The Ukrainian Weekly 1988
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Musical Culture
AD ALTA JOURNAL OF INTERDISCIPLINARY RESEARCH MUSICAL CULTURE: MULTICULTURALISM AND IDENTIFICATION aSERGII TYSHKO, bMARYNA SEVERYNOVA, cINNA functioning and coexistence of various ethnocultural TYMCHENKO-BYKHUN, dPOLINA KHARCHENKO communities in a given society, with their inherent awareness of their own identity, which ensures their equality, mutual respect, a,bUkrainian National Tchaikovsky Academy of Music, 1-3/11, mutual understanding, harmony and tolerance, as well as organic Architect Gorodetsky Str., 01001, Kyiv, Ukraine connection with a broad cross-cultural community. Moreover, cR. Glier Kyiv Municipal Academy of Music, 31, Lva Tolstoho the essence of multiculturalism as a social phenomenon is to Str., 01032, Kyiv, Ukraine ensure the mutual enrichment of cultures, as well as the dNational Academy of Arts of Ukraine, 20, Bylvarno- existence and definition of a common national system of norms Kydrjavskaja Str., 01054, Kyiv, Ukraine and values that form the basis of civic consciousness of the email: [email protected], [email protected], individual. [email protected], [email protected] In the process of interaction of different cultures, as a result of their mutual enrichment and interpenetration in society, new Abstract: In the space of contemporary art, two interdependent and interconnected cultural values are created and affirmed [30]. If we consider the tendencies of development are distinguished, the set of which outlines the existing potential, dynamics, and vectors of development of modern musical culture. We mean manifestations of multiculturalism at the individual level, the multiculturalism as a tendency to interaction and mutual enrichment of essentially result of this principle is the preservation of each individual's different cultural patterns, creating a single communicative space in which the inner uniqueness, awareness of the importance of self- existence of a common system of universal values is possible. -
CHERES Hailed to Be “The Best Purveyor of Authentic Ukrainian Folk
CHERES Hailed to be “the best purveyor of authentic Ukrainian folk music in the United States” by the former head of the Archive of Folk Culture at the Library of Congress, Cheres brings to life melodies from the Carpathian mountains in Western Ukraine and neighboring Eastern European countries. Since its founding in 1990 by students of the Kyiv State Conservatory in the Ukraine, the ensemble has enthralled North American audiences with their rousing renditions of folk music performed on the cymbalum, violin, woodwinds, accordion, bass, and percussion. Virtuoso musicians join spirited dancers, all donned in traditional Western Ukrainian hand-embroidered garments, to paint a vivid picture of Ukrainian folk art. The musicians, most of whom are from Halychyna in western Ukraine, are united by an artistic vision to preserve their traditions. “Cheres” is actually a little known Ukrainian term for a metal- studded leather belt formerly used as a bulletproof vest during the Middle Ages. Today, the group Cheres has adopted this Medieval protective shield as their name to symbolize the safeguarding of vanishing folk art traditions from the Carpathian mountains. This seasoned ensemble has performed in nightclubs and concerts in New York City; music festivals in the Tri-State area, including Lincoln Center’s Out of Doors Festival in 2006 and Folk Parks in 2000, as well as colleges and universities on the east coast. Cheres has appeared on television on NBC’s Weekend Today show, as well as the Food Network’s Surprise! show. Tracks from their latest CD, Cheres: From the Mountains to the Steppe” have been played on WNYC’s New Sounds program, as well as other stations in the region. -
The Ukrainian Weekly 1965, No.25
