R Th0atr# Presents a Summer of Nostalgia and Melodrama
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Ethnographic Assessment and Overview National Park of American Samoa
PACIFIC COOPERATIVE STUDIES UNIT UNIVERSITY OF HAWAI`I AT MĀNOA Dr. David C. Duffy, Unit Leader Department of Botany 3190 Maile Way, St. John #408 Honolulu, Hawai’i 96822 Technical Report 152 ETHNOGRAPHIC ASSESSMENT AND OVERVIEW NATIONAL PARK OF AMERICAN SAMOA November 2006 Jocelyn Linnekin1, Terry Hunt, Leslie Lang and Timothy McCormick 1 Email: [email protected]. Department of Anthropology, University of Connecticut Beach Hall Room 445, U-2176 354 Mansfield Road Storrs, Connecticut 06269-2176 Ethnographic Assessment and Overview The National Park of American Samoa Table of Contents List of Tables and Figures iii List of Slides v Preface: Study Issues vi Maps vii Key to Maps x I. The Environmental Context 1 Climate and Vegetation 1 The National Park Environments 4 II. Archaeology and Samoan Prehistory 8 Early Settlement 8 Later Inland Settlement 9 Late Prehistoric Period 9 European Contact and the Historical Period 10 Archaeology in the National Park Units 10 III. Research Methodology 15 Documentary Phase 15 Field Research 15 Limitations of the Research 17 IV. Ethnohistory 22 Myths and Legends Relevant to the Park 22 The European Contact Period 25 Western Ethnohistorical and Ethnographic Reports 31 V. Agriculture and Domestically Useful Plants 46 Tutuila Unit 46 Ta'u Unit 49 Ofu Unit 51 Summary 52 VI. Marine Resources 53 Tutuila Unit 53 Ta'u Unit 57 Ofu Unit 58 Summary 61 i VII. Medicinal Plants 63 Ofu Unit 63 Ta'u Unit 66 Tutuila Unit 66 Summary 67 VIII. Analysis of Freelist Data 75 Crops and Cultivated Plants 76 Medicinal Plants 81 Fish and Marine Species 84 Animals and Birds 86 Summary of the Freelist Results 88 IX. -
Summary of Ground-Water Data for Tutuila and Aunuu, American Samoa, for October 1987 Through September 1997
U.S. Department of the Interior Summary of Ground-Water Data for Tutuila and Aunuu, American Samoa, for October 1987 Through September 1997 U.S. GEOLOGICAL SURVEY Open-File Report 99-252 OCEAN Bay Prepared In cooperation with the AMERICAN SAMOA ENVIRONMENTAL PROTECTION AGENCY Summary of Ground-Water Data for Tutuila and Aunuu, American Samoa, for October 1987 Through September 1997 By Scot K. Izuka U.S. GEOLOGICAL SURVEY Open-File Report 99-252 Prepared in cooperation with the AMERICAN SAMOA ENVIRONMENTAL PROTECTION AGENCY Honolulu, Hawaii 1999 U.S. DEPARTMENT OF THE INTERIOR BRUCE BABBITT, Secretary U.S. GEOLOGICAL SURVEY Charles G. Groat, Director The use of firm, trade, and brand names in this report is for identification purposes only and does not constitute endorsement by the U.S. Geological Survey. For additional information write to: Copies of this report can be purchased from: District Chief U.S. Geological Survey U.S. Geological Survey Branch of Information Services 677 Ala Moana Blvd., Suite 415 Box 25286 Honolulu, HI 96813 Denver, CO 80225-0286 CONTENTS Abstract.......................................................................................... 1 Introduction....................................................................................... 1 Setting...................................................................................... 2 Acknowledgments ............................................................................ 2 Rainfall ......................................................................................... -
“Rain”: Depiction of American and Western European Imperialism
====================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:5 May 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ===================================================================== Maugham’s “Rain”: Depiction of American and Western European Imperialism Dr. B. Sudha Sai Assistant Professor, Department of English, G.I.T GITAM University, Visakhapatnam-530045 Andhra Pradesh, INDIA [email protected] ================================================================== Abstract The present article is an exploration of what happens when East meets West in a tropical setting. It is a study of the bizarre behaviour