Underground Guide Underground
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Draft Programmatic Environmental Impact Statement for Surveying And
National Ocean Service Surveying and Mapping Projects in U.S. Waters for Draft Programmatic Environmental Impact Statement Coastal and Marine Data Acquisition 5.0 REFERENCES (Acevedo, 1991). Acevedo, A. 1991. Interactions between boats and bottlenose dolphins, Tursiops truncatus, in the entrance to Ensenada de la Paz, Mexico. Aquatic Mammals 17(3):120-124. Available online at: https://www.aquaticmammalsjournal.org/share/AquaticMammalsIssueArchives/1991/Aquatic_Ma mmals_17_3/Acevedo_Interactions.pdf. (ACHP, 2019). Advisory Council on Historic Preservation. 2019. Tribal Treaty Rights in the Section 106 Process. Accessed October 11, 2019 at: https://www.achp.gov/native-american/information- papers/tribal-treaty-rights. (Acoustical Society of America, 2017). Acoustical Society of America. 2017. Marine invertebrates have noisy human neighbors: Experimentally measuring the impact of anthropogenic noise on marine invertebrates provides insights into physiological and behavioral consequences of human activity." ScienceDaily, 6 December 2017. Accessed October 26, 2019 at: www.sciencedaily.com/releases/2017/12/171206090650.htm. (ADF&G, 2007). Alaska Department of Fish and Game. 2007. A Student Guide to Seal Hunting and Safety. Accessed January 2020. (ADF&G, 2008). Alaska Department of Fish and Game. 2008. Polar Bear. Accessed July 2019 at: https://www.adfg.alaska.gov/static/education/wns/polar_bear.pdf. (ADF&G, 2009a). Wolfe, Robert J.; Fall, James A.; Riedel, Monica. Alaska Department of Fish and Game. March 2009. The Subsistence Harvest of Harbor Seals and Sea Lions by Alaska Natives in 2007. Accessed January 2020. (ADF&G, 2009b). Wolfe, Robert J.; Fall, James A.; Riedel, Monica. Alaska Department of Fish and Game. October 2009. The Subsistence Harvest of Harbor Seals and Sea Lions by Alaska Natives in 2008. -
SEP - 5 20® National Park Service NAT REGISTER Or Hiskxic PLACES NATIONAL PARK SERVICE
NPS Form 10-900 OMB No. 1024-0018 RECEIVED 2280 . (Rev. 10-90) United States Department of the Interior SEP - 5 20® National Park Service NAT REGISTER Or HiSKxiC PLACES NATIONAL PARK SERVICE This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NFS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1, Name of Property historic name Kaua'i Belt Road (North Shore section)_____ other names/site number KtlhiO Highway. Hawaii Route 560 2, Location street & number Hawaii Route 560 . not for publication _ city or town ____________ vicinity Princeville. Hanalei. Wainiha. Ha'er>a state Hawaii___________ code ffl county ia*i code 007 zip code _ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ** nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets __ does not meet the National Register Criteria. -
Kauai Police Department
KAUAI POLICE DEPARTMENT DARRYL D. PERRY Chief of Police I. MISSION STATEMENT The employees of the Kauai Police Department, in full understanding of the “Aloha Spirit,” are committed to enhancing the quality of life in our community. WE EMBRACE THE VALUES OF: PONO RESPECT We acknowledge and accept our individual differences and unique cultural diversity, and promise to treat each other and everyone we serve with dignity and respect. INTEGRITY We strive to maintain public trust and confidence by upholding the highest moral and ethical standards, and are honest and open in our mission. PROFESSIONALISM We pledge to provide superior level of services, and to take responsibility for our actions and decisions. As Kauai Police Department employees, we promise to strive to be leaders in public safety through teamwork and an unwavering commitment to excellence. E Ho`omālama Pono “To Serve and Protect” Police Department XIII-1 II. DEPARTMENT/DIVISION GOALS Overall Kaua‘i Police Department (KPD) Goals: 1. Fill at least 4 out of the 6 positions in the COPS Grant. 2. Produce and present to a variety of outlets 1 high quality KPD police recruitment video for distribution via various methods of communications. 3. Re-establish the Internet Crimes Against Children (ICAC) program and initiate 3 or more cases leading to successful convictions. 4. Conduct active shooter training for first responding officers throughout the 3 major districts to include the distribution of necessary equipment. 5. Present 8 or more Community and Governmental outreach education meetings regarding life-saving tactics in the event of an active-shooter event. Patrol Services Bureau (PSB) Goals: 1. -
