Selected Writings, Volume 5
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eastern Europe, Literature, Postimperial Difference
Form and Instability 8flashpoints The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Founding Editor; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Nouri Gana (Comparative Literature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Literature, UC Santa Cruz); Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) A complete list of titles is on page 222. Form and Instability Eastern Europe, Literature, Postimperial Difference Anita Starosta northwestern university press ❘ evanston, illinois THIS BOOK IS MADE POSSIBLE BY A COLLABORATIVE GRANT FROM THE ANDREW W. MELLON FOUNDATION. Northwestern University Press www.nupress.northwestern.edu Copyright © 2016 by Northwestern University Press. Published 2016. All rights reserved. Digital Printing isbn 978-0-8101-3202-3 paper isbn 978-0-8101-3259-7 cloth Library of Congress Cataloging-in-Publication data are available from the Library of Congress. -
Book Spring 2006.Qxd
Pauline Yu Comparative literature in question Comparative literature is at once a subject butions to a substantial body of writings of study, a general approach to literature, a on the nature of comparative literature. series of speci½c methods of literary histo- As Weisinger and Joyaux suggest, ry, a return to a medieval way of thought, there has been scant consensus about a methodological credo for the day, an ad- the de½nition and purpose of the ½eld ministrative annoyance, a new wrinkle in from its very inception. Debates have university organization, a recherché aca- been waged about its name and what demic pursuit, a recognition that even to call those who practice it. Disputes the humanities have a role to play in the have swirled about whether or not their affairs of the world, close-held by a cabal, task is one of comparison. Questions invitingly open to all . 1 have been raised about whether or not whatever it is they do constitutes a disci- pline, producing delight, consternation, o begins the foreword to Herbert S or despair in the hearts of those who Weisinger’s and Georges Joyaux’s trans- care. Like the humanities as a whole, lation of René Etiemble’s The Crisis in comparative literature seems to face one Comparative Literature, published in 1966 ‘challenge’ after another and to exist in a and itself one of many polemical contri- state of perpetual ‘crisis,’ as even a quick glance at the titles of numerous works Pauline Yu, a Fellow of the American Academy on the subject can con½rm. -
Thesis Reference
Thesis The persistence of the Homeric question VARSOS, Georges Jean Abstract La thèse présente les résultats d'une enquête sur la "persistance" des formations littéraires et sur ses implications en matière de reproduction et traduction de la littérature, voire en matière de relations entre littérature et histoire. Le débat sur la "question homérique" est traité comme un cas exemplaire. L'enquête est fondée sur une lecture comparative des "Prolégomènes à Homère" (1795) de F.-A. Wolf et de "La tâche du traducteur" (1923) de W. Benjamin. La lecture de Wolf explore le paradigme philologique et ses tendances historicistes, paradigme centré sur la réformation d'un texte à reproduire. La lecture de Benjamin revisite les présupposés d'une critique, actuellement très influente, de la tradition historiciste, critique centrée sur la question de la traduction. Les concepts suivants sont discutés en autres: forme et substance, écriture et textualité, lecture et lisibilité, langage humain et temporalité historique. Reference VARSOS, Georges Jean. The persistence of the Homeric question. Thèse de doctorat : Univ. Genève, 2002, no. L. 512 URN : urn:nbn:ch:unige-1550 DOI : 10.13097/archive-ouverte/unige:155 Available at: http://archive-ouverte.unige.ch/unige:155 Disclaimer: layout of this document may differ from the published version. 1 / 1 FACULTE DES LETTRES PROGRAMME DE LITTERATURE COMPAREE THE PERSISTENCE OF THE HOMERIC QUESTION THESE DE DOCTORAT présentée par GEORGES JEAN VARSOS Directeur de thèse: WLAD GODZICH Président du jury: RICK WASWO JUILLET 2002 i PREFACE Work directly related to this thesis started, I think, when I read the first of Ezra Pound’s Cantos, during my post-graduate studies in Comparative Literature, in Montreal. -
Allegory, Pathos, and Irony: the Resistance to Benjamin in Paul De Man
