Curriculum Vitae
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PART IV CATALOGUES of Exhibitions,734 Sales,735 and Bibliographies
972 “William Blake and His Circle” PART IV CATALOGUES of Exhibitions,734 Sales,735 and Bibliographies 1780 The Exhibition of the Royal Academy, M.DCC.LXXX. The Twelfth (1780) <BB> B. Anon. "Catalogue of Paintings Exhibited at the Rooms of the Royal Academy", Library of the Fine Arts, III (1832), 345-358 (1780) <Toronto>. In 1780, the Blake entry is reported as "W Blake.--315. Death of Earl Goodwin" (p. 353). REVIEW Candid [i.e., George Cumberland], Morning Chronicle and London Advertiser, 27 May 1780 (includes a criticism of “the death of earl Goodwin, by Mr. Blake”) <BB #1336> 734 Some exhibitions apparently were not accompanied by catalogues and are known only through press-notices of them. 735 See G.E. Bentley, Jr, Sale Catalogues of Blake’s Works 1791-2013 put online on 21 Aug 2013 [http://library.vicu.utoronto.ca/collections/special collections/bentley blake collection/in]. It includes sales of contemporary copies of Blake’s books and manuscripts, his watercolours and drawings, and books (including his separate prints) with commercial engravings. After 2012, I do not report sale catalogues which offer unremarkable copies of books with Blake's commercial engravings or Blake's separate commercial prints. 972 973 “William Blake and His Circle” 1784 The Exhibition of the Royal Academy, M.DCC.LXXXIV. The Sixteenth (London: Printed by T. Cadell, Printer to the Royal Academy) <BB> Blake exhibited “A breach in a city, the morning after a battle” and “War unchained by an angel, Fire, Pestilence, and Famine following”. REVIEW referring to Blake Anon., "The Exhibition. Sculpture and Drawing", Morning Chronicle and London Advertiser, Thursday 27 May 1784, p. -
CMA Magazine November 2010
Vol 95, No 220 Vol www.cmaa.asn.au 2010 November NSW Gaming & Racing Minister KEVIN GREENE A Better Understanding Coalition’s Clubs Memorandum Changes NSW Coalition Leader NSW Political Landscape: P10-15 BARRY O’FARRELL ➣ Julia’s Bulldogs ➣ CMAA 2011 ➣ Log on to the throw lifeline to Conference & CMDA’s 2010 Dromana RSL Club Hospitality Expo IT Summit P16&17 Brochure: P21-24 P26&27 1 CLUB MANAGERS’ ASSOCIATION AUSTRALIA Publisher CMAA OFFICE BEARERS Editor: Peter Sharp Phone: (02) 9746 4199 CMAA FEDERAL EXECUTIVE ADMINISTRATION Mobile: 0421 776 637 President Email: [email protected] WILLIAM CLEGG, ACCM Randwick Labor Club Contributors: Bill Clegg ACCM Henri Lach, Katie Cincotta. Federal President Federal Secretary ALLAN PETER, ACCM Advertising Manager: Judy Rayner Federal Vice President Advertising Bookings: DAVID O’NEIL, ACCM (02) 9332 2363 & 9360 6177 Castle Hill RSL Club Fax (02) 9361 5142 Executive Member [email protected] DEBORAH FEENING, ACCM Executive Officer Terry Condon, CCM Printing and Design: Executive Member Daily Press Group MICHAEL O'SULLIVAN, ACCM Phone: (02) 9558 8419 Milton Ulladulla Bowling Club Correspondence: The Editor, c/- FEDERAL COUNCILLORS Club Managers’ Association Australia Allan Peter ACCM Level 2, 1 Showground Road Federal Secretary Division A – City/Eastern Suburbs Sydney Olympic Park NSW 2127 Zone and Manly/Northern Suburbs Zone Locked Bag 4317 Mario Machado, ACCM Sydney Olympic Park NSW 2127 Chief Executive Officer Assistant Executive Officer Phone (02) 9746 4199 Hornsby RSL Club Fax (02) 9746 5199 -
2007/08 Annual Report
Bowls Australia annual report 08 We are delighted to be the sole bowls provider for Bowls Australia. For your local stockist contact: NSW, Victoria, ACT: 02 9700 8500, [email protected] WA, Queensland, South Australia, Northern Territory, Tasmania: 08 9242 1686, [email protected] or visit www.taylorbowls.com/australia THE LEADING BOWLS INNOVATOR FOR OVER 200 YEARS! 1 Table of Contents President’s Report President’s Report 1 Message from the ASC 3 Bowls Australia Board 4 Brian Marsland, President Bowls Australia 6 Council, Committees n presenting my report for the year 2007-2008, I wish to focus on those areas which impact on the governance of our sport at a and Member Inational level for which Bowls Australia’s board has been able to Associations provide guidance and leadership for the advancement of our sport. The board has spent time throughout its regular board meetings State and Territory 7 reviewing the progress of each area of the current strategic plan and Associations is now working closely with chief executive officer, Neil Dalrymple, and our consultant, Mark Tonner-Joyce, in the development of the CEO’s Report 8 2008-2012 Strategic Plan. The board is confident that this plan will continue to provide a framework on which Bowls Australia will continue its progressive leadership in the national governance of our Strategic Report 11 sport. Allied to this planning has been the development of a financial model closely linked to the strategic plan and future budgeting will be 2008 World 19 responsibly developed under the auspices of this model. Championships The board has continued with its efforts to be more effective in its own performance and has again undertaken a review of the board as ABN AMRO 21 a whole, and of each individual director. -
Art on Mars: a Foundation for Exoart
THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF CANBERRA AUSTRALIA by TREVOR JOHN RODWELL Bachelor of Design (Hons), University of South Australia Graduate Diploma (Business Enterprise), The University of Adelaide ART ON MARS: A FOUNDATION FOR EXOART May 2011 ABSTRACT ART ON MARS: A FOUNDATION FOR EXOART It could be claimed that human space exploration started when the former Soviet Union (USSR) launched cosmonaut Yuri Gagarin into Earth orbit on 12 April 1961. Since that time there have been numerous human space missions taking American astronauts to the Moon and international crews to orbiting space stations. Several space agencies are now working towards the next major space objective which is to send astronauts to Mars. This will undoubtedly be the most complex and far-reaching human space mission ever undertaken. Because of its large scale and potentially high cost it is inevitable that such a mission will be an international collaborative venture with a profile that will be world- wide. Although science, technology and engineering have made considerable contributions to human space missions and will be very much involved with a human Mars mission, there has been scant regard for artistic and cultural involvement in these missions. Space agencies have, however, realised the influence of public perception on space funding outcomes and for some time have strived to engage the public in these space missions. This has provided an opportunity for an art and cultural involvement, but there is a problem for art engaging with space missions as currently there is no artform specific to understanding and tackling the issues of art beyond our planet. -
John Singer Sargent John Singer Sargent Reproduced with Permission of Punch Ltd
A LEARNING RESOURCE IN FOCUS Featuring works from the Gallery’s Collection, a series of resources focusing on particular artists whose practice has changed the way we think about the art of portraiture and in turn influenced others. by Sir (John) Bernard Partridge, circa 1925. circa Sir (John) Bernard Partridge, by by Alvin Langdon Coburn, 1907 © reserved; collection National Portrait Gallery, London. NPG Ax7779 Gallery, London. collection National Portrait 1907 © reserved; Coburn, Alvin Langdon by John Singer Sargent John Singer Sargent Reproduced with permission of Punch Ltd. NPG D6612a with permission of Punch Reproduced JOHN SINGER SARGENT John Singer Sargent (1856-1925) was the greatest portrait painter of his generation. Sargent combined elegance with a keen eye for distinctive details that convey the essential characteristics of a sitter. Acclaimed on both sides of the Atlantic, he was closely connected to many of the other