Grade 4: Pushing up the Sky It’S a Small Village in the Mountains of Wales
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The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Anglo-Saxon and Scots Invaders
Anglo-Saxon and Scots Invaders By around 410AD, the last of the Romans had left Britain to go back to Rome and England was left to look after itself for the first time in about 400 years. Emperor Honorius told the people to fight the Picts, Scots and Saxons who were attacking them, but the Brits were not good fighters. The Scots, who came from Ireland, invaded and took land in Scotland. The Scots split Scotland into 4 separate places that were named Dal Riata, Pictland, Strathclyde and Bernicia. The Picts (the people already living in Scotland) and the Scots were always trying to get into England. It was hard for the people in England to fight them off without help from the Romans. The Picts and Scots are said to have jumped over Hadrian’s Wall, killing everyone in their way. The British king found it hard to get his men to stop the Picts and Scots. He was worried they would take over in England because they were excellent fighters. Then he had an idea how he could keep the Picts and Scots out. He asked two brothers called Hengest and Horsa from Jutland to come and fight for him and keep England safe from the Picts and Scots. Hengest and Horsa did help to keep the Picts and Scots out, but they liked England and they wanted to stay. They knew that the people in England were not strong fighters so they would be easy to beat. Hengest and Horsa brought more men to fight for England and over time they won. -
This Is a Test
‘A PRINCESS FOR CHRISTMAS’ CAST BIOS SIR ROGER MOORE (Edward) – Born in Clapham, London in 1927, the son of a London policeman, Sir Roger Moore attended Hackford Road Elementary School and then Battersea Grammar School. Evacuated to Worthing at the outbreak of World War II, he returned to London in 1943. After leaving school, Moore worked as a tracer/filler/office boy with the animation company Publicity Picture Productions. He was fired after a short time, and in 1944 he was accepted by the Royal Academy of Dramatic Art and attended for three terms. He then joined the Cambridge Arts Theatre Repertory Company. In 1945, Moore was called up for National Service and was commissioned as a Second Lieutenant and then promoted to Captain in the Combined Services Entertainment. At the end of his Army service he worked as an assistant stage manager at the BBC Studios at Alexander Palace and supplemented his salary by working as an advertising model. Then came a small part in the West End stage production of Mister Roberts and an understudy role alongside David Tomlinson in The Little Hut. His American debut followed, and he appeared in A Pin to See the Peepshow on Broadway. It was then that Hollywood beckoned with an MGM contract. In 1957, he played the title role in "Ivanhoe," returning to England for a total of 39 episodes. When Moore returned to Hollywood in 1958 he was put under contract by Warner Bros. and starred in the TV series "The Alaskans” and "Maverick.” In 1962, Moore got his big break when he was cast as "The Saint,” the most successful TV series at that time. -
Innocent ITV Wylie Interviews
Contents Press Release 3 - 4 Foreword by writer and creator Chris Lang 5 Cast Interviews 6 - 11 Episode Synopses 12 - 15 Cast and Production Credits 16 - 17 Back Page 18 2 Lee Ingleby and Hermione Norris lead the cast of new ITV drama serial Innocent Innocent is a new four-part contemporary drama series written by acclaimed writers Chris Lang and Matt Arlidge starring Hermione Norris and Lee Ingleby and produced by TXTV. They are joined by an exciting ensemble cast including Daniel Ryan (Home Fires, Mount Pleasant), Angel Coulby (Merlin, The Tunnel), Nigel Lindsay (Victoria, Foyle’s War), Elliot Cowan (Da Vinci’s Demons, Frankenstein Chronicles) and Adrian Rowlins (Harry Potter, Dickensian). The drama series tells the compelling story of David Collins (Lee Ingleby) who is living a nightmare. Convicted of murdering his wife Tara, David has served seven years in prison. He’s lost everything he held dear: his wife, his two children and even the house he owned. He’s always protested his innocence and faces the rest of his life behind bars. His situation couldn’t be more desperate. Despised by his wife’s family and friends, his only support has been his faithful brother Phil (Daniel Ryan) who has stood by him, sacrificing his own career and livelihood to mount a tireless campaign to prove his brother’s innocence. Convinced of his guilt, Tara’s childless sister Alice (Hermione Norris) and her husband Rob (Adrian Rowlins) are now parents to David’s children. They’ve become a successful family unit and thanks to the proceeds of David’s estate enjoy a comfortable lifestyle, which is very different to when Tara was alive. -
Geoffrey of Monmouth and the English Past
Chapter 3 Geoffrey of Monmouth and the English Past Rebecca Thomas Geoffrey does not grant much space to the English in the De gestis Britonum. In one respect, this is unsurprising: Geoffrey’s history extends back to the origins of the Britons in Troy, spending a significant amount of time in pre-Roman Britