979, No.9
www.ukrweekly.com Ж І СВОБОДА JlSvOBODA І І чилійський щолінниж ЧЯВР илялі М 1AN ОЛІІЧ UkrainiaENGL1SH-LANGUAGnE WEEKL YWeelc EDlTlON l У VOL. I.XXXVI. No.49 THE UKRAINIAN WEEKLY SUNDAY, MARCH 4,1979 25 CENTS UNA Special Reorganizational Committee meets JERSEY ClTY, N.J. - The Ukrai– quota, he said. The Organizing Depart - which will be announced shortly. stressed that the Supreme Organizer's nian National Association headquar– ment attributes this failure to bad wea– administrative tasks in the office, ' The recommendations of the although burdensome and voluminous, ters here was the cite of a meeting of ther in January. membership subcommittee bearing on the UNA Special Reorganizational produce little benefit in the organizing Dr. Flis also reported on attempts to proposed Branch activities. District field. Committee on Saturday, February 24. secure the employment of a profes– activities, fraternal action, youth pro- The following took part in the day- sional insurance sales manager who grams, field of new membership, pre– ' The report of the public relations long discussions: Dr. Myron Kuropas, would organize the planned insurance serit organizing methods, and adapta– subcommittee which stressed the Dr. Bohdan Futey, Prof. John Teluk, sales department, rewrite sales ma– tion of'these to present needs. The role importance of hiring a professional Anatoie Doroshenko, Taras Szmagala, terial, hire additional salesmen, train of student clubs, professional clubs, person to handle the public relations Evhen Repeta, Tekla Moroz and ex-of– such salesmen, develop a field of pro– the educational role of Svoboda and and fraternal work of the UNA. This ficio members Dr. -
Tradition, Transformation and Innovation in Bandura Playing in the Ukrainian Diaspora of Australia
HISTORY Bulletin of Kyiv National University ISSN 2616-7581 (Print) 2019 • 2(2) • 163-172 of Culture and Arts. Series in Musical Art ISSN 2617-4030 (Online) DOI: 10.31866/2616-7581.2.2.2019.187440 UDC 780.614.13(94=161.2) TRADITION, TRANSFORMATION AND INNOVATION IN BANDURA PLAYING IN THE UKRAINIAN DIASPORA OF AUSTRALIA Victor Mishalow PhD. in Arts, Adjunct Research Fellow; ORCID: 0000-0002-5194-8964; e-mail: [email protected] Monash University, Melbourne, Australia Abstract In the post WWII years, the isolated Ukrainian Diaspora population in Australia preserved a type of Ukrainian folk instrument known as the Kharkiv bandura, the method of playing, its repertoire and technique well into the late 1980’s. During this period the style underwent some transformation and innovation that shed light onto the history of the bandura and demonstrates the process of transformation that ethnic musical culture undergoes when isolated. It also demonstrates the process of innovation. The aim of the study is to focus on bandura tradition, transformations and innovations in the performance practice of bandurists in the Ukrainian Diaspora living in Australia; to observe those aspects of the tradition that were retained, and those performance practices that changed, 163 and the differentiation of this phenomena in comparison to its original counterpart in Ukraine. The methodology of the study is grounded in historic, systemic, sociological and cultural approach and related methods of scientific study, in particular, a historic-chronological analysis of bandura playing techniques in Ukraine, in particular, the method of systematic classification and complex analysis that performance practice that has taken place in Ukrainian culture. -
THE DEVELOPMENT of BANDURA MUSIC ART BETWEEN the 1920S and 1940S
Journal of Ethnology and Folkloristics 14 (2): 44–66 DOI: 10.2478/jef-2020-0015 THE DEVELOPMENT OF BANDURA MUSIC ART BETWEEN THE 1920s A N D 1940s MARYNA BEREZUTSKA Associate professor Department of Folk Instruments M. Glinka Dnipropetrovsk Academy of Music Lyvarna street 10, 49044 Dnipro, Ukraine e-mail: [email protected] ABSTRACT Bandura art is a unique phenomenon of Ukrainian culture, inextricably linked with the history of the Ukrainian people. The study is dedicated to one of the most tragic periods in the history of bandura art, that of the 1920s–1940s, during which the Bolsheviks were creating, expanding and strengthening the Soviet Union. Art in a multinational state at this time was supposed to be national by form and socialist by content in accordance with the concept of Bolshevik cultural policy; it also had to serve Soviet propaganda. Bandura art has always been national by its content, and professional by its form, so conflict was inevitable. The Bolsheviks embodied their cultural policy through administrative and power methods: they created numerous bandurist ensembles and imposed a repertoire that glorified the Communist Party and the Soviet system. As a result, the development of bandura art stagnated significantly, although it did not die completely. At the same time, in the post-war years this policy provoked the emigration of many professional bandurists to the USA and Canada, thus promoting the active spread of bandura art in the Ukrainian Diaspora. KEYWORDS: bandura art • bandurists • kobzars INTRODUCTION The bandura is a unique Ukrainian folk instrument whose history is closely connected with the Ukrainian nation’s history. -