that results when a European temperament must face prolonged exposure to tropical climates and customs. It is one of the best short stories ever written by him, in its length and characterization along with resonance of real flesh and blood characters. One can find professionalism pervading the manner which he adopts for this story, the matter, theme, situations and the tropical settings to give the public exactly what they want. This story makes one marvel at its details, composition and ability to touch one’s soul with feelings. Even if one is not a fan of the short story form, feels after going through this story that Maugham’s writing is an exception. William Somerset Maugham is a worldly storyteller with incomparable knowledge of the humankind. His sense of insecurity as an orphan at an early age of ten, proper professional medical training, series of travels around the world, wartime experience in the secret service as a contact with spies during the Russian Revolution in 1917, interesting and varied life have benefitted him tremendously in his writing career. -
Book Factsheet W. Somerset Maugham
Book factsheet W. Somerset Maugham General Fiction 176 pages Published by Diogenes as Books and You 11.3 × 18 cm Original title: Books and You August 2007 World rights are handled by Diogenes Movie adaptations 2007: The Painted Veil Director: John Curran Screenplay: Ron Nyswaner Cast: Edward Norton, Catherine An, Bin Li 2004: Being Julia Director: István Szabó Cast: Annette Bening, Jeremy Irons, Chaterine Charlton, Maury Chaykin 2000: Up at the Villa Director: Philip Haas Cast: Anne Bancroft, James Fox, Derek Jacobi, Sean Penn, Kristin Scott Thomas 1991: Ashenden Director: Christopher Moraham Cast: Alex Jennings, Harriet Walter, Alan Bennet, Anna Carteret, Ian Bannen 1984: Razor’s Edge Director: John Byrum Cast: Bill Murray, Theresa Russell 1963: Of Human Bondage Director: Ken Hughes Cast: Kim Novak, Laurence Harvey, Nanette Newman 1961: Adorable Julia Director: Alfred Weidenmann Cast: Lilli Palmer, Charles Boyer, Jean Sorel, Jeanne Valerie 1957: The Seventh Sin Director: Ronald Neame Cast: Eleanor Parker, George Sanders, Jean- Pierre Aumont 1953: Miss Sadie Thompson Director: Bernhardt Curtis Cast: Rita Hayworth, José Ferrer, Aldo Ray, Russell Collons 1951: Encore Director: Harold French Cast: Glynis Johns, Terence Morgan 1951: Encore Director: Harold French Cast: Glynis Johns, Terence Morgan 1951: Encore Director: Harold French Photo: Archiv Diogenes Verlag Cast: Glynis Johns, Terence Morgan 1 / 2 Movie adaptations (cont'd) 1948: Quartet Director: Ralph Smart Cast: Basil Radford, Dirk Bogarde, Cecil Parker, Françoise Rosay 1948: Quartet -
Book Factsheet W. Somerset Maugham
Book factsheet W. Somerset Maugham General Fiction 256 pages Published by Diogenes as Damals und heute 11.3 × 18 cm Original title: Then and Now January 1975 World rights are handled by Diogenes Movie adaptations 2007: The Painted Veil Director: John Curran Screenplay: Ron Nyswaner Cast: Edward Norton, Catherine An, Bin Li 2004: Being Julia Director: István Szabó Cast: Annette Bening, Jeremy Irons, Chaterine Charlton, Maury Chaykin 2000: Up at the Villa Director: Philip Haas Cast: Anne Bancroft, James Fox, Derek Jacobi, Sean Penn, Kristin Scott Thomas 1991: Ashenden Director: Christopher Moraham Cast: Alex Jennings, Harriet Walter, Alan Bennet, Anna Carteret, Ian Bannen 1984: Razor’s Edge Director: John Byrum Cast: Bill Murray, Theresa Russell 1963: Of Human Bondage Director: Ken Hughes Cast: Kim Novak, Laurence Harvey, Nanette Newman 1961: Adorable Julia Director: Alfred Weidenmann Cast: Lilli Palmer, Charles Boyer, Jean Sorel, Jeanne Valerie 1957: The Seventh Sin Director: Ronald Neame Cast: Eleanor Parker, George Sanders, Jean- Pierre Aumont 1953: Miss Sadie Thompson Director: Bernhardt Curtis Cast: Rita Hayworth, José Ferrer, Aldo Ray, Russell Collons 1951: Encore Director: Harold French Cast: Glynis Johns, Terence Morgan 1951: Encore Director: Harold French Cast: Glynis Johns, Terence Morgan 1951: Encore Director: Harold French Photo: Archiv Diogenes Verlag Cast: Glynis Johns, Terence Morgan 1 / 2 Movie adaptations (cont'd) 1948: Quartet Director: Ralph Smart Cast: Basil Radford, Dirk Bogarde, Cecil Parker, Françoise Rosay 1948: -
