1 Words in Wills Glossary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Brown and George Kellogg
John Brown and George Kellogg By Jean Luddy When most people think of John Brown, they remember the fiery abolitionist who attacked pro-slavery settlers in Kansas in 1855 and who led the raid on the Federal arsenal at Harpers Ferry, Virginia in 1859 in order to spark a slave rebellion. Most people do not realize that Brown was no stranger to Vernon and Rockville, and that he worked for one of Rockville’s prominent 19th century citizens, George Kellogg. John Brown was born in Torrington, CT in 1800. His father was a staunch opponent of slavery and Brown spent his youth in a section of northern Ohio known as an abolitionist district. Before Brown became actively involved in the movement to eliminate slavery, he held a number of jobs, mainly associated with farming, land speculation and wool growing. (www.pbs.org) Brown’s path crossed with George Kellogg’s when Brown started to work for Kellogg and the New England Company as a wool sorter and buyer. John Brown George Kellogg, born on March 3, 1793 in Vernon, got his start in the woolen industry early in life when he joined Colonel Francis McLean in business in 1821. They established the Rock Manufacturing Company and built the Rock Mill, the first factory along the Hockanum River, in the area that would grow into the City of Rockville. Kellogg worked as the company’s agent from 1828 to 1837. At that time, he left the Rock Company to go into business with Allen Hammond. They founded the New England Company and built a factory along the Hockanum River. -
An Industrial History of Easthampton G
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1937 An Industrial history of Easthampton G. B. Dennis University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Dennis, G. B., "An Industrial history of Easthampton" (1937). Masters Theses 1911 - February 2014. 1449. Retrieved from https://scholarworks.umass.edu/theses/1449 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMASS/AMHERST 312066 0306 7762 4 AN INDUSTRIAL HISTORY OF 5ASTHAMFFQN Gr. B. Dennis Thesis Submitted for Degree of Master of Science, Massachusetts State College, Amherst. June 1, 1937 . TABLE OF CONTENTS Outline. Introduction. Map of the Business District of Easthampton. Chapter I. Early History of Easthampton. Page 1. " II. The Industry Founding Period 1227-1276. n 6. » III. Early Transportation, A Problem. n 16. IV. Population Growth and Composition. n 21. " V. Conditions During the Expansion Period. it 30. " VI. Easthampton At the Turn of the Century. n H VII. Population in the New Era 1295-1937 n " VIII. The New Era 1295-I937. n 56. " IX. The Problem of Easthampton Analyzed. n 73- • X. Conclusions and Summary. n 21. References Cited n 26. Appendix I. Tables and Graphs on Population n 22. Appendix II. Tables showing Land in Agriculture n 93. AN INDUSTRIAL HISTORY OF EASTHAMPTON Outline I. Early History. A. Land purchases and settlement. -
Paper 2: the Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with Extra Images July 2015
Industrial Lyme - Paper 2: The Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with extra images July 2015 Like all research, this is on-going. If you know more, or are descended from any of the families involved, please get in touch with the author via Lyme Regis Museum. Summary Woollen cloth has been made in the Lim Valley from at least medieval times, but this paper is more about the factories in Lyme Regis and Uplyme that made high-quality West of England coat cloths. The factories in Lyme were bankrupt in 1847, leaving the Uplyme factory to soldier on against Yorkshire competition until it was destroyed by fire in 1866, whilst being modernised. In Lyme the factories were started up again in the 1850s to make silk thread and hemp twine, but only for a short period; these are the subjects of other papers in this series. This paper contains: the background to the trade, the history of the factories and a walking trail to see the mills. Cloth making – the essential process in a nutshell Sheep fleeces are packed on the farm into big canvas bags called woolsacks. At the factory the fleeces are scoured (washed) to remove lanolin (wool- grease), dirt and adhering vegetable material. Then the fleeces are scribbled (torn up into pieces), combed and carded to produce rovings, long strips of wool ready for spinning. Washed and combed fleece being fed into a carding machine at Coldharbour Mill, Uffculme, Devon Industrial Lyme Paper 2 – The Woollen Cloth Industry © R Bull & Lyme Regis Museum 1 Spinning means to draw out and twist - and by this process the scales of the individual wool fibres lock together to produce a thread known as a single. -
