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The Ukrainian Weekly, 2021
Part 3 of THE YEAR IN REVIEW pages 7-13 THE UKRAINIAN WEEKLY Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXXIX No. 5 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 31, 2021 $2.00 Ukraine celebrates Unity Day Ukraine’s SBU suspects former agency colonel of plotting to murder one of its generals by Mark Raczkiewycz KYIV – On January 27, the Security Service of Ukraine (SBU) said it had secured an arrest warrant for Dmytro Neskoromnyi, a former first deputy head of the agency, on suspicion of conspiring to murder a serving SBU general. Mr. Neskoromnyi, a former SBU colonel, allegedly plotted the assassination with currently serving Col. Yuriy Rasiuk of the SBU’s Alpha anti-terrorist unit. The alleged target was 38-year-old Brig. Gen. Andriy Naumov. Mr. Naumov heads the agency’s internal security department, which is responsible for preventing corruption among the SBU’s ranks. RFE/RL In a news release, the SBU provided video RFE/RL A human chain on January 22 links people along the Paton Bridge in Kyiv over the and audio recordings, as well as pictures, as Security Service of Ukraine Brig. Gen. Dnipro River that bisects the Ukrainian capital, symbolizing both sides uniting when evidence of the alleged plot. The former col- Andriy Naumov the Ukrainian National Republic was formed in 1919. onel was allegedly in the process of paying “If there is a crime, we must act on it. $50,000 for carrying out the murder plot. by Roman Tymotsko (UPR), Mykhailo Hrushevskyy. And, in this case, the SBU worked to pre- Mr. -
A Guide to the Archival and Manuscript Collection of the Ukrainian Academy of Arts and Sciences in the U.S., New York City
Research Report No. 30 A GUIDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Canadian Institute of Ukrainian Studies University of Alberta Edmonton 1988 Canadian Institute of Ukrainian Studies University of Alberta Occasional Research Reports Publication of this work is made possible in part by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6G 2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies. PRINTED IN CANADA Occasional Research Reports A GUDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Project Supervisor Research Report No. 30 — 1988 Canadian Institute of Ukrainian Studies University of Alberta Edmonton, Alberta Dr . Yury Boshyk Project Supervisor for The Canadian Institute of Ukrainian Studies Research Assistants Marta Dyczok Roman Waschuk Andrij Wynnyckyj Technical Assistants Anna Luczka Oksana Smerechuk Lubomyr Szuch In Cooperation with the Staff of The Ukrainian Academy of Arts and Sciences in the U.S. Dr. William Omelchenko Secretary General and Director of the Museum-Archives Halyna Efremov Dima Komilewska Uliana Liubovych Oksana Radysh Introduction The Ukrainian Academy of Arts and Sciences in the United States, New York City, houses the most comprehensive and important archival and manuscript collection on Ukrainians outside Ukraine. -
The Ukrainian Weekly 1979, No.9
www.ukrweekly.com Ж І СВОБОДА JlSvOBODA І І чилійський щолінниж ЧЯВР илялі М 1AN ОЛІІЧ UkrainiaENGL1SH-LANGUAGnE WEEKL YWeelc EDlTlON l У VOL. I.XXXVI. No.49 THE UKRAINIAN WEEKLY SUNDAY, MARCH 4,1979 25 CENTS UNA Special Reorganizational Committee meets JERSEY ClTY, N.J. - The Ukrai– quota, he said. The Organizing Depart - which will be announced shortly. stressed that the Supreme Organizer's nian National Association headquar– ment attributes this failure to bad wea– administrative tasks in the office, ' The recommendations of the although burdensome and voluminous, ters here was the cite of a meeting of ther in January. membership subcommittee bearing on the UNA Special Reorganizational produce little benefit in the organizing Dr. Flis also reported on attempts to proposed Branch activities. District field. Committee on Saturday, February 24. secure the employment of a profes– activities, fraternal action, youth pro- The following took part in the day- sional insurance sales manager who grams, field of new membership, pre– ' The report of the public relations long discussions: Dr. Myron Kuropas, would organize the planned insurance serit organizing methods, and adapta– subcommittee which stressed the Dr. Bohdan Futey, Prof. John Teluk, sales department, rewrite sales ma– tion of'these to present needs. The role importance of hiring a professional Anatoie Doroshenko, Taras Szmagala, terial, hire additional salesmen, train of student clubs, professional clubs, person to handle the public relations Evhen Repeta, Tekla Moroz and ex-of– such salesmen, develop a field of pro– the educational role of Svoboda and and fraternal work of the UNA. This ficio members Dr. -
