Comprehensive Artist Marketing & Promotion for Non-FACTOR
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ontario Media Development Corporation
ONTARIO MEDIA DEVELOPMENT CORPORATION Year in Review 2012-2013 Ontario’s Creative Industries: GROWING. THRIVING. LEADING. We’ve got it going Ontario Media Development Corporation Board of Directors Kevin Shea, Chair Anita McOuat Owner and President Senior Manager, Audit and SheaChez Inc. Assurance Group PwC Nyla Ahmad Vice-President, New Venture Operations Marguerite Pigott & Strategic Partnerships Head of Creative Development Rogers Communications Inc. Super Channel Principal Paul Bronfman Megalomedia Productions Inc. Chairman and Chief Executive Officer Comweb Group Inc. and Justin Poy William F. White International President and Creative Director Chairman The Justin Poy Agency Pinewood Toronto Studios Inc. Robert Richardson Alexandra Brown President Alex B. & Associates Devon Group Susan de Cartier Mark Sakamoto President Principal Starfish Entertainment Sakamoto Consulting Inc. Nathon Gunn John B. Simcoe CEO Partner Bitcasters PwC CEO Social Game Universe Nicole St. Pierre Head of Business and Legal Affairs Leesa Levinson Mercury Filmworks Executive Director Lights, Camera, Access! Blake Tohana Chief Financial Officer and Sarah MacLachlan Chief Operating Officer President marblemedia House of Anansi Press and Groundwood Books Ildiko Marshall Former Vice-President and Publisher Today’s Parent Group at Rogers Publishing Ontario Media Development Corporation (OMDC) 175 Bloor Street East, South Tower, Suite 501 Toronto, Ontario M4W 3R8 www.omdc.on.ca Published by the Government of Ontario © Queen’s Printer for Ontario, 2013 Disponible en français l Printed on recycled paper Table of Contents What We Do and How We Do It ...............2 Message from the Chair and the President & Chief Executive Officer .........3 The Creative Industries ...........................4 Building New Our Mission: Platforms for Success ............................6 Collaboration and The Ontario Media Development Cross-Sector Partnerships .......................8 Corporation is the central catalyst for Ontario’s Creative Media in the Global Marketplace ................... -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward. -
The Polaris Music Prize Announces the Split Surprise 7” Sponsored by Scion
FOR IMMEDIATE RELEASE THE POLARIS MUSIC PRIZE ANNOUNCES THE SPLIT SURPRISE 7” SPONSORED BY SCION CHANCE TO WIN ONE OF FIVE GOLDEN TICKETS TO ATTEND THE GALA. TORONTO, ON – Thursday, August 2, 2012 The Polaris Music Prize is pleased to announce the return of the surprise split 7”, sponsored by Scion. Purchase any one of the ten 2012 Polaris Music Prize Short List artist’s album (cd or vinyl) at any of the participating retailers (listed below) and you will be given a surprise split 7”. The unmarked limited edition instant collectible 7” will feature one artist’s single on each side and will be one of the following combination of this year’s Short List artists: Grimes / Handsome Furs, Kathleen Edwards / Cold Specks, Japandroids / Cadence Weapon, Fucked Up / YAMANTAKA // SONIC TITAN. 5 golden tickets for two to this year’s Polaris Music Prize Gala will be randomly distributed inside 5 of the split 7” packages. Transportation and accommodation to Toronto are not included with the winning tickets. The 2012 Polaris Music Prize Short List Nominees, as announced on July 17th, are: Cadence Weapon, Cold Specks, Drake, Kathleen Edwards, Feist, Fucked Up, Grimes, Handsome Furs, Japandroids, YAMANTAKA // SONIC TITAN. The participating retailers are: Newfoundland Fred's (St John's) Nova Scotia Obsolete Records (Halifax) Taz Records (Halifax) New Brunswick Backstreet (St John) Backstreet (Fredericton) Quebec Phonopolis (Montreal) Frequences (Ste-Hyacinthe) Aux 33 Tours (Montreal) Ontario CDWarehouse (Kanata) CDWarehouse (Ottawa East) CDWarehouse (Nepean) -
Kimberly Barber--Mezzo-Soprano