www.ukrweekly.com ' "" r- І Address: The Ukrainian Weekly "WE INTEND TO BURY 81-83 Grand Street NO О N E AND W E D О Jersey City, N.J. 07303 Tel. HEnderson 4-0237 NOT INTEND TO BE New York's Telephone: BUR1ED" BArclay 7-4125 Lyndon B. Johnson УКРАЇНСЬКИЙ ЩОДЕННИК. UKRAINIAN одну Ukrainian Natioanal Ass'n Sty? lkrauttan pwfclg forfimt TeL HEnderson 5-8740 РІК ЬХХП 4. 120 SECTION TWO 15 ЦЕНТІВ - 15 CENTS SVOBODA,-THE UKRAINIAN WEEKLY. SATURDAY, JUNE 26, 1965 No. 120 VOL LXXH ! І ssss - Metropolitan Theodorovych Democrats Affirm vital Role . і ' Ukrainian Day at Singer Bowl Rochester ТУ Station Airs To Attend Blessing Ceremony Of Ethnic Groups if Scheduled for July 11 Ukrainian Program MAYOR WAGNER TO OONT1NUE AS ALL AMER1CANS in Boston JERSEY C1TY, NEW YORK GROUPS PERFORM ROCHESTER , N. Y.—With latter group is under the tute- COUNCIL CHAIRMAN TOMORROW BOSTON, Mass. — His Emi- ry, liturgical appointments of NEW YORK, N.Y. - "The ences designed to deal with the merely a switch of the dial lage of Jaroslaw Kuzhil. Mi- nence, Metropolitan loan The-' this newly constructed edifice hopes and aspirations of the problems and issues confront- By HELEN P. SM1NDAK Ukrainians in this city were chael Yurkiw's orchestra play- odorovych, Spiritual Head of in Boston, it marks the com- foreign-language groups and ing the nationality groups in .) ' able to view their own te!evi- ed for the dancers. the Ukrainian Orthodox Church, pletion of the church building the causes that they seek to the light of the far-reaching World's Fair. -
Untitled Spreadsheet
Priority sector for Name of the project in Summary of the project in English, including goal and results (up Full name of the applicant Total project budget Requested amount ID Competition program LOT Type of project culture and arts English to 100 words) organization in English (in UAH) from UCF (in UAH) The television program is based on facts taken from historical sources, which testify to a fundamental distortion of the history of the Russian Empire, aimed at creating a historical mythology that Muscovy and Kievan Rus have common historical roots, that Muscovy has "inheritance rights" on Kievan Rus. The ordinary fraud of the Muscovites, who had taken possession of the past of The cycle of science- the Grand Duchy of Kiev and its people, dealt a terrible cognitive television blow to the Ukrainian ethnic group. Our task is to expose programs "UKRAINE. the falsehood and immorality of Moscow mythology on Union of STATE HISTORY. Part the basis of true facts. Without a great past, it is impossible Cinematographers "Film 3AVS11-0069 Audiovisual Arts LOT 1 TV content Individual Audiovisual Arts I." Kievan Rus " to create a great nation. Logos" 1369589 1369589 New eight 15-minute programs of the cycle “Game of Fate” are continuation of the project about outstanding historical figures of Ukrainian culture, art and science. The project consists of stories of the epistolary genre and memoirs. Private world of talented personalities, complex and ambiguous, is at the heart of the stories. These are facts from biographies that are not written in textbooks, encyclopedias, or wikipedia, but which are much more likely to attract the attention of different audiences. -
A Turbulent Year for Ukraine Urbulent Was the Way to Describe 2009 for Ukraine, Which Plunged Into Financial Crisis
No. 3 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 17, 2010 5 2009: THE YEAR IN REVIEW A turbulent year for Ukraine urbulent was the way to describe 2009 for Ukraine, which plunged into financial crisis. No other European country suffered as much as TUkraine, whose currency was devalued by more than 60 percent since its peak of 4.95 hrv per $1 in August 2008. In addition, the country’s industrial production fell by 31 percent in 2009. Prime Minister Yulia Tymoshenko con- fronted the challenge of minimizing the crisis fallout, while at the same time campaigning for the 2010 presi- dential elections. Her critics attacked her for pursuing populist policies, such as increasing wages and hiring more government staff, when the state treasury was broke as early as the spring. Ms. Tymoshenko herself admitted that her gov- ernment would not have been able to make all its pay- ments without the help of three tranches of loans, worth approximately $10.6 billion, provided by the International Monetary Fund. Her critics believe that instead of borrowing money, Ms. Tymoshenko should have been introducing radical reforms to the Ukrainian economy, reducing government waste, eliminating out- dated Soviet-era benefits and trimming the bureaucracy. The year began with what is becoming an annual tra- Offi cial Website of Ukraine’s President dition in Ukraine – a natural gas conflict provoked by the government of Russian Federation Prime Minister President Viktor Yushchenko and Prime Minister Yulia Tymoshenko at the heated February 10 meeting of Vladimir Putin. Whereas the New Year’s Day crisis of the National Security and Defense Council. -
Ukrainian Literature
UKRAINIAN LITERATURE A Journal of Translations Volume 4 2014 Ukrainian Literature A Journal of Translations Editor Maxim Tarnawsky Manuscript Editor Uliana Pasicznyk Editorial Board Taras Koznarsky, Askold Melnyczuk, Michael M. Naydan, Marko Pavlyshyn Special thanks to Lesia Waschuk for editorial assistance www.UkrainianLiterature.org Ukrainian Literature publishes translations into English of works of Ukrainian literature. The journal appears triennially on the internet at www.UkrainianLiterature.org. The print edition has been temporarily suspended. Ukrainian Literature seeks financial sponsors who can provide funds to pay honoraria to authors and translators and to produce a print edition of the journal. Please contact the editor by e-mail at [email protected]. Ukrainian Literature welcomes submissions from translators. Translators who wish to submit translations for consideration should contact the editor by e-mail at [email protected]. ISSN 1552-5880 (online edition) ISSN 1552-5872 (print edition) Contents Introduction: Maxim Tarnawsky 5 VALERIAN PIDMOHYLNY The City (Part 1) Translated by Maxim Tarnawsky 11 TARAS SHEVCHENKO Three Poems Translated by Boris Dralyuk and Roman Koropeckyj 105 VOLODYMYR VYNNYCHENKO “The ‘Moderate’ One and the ‘Earnest’ One: A Husband’s Letter to His Wife” Translated by Patrick John Corness and Oksana Bunio 109 TARAS SHEVCHENKO Four Poems Translated by Alexander J. Motyl 119 OLHA KOBYLIANSKA “Vasylka” Translated by Yuliya Ladygina 125 VASYL STUS Untitled Poem (“I cross the edge. This conquering the circle”) Translated by Artem Pulemotov 145 OLES ULIANENKO “Dinosaur Eggs” Translated by Luba Gawur 147 IHOR KALYNETS Four Cycles of Poems “Summing up Silence” “Backyard Grotesques” “Consciousness of a Poem” “Threnody for One More Way of the Cross” Translated by Volodymyr Hruszkewycz 157 VASYL MAKHNO Coney Island A Drama-Operetta Translated by Alexander J. -
Visual Text and Musical Subtext: the Cossacks (George Hill, 1928): a 21St-Century Composer’S Journey in Silent Film Scoring
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel Electronic version URL: http://journals.openedition.org/miranda/38488 DOI: 10.4000/miranda.38488 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Robert Israel, “Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring”, Miranda [Online], 22 | 2021, Online since 23 March 2021, connection on 26 April 2021. URL: http://journals.openedition.org/miranda/38488 ; DOI: https:// doi.org/10.4000/miranda.38488 This text was automatically generated on 26 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Cen... 1 Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel 1 This piece aims to contextualize my contribution as ethnomusicologist, composer, orchestrator, arranger, conductor, choral director, producer, music contractor, and music editor for Turner Classic Movie’s presentation of MGM’s 1928 production of The Cossacks, directed by George Hill, with additional sequences directed by Clarence Brown. Working within a limited budget; doing research into the film’s historical era and the musical practices of the culture in which it takes place; finding source material, ethnic instruments, and musicians specializing in specific ethnic styles of music performance; and, other formidable challenges which I will outline here. -
UCI Track Cycling World Championships
Elite Track World Championships - Palmarès - Men's Sprint SPRINT MEN / VITESSE HOMMES 1 2 3 PROFESSIONAL 1895 - Germany - Köln PROTIN R. (BEL) BANKER G. A. (USA) HUET E. (BEL) 1896 - Denmark - Copenhaguen BOURILLON Paul (FRA) BARDEN C.F. (GBR) JACQUELIN E. (FRA) 1897 - Great Britain - Glasgow AREND W. (GER) BARDEN C.F. (GBR) NOSSEM P. (FRA) 1898 - Austria - Vienna BANKER G. A. (USA) VERHEYEN F. (GER) JACQUELIN E. (FRA) 1899 - Canada - Montréal TAYLOR M. (USA) BUTTLER Tom (USA) D'OUTRELON G.C. (FRA) 1900 - France - Paris JACQUELIN E. (FRA) MEYERS H. (NED) AREND W. (GER) 1901 - Germany - Berlin ELLEGAARD Th. (DEN) JACQUELIN E. (FRA) SCHILLING G. (NED) 1902 - Italy - Roma ELLEGAARD Th. (DEN) AREND W. (GER) BIXIO P. (ITA) 1903 - Denmark - Copenhaguen ELLEGAARD Th. (DEN) AREND W. (GER) MEYERS H. (NED) 1904 - Great Britain - London LAWSON Yv. (USA) ELLEGAARD Th. (DEN) MAYER H. (GER) 1905 - Belgium - Anvers POULAIN G. (FRA) ELLEGAARD Th. (DEN) MAYER H. (GER) 1906 - Switzerland - Geneva ELLEGAARD Th. (DEN) POULAIN G. (FRA) FRIOL E. (FRA) 1907 - France - Paris FRIOL E. (FRA) MAYER H. (GER) RÜTT W. (GER) 1908 - Germany - Berlin ELLEGAARD Th. (DEN) POULAIN G. (FRA) VANDEN BORN C. (BEL) 1909 - Denmark - Copenhaguen DUPRE V. (FRA) POULAIN G. (FRA) RÜTT W. (GER) 1910 - Belgium - Bruxelles FRIOL E. (FRA) ELLEGAARD Th. (DEN) (RÜTT W. forfait) 1911 - Italy - Roma ELLEGAARD Th. (DEN) HOURLIER L. (FRA) POUCHOIS J. (FRA) 1912 - United States -Newark KRAMER Fr. (USA) GRENDA A. (AUS) PERCHICOT A. (FRA) 1913 - Germany - Leipzig RÜTT W. (GER) ELLEGAARD Th. (DEN) PERCHICOT A. (FRA) 1920 - Belgium - Anvers SPEARS R. (AUS) KAUFMANN E. -
Tradition, Transformation and Innovation in Bandura Playing in the Ukrainian Diaspora of Australia
HISTORY Bulletin of Kyiv National University ISSN 2616-7581 (Print) 2019 • 2(2) • 163-172 of Culture and Arts. Series in Musical Art ISSN 2617-4030 (Online) DOI: 10.31866/2616-7581.2.2.2019.187440 UDC 780.614.13(94=161.2) TRADITION, TRANSFORMATION AND INNOVATION IN BANDURA PLAYING IN THE UKRAINIAN DIASPORA OF AUSTRALIA Victor Mishalow PhD. in Arts, Adjunct Research Fellow; ORCID: 0000-0002-5194-8964; e-mail: [email protected] Monash University, Melbourne, Australia Abstract In the post WWII years, the isolated Ukrainian Diaspora population in Australia preserved a type of Ukrainian folk instrument known as the Kharkiv bandura, the method of playing, its repertoire and technique well into the late 1980’s. During this period the style underwent some transformation and innovation that shed light onto the history of the bandura and demonstrates the process of transformation that ethnic musical culture undergoes when isolated. It also demonstrates the process of innovation. The aim of the study is to focus on bandura tradition, transformations and innovations in the performance practice of bandurists in the Ukrainian Diaspora living in Australia; to observe those aspects of the tradition that were retained, and those performance practices that changed, 163 and the differentiation of this phenomena in comparison to its original counterpart in Ukraine. The methodology of the study is grounded in historic, systemic, sociological and cultural approach and related methods of scientific study, in particular, a historic-chronological analysis of bandura playing techniques in Ukraine, in particular, the method of systematic classification and complex analysis that performance practice that has taken place in Ukrainian culture. -
The Ukrainian Weekly 2011, No.41