Tradition, Transformation and Innovation in Bandura Playing in the Ukrainian Diaspora of Australia
HISTORY Bulletin of Kyiv National University ISSN 2616-7581 (Print) 2019 • 2(2) • 163-172 of Culture and Arts. Series in Musical Art ISSN 2617-4030 (Online) DOI: 10.31866/2616-7581.2.2.2019.187440 UDC 780.614.13(94=161.2) TRADITION, TRANSFORMATION AND INNOVATION IN BANDURA PLAYING IN THE UKRAINIAN DIASPORA OF AUSTRALIA Victor Mishalow PhD. in Arts, Adjunct Research Fellow; ORCID: 0000-0002-5194-8964; e-mail: [email protected] Monash University, Melbourne, Australia Abstract In the post WWII years, the isolated Ukrainian Diaspora population in Australia preserved a type of Ukrainian folk instrument known as the Kharkiv bandura, the method of playing, its repertoire and technique well into the late 1980’s. During this period the style underwent some transformation and innovation that shed light onto the history of the bandura and demonstrates the process of transformation that ethnic musical culture undergoes when isolated. It also demonstrates the process of innovation. The aim of the study is to focus on bandura tradition, transformations and innovations in the performance practice of bandurists in the Ukrainian Diaspora living in Australia; to observe those aspects of the tradition that were retained, and those performance practices that changed, 163 and the differentiation of this phenomena in comparison to its original counterpart in Ukraine. The methodology of the study is grounded in historic, systemic, sociological and cultural approach and related methods of scientific study, in particular, a historic-chronological analysis of bandura playing techniques in Ukraine, in particular, the method of systematic classification and complex analysis that performance practice that has taken place in Ukrainian culture. -
THE DEVELOPMENT of BANDURA MUSIC ART BETWEEN the 1920S and 1940S
Journal of Ethnology and Folkloristics 14 (2): 44–66 DOI: 10.2478/jef-2020-0015 THE DEVELOPMENT OF BANDURA MUSIC ART BETWEEN THE 1920s A N D 1940s MARYNA BEREZUTSKA Associate professor Department of Folk Instruments M. Glinka Dnipropetrovsk Academy of Music Lyvarna street 10, 49044 Dnipro, Ukraine e-mail: [email protected] ABSTRACT Bandura art is a unique phenomenon of Ukrainian culture, inextricably linked with the history of the Ukrainian people. The study is dedicated to one of the most tragic periods in the history of bandura art, that of the 1920s–1940s, during which the Bolsheviks were creating, expanding and strengthening the Soviet Union. Art in a multinational state at this time was supposed to be national by form and socialist by content in accordance with the concept of Bolshevik cultural policy; it also had to serve Soviet propaganda. Bandura art has always been national by its content, and professional by its form, so conflict was inevitable. The Bolsheviks embodied their cultural policy through administrative and power methods: they created numerous bandurist ensembles and imposed a repertoire that glorified the Communist Party and the Soviet system. As a result, the development of bandura art stagnated significantly, although it did not die completely. At the same time, in the post-war years this policy provoked the emigration of many professional bandurists to the USA and Canada, thus promoting the active spread of bandura art in the Ukrainian Diaspora. KEYWORDS: bandura art • bandurists • kobzars INTRODUCTION The bandura is a unique Ukrainian folk instrument whose history is closely connected with the Ukrainian nation’s history. -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine. -
Ukrainians Descend on Glasgow for Ukraine
INSIDE: • Election notebook: The final results are in... — page 3. • Statue of Stepan Bandera unveiled in Lviv — page 3. • Harvard Ukrainian Research Institute has new home — 5. HE KRAINIAN EEKLY T PublishedU by the Ukrainian National Association Inc., a fraternal non-profitW association Vol. LXXV No. 42 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 21, 2007 $1/$2 in Ukraine 65th anniversary of UPA’s founding Orange Revolution allies draft marked as national holiday in Ukraine Democratic Forces Coalition pact by Zenon Zawada Orange government, the Kyiv press corps Kyiv Press Bureau remained cautious in declaring it a done deal, remembering how a nascent coalition KYIV – Prospects for the first Orange unraveled last year when Socialist Party parliamentary majority leapt forward Chair Oleksander Moroz betrayed his when Yulia Tymoshenko and Our Ukraine allies after signing a pact with them. leader Viacheslav Kyrylenko on October Soon after the pact’s announcement, the 17 presented the draft of a parliamentary Ukrainian media began speculating on coalition agreement they vowed their how the coalition could fall apart and what respective blocs would support unani- role the Party of the Regions would play in mously. that scenario. They also guaranteed ironclad support For example, voting for the for the candidacies of Ms. Tymoshenko as Parliament’s chair will take place under a prime minister and Mr. Kyrylenko as secret ballot, a particularly vulnerable situ- Verkhovna Rada chair. ation for the Orange forces. Unanimous support is critical for their “Regions deputies could reach agree- proposed Democratic Forces Coalition to ments with wavering Tymoshenko emerge because its parliamentary majority deputies so as not to vote for the young would be based on a slim margin of three Our Ukraine leader [Mr. -
Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries
Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries Iryna Ya. Zinkiv1 1Department of the Music Theory, Lviv National Music Academy named after Mykola Lysenko, O. Nyzhankivskyi Str., Lviv, Ukraine. Abstract Among the main signs of Ukrainian culture, its instrumental artifact, the bandura, which is the nation-building component of Ukraine, holds a significant place. The proposed paper attempts to characterize the bandura development from the diatonic instrument at the beginning of XX century, developed by the prominent Ukrainian bandura craftsmen in their creative activity – O. Korniievskyi, I. Skliar, V. Herasymenko, – to the modern “chromatic” instrument with dual-diatonic scale, wide sound range and technical characteristics. Only two from among several play methods that existed in the traditional popular-professional performance of the past epochs became firmly established before the twenties of XX century – Chernihiv method, subsequently named as Kyiv method, and Kharkiv method. Each was associated with different way of holding the instrument – perpendicular to and parallel to the performer's body. In both cases, the performers held the bandura vertically, pointing the neck upwards, which was consistent with the stable parameters of the national instrumental tradition of performing on zittern-like instruments. Starting with psalters depicted, in particular, on the fresco “Musicians” at the Cathedral of St. Sofia and other iconographic artifacts of the Middle Ages and Baroque era. The paper considers the academicization of both bandura types in terms other prominent bandura craftsmen activity, who worked during the Soviet period as part of big associations – Chernihiv and Lviv Factories of Musical Instruments. -
A Guide to Ukrainian Special Collections at Harvard University
A guide to Ukrainian special collections at Harvard University The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Kiebuzinski, Ksenya. 2007. A guide to Ukrainian special collections at Harvard University. Harvard Library Bulletin 18 (3-4). 1-107. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42672684 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Ukrainian Research Institute Manuscripts and Archives he chronological extent of the Institute’s manuscript and archival collections ranges from 1860 to the present. Te collections include personal Tdocuments, correspondence, telegrams, minutes, fnancial and administrative records, manuscripts, publications, press clippings, and photographs. Te predominant languages of the various documents are Ukrainian and English, although some of the documents are written in other European languages. Te collections are a particularly important historical resource for the study of Ukraine during the revolutionary years 1917 to 1921 and Ukrainian refugee and émigré life in Europe and the United States following World War II. Te papers and archives are also useful for studying Ukrainian cultural life from the viewpoint of individual lives and institutional activities. Several collections provide insights into the immediate post-World War I period in Ukraine. Te Yaroslav Chyz collection includes telegrams relating to the abdication of Tsar Nicholas II in early 1917 and the ensuing hostilities that enveloped Eastern Europe. -
Rediscovering Zaporozhians Memory, Loyalties, and Politics in Late Imperial Kuban, 1880–1914