Allegory, Pathos, and Irony: The Resistance to Benjamin in Paul de Man Andrea Mirabile ABSTRACT Paul de Man’s writings on allegory are significantly influenced by the work of Wal- ter Benjamin. Nevertheless, Benjamin is conventionally perceived as semireligious and pathos-laden, whereas de Man is described as secular and emotionless. A close reading of selections from the two authors’ works (in particular Benjamin’s The Origin of German Tragic Drama and de Man’s Blindness and Insight) complicate this distinction, and the stereotypes supporting it. Both de Man and Benjamin help us to question the accepted borders between the emotively charged and the detached, the sacred and the profane, the redemptive and the nihilistic—hence their controversial yet unflagging resonance in contemporary culture. In the field of allegorical intuition the image is a fragment, a rune. Its beauty as a symbol evaporates when the light of divine learning falls upon it. —Walter Benjamin1 I intend to take the divine out of reading. —Paul de Man2 One of Paul de Man’s most original contributions to contemporary literary theory is a new formulation of the concept of allegory. De Man was perhaps the last great scholar of the twentieth century to deal with allegory, and he took upon himself the very difficult task of both giving a systematic definition of the concept and using it as a reading strategy. In order to fully understand and appreciate de Man’s work on allegory, it is essential to consider it in relation to Walter Benjamin’s writings on the subject. I propose to show how and where Benjamin’s influence is present in de Man’s reflections on allegory, and how de Man both absorbed and resisted this influence. -
Problems of Dostoevsky's Poetics
Mikhail Bakhtin Problems of Dostoevsky's Poetics Edited and Translated by Caryl Emerson Introduction by Wayne C. Booth Theory and History of Literature, Volume 8 Problems of Dostoevsky's Poetics Theory and History of Literature Edited by Wlad Godzich and Jochen Schulte-Sasse Volume 1. Tzvetan Todorov Introduction to Poetics Volume 2. Hans Robert Jauss Toward an Aesthetic of Reception Volume 3. Hans Robert Jauss Aesthetic Experience and Literary Hermeneutics Volume 4. Peter Burger Theory of the Avant-Garde Volume 5. Vladimir Propp Theory and History of Folklore Volume 6. Edited by Jonathan Arac, Wlad Godzich, and Wallace Martin The Yale Critics: Deconstruction in America Volume 7. Paul de Man Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism 2nd ed., rev. Volume 8. Mikhail Bakhtin Problems of Dostoevsky's Poetics Problems of Dostoevsky's Poetics Mikhail Bakh tin Edited and Translated by Caryl Emerson Introduction by Wayne C. Booth Theory and History of Literature, Volume 8 University of Minnesota Press E Minneapolis ; S: London Publication of this book was assisted by a grant from the publications program of the National Endowment for the Humanities, an independent federal agency. Copyright © 1984 by the University of Minnesota. All rights reserved. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 http:/ /www.upress.umn.edu Printed in the United States of America on acid-free paper Eighth Printing 1999 Library of Congress Cataloging in Publication Data Bakhtin, M. M. (Mikhail Mikhailovich), 1895-1975. Problems of Dostoevsky's poetics. (Theory and history of literature; v. -
Derrida and Deconstruction in America
CRITICAL EXCHANGE #17: WINTER, 1985 GENERAL EDITOR James J. Sosnoski GUEST EDITOR James Creech ASSOCIATE EDITOR R. L. Wadsworth Jr. INTRODUCTION James Creech DECONSTRUCTION IN AMERICAS AN INTERVIEW WITH JACQUES DERRIDA James Creech, Peggy Kamuf - and Jane Todd 1 MNEMOSYNE: ZWEITE FASSUNG Friedrich Halderlin RESPONSE TO JACQUES DERRIDA'S "MNEMOSYNE: A LECTURE FOR PAUL DE MANn Andrew Parker* 35 DECONSTRUCTION IN AMERICA1 HEIDEGGER READING HmERLlN Andrzej Warminski 4 5 JAMES CREECH In April of 1984 The Society for Critical Exchange sponsored a colloquium with Jacques Derrida at Miami University. During Pro- fessor Derrida's visit he was interviewed in French by James Creech, Peggy Kamuf and Jane Todd of the Miami University French Department. A translation of that interview is contained in the present volume. It is followed by the remarks of Andrew Parker and Andrzej Warminski, two of the respondents participating in a panel discussion after Professor Derridals address the following day. Although that address is not printed here-it is entitled Wnemosyne"and can be read in a forthcoming issue of Critical Inquiry--these responses make a significant statement that can be read by themselves. They have the added virtue of describing very well the discursive field in which Derridafs remarks on Paul de Man, memory and mourning can be situated. As for the interview, it was agreed in advance that it would focus on the question of "Deconstruction in America," and Professor Derrida received a list of written questions on the afternoon before the interview the following morning. A significant portion of the questions were spontaneous, however, as will be obvious to the reader. -
In and Around Zurich Dada
Circulations: In and Around Zurich Dada T. J. DEMOS The Cabaret Voltaire . has as its sole purpose to draw attention, across the barriers of war and nationalism, to the few independent spirits who live for other ideals. —Hugo Ball, 1916 Dada remains within the framework of European weakness, it’s all shit, but from now on we want to shit in different colors so as to adorn the zoo of art with all the flags of all the consulates. —Tristan Tzara, 1916 For Roman Jakobson, it is against the background of the “zoological nation- alism” of European nation-states during World War I that the Dadaist rebellion becomes comprehendible and reaches its most subversive intensity. While the antinationalism of Dada’s politics has been well charted, its aesthetic negotiation of such politics has been largely ignored. Returning to Jakobson offers an important corrective, for his sensitivity toward language led him, early on, to connect the politics of Dada to structural developments in its artistic practice, largely over- looked in analyses of Zurich Dada in particular. Writing presciently in 1921, Jakobson understood that the linguistic structure of Dadaist artwork registered a representational paradigm shift, and its rumblings were perceptible in the other- wise seeming “infantile anti-French attacks of the French Dadaists and the anti-German attacks of the Germans.”1 For him, the Dadaists’ displacement from national identity was symptomatic of its participation in a larger movement toward a new “science of relativity,” representing an epistemic transformation in Western organizations of knowledge at large (he mentions post-Kantian philosophy, 1. -
University of California Santa Cruz Urban Space And
UNIVERSITY OF CALIFORNIA SANTA CRUZ URBAN SPACE AND NATIONAL MEMORY: THE NARRATIVES OF BERLIN, PRAGUE, AND GDAŃSK A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Erica Gale Smeltzer September 2016 The Dissertation of Erica Gale Smeltzer is approved: _________________________________ Professor Wlad Godzich, chair _________________________________ Professor Murray Baumgarten _________________________________ Professor Hunter Bivens _________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Erica G. Smeltzer 2016 TABLE OF CONTENTS ABSTRACT ................................................................................................................. v ACKNOWLEDGEMENTS ....................................................................................... vi INTRODUCTION ....................................................................................................... 1 Berlin ................................................................................................................. 2 Prague ............................................................................................................... 7 Gdańsk ............................................................................................................. 11 Methods ........................................................................................................... 13 I. BERLIN ................................................................................................................. -
Introduction