KIMBERLY BARBER, MEZZO-SOPRANO COMPLETE PERFORMANCE ARCHIVE Operatic and concert performances: 2019 “I never saw another butterfly: Music of the Holocaust”; Recital with Pianist Anna Ronai and Flutist Ulrike Anton; Richmond Hill Centre for the Performing Arts, Richmond Hill, ON, November 7, 2019 Gala Concert: Opening of CASP Conference; Edmonton, AB; mezzo-soprano Elizabeth Turnbull and others; October 16, 2019 Faculty Showcase: Music at Noon; Pianist Anna Ronai, Penderecki String Quartet, Pianists Anya Alexeyev and Glen Carruthers, vocalist Glenn Buhr; Maureen Forrester Recital Hall, Wilfrid Laurier University, Waterloo, ON; September 12, 2019 Mysterious Barricades: The Stories We Tell; Kitchener Public Library Theatre, Kitchener, ON; Pianist Anna Ronai, Penderecki String Quartet, Trumpeter Guy Few and others; Sept 10, 2019 (coast-to-coast livestream Sept. 14-21, 2019) Closing concert Festival de Fourvière; Chateau LaCroix-Laval, Lyon, France; Pianists Franck Avitabile and Catherine Garonne, cellist Yannick Callier; Aug 4, 2019 Opening concert Festival de Fourvière; Hôtel de Ville, Lyon, France; Three Songs of James Joyce, op. 10, Samuel Barber; Pianist Laetitia Bougnol; Aug 1, 2019 Concert Lyrique, NSVI, Église Ste-Claire, Riviere-Beaudette, QC; Pianist Michael Shannon, Mezzo-soprano Maria Soulis and others; July 3, 2019 Église Ste-Madeleine, Rigaud, QC, July 6, 2019 Mme. de la Haltière, Cendrillon, Jules Massenet; Conductor Leslie De’Ath, Soprano Emily Vondrejs, Mezzo-soprano Dominie Boutin and others; Theatre Auditorium WLU, Waterloo, -
ACWC Spring 2021 Journal Is Here!
Spring 2021 Journal eJournal ACWC/ACC Spring 2021 Table of Contents 3 Notes from the Chair Carol Ann Weaver 8 From the Editor Fiona Evison 9 40th Anniversary of ACWC / ACC Diane Berry 12 The ACWC/ACC 20th Anniversary: Then, Now, and Beyond... A Festival of Music by Women Janet Danielson 17 Spotlight on Our Archives Elma Miller 25 Pioneering Compositrices of Canada Elaine Keillor 31 Anniversary Interview: Brenda Muller: Canadian Challenges for Women Com- posers, and the History of the Ardeleana Trio Patricia Morehead 40 Anniversary Interview: Sylvia Rickard: My Composing Life and Memories of Jean Coulthard / Entrevue: Sylvia Rickard Patricia Morehead 48 Panel Reports: Soundscapes and More / Muses Too Carol Ann Weaver 50 New Member Profiles 52 Member Opportunities and News All writers in the Journal are ACWC members, unless otherwise indicated. 2 eJournal ACWC/ACC Spring 2021 Notes from the Chair In Celebration as ACWC/ACC Turns 40: Finding Our “Necessary” Voices Carol Ann Weaver An anniversary 40 years in the making – reason enough to celebrate! In 1981 when Carolyn Lomax met with Ann Southam, Mary Gardiner, and others to form what was to become ACWC, little did she and the other Toronto-based composers know that their work would expand to become an association of over 100 members spread across Canada from Vancouver Island to Newfoundland, and from the Northwest Territories to the US and Europe, incorporating musical forms from soundscape to jazz improvisation, song to symphony, largely centred on innovative Western classical styles – music necessary to compose. In the early 80’s when ACWC1 boasted a membership of some 15 – 35 members, few questioned its predominantly European-rooted membership. -
For Immediate Release 2012 Polaris Music Prize Announces the Short List
