City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Modernism with a Human Face: Synthesis of Art and Architecture in Eastern Europe, 1954-1958 Nikolaos Drosos City University of New York, Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1210 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact:
[email protected] MODERNISM WITH A HUMAN FACE: SYNTHESIS OF ART AND ARCHITECTURE IN EASTERN EUROPE, 1954-1958 by Nikolaos Drosos A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 NIKOLAOS DROSOS All Rights Reserved ! ii This manuscript has been read and accepted for the Graduate Faculty in Art History to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Prof. Romy Golan Date Chair of Examining Committee Prof. Rachel Kousser Date Executive Officer Prof. Claire Bishop Prof. Susan Buck-Morss Prof. Jean-Louis Cohen Supervisory Committee THE CITY UNIVERSITY OF NEW YORK ! iii Abstract MODERNISM WITH A HUMAN FACE: SYNTHESIS OF ART AND ARCHITECTURE IN EASTERN EUROPE, 1958-1958 by Nikolaos Drosos Advisor: Prof. Romy Golan The “synthesis of the arts,” which usually referred to the integration of murals, sculptures and reliefs into architecture, was a key aspect of art and architecture in many parts of the world during the 1950s, from Western Europe to Latin America.