Notes Introduction 1 . Marguerite Porete, The Mirror of Simple Souls , trans. Ellen L. Babinsky (New York: Paulist Press, 1993), chapter 119. I am also greatly indebted to Anne Carson’s essay ‘How women like Sappho, Marguerite Porete and Simone Weil Tell God’, found in her work Decreation – Poetry, Essays and Opera (New York: Knopft, 2005), pp 157–83. 2 . Lyotard, The Differend: Phrases in Dispute , trans. George Van Den Abbeele (Minneapolis: University of Minnesota, 1988). I have also italicised the differend throughout (going against its usual implementation) so as to typo- graphically emphasise the resistance of the concept into language, as well as to help highlight its notable difference among the concatenation of phrases. 3 . See Soundproof Room , trans. Robert Harvey (Stanford: Stanford University Press, 2002), p 37. 4 . The one exception being Soundproof Room in which Lyotard gives over most of the work (albeit in a brief and typically gnomic fashion) to investigate the ‘anti-aesthetics’ of the French writer Malraux and the various issues surrounding the phrasing of the inaudible. As shall be discussed in Chapter 1 however, Lyotard seems to gesture towards the philosophy of the differend without specifically utilising the concept, something I believe to be a mistake and that this book seeks to redress. 5 . See Lyotard’s Toward the Postmodern , eds, Robert Harvey and Mark S. Roberts (London: Humanity Books, 1993), p 181. 6 . See The Postmodern Explained to Children: Correspondence 1982–1985, trans. Julian Prefanis and Morgan Thomas (Sydney: Southwood Press, 1992), p 100. 7 . See ‘Lyotard Archipelago’ found in Minima Memoria , eds, Claire Nouvet, Zrinka Stahuljak and Kent Still (California: Stanford University Press, 2007), pp 176–96. -
Jean-Fran\:Ois Lyotard the Postmodern Condition: a Report On
Jean-Fran\:ois Lyotard The Postmodern Condition: A Report on Knowledge Translation from the French by Geoff Bennington and Brian Massumi Foreword by Fredric Jameson Theory and History of Literature, Volume IO The Postmodern Condition Theory and History of Literature Edited by Wlad Godzich and Jochen Schulte-Sasse Volume 1. Tzvetan Todorov Introduction to Poetics Volume 2. Hans Robert Jauss To ward an Aesthetic of Reception Volume 3. Hans Robert Jauss Aesthetic Experience and Literary Hermeneutics Volume 4. Peter Burger Theory of the Avant-Garde Volume 5. Vladimir Propp Theory and History of Folklore Volume 6. Edited by Jonathan Arac, Wlad Godzich, and Wallace Martin The Yale Critics: Deconstruction in America Volume 7. Paul de Man Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism 2nd ed., rev. Volume 8. Mikhail Bakhtin Problems of Dostoevsky's Poetics Volume 9. Erich Auerbach Scenes from the Drama of European Literature Volume 10. Jean-Frarn;ois Lyotard The Postmodern Condition: A Report on Knowledge The Posttnodern Condition: A Report on Knowledge Jean-Fran�ois Lyotard Translation from the French by Geoff Bennington and Brian Massumi Foreword by Fredric Jameson Theory and History of Literature, Volume 10 M IN NE so TA University of Minnesota Press, Minneapolis This book wasoriginally published in France as LaCondition postmoderne: rapport sur le savoir, copyright © 1979 by Les Editions de Minuit. English translation and Foreword copyright© 1984 by the University of Minnesota. All rights reserved. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 http://www.upress.umn.edu Printed in the United States of America on acid-free paper Library of Congress Cataloging in PublicationData Lyotard, Jean Fran�ois. -
Rereading De Man's Readings
Studies in 20th Century Literature Volume 14 Issue 1 Special Issue on Fin de Siècle in Latin Article 10 America 1-1-1990 Rereading de Man's Readings Herman Rapaport Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Rapaport, Herman (1990) "Rereading de Man's Readings," Studies in 20th Century Literature: Vol. 14: Iss. 1, Article 10. https://doi.org/10.4148/2334-4415.1246 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Rereading de Man's Readings Abstract A review article on Reading de Man Reading. Keywords Reading de Man Reading, Wlad Godzich, Lindsay Waters, Paul de Man, Geoffrey Hartman, Jacques Derrida, Deborah Esch, Niel Hertz, Carol Jacobs, Peggy Kamuf, Kevin Newmark, J. Hillis Miller, Werner Hamacher, Hans Robert Jauss, Geoffrey Bennington, Bill Readings, Timothy Bahti, Rodolphe Gasché, literary criticism, wartime writings, The Rhetoric of Temporality, literary criticism, literary theory This book review is available in Studies in 20th Century Literature: https://newprairiepress.org/sttcl/vol14/iss1/10 Rapaport: Rereading de Man's Readings Rereading de Man's Readings Herman Rapaport University of Iowa Reading de Man Reading, ed. Wlad Godzich, Lindsay Waters. Minneapolis: University of Minnesota Press, 1989.