FOR IMMEDIATE RELEASE 2012 POLARIS MUSIC PRIZE ANNOUNCES THE SHORT LIST TORONTO, ON – Tuesday, July 17, 2012 The 2012 Polaris Music Prize Short List was announced today at The Drake Hotel in Toronto, ON. Hosted by CBC Radio 3’s Craig Norris, the event was broadcast live on Sirius 152 and CBC Radio 3. Over 150 members of the music industry and media were present for the mid-day event, now celebrating its seventh year. The 2012 Polaris Music Prize Short List is (in alphabetical order): Cadence Weapon – Hope In Dirt City Cold Specks – I Predict A Graceful Expulsion Drake – Take Care Kathleen Edwards – Voyageur Feist – Metals Fucked Up – David Comes To Life Grimes – Visions Handsome Furs – Sound Kapital Japandroids – Celebration Rock YAMANTAKA // SONIC TITAN – YT//ST For images from today’s event, album graphics, artist pics and bios visit: polarismusicprize.ca/media username: media / password: m3d1a “Our jury is showing an ever growing passion and dedication to reviewing, discussing and advocating their selections. This has resulted in a Short List of records that are musically focused, intense and in some cases highly personal. The process of selecting a winner should prove to be an invigorating challenge for our Grand Jury,” said Steve Jordan, Founder and Executive Director of the Prize. The Polaris Music Prize awards $30,000 to the artist who creates the Canadian Album of the Year. Courtesy of Slaight Music, each of the nine other short listed artists will receive $2000.00. The prize is judged solely on artistic merit, without consideration of genre or record sales. -
Annual Report 2018—2019
Annual Report 2018—2019 Contents 02 — Message from the Chair 20 — In the Community 03 — Message from the President 21 — Juries 04 — About the Foundation 24 — Programs 06 — Staff 29 — Sponsorship 07 — Board of Directors 32 — Collective Initiatives 08 — National Advisory Board 36 — Success Stories 10 — Our Funding Partners 40 — Awards 12 — Financial Results 44 — Year-End Snapshot 14 — Funding Offered by Genre 48 — PwC Report 16 — Applications by Genre Up+Downtown Music and Arts Festival 2018 — Eric Kozakiewicz FACTOR 2018—2019 1 Message from the Chair Message from the President has been a key focus of the Department of Canadian Heritage and the Canadian presence for our sector at jazzahead! in Bremen. In we continue to support fantastic programs on the global stage support of the Frankfurt Book Fair, we will be assembling events such as Reeperbahn in Germany, Printemps de Bourges in France, to promote Canadian talent at the Berlin Film Festival, Elbjazz, while developing new markets and genre opportunities with and in Hamburg and Munich. As well, we will be creating the Linecheck in Milan, Italy later this year and the Frankfurt Book Fair definitive music show for the Book Fair itself. These events will in Germany in 2020. be done with the support of the Canadian Embassy in Berlin, and the invaluable support of Sound Diplomacy in Germany. Through new CRTC mandates, we have received substantial increased funding for expanded video and other music programs. In the upcoming months we will be working with Manitoba By using new funds from that source and other radio CCD Music, developing and financing opportunities for Indigenous benefits, FACTOR has developed a new program for publishers and artists to showcase in Australia at Big Sound and in Germany expanded the available funding for songwriters’ workshops. -
ECM+ Generation2020 Biennial Canadian Composition Contest
News Release | For immediate circulation ECM+ Generation2020 Biennial Canadian composition contest ECM+ unveils the four young Generation2020 composers! Montreal, August 6, 2019 – Ensemble contemporain de Montréal (ECM+) is pleased to announce that the jury has selected the winners of its 2020 Generation biennial composition contest: Bekah Simms (N.L./Ont.), Gabriel Dufour- Laperrière (Que.), Stefan Maier (B.C.) and Matthew Ricketts (B.C./NY) will take part in the Generation2020 adventure starting next February. With 52 high-level applications from Canadian composers, aged 35 and under from all over the country, the final choice has proved quite challenging for the jury comprising renowned professionals from the Canadian new music community: Kyle Brenders (Composer and Program Manager, Performing Arts at the Banff Centre for Arts and Creativity), Christopher Butterfield (Composer and Associate Professor at Victoria University), Brian Current (Composer and co-Artistic Director of New Music Concerts), Véronique Lacroix (Artistic Director of ECM+ and Professor at the Conservatoire de musique de Montréal), Kathryn Ladano (Clarinetist and Artistic Director of NUMUS), Maxime McKinley (Composer and Editor-in-chief of Circuit magaZine), Marianne Perron (Director, Music Programming at Orchestre symphonique de Montréal), Laurie Radford (Composer and Artistic Director of New Works Calgary), Pierre-Olivier Roy (Composer and Artistic Director of Erreur de type 27), Stefani Truant (Associate Artistic Administrator of the National Arts Centre Orchestra) and Owen Underhill (Composer and Artistic Director of Turning Point Ensemble). Over the course of the next 15 months, the four Generation2020 composers will explore their distinctive musical voice, write a new piece commissioned by Ensemble contemporain de Montréal (ECM+) and join the Ensemble on a tour introducing their music to audiences across Canada. -
September 5, 2012 Steve
FOR IMMEDIATE RELEASE POLARIS MUSIC PRIZE REVEALS 2012 GALA DETAILS GRAND JURY ANNOUNCED TORONTO, ON – September 5, 2012 Steve Jordan, Founder and Executive Director of the Polaris Music Prize is pleased to reveal details about the 7th annual Polaris Music Prize Gala, taking place on September 24th at the Concert Hall Studios at Bell Media’s Masonic Temple. The entire event will stream live on Muchmusic.com and will be broadcast live exclusively on SiriusXM radio (Sirius channels 151 and 152; XM channel 151) and CBC Radio 3. At the end of the evening, the winner will be announced and awarded the $30,000 prize. Nine secondary prizes of $2000 will be provided by Slaight Music. The winner will also get a one week free rental of a VIP Deluxe Splitter tour bus - for their next European tour - courtesy of Studio Moves from London, UK. Highlights from the gala will air in a one-hour special, exclusively on MuchMusic, on Saturday, September 29 at 10pm ET. The evening will include performances by Short List nominees Cadence Weapon, Cold Specks, Kathleen Edwards, Feist, Fucked Up, Grimes and Yamantaka // Sonic Titan. Nominees Handsome Furs will also be in attendance. Japandroids, who are on tour in Europe, have sent their regrets. As of the date of this press release, Drake has not committed to attending. Members of Arcade Fire will also be there to announce this year’s winner. On the night of the gala, a Grand Jury of 11 people will be sequestered upstairs in the Red Room of The Masonic Temple to discuss, debate and determine a winner. -
The Improvising Musician's Mask
THE IMPROVISING MUSICIAN’S MASK: USING MUSICAL INSTRUMENTS TO BUILD SELF-CONFIDENCE AND SOCIAL SKILLS IN COLLECTIVE FREE IMPROVISATION KATHRYN LADANO A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO June 2018 © Kathryn Ladano, 2018 ii ABSTRACT This study explores the idea that musical instruments can function as masks, allowing for greater creative expression and self-confidence, in the context of collective free improvisation. The use of masks has been well documented in various cultures throughout history and is still used in drama today, including in drama improvisation. Masks have traditionally been used to facilitate a deeper expression of the self. Musicians can use their instruments in similar ways, increasing their level of comfort and allowing for connection and communication with others in ways not available through traditional social exchanges. Through a series of interviews, questionnaires, and performances, thirty young instrumentalists and vocalists participated in this study in order to better understand their relationship to their instruments when improvising. All subjects were under the age of thirty, had studied improvisation in university and self-identified as non-professional improvisers. Through analysis of their recorded performances during the study, interview and questionnaire responses, it was discovered that the vast majority of participants identified with the idea that their instruments functioned as masks. Furthermore, most of these individuals believed their instruments helped them express parts of themselves that could not be expressed through other means. Some also believed their instruments allowed for the creation of a persona, in which they felt they could “be” someone else when performing. -