27Th Annual Convention
o KAULILUA I KE 'ANU '0 WAI'ALE'ALE (HIGH ABOVE ALL OTHER ) King David Kalakaua e quicentenial 1 36 - 1986 Association OfHawaiian Civic Clubs 27th Annual Convention ovemberl2, 13, 14, 15, 1986 Kauai, Hawaii We dedicate the 27th Annual Convention Program of the Association of Hawaiian Civic Clubs to the Memory of Arthur Kailua Kinny Kawaihau Hawaiian Civic Club Mrs. Parker Widemann Hawaiian Civic Club of Honolulu 1 ASSOCIATION OF HAWAIIAN CIVIC CLUBS P. O. Box 1135 • Honolulu, Hawaii 96807 A10 h a Kak 0 u , Welcome to the lovely "Garden Isle" for the Twenty Seventh Annual Convention of the Association of Hawaiian Civic Clubs. This year also celebrates the Sixty Ninth Anniversary of the establishment of the original club, the Hawaiian Civic Club of Honolulu. As we continue to work hard to fulfill our goals and objectives that our founders so carefully and diligently worked for, may we collectively promote the practice of good government and good citizenship. We have made great strides as an Association and have become very active in our State and are being recognized in the community as a valued Hawaiian Organization that remains united in purpose, "Hui kahi e ke kumu". Let's try to strive together to be as our Convention theme states, "Kaulilua i ke anu 0 Wai'ale'ale", (High above all others). The Lee Family would like to say Mahalo to all of you for your confidence, support and all of the hard work you have all put into this wonderful Association. We have learned much from all of you and value your friendships and ideas. -
Book Factsheet W. Somerset Maugham
Book factsheet W. Somerset Maugham General Fiction 256 pages Published by Diogenes as Damals und heute 11.3 × 18 cm Original title: Then and Now January 1975 World rights are handled by Diogenes Movie adaptations 2007: The Painted Veil Director: John Curran Screenplay: Ron Nyswaner Cast: Edward Norton, Catherine An, Bin Li 2004: Being Julia Director: István Szabó Cast: Annette Bening, Jeremy Irons, Chaterine Charlton, Maury Chaykin 2000: Up at the Villa Director: Philip Haas Cast: Anne Bancroft, James Fox, Derek Jacobi, Sean Penn, Kristin Scott Thomas 1991: Ashenden Director: Christopher Moraham Cast: Alex Jennings, Harriet Walter, Alan Bennet, Anna Carteret, Ian Bannen 1984: Razor’s Edge Director: John Byrum Cast: Bill Murray, Theresa Russell 1963: Of Human Bondage Director: Ken Hughes Cast: Kim Novak, Laurence Harvey, Nanette Newman 1961: Adorable Julia Director: Alfred Weidenmann Cast: Lilli Palmer, Charles Boyer, Jean Sorel, Jeanne Valerie 1957: The Seventh Sin Director: Ronald Neame Cast: Eleanor Parker, George Sanders, Jean- Pierre Aumont 1953: Miss Sadie Thompson Director: Bernhardt Curtis Cast: Rita Hayworth, José Ferrer, Aldo Ray, Russell Collons 1951: Encore Director: Harold French Cast: Glynis Johns, Terence Morgan 1951: Encore Director: Harold French Cast: Glynis Johns, Terence Morgan 1951: Encore Director: Harold French Photo: Archiv Diogenes Verlag Cast: Glynis Johns, Terence Morgan 1 / 2 Movie adaptations (cont'd) 1948: Quartet Director: Ralph Smart Cast: Basil Radford, Dirk Bogarde, Cecil Parker, Françoise Rosay 1948: -
I N V O I C E