Filage Et Tissage (2)
FILAGE ET TISSAGE (2) LINGUA È TECNICA LEXIQUE Français-Corse Réalisé par : ANTONDUMENICU MONTI Et MARIE-CHARLES ZUCCARELLI Traduzzione inglese d'Anghjula Maria Carbuccia Spinning and weaving ADECEC CERVIONI 1980 accrochage : azzingatura, azzinghera, azzinghime / warp and woof interlinking accrocher : azzingà / to interlink (warp and woof) aiguille : acu / needle aiguillée : curata, podana, acata, acughjata / needleful alépine : aleppina / bombazine alpaga : alpagà / alpaca alun : (teinture) : alume / alum alunage : alumatura / aluming aluner : alumà amidon : su(g)u / starch anacoste : arscottu / double-milled, woollen cloth apprêt (pour les étoffes) : approntu / finishing apprêter : appruntà / to finish armoisin : ermisinu / sarcenet armure (de tissage) : armatura.- fundamentale, semplice, cumposa, fattizia, dirivata, di fantasia, alluciata, guardrata, diritta (toile), à spichjoli (en losanges), à filetti (sergé), ) spighe (chevrons) / weave - foundation, simple, combined, sham, derived, fancy, open-work, square, plain, lozenge-shaped, serge-like; chevron pattern aspe ou asple : aspa / silk winder assouplir (les chemises et draps de lin) : derozà / to supple, to smooth attacher : attaccà, appiccià, alliacciulà / to tie baignage : bagnatura, bagnime / dye-bath, soaking baigner : bagnà / to soak bain : striscia, fascia, banda / dye-bath bande : striscia, fascia, banda / strip barège : baresgiu / light woollen cloth, barege bariolage : frisgiulime / medley of colours, motley pattern barioler : frisgiulà, frisgià, framisgià / to paint or -
Pennsylvania Folklife Vol. 36, No. 3 Michael Colby
Ursinus College Digital Commons @ Ursinus College Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection Spring 1987 Pennsylvania Folklife Vol. 36, No. 3 Michael Colby Donald Graves Monica Pieper William T. Parsons Ursinus College Helen Urda Smith Follow this and additional works at: https://digitalcommons.ursinus.edu/pafolklifemag Part of the American Art and Architecture Commons, American Material Culture Commons, Christian Denominations and Sects Commons, Cultural History Commons, Ethnic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Folklore Commons, Genealogy Commons, German Language and Literature Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Linguistics Commons, and the Social and Cultural Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Colby, Michael; Graves, Donald; Pieper, Monica; Parsons, William T.; and Smith, Helen Urda, "Pennsylvania Folklife Vol. 36, No. 3" (1987). Pennsylvania Folklife Magazine. 116. https://digitalcommons.ursinus.edu/pafolklifemag/116 This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. I------.w'l_____ -----,.-~ ~tnn~ lJ {vania oeoeoeoeoeoeoeoeoeoeo ul Ii e (tontril1utor~ MI C HAEL COLBY, a teacher in the Bethlehem A rea School District, a nd DO ALD G RAVES, a freela nce wri ter for the Bethlehem Globe Times a nd Early American Life magazine, are deeply in volved in 18th century life a nd traditions. T hey have bee n growing a nd ha nd -processing fl ax- spinning, dyeing a nd weaving the fi ber into cloth as was done by the settlers in colonial Pennsylva nia- a nd have been connected with the Jacobsburg Environmental Center a nd Historic Bethlehem, Inc. -
Architectural Digest the International Magazine of Interior Design March 2005
ARCHITECTURAL DIGEST THE INTERNATIONAL MAGAZINE OF INTERIOR DESIGN MARCH 2005 Clint d Eastwoo Masterminds His Golf Club in Carmel Designer Marjorie Shushan, along with architect Thomas M. Kirch hoff, conceived a 6,500-square-foot residence for James and Eleanor Woolems in Palm Beach, Florida. Garrow Kedigian was the interior architect. LEIT: The living room. Chelsea Editions drapery fabric. alm Beach! Rattan! Pink and green! Bring on the hibiscus! On second thought, maybe not. P"Haven't we seen enough houses in Palm Beach that are oom-pah-pah?" Marjorie Shushan asks. Never one for an insistent beat, this interior designer believes in the power of subtlety, in a buttery-soft atmosphere that leaves her clients feeling all wrapped up in a cash mere throw, preferably a beige one. "Peace, quiet and some luxury" is what she says most of us want. It does sound rather nice, doesn't it? "I had no idea how luxurious it would be," says Eleanor Woolems, after months of touching the sensual fabrics that are the designer's signature, and waking up in a big downy bed encircled by matelasse draperies, and nestling into furniture from Shushan's secret source in Los An geles. She and her husband, James, enjoy these luxuries year-round; they are full time residents-natives, in fact-of this winter resort. He is a contractor who builds and renovates residences; she has been selling real estate here for 15 years. Their new 6,500-square-foot house in the quiet North End was designed for them by the architect Thomas M . -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