I N V O I C E
CULVER DIGITAL DISTRIBUTION 10202 West Washington Boulevard Culver City, CA 90232-3195 USA I N V O I C E INVOICE NUMBER: 1869 Please Send Remittances To: CUSTOMER NUMBER: INVOICE DATE: 02-11-2014 CULVER DIGITAL DISTRIBUTION DUE DATE: Net 60 Dept. 1101 PO BOX 121101 Dallas, TX 75312-1101 REFERENCE: PLEASE INDICATE INVOICE NUMBER BILLED TO: Overnight/Courier Service Instructions: Barnes & Noble Lockbox Number 891101 76 Ninth Avenue Address: 888 S Greenville Avenue, Suite 200 New York, NY 10011 Richardson, TX 75081-5044 Attn: Matthew Tierney Phone #: 972-680-1900 Ph: 212-414-6121 REFERENCE: PLEASE INDICATE INVOICE NUMBER Electronic Funds Transfer: Bank Name: Mellon Client Services Center Bank Address: 500 Ross Street, Room 154-0940 Pittsburg, PA 15262-0001 PURCHASE ORDER: N/A ABA Routing #: 043000261 Account#: 0090632 Account Name: Culver Digital Distribution Swift Code (foreign wires): MELNUS3P REFERENCE: PLEASE INDICATE INVOICE NUMBER From Date To Date Ref# Price Description Item # Qty Ext Price ========== ====================================================================================== ==================== =========== $50 Apr13 - Jan14 $50 Servicing Fee for Features title set up per contract - 837 Titles 837 $41,850.00 Current Balance: $41,850.00 SALES ORDER COMMENT: PLEASE REFERENCE INVOICE NUMBER ON WIRE OR PAYMENT. THANK YOU. For billing inquires, please contact Kyle Henderson at (310) 244-6844 or [email protected] BARNES & NOBLE Apr13 - Jan14 DST SERVICING FEES $50 Set-up Titles (Servicing Fee) MPM $ (DOLLARS) $50 F7201800000 -
Underground Guide Underground
! Kauai ‘A Must 18 th edition More than for Visitors!’ – Honolulu Star-Bulletin & Advertiser Guide Underground 225,000 books‘I don’t sold trust most travel guides, but I soon came to appreciate your wonderful insights and trustworthy evaluations. Underground Guide You never led us astray. Thanks for being a great traveling companion.’ – BV, Los Angeles ‘Your book made the difference between a good vacation and a great Hawaiian experience.’ – CP, San Francisco, CA ‘I’ve read all the guidebooks, and this one is by far my favorite!’ – RE, Olympia WA ‘Your book was a wonder. With you as our guide, we never had an unhappy experience.’– CM, New York, NY Lenore & MirahHorowitz ‘You made us feel like we were part of this island’s family.’ – CS, Milwaukie, OR ‘It made Kauai my favorite island!’ ‘a treasure’ – CM, New York, NY – Chicago Sun-Times ‘Everything you need’ ‘the bible for Kauai’ – Hawaii Magazine – Travel + Leisure ‘a must for exploring’ – Seattle Post-Intelligencer ‘a classic’ – Honolulu Star-Bulletin & Advertiser $14.95 Profits from this book help children on Kauai Lenore & Mirah Horowitz “Our passport to Kauai!” – LB, Durango, CO San Francisco Chronicle: Los Angeles Times: “An incredible source of “ Our vacation became an information about …what adventure the day we tourist traps to avoid and discovered the Kauai where to find the best values.” Underground Guide!” Los Angeles Times: Seattle Post Intelligencer: “ …filled with information “ I can’t imagine riding around on beaches, restaurants and the island without this book things -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Introduction
INTRODUCTION Looking at various newspapers, magazines and websites over the period 2004 to the present, it becomes apparent that our understanding of the reintroduction of stereoscopy (D3D) is anything but clear. There are disagreements among accounts of D3D regarding its artistic value, and its impact on the entertainment industry and audience. Over the 2004 to the present period, the digital screen period, I have seen D3D cast as an evolutionary step for the industry: ‘Why wouldn’t we want this Darwinian edge in our workplaces, in our sports and entertainment, in all our peak visual experiences?’ (Cameron in Cohen, 2008). I have seen it described as ‘the next great revolution’ of cinema (Giles & Katzenberg, 2010, p. 10) and as a facilitator of art, one that could aid the audience to enter the realm of the on-screen performer (Wenders in James, 2011, p. 22). I have also seen it described as artistically limited, with claims, such as, director, Werner Herzog’s ‘[that] you can shoot a porno film in 3D, but you cannot film a romantic comedy in 3D’ (Herzog in Wigley, 2011, p. 29). Newspaper headlines have described it as a health concern: ‘3D film strikes two movie-goers with bout of motion sickness’ (Helliwell, 2010, p. 2).2 As well, I have seen arguments expounding the idea that stereoscopy’s reintroduction is simply evidence that the popular film industry lacks ideas. For example, popular film critic, Roger Ebert, has argued that D3D was just ‘[a]nother Hollywood infatuation with a technology that was already pointless when their grandfathers played with stereoscopes’ (Ebert, 2010a). -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Sugar-Coated Fortress: Representations of the Us Military in Hawai'!
SUGAR-COATED FORTRESS: REPRESENTATIONS OF THE U. S. MILITARY IN HAWAI'!. A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEl\1BER 2004 By Brian Ireland Dissertation Committee: David Stannard, Chairperson Floyd Matson Robert Perkinson Kathy Ferguson Ira Rohter ABSTRACT Hawai'i is the most militarized state in the nation. There has always been opposition to the U.S. military presence in Hawai'i. However, critics ofthe military face a difficult task in getting their message across. Militarism has been so ingrained in Hawai'i that, to a large extent, the U.S. military presence has come to be seen as "natural," necessary, and almost totally beneficial. A result ofthis is that it has become both easy and comfortable to view current militarism in Hawai'i as natural, normal, ordinary, and expected. This dissertation shows how this seemingly normal state of affairs came to be. By examining various representations ofthe U.S. military in Hawai'i - in newspapers, movies, memorials, museums, and military writing - I expose how, in forms ofrepresentation, places ofremembrance, and the construction ofhow we speak and write about the military, militarism becomes the norm and, in turn, silences counter narratives. The dissertation examines four distinct time periods, 1778 to 1898 (from Captain Cook to the annexation ofHawai'i by the U.S.), 1898-1927 (the period in which the U.S. consolidated its hold on Hawai'i through cultural imperialism and military build-up), 1927-1969 (which saw the growth ofmass tourism, the Massie Case, the attack on Pearl Harbor, martial law and Statehood), and 1965-present (covering the post-Statehood years, the Vietnam War, increasing militarization ofHawai'i, the Hawaiian Sovereignty Movement, and the Ehime Maru tragedy). -
American-Samoa-Shore
AMERICAN SAMOA SHORE-BASED CREEL SURVEY DOCUMENTATION Compiled by Risa Oram, Nonu Tuisamoa, John Tomanogi, Marlowe Sabater, Michael Quach, David Hamm, Craig Graham March 2011 CONTENTS Page 1.0 Introduction ............................................................................................................................... 1 2.0 Survey Methodology ................................................................................................................. 2 3.0 Survey Sites .............................................................................................................................. 2 4.0 Data Collection ......................................................................................................................... 2 4.1 Participation Count ............................................................................................................... 2 4.2 Interview ............................................................................................................................... 3 2.2.3 Opportunistic Data Collection Methodology ................................................................. 5 5.0 Survey Scheduling .................................................................................................................... 6 6.0 Data Quality Control ................................................................................................................. 8 6.1 Fish Identification Training .................................................................................................