CULVER DIGITAL DISTRIBUTION 10202 West Washington Boulevard Culver City, CA 90232-3195 USA I N V O I C E INVOICE NUMBER: 1869 Please Send Remittances To: CUSTOMER NUMBER: INVOICE DATE: 02-11-2014 CULVER DIGITAL DISTRIBUTION DUE DATE: Net 60 Dept. 1101 PO BOX 121101 Dallas, TX 75312-1101 REFERENCE: PLEASE INDICATE INVOICE NUMBER BILLED TO: Overnight/Courier Service Instructions: Barnes & Noble Lockbox Number 891101 76 Ninth Avenue Address: 888 S Greenville Avenue, Suite 200 New York, NY 10011 Richardson, TX 75081-5044 Attn: Matthew Tierney Phone #: 972-680-1900 Ph: 212-414-6121 REFERENCE: PLEASE INDICATE INVOICE NUMBER Electronic Funds Transfer: Bank Name: Mellon Client Services Center Bank Address: 500 Ross Street, Room 154-0940 Pittsburg, PA 15262-0001 PURCHASE ORDER: N/A ABA Routing #: 043000261 Account#: 0090632 Account Name: Culver Digital Distribution Swift Code (foreign wires): MELNUS3P REFERENCE: PLEASE INDICATE INVOICE NUMBER From Date To Date Ref# Price Description Item # Qty Ext Price ========== ====================================================================================== ==================== =========== $50 Apr13 - Jan14 $50 Servicing Fee for Features title set up per contract - 837 Titles 837 $41,850.00 Current Balance: $41,850.00 SALES ORDER COMMENT: PLEASE REFERENCE INVOICE NUMBER ON WIRE OR PAYMENT. THANK YOU. For billing inquires, please contact Kyle Henderson at (310) 244-6844 or [email protected] BARNES & NOBLE Apr13 - Jan14 DST SERVICING FEES $50 Set-up Titles (Servicing Fee) MPM $ (DOLLARS) $50 F7201800000 -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Public Access, Open Space & Natural Resources Preservation Fund
PUBLIC ACCESS, OPEN SPACE & NATURAL RESOURCES PRESERVATION FUND COMMISSION 2005 REPORT TO THE KAUAI COUNTY COUNCIL INCLUDING RECOMMENDATIONS FOR PRIORITY PROJECTS FINAL REPORT MAY 12, 2005 PUBLIC ACCESS, OPEN SPACE & NATURAL RESOURCES PRESERVATION FUND COMMISSION 2005 REPORT TO THE KAUAI COUNTY COUNCIL INCLUDING RECOMMENDATIONS FOR PRIORITY PROJECTS Final Draft April 25, 2005 Prepared by: The Public Access, Open Space and Natural Resources Preservation Fund Commission Beryl L. Bailey Blaich, Chair Anahola – Haena Jean Nishida Souza, Vice Chair Hanapepe – Eleele LaFrance Kapaka-Arboleda At-Large Barbara Childers Waimea – Kekaha Puna Kalama Dawson Lihue – Hanamaulu Sherwood Iida At-Large Theresita Kinnaman Kalaheo – Koloa – Poipu Laura Marsh Wailua – Kapaa Gary E. Smith At-Large Staff Ian Costa, Planning Director Leanora Kaiaokamalie, Public Access & Open Space Specialist/Planner Catherine Iwai, Clerical Support Facilitator Nadine Nakamura, NKN Project Planning The Commission would like to thank the following organizations and individuals for their time and assistance: County of Kauai Planning Department Office of the Mayor Community Response Specialists County Council and the Office of the County Clerk and Council Services Office of the County Attorney Department of Public Works Division of Parks and Recreation Department of Finance Real Property Tax Division Information Technology Division State of Hawaii Department of Business, Economic Development and Tourism Office of Planning Department of Hawaiian Homelands Department of Land and -
Introduction
INTRODUCTION Looking at various newspapers, magazines and websites over the period 2004 to the present, it becomes apparent that our understanding of the reintroduction of stereoscopy (D3D) is anything but clear. There are disagreements among accounts of D3D regarding its artistic value, and its impact on the entertainment industry and audience. Over the 2004 to the present period, the digital screen period, I have seen D3D cast as an evolutionary step for the industry: ‘Why wouldn’t we want this Darwinian edge in our workplaces, in our sports and entertainment, in all our peak visual experiences?’ (Cameron in Cohen, 2008). I have seen it described as ‘the next great revolution’ of cinema (Giles & Katzenberg, 2010, p. 10) and as a facilitator of art, one that could aid the audience to enter the realm of the on-screen performer (Wenders in James, 2011, p. 22). I have also seen it described as artistically limited, with claims, such as, director, Werner Herzog’s ‘[that] you can shoot a porno film in 3D, but you cannot film a romantic comedy in 3D’ (Herzog in Wigley, 2011, p. 29). Newspaper headlines have described it as a health concern: ‘3D film strikes two movie-goers with bout of motion sickness’ (Helliwell, 2010, p. 2).2 As well, I have seen arguments expounding the idea that stereoscopy’s reintroduction is simply evidence that the popular film industry lacks ideas. For example, popular film critic, Roger Ebert, has argued that D3D was just ‘[a]nother Hollywood infatuation with a technology that was already pointless when their grandfathers played with stereoscopes’ (Ebert, 2010a). -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