The Charlottesville Woolen Mills, Clothing a Nation
The Charlottesville Woolen rogues she called the Union troopers, mately one mile east of Charlottes- King of Great Britain.” The second Mills, Clothing a Nation scribbling furiously in her diary, and ville’s original downtown. “At that highway into Albemarle County, the by Rick Britton confided that if she were a boy, she point,” wrote Harry E. Poindexter, Mountain Ridge Road, constructed would fight them. Later that evening, “Moore’s Creek empties into the circa 1740, led to Secretary’s Ford [Albemarle County] is a section with the after everything that could benefit [Rivanna] river from the southwest, from the east. When later extended greatest capabilities of self support, having Confederate arms had been put to forming a narrow triangle of land west to a gap in the Blue Ridge Moun- minerals, timber, materials for fabrics and the torch, Sarah Ann watched in hor- which rises rapidly to a rocky crest tains, this well-traveled thoroughfare an unexcelled water power for factories.— ror as a jubilant Federal incendiary some one hundred feet high.” was dubbed Three Notched Road. detail rode past. “They have burned From The Albemarle Handbook, published part of the iron bridge, & the cotton The earliest known enterprise on On the same “triangle” of in 1888 by Wm. H. Prout factory” [on the easternmost edge of the site was a water grist mill built in land was also located the port of town], she wrote. “The conflagration 1795 by Edward Moore, who owned Charlottesville, “called Pireus,” wrote During the Confederacy’s last win- was magnificent, sublime, it illumi- 500 acres thereabouts. -
Annual Statistics of Manufactures, 1888
GT0M5 I95r A / I Siaii Chief of Bureau if : No. 36. THE ANNUAL STATISTICS OF MANUFACTURES. 1888. BOSTON WRIGHT & POTTER TRINTING CO., STATE PRINTERS. 18 Post Office Square. 1889. cJ. STATE LIBMRI OF MASSACflffSEffi, STATE HOUSE, BOSTON JAN' 9 1890 A TABLE OF CONTENTS, rage Letter of Transmittal, xi Introduction, xiii-lxxxii General remarks, xiii, xiv Comparative value of goods made : by establishments and industries — 1885, xiv-xxviii Classified value of goods made : by establishments, . xv-xxvii Recapitulation. For the State — 1885, xxvii, xxviii Descriptive classification scheme for principal articles of stock used and goods made : by industries, . xxviii-lxii Comparative values. 1875, 1885, Ixii-lxxxi Selected articles of stock used, with average values, and increase, decrease, and percentages. 1875, 1885, Ixii-lxvii Classification of ranges of increase, ... Ixvii Classification of ranges of decrease, .... Ixvii, Ixviii Purchasing power of money as regards articles of stock used which show an increase in value, . Ixviii, Ixix Purchasing powder of money as regards articles of stock used which show a decrease in value. Ixx-lxxii Selected articles of goods made, with average values, and increase, decrease, and ^percentages. 1875, 1885, Ixxiii-lxxvi Classification of ranges of increase, .... Ixxvi, 1 xxvii Classification of ranges of decrease, .... 1 xxvii Purchasing power of money as regards articles of goods made which show an increase in value, . 1 xxvii, 1 xxviii Purchasing power of money as regards articles of goods made w^hich show -
The Historic Mills of North Andover
The Historic Mills of North Andover: Local History at a Glance The mills at North Andover altered the history of the town forever. Beginning with the Scholfield Mill in 1802, North Andover grew to become one of many leading textile equipment manufacturers in Massachusetts. By the nineteenth century, four sites stood along Cochichewick Brook to facilitate the growth of the North Parish’s (incorporated as North Andover in 1855) woolen textile industry. During this period, the Stevens, later renamed Osgood, and Sutton Mills produced woolen textiles, while the Da- vis and Furber Machine Shop produced the machinery deployed in the manufacturing of those textiles. In the 1860s, Davis and Furber undertook rapid expansion as a result of the immense growth of the woolen industry during the Civil War period. In the backdrop of the war, the American woolen industry remarkably doubled in size. Even into the twentieth century, the companies located at the Cochichewick Brook sites