The Ukrainian Weekly 1991, No.22
www.ukrweekly.com lished by the Ukrainian National Association inc., a fraternal non-profit assoclationl rainian Weeklу vol. LIX mNo. 22 THE UKRAINIAN WEEKLY SUNDAY, JUNE 2,1991 50 cents Khmara trial is lnterconfessional problems surface as Lubachivsky visits Kiev by Marta Kolomayets there will be no peace here until you on Monday afternoon, May 27. He postponed again Kiev Press Bureau accept Orthodoxy." explained that on Saturday, he had by Mart a Kolomayets According to the press office of the blessed land in vyshhorod, where the KlEv — The government of the Ukrainian Greek-Catholic Church, Catholics plan to build a church. Kiev Press Bureau Ukrainian SSR is ready to officially some women screamed at the Rev. recognize and legalize the Ukrainian Raphael Turkoniak, vice-chancellor of The Ukrainian Catholic community KlEv - The trial of Ukrainian Greek-Catholic Church, but inter- the Archeparchy of Lviv: "This is an in Kiev has been petitioning the Kiev People's Deputy and radical opposition confessional problems continue to exist Orthodox city. We are the Church of City Council for more than a year and leader Stepan Khmara was postponed in this capital city, as evidenced by the saints and want nothing to do with has been told repeatedly that it would be for the third time on Tuesday morning, events on Sunday, May 26. your pope and your cardinal, if Luba– difficult to give the Ukrainian Greek- May 28. Catholics a church because it would Cardinal Myroslav 1 van Lubachiv– chivsky and you all want to get out of Ukrainian SSR Supreme Court this city alive, you'd better leave now." upset the Ukrainian Orthodox of the Judge vasyl Bilousenko cited the sky, the head of the Ukrainian Greek- Moscow Patriarchate and Ukrainian illnesses of Dr. -
Tradition and Innovation in the Bandura Performances of Vasyl Yemetz
HISTORY Bulletin of Kyiv National University ISSN 2616-7581 (Print) 2020 • 3(1) • 59-70 of Culture and Arts. Series in Musical Art ISSN 2617-4030 (Online) DOI: 10.31866/2616-7581.3.1.2020.204339 UDC 78.071.2:785.5 TRADITION AND INNOVATION IN THE BANDURA PERFORMANCES OF VASYL YEMETZ Victor Mishalow PhD in Arts, Adjunct Research Fellow; ORCID: 0000-0002-5194-8964; e-mail: [email protected] Monash University, Melbourne, Australia Abstract In the XX century, specific individuals in the Ukrainian Diaspora preserved, developed and propagated aspects of bandura culture and tradition, much of which disappeared in Ukraine in the light of new political realities. This included such aspects as the loss of the Kharkiv type bandura, the Kharkiv method and technique of playing, and its traditional repertoire. During the 20th century, Vasyl Yemetz made a significant contribution to the development of the modern bandura and the establishment of the solo concert performance on the instrument. This study is an attempt to glean new information regarding traditional playing techniques he learned as a youth and new techniques he later developed, and also a reevaluation of his repertoire based on reminiscences and recordings made by the author in 1979. The purpose of this research is to focus on traditional, transformational and innovational 59 aspects in the performance practice and playing technique of Vasyl Yemetz; to reevaluate those aspects of the kobzar tradition that he retained, and those that he modified in his concert performance practices, and to compare these to contemporary practices later developed in Ukraine. The research methodology is grounded in historic, systemic, sociological and cultural approach and related methods of scientific study, in particular, a historic-chronological analysis of the bandura playing techniques used by Vasyl Yemetz, in particular, the method of systematic classification and complex analysis of the playing techniques that he retained and also later developed. -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine. -
Ukrainians Descend on Glasgow for Ukraine