www.ukrweekly.com INSIDE: l The Yanukovych-Putin relationship – page 3 l An A+ for the University of Manitoba – page 9 l Ukrainian themes at Toronto Film Festival – page 12 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXIX No. 41 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 9, 2011 $1/$2 in Ukraine Ukraine’s independence anniversary celebrated in Congress Ukrainian National Information Service - WASHINGTON – The Ukrainian Congress Committee of America (UCCA), in co-spon sorship withth the Congressional Ukrainian- Caucus, hosted a special commemoration of the 20 anniversary of Ukraine’s Inde pendence in the U.S. Congress on Thursday, September 15. - The celebratory event, held at noon-4 p.m. in a Senate conference room over- looking the dome of the U.S. Capitol, was filled with Ukrainian hierarchy, dignitar ies from various countries, numerous past and present government officials, guests- from Ukraine, members of Congress, and the Ukrainian American community activ ists. They gathered to celebrate a free and independent Ukrainian state, as well as to witness the presentation of the Hrushevsky Stefan Kaczurak Award, awarded to a select few for their- UNIS Director Michael Sawkiw Jr. presents the Hrushevsky Award to Sen. Richard Lugar (R-Ind.). efforts in promoting U.S.-Ukraine relations. The program began with opening re marks from Michael Sawkiw Jr., director of the Ukrainian National Information Service,- of powerful remarks. The first of many prominent officials to Ukraine’s nuclear arsenal, which in 1991 the UCCA’s public affairs bureau based in Archbishop-Metropolitan Stefan Soroka appear at the event was Sen. -
Encyclopedia of Romantic Nationalism in Europe License CC BY-NC-SA Link to Publication
UvA-DARE (Digital Academic Repository) [Ukraine:] National-classical music Helmers, R. Publication date 2017 Document Version Final published version Published in Encyclopedia of Romantic Nationalism in Europe License CC BY-NC-SA Link to publication Citation for published version (APA): Helmers, R. (2017). [Ukraine:] National-classical music. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 2, pp. 1455-1456). Amsterdam University Press. http://ernie.uva.nl/viewer.p/21/56/object/122-160681 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 4/11/2018 Encyclopedia of Romantic Nationalism in Europe | Public Interface | Encyclopedia of Romantic Nationalism in Europe http://ernie.uva.nl/viewer.p/21//object/122-160681 Encyclopedia of Romantic Nationalism in Europe National-classical music : Ukrainian Author: Helmers, Rutger The development of a national tradition of Ukrainian classical music in the 19th and 20th centuries was an uphill battle. -
Track World Championships Men's Kilometer Time Trial 1981: Brno
Track World Championships 2. Shane Kelly (AUS) 2. Michelle Ferris (AUS) 3. Jens Gluecklich (GER) 3. Magali Marie Faure Men’s Kilometer Time Trial (FRA) 1981: Brno, Czechoslovakia 1994: Palermo, Italy 15. Nicole Reinhart (USA) 1. Lothar Thoms (GDR) 1. Florian Rousseau 2. Fredy Schmidtke (FRA) 1998: Bordeaux, France (FRG) 2. Erin Hartwell (USA) 1. Felicia Ballanger (FRA) 3. Sergei Kopylov (USSR) 3. Shane Kelly (AUS) 2. Tanya Dubincoff (CAN) 9. Brent Emery (USA) 3. Michelle Ferris (AUS) 1995: Bogota, Colombia 4. Chris Witty (USA) 1982: Leicester, England 1. Shane Kelly (AUS) 12. Nicole Reinhart (USA) 1. Fredy Schmidtke 2. Florian Rousseau (FRG) (FRA) 1999: Berlin, Germany 2. Lothar Thoms (GDR) 3. Erin Hartwell (USA) 1. Felicia Ballanger (FRA) 3. Emmanuel Raasch 2. Cuihua Jiang (CHN) (GDR) 1996: Manchester, England 3. Ulrike Weichelt (GER) 1. Shane Kelly (AUS) 16. Jennie Reed (USA) 1983: Altenrhein, Switzerland 2. Soren Lausberg (GER) 1. Sergei Kopylov (USSR) 3. Jan Van Eijden (GER) 2000: Manchester, Great 2. Gerhard Scheller Britain (FRG) 1997: Perth, Australia 1. Natalia Markovnichenko 3. Lothar Thoms (GDR) 1. Shane Kelly (AUS) (BLR) 15. Mark Whitehead 2. Soren Lausberg (GER) 2. Cuihua Jiang (CHN) (USA) 3. Stefan Nimke (GER) 3. Yan Wang (CHN) 9. Sky Christopherson 11. Tanya Lindenmuth 1985: Bassano del Grappa, (USA) Italy 2001: Antwerpen, Belgium 1. Jens Glucklich (GDR) 1998: Bordeaux, France 1. Nancy Reyes 2. Phillippe Boyer (FRA) 1. Andranu Tourant (FRA) Contreras (MEX) 3. Martin Vinnicombe 2. Shane Kelly (AUS) 2. Lori-Ann Muenzer (AUS) 3. Erin Hartwell (GER) (CAN) 3. Katrin Meinke (GER) 1986: Colorado Springs, Colo.