provided North Andover with a formidable industrial business as well as a principal em- ployer. Scholfield Mill (1802) .The Scholfield/Sutton Mills are believed to be the oldest continuous woolen man- ufactory in the country .The Scholfield’s/Sutton Mills was the first woolen mill in North Andover .The mill was built in 1802 on Cochichewick by James Scholfield, originally con- sisting of a small building that stored a carding machine as well as a dwelling house which contained spinning jacks and looms operated entirely by man power .Early on the mill manufactured broadcloth which was one of the first fabrics made throughout the New England mills .In the early days of the mill, the spinning, carding and weaving were done mostly by the James Scholfield family .The Scholfield’s carding machine used at Sutton is said to be the third carding machine ever operated in the United States .William Sutton began to operate the mill in 1826 Stevens Mill (1813) .The idea for Stevens Mill began in 1813 with the creation of a partnership be- tween Captain Nathaniel Stevens, Dr. -
Fragile Spectres: How Women of Victorian Britain Used the Occult
FRAGILE SPECTRES: HOW WOMEN OF VICTORIAN BRITAIN USED THE OCCULT AND SPIRITUALIST MOVEMENT TO CREATE AUTONOMY A Thesis Presented to The Faculty of the College of Arts and Sciences Florida Gulf Coast University In Partial Fulfillment of the Requirement for the Degree of Master of Arts By Danielle Jean Drew 2017 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Danielle Jean Drew Approved: April 19, 2017 Committee Chair / Advisor Committee Member 1 Committee Member 2 Committee Member 3 The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. 1 Table of Contents Acknowledgements 3 Introduction 4 Chapter 1 11 The Spiritualist Movement in London Chapter 2 24 The Lady and the Medium: Spiritualism and Women in the Nineteenth Century Chapter 3 37 Middle Class Mediums: A New Vocation for Victorian Women Chapter 4 50 Finding New Life in Art: Medium and Artist Georgiana Houghton Chapter 5 66 Medium, Editor, and Inspiration: Emma Hardinge Britten and the Spiritualist Movement Chapter 6 83 Rosa Campbell Praed: Theosophy, Feminism, Authorship, and Autonomy at the Turn of the Century Conclusion 98 Bibliography 102 2 Acknowledgements There are many people that I am grateful to and would like to acknowledge in the completion of this Master’s thesis. The first thank you belongs to my mother, who has supported me emotionally and mentally through these past two years, providing me with words of wisdom and encouragement when I wanted to give up. -
KNOWLES-DOCUMENT-2014.Pdf
Abstract Fashioning Slavery: Slaves and Clothing in the U.S. South, 1830–1865 By Katie Knowles This dissertation examines such varied sources as Uncle Tom’s Cabin, Eastman Johnson’s genre paintings, runaway advertisements, published narratives, plantation records, the WPA ex-slave narratives, and nearly thirty items of clothing with provenance connections to enslaved wearers. The research presented in the following pages seeks to reveal the complexities surrounding clothing and slave life in the antebellum South by examining a variety of sources in combination. Enslaved people resisted race-based slavery by individualizing their appearance when working and when playing, but they were ultimately unsuccessful in resisting their exclusion from the race-based American fashion system. In bringing together previous scholarship on slavery in the American South, material culture, and fashion studies, this project reveals the deep connections between race and fashion in the antebellum United States. Enslaved people struggled against a racist culture that attempted to exclude them as valid participants in American culture. The individuality expressed by slaves through personalizing their clothing was a tactic of resistance against racism and race- based slavery. In many instances, enslaved people chose to acquire and dress in fashionable Euro-American clothing, a method of resistance because it was an attempt by them to disrupt the racially exclusionary fashion system of the antebellum United States. Though relatively few garments survive today, the voices of enslaved people and the records of their oppressors provide a rich narrative that helps deconstruct the many ways in which slaves encountered clothing. Clothing played an integral part in the daily life of enslaved African Americans in the antebellum South and functioned in multi-faceted ways across the antebellum United States to racialize and engender difference, and to oppress a variety of people through the visual signs and cues of the fashion system.