INSIDE: • Election notebook: The final results are in... — page 3. • Statue of Stepan Bandera unveiled in Lviv — page 3. • Harvard Ukrainian Research Institute has new home — 5. HE KRAINIAN EEKLY T PublishedU by the Ukrainian National Association Inc., a fraternal non-profitW association Vol. LXXV No. 42 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 21, 2007 $1/$2 in Ukraine 65th anniversary of UPA’s founding Orange Revolution allies draft marked as national holiday in Ukraine Democratic Forces Coalition pact by Zenon Zawada Orange government, the Kyiv press corps Kyiv Press Bureau remained cautious in declaring it a done deal, remembering how a nascent coalition KYIV – Prospects for the first Orange unraveled last year when Socialist Party parliamentary majority leapt forward Chair Oleksander Moroz betrayed his when Yulia Tymoshenko and Our Ukraine allies after signing a pact with them. leader Viacheslav Kyrylenko on October Soon after the pact’s announcement, the 17 presented the draft of a parliamentary Ukrainian media began speculating on coalition agreement they vowed their how the coalition could fall apart and what respective blocs would support unani- role the Party of the Regions would play in mously. that scenario. They also guaranteed ironclad support For example, voting for the for the candidacies of Ms. Tymoshenko as Parliament’s chair will take place under a prime minister and Mr. Kyrylenko as secret ballot, a particularly vulnerable situ- Verkhovna Rada chair. ation for the Orange forces. Unanimous support is critical for their “Regions deputies could reach agree- proposed Democratic Forces Coalition to ments with wavering Tymoshenko emerge because its parliamentary majority deputies so as not to vote for the young would be based on a slim margin of three Our Ukraine leader [Mr. -
Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries
Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries Iryna Ya. Zinkiv1 1Department of the Music Theory, Lviv National Music Academy named after Mykola Lysenko, O. Nyzhankivskyi Str., Lviv, Ukraine. Abstract Among the main signs of Ukrainian culture, its instrumental artifact, the bandura, which is the nation-building component of Ukraine, holds a significant place. The proposed paper attempts to characterize the bandura development from the diatonic instrument at the beginning of XX century, developed by the prominent Ukrainian bandura craftsmen in their creative activity – O. Korniievskyi, I. Skliar, V. Herasymenko, – to the modern “chromatic” instrument with dual-diatonic scale, wide sound range and technical characteristics. Only two from among several play methods that existed in the traditional popular-professional performance of the past epochs became firmly established before the twenties of XX century – Chernihiv method, subsequently named as Kyiv method, and Kharkiv method. Each was associated with different way of holding the instrument – perpendicular to and parallel to the performer's body. In both cases, the performers held the bandura vertically, pointing the neck upwards, which was consistent with the stable parameters of the national instrumental tradition of performing on zittern-like instruments. Starting with psalters depicted, in particular, on the fresco “Musicians” at the Cathedral of St. Sofia and other iconographic artifacts of the Middle Ages and Baroque era. The paper considers the academicization of both bandura types in terms other prominent bandura craftsmen activity, who worked during the Soviet period as part of big associations – Chernihiv and Lviv Factories of Musical Instruments. -
During 2014, What Started out As the Euro-Maidan
No. 3 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 18, 2015 5 2014: THE YEAR IN REVIEW From Euro-Maidan to Revolution of Dignity uring 2014, what started out as the Euro-Maidan was transformed into the Revolution of Dignity. By Dyear’s end, Ukraine had a new president, a new Verkhovna Rada and a new government. And, at the end of the year, the Rada voted to abandon the country’s previ- ous “non-bloc” status and set a course for NATO member- ship. A civilizational choice had been made. As the year began, there was concern about the regular presidential election that was to be held in March 2015 as the opposition – that is the pro-Western parties of Ukraine – appeared to have no unified election strategy other than being against Viktor Yanukovych. Ukrainian Democratic Alliance for Reform (UDAR) Chair Vitali Klitschko was call- ing on his rivals to ditch their campaigns and unite behind his single candidacy. The expected Batkivshchyna candi- date, Arseniy Yatsenyuk, and Svoboda party candidate Oleh Tiahnybok said they would compete independently in the first round of the presidential election. Billionaire confectionary magnate Petro Poroshenko also was plan- ning to throw his hat into the ring. The concern among observers was that so many candidates could cannibalize the pro-Western vote or spread it too thinly, letting anoth- Vladimir Gontar/UNIAN er victory slip through their fingers. On January 10 came The scene on January 20 on Kyiv’s Hrushevsky Street, where violent clashes between the Berkut and protesters news of a rift between Euro-Maidan activists and leaders broke out on January 19 and were continuing.