December 17, 2019 the Honourable Rod Phillips Minister of Finance C/O Budget
December 17, 2019 The Honourable Rod Phillips Minister of Finance c/o Budget Secretariat Frost Building North, 3rd Floor 95 Grosvenor Street Toronto, ON M7A 1Z1 Sent via email: [email protected] Cc: [email protected] Dear Minister: Thank you for the opportunity to submit a pre-budget submission on behalf of the Canadian Independent Music Association’s (CIMA) Ontario-based membership, as well as its provincial division, MusicOntario. This submission will cover CIMA and MusicOntario’s recommendation for the Ontario Government to reinstate the Ontario Music Fund (OMF) budget to $15 million annually. We believe that the government’s investments through the OMF are integral to the success of Ontario’s music companies and the artists they support. These investments help solidify Ontario’s position as the hub of Canada’s music industry and as a breeding ground for bands and artists whose music is exported around the world. The commercialization of Intellectual Property (music) by the independent sector in Ontario guarantees an important return on investments into Ontario’s economy and into the pockets of Ontarians. CIMA’s Recommendation: Small businesses have been disproportionately impacted by the initial cut to the Ontario Music Fund. We ask the government to relieve the stress on those small Ontario companies and the entrepreneurs who lead them by partnering with them and reinvesting $15 million annually into the OMF. 30 St. Patrick Street. 2nd Floor | Toronto, ON | M5T 3A3 www.cimamusic.ca | www.music-ontario.ca INVESTING IN THE MUSIC INDUSTRY There is no doubt that the Ontario Music Fund provided through the Government of Ontario and Ontario Creates is a catalyst for the provincial music industry’s success. -
Polaris Music Prize Announces Aux As New Television Broadcast Partner and the Carlu in Toronto As New Gala Venue
FOR IMMEDIATE RELEASE POLARIS MUSIC PRIZE ANNOUNCES AUX AS NEW TELEVISION BROADCAST PARTNER AND THE CARLU IN TORONTO AS NEW GALA VENUE. TORONTO, ON – Monday, April 15, 2013. Steve Jordan, Founder and Executive Director of the Polaris Music Prize, today announced the new 2013 Polaris Music Prize television broadcast partner as well as the venue for the September 23 Polaris gala. AUX will be the new broadcast partner and will produce an online live stream of the gala in its entirety as well as providing extended and in-depth coverage of the long list and short list announcements. “The whole team at AUX lives, breathes and bleeds music like we do. We believe this new partnership will bring Polaris to a whole new level. It will also be a whole lot of fun,” said Jordan. "AUX was created to support and reflect Canadian music to Canada and the world. As our TV network grows and the global popularity of the AUX tablet magazine and AUX.tv website soar, we are finally big enough to be the presenting TV broadcast partner for the Polaris Prize. This is a culmination of our founding mission, exemplified by our ongoing work with Scion Sessions, and we look forward to helping Polaris reach even broader audiences," said Raja Khanna, CEO, Television & Digital at Blue Ant Media and founder of AUX. Jordan also announced The Carlu in Toronto as the new venue for this year’s Polaris gala. “We were sad to leave the Concert Hall, our previous home. But having hosted Glenn Gould’s first public performance, plus Sinatra, Duke Ellington, Billie Holiday, Sergei Rachmaninoff, Mario Lanza and others there’s an equally rich music history in The Carlu to spirit our gala.