leading artists, writers, actors and musicians of the time. In Focus: John Singer Sargent Page 1 of 13 INTRODUCTION The son of an American doctor, Sargent was born in Florence. He studied painting in Italy and with Carolus-Duran This is one in a series of ‘In Focus’ resources, aiming to in France and in 1884 caused a sensation at the Paris Salon discuss particular artists whose practice has changed the with his daring and unconventional painting of Madame way we think about the art of portraiture, featuring works X (Madame Pierre Gautreau). He portrayed the beautiful from the National Portrait Gallery Collection. It is useful to American, who was married to a French banker, in an look at developments in portrait painting through the lens unusual pose; her left arm twisted, her head in profile and of a single, significant artist, appreciating their techniques her shoulders bare, initially with one strap of her black gown and innovations, and the way that they have been slipped off her right shoulder (this study is held in the Tate influenced by the advances of others and how in making Collection). -
The Factual Specialists Programme Catalogue 2018-2019
International the factual specialists programme catalogue 2018-2019 tvfinternational.com v programming service With a rich and respected catalogue, TVF International is ideally placed to offer broadcasters a unique programming service. Our specialist sales executives work closely with clients to select themed series and quality collections that are carefully tailored to the individual needs of different channels and programming schedules the world over. Please consult your TVF sales contact to discuss how our programming expertise can work for your platform. our senior team Harriet Armston-Clarke Division Head [email protected] Will Stapley Head of Acquisitions [email protected] Lindsey Ayotte Sales Manager [email protected] Julian Chou-Lambert Acquisitions Manager [email protected] Matt Perkins Senior Sales & Acquisitions Executive [email protected] Catriona McNeish Sales Executive [email protected] Oliver Clayton Sales Executive [email protected] Sam Joyce Sales Executive [email protected] Izabela Sokolowska Head of Programme Servicing [email protected] Alex Shawcross Head of Business Affairs [email protected] CELEBRITY & BIOGRAPHY 2 HISTORY 11 WORLD AFFAIRS 25 LIFESTYLE & ENTERTAINMENT 38 EXTRAORDINARY PEOPLE 51 CRIME & MILITARY 62 RELIGION & PHILOSOPHY 70 ARTS 77 SCIENCE & ENVIRONMENT 89 WILDLIFE 105 TRAVEL & ADVENTURE 113 FOOD 126 HEALTH & FAMILY 133 SEX & RELATIONSHIPS 148 FORMATS 155 INDEX 168 tvfinternational.com 1 CELEBRITY & BIOGRAPHY Peer to Peer Format: 18 x 24/48 (HD) Broadcaster: Bloomberg Television What makes a truly great leader? Renowned financier and philanthropist David Rubenstein sits down with the most influential business people on the planet, from Oprah Winfrey to Bill Gates, Eric Schmidt to former presidents Clinton and Bush, to uncover their personal stories and explore their fascinating paths to success. -
NICOLA HICKS Riverside Studios, London, UK 1996 Furtive Imagination, Yorkshire Sculpture Park
NICOLA HICKS Riverside Studios, London, UK 1996 Furtive Imagination, Yorkshire Sculpture Park, Wakefield, UK Née/Born – 1960, Londres/London, UK Furtive Imagination, Whitworth Art Gallery, Vit et travaille/Lives and works – Londres/London, UK University of Manchester, Manchester, UK Flowers East, London, UK EDUCATION Aberystwyth Arts Centre, Aberystwyth, UK 1995 Kings Lynn Arts Centre, Norfolk, UK 1982-85 MA, Royal College of Art, London, UK Flowers East, London, UK 1978-82 Chelsea School of Art, Chelsea, UK Nicola Hicks Sculpture and Drawings, Djanogly Art Gallery, University of Nottingham, Nottingham, EXPOSITIONS INDIVIDUELLES SÉLECTIONNÉES UK SELECTED SOLO EXHIBITIONS 1994 Flowers East at London Fields, London, UK 1993 Castlefield Gallery, Manchester, UK 2015 Nicola Hicks – Pause, Flowers, London, UK Peter Scott Gallery, Lancaster, UK Nicola Hicks, Tayloe Piggott Gallery, WY, USA 1992 Flowers East, London, UK Sorry Sarajevo, St Pauls Cathedral, London, UK 1991 Drawings, Tegnerforbundet, Oslo, Norway 2014 Nicola Hicks, Flowers Cork Street, London, UK Fire and Brimstone, Flowers East, London & 2013 Nicola Hicks, Yale Centre for British Art, New Watermans Art Centre, Brentford, UK Haven, CT, USA 1990 Envelope Drawings and Small Paintings, Flowers East, Nicola Hicks, Flowers, New York, NY, USA London, UK 2012 Close Up, Flowers Cork Street, London, UK 1989 Flowers East, London, UK 2011 Aesop’s Fables, Flowers Kingsland Road, London, 1988 Flowers East, London, UK UK 1987 Beaux Arts Gallery, Bath, UK 2010 Nicola Hicks, Lister Park, Cartwright -
ENGLISH ARTWORK Copy
ANNUAL REPORT AND ACCOUNTS 2005/06 Sports Council for Wales Annual Report and Accounts 2005/06 01 Members 2005/06 Contents Chair 02 Chair’s Statement Mr Philip Carling 04 ‘Climbing Higher’ 08 Health Vice-Chair 10 Active Young People Miss Anne Ellis OBE 18 Economy and Culture Members 29 Mainstreaming the Welsh Language Mrs Christine Gittoes 30 Society and Environment _ Mr Clive Thomas 32 Wales Land of Natural Beauty Mr Huw Thomas 35 Targeting the Hard to Reach Ms Sue Williams 38 Success on a World Stage Ms Nicola Bolton 45 Gifted Coaches Mr Bob Lowe 49 Domestic Structures and Facilities Mr David Davies 53 The National Centres Mr Lynn Davies CBE 56 Commonwealth Games Melbourne 2006 Councillor Keith Evans 58 Serving our Customers 59 The Sports Council for Wales and The Sports Co-opted Member Council for Wales Trust Mr D. Robert Turner 61 The Statement of the Auditor General for Directors Wales to the Sports Council for Wales Chief Executive 62 Summary Consolidated Income and Dr Huw Jones Expenditure Account for the Year ended 31 March 2006 Director of Excellence Mr Graham Davies 63 Summary Consolidated Balance Sheet as at 31 March 2006 Director of Sports Participation & Physical Activity 64 Summary Consolidated Cashflow Statement (until 1/11/2005 then seconded to Welsh for the Year ended 31 March 2006 Assembly Government) 65 Sports Council for Wales - Lottery Distribution Mrs Sara Butlin Account Acting Director of Sports Participation & Physical 68 Statement of the Comptroller and Auditor Activity (from 1/2/2006) General to the Houses of -
International Economics 84
Public Disclosure Authorized IFIHIE \VORILD IBANIK RIESIEARC]Hl PROGRAM Public Disclosure Authorized 11997 Public Disclosure Authorized Public Disclosure Authorized ABsTRAcTs oF CUIRRIENT STUD1ES THE WORLD BANK RESEARCH PROGRAM 1997 ABSTRACTS OF CURRENT STUDIES THE WORLD BANK WASHINGTON, DC Objectives and Definition of World Bank Research The World Bank's research program has four basic objectives: * To support all aspects of Bank operations, including the assessment of development progress in member countries. * To broaden understanding of the development process. * To improve the Bank's capacity to give policy advice to its members. * To help develop indigenous research capacity in member countries. Research at the Bank encompasses analytical work designed to produce results with wide applicability across countries or sectors. Bank research, in contrast to academic research, is directed toward recognized and emerg- ing policy issues and is focused on yielding better policy advice. Although motivated by policy problems, Bank research addresses longer-term concerns rather than the immediate needs of a particular Bank lending opera- tion or of a particular country or sector report. Activities classified as research at the Bank do not, therefore, include the economic and sector work and policy analysis carried out by Bank staff to support operations in particular countries. Economic and sector work and policy studies take the product of research and adapt it to specific pro- jects or country settings, whereas Bank research contributes to the intellectual foundations of future lending operations and policy advice. Both activities-research and economic and sector work-are critical to the design of successful projects and effective policy. Copyright @ 1997 International Bank for Reconstruction and Development/THE WORLD BANK 1818 H Street, NW, Washington, DC 20433, U.S.A. -
Adam Chodzko
A Chodzko Sept 2020 1 CV Adam Chodzko Adam Chodzko lives and works in Whitstable, Kent Born in London, 1965 Education: University of Manchester, BA (Hons) History of Art, 1985–88 Goldsmiths College, London, MA Fine Art, 1992–94 ♦ http://www.adamchodzko.com/ Selected video work : https://vimeo.com/adamchodzko ♦ Adam Chodzko is an artist working across media, exploring our conscious and unconscious behaviour, social relations and collective imaginations through artworks that are propositions for alternative forms of ‘social media.’ Exhibiting work nationally and internationally since 1991, his work speculates how, through the visual, we might best connect with others. ♦ Adam Chodzko’s art explores the interactions and possibilities of human behaviour by investigating the space of consciousness between how we are and what we might be. Working across media, from video installation to subtle interventions, with a practice that is situated both within the gallery and the wider public realm, his work investigates and invents possibilities for collective imagination, wondering ‘how might we perceive better’? Through questioning the act of seeing, Chodzko explores how, through art (with its potential to both be visionary and blinding; an ‘image filter’) we can reveal concealed realities, ‘hauntings’, lying dormant within the everyday. His practice operates between documentary and fantasy, conceptualism and surrealism and public and private space. Chodzko often engages reflexively and directly with the role of the viewer so that the work appears to be in the process of ‘making itself’ through looking. His practice turns everyday personal experience into ‘science fictions’ or ‘speculative fictions’ following a path in the present towards its alternative realities, its hyperstitions. -
Grayson Perry
GRAYSON PERRY BIOGRAPHY Born in Chelmsford Lives and works in London EDUCATION Braintree College of Further Education, Art Foundation Course Portsmouth Polytechnic, Fine Art BA AWARDS 2016 RIBA Honorary Fellowship 2015 Chancellor of the University of the Arts, London 2013 Commander of the Order of the British Empire (CBE) 2015 Trustee of the British Museum 2010 Royal Academician, Royal Academy of Arts 2003 Turner Prize SPECIAL PROJECTS 2015 A House for Essex, by FAT Architecture and Grayson Perry, Wrabness, Essex 2014 Grayson Perry: Who are You, Channel 4 Television Series (Bafta Television Specialist Factual award) 2013 Radio 4 Reith Lectures, Grayson Perry: Playing to the Gallery 2012 All in the Best Possible Taste with Grayson Perry, Channel 4 Television Series (Bafta Television Specialist Factual award) SELECTED SOLO EXHIBITIONS 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark 2015 – 2016 My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 – 2015 The Vanity of Small Differences, (UK Art Fund/British Council National Tour) Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds 2012 The Vanity of -
Insights from Book Translations on the International Diffusion of Knowledge
INSIGHTS FROM BOOK TRANSLATIONS ON THE INTERNATIONAL DIFFUSION OF KNOWLEDGE A DISSERTATION SUBMITTED TO THE DEPARTMENT OF ECONOMICS AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Isabelle Yin Fong Sin May 2011 © 2011 by Isabelle Yin Fong Sin. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/df340nb1179 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ran Abramitzky, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Nicholas Bloom I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Avner Greif Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii iv Abstract Increases in the stock of ideas possessed by societies are central to modern economic growth.