OAHU - TOURS Bike Hawaii (Pick-Up at Waikiki Hotels
OAHU - TOURS Bike Hawaii (Pick-up at Waikiki Hotels. Reservations required) Package Description Type Price *Mon-Sat, 9:00am - 1:00pm* Adult $57.00 Exclusive Waterfall Hike Moderate 2 mile round-trip hike, Water & snacks provided Child (14 & under) $39.00 *Mon-Sat, 3:00pm - 5:00pm* Adult $57.00 Sail & Snorkel Adventure Sail & snorkel Adventure of Diamond Head coast. (NO LUNCH) Child (14 & under) $39.00 *(Sept-May) Tue/Thur/Sat, (June-Aug) Mon-Tue/Thur-Sat, Adult $52.00 Downhill Bike Adventure 12:00pm - 3:00pm* Easy 5 mile downhill, kids bikes & trailers, deli lunch included Child (14 & under) $39.00 *Mon/Fri, 9:00am - 1:00pm*(Not available State/Federal holidays) 2.5 mile Adult $65.00 Volcanic Rainforest Hike moderate hike, 600 feet of elevation gain, Above average fitness required, Sturdy shoes with good traction on dirt and Child (14 & under) $48.00 mud required. *Daily, 1:00pm-5:00pm Shuttle to 1,200 ft. high ridge w/ optional challenging 1/2 Adult $52.00 East Oahu Explorer with Kamehame Ridge mile round trip hike for birds eye view. Bottled water and Child (14 & under) $39.00 snacks provided. *(Sept-May) Tue/Thur/Sat, (June-Aug) Mon-Tue/Thur-Sat, 9:00am - 3:00pm* Adult $105.00 Oahu Bike & Hike Waterfall Downhill Bike Adventure & Moderate 2 mile round trip Exclusive Waterfall Hike w/lunch Child (14 & under) $70.00 *Mon/Wed/Fri (Seasonal, Sat), 9:00am - 4:00pm* Adult $126.00 Hike, Kayak & Snorkel Adventure at Kualoa Ranch Total round-trip distance: 2 mile hike/1.8 mile paddle, snorkeling w/ deli lunch Child (14 & under) $78.00 *(Sept-May) Tue/Thur/Sat, (June-Aug) Mon-Tue/Thur-Sat, 12:00pm-5:45pm* Adult $105.00 Rainforest 2 Reef Half Day Downhill Bike Adventure w/lunch, afternoon sail w/optional snorkeling. -
Sugar-Coated Fortress: Representations of the Us Military in Hawai'!
SUGAR-COATED FORTRESS: REPRESENTATIONS OF THE U. S. MILITARY IN HAWAI'!. A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEl\1BER 2004 By Brian Ireland Dissertation Committee: David Stannard, Chairperson Floyd Matson Robert Perkinson Kathy Ferguson Ira Rohter ABSTRACT Hawai'i is the most militarized state in the nation. There has always been opposition to the U.S. military presence in Hawai'i. However, critics ofthe military face a difficult task in getting their message across. Militarism has been so ingrained in Hawai'i that, to a large extent, the U.S. military presence has come to be seen as "natural," necessary, and almost totally beneficial. A result ofthis is that it has become both easy and comfortable to view current militarism in Hawai'i as natural, normal, ordinary, and expected. This dissertation shows how this seemingly normal state of affairs came to be. By examining various representations ofthe U.S. military in Hawai'i - in newspapers, movies, memorials, museums, and military writing - I expose how, in forms ofrepresentation, places ofremembrance, and the construction ofhow we speak and write about the military, militarism becomes the norm and, in turn, silences counter narratives. The dissertation examines four distinct time periods, 1778 to 1898 (from Captain Cook to the annexation ofHawai'i by the U.S.), 1898-1927 (the period in which the U.S. consolidated its hold on Hawai'i through cultural imperialism and military build-up), 1927-1969 (which saw the growth ofmass tourism, the Massie Case, the attack on Pearl Harbor, martial law and Statehood), and 1965-present (covering the post-Statehood years, the Vietnam War, increasing militarization ofHawai'i, the Hawaiian Sovereignty Movement, and the Ehime Maru tragedy).