Rediscovering Zaporozhians Memory, Loyalties, and Politics in Late Imperial Kuban, 1880–1914 Oleksandr Polianichev Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 26 May 2017 European University Institute Department of History and Civilization Rediscovering Zaporozhians Memory, Loyalties, and Politics in Late Imperial Kuban, 1880–1914 Oleksandr Polianichev Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Alexander Etkind, European University Institute (EUI Supervisor) Professor Pavel Kolář, European University Institute Professor Vladimir Lapin, European University at St. Petersburg (External Supervisor) Professor Mark von Hagen (Arizona State University) © Oleksandr Polianichev, 2017 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Oleksandr Polianichev certify that I am the author of the work Rediscovering Zaporozhians: Culture, Memory, and Politics in Late Imperial Kuban, 1860–1914 I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
29609 Hon. Dennis J. Kucinich Hon. John Conyers
November 10, 1999 EXTENSIONS OF REMARKS 29609 of whom I’d just read? Chorus since its displacement from Ukraine in propriate, bipartisan balance between the Curled up on a poncho, 1942. In addition to its mission of carrying the rights of franchisors and franchisees. These the floor for a bed? tradition of the bandura to the 21st century, issues have been the subject of a hearing in I realized the families the Chorus is also charged with preserving its this Judiciary Committee earlier this year, and that I saw this night, past for future generations. The history of the the issues merit action by this Congress. owed their lives to these soldiers Protecting the rights of franchisees is ulti- who were willing to fight. Ukraine Bandurist Chorus can be traced di- rectly to the 12th Archeological Congress in mately about protecting the rights of small Soon round the world, business. They often face enormous odds and the children would play, Kharkiv, Ukraine in 1902. The first profes- and grown-ups would celebrate sional bandurist chorus was formed in Kyiv in a daunting inequality of bargaining power a bight Christmas day. 1918 during the height of the country’s brief when dealing with national franchisors. Unfor- They all enjoyed freedom period of independence. During a time of in- tunately, the law often offers little recourse in each month of the year, creased popularity and resurgence of the the face of great harm. because of the soldiers, Ukrainian arts and culture, the group devel- There is currently no federal law estab- like the one lying here. -
Tymoshenko Transferred to Penal Colony in Kharkiv PARSIPPANY, N.J
INSIDE: l Tymoshenko’s imprisonment and Eurointegration – page 3 l Opening of internment camp interpretive center – page 9 l Immaculate Conception Schools’ diamond jubilee – page 15 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXX No. 2 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 8, 2012 $1/$2 in Ukraine Tymoshenko transferred to penal colony in Kharkiv PARSIPPANY, N.J. – Ukrainian opposition night, without any warning or explanation, leader and former Prime Minister Yulia and early in the morning, actually on a Tymoshenko was suddenly transferred from stretcher, she was loaded onto a truck and a pre-trial detention center in Kyiv to a penal driven in the direction of Kharkiv.” The colony in Kharkiv on December 30, 2011. Batkivschyna party leader had been held at Opposition activists said the move was the Lukianivska facility since August 5, 2011. made in order to cut off her contacts with In an essay titled “My Christmas in a Dark the public and the news media. Her backers Cell” that was published in The Moscow had repeatedly gathered outside the Times on December 27, Ms. Tymoshenko Lukianivska prison in Kyiv to demonstrate wrote: “As Anna Akhmatova, the great poetic their support and to draw media attention chronicler of Stalin’s terror, said, ‘I am alive to her plight. in this grave.’ Indeed, I am more alive than The New York Times quoted Oleksander the men who have imprisoned me here.” Turchynov, deputy leader of the Batkivschyna She underscored: “I take some comfort Party, as stating that Ms. Tymoshenko’s moth- this Christmas in knowing that the godless- er had arrived at the Kyiv jail early in the ness, inhumanity and criminality of the morning of December 30 only to be told that regime that is now ruling in Kyiv is, at long “there is no such prisoner in this detention last, being exposed to the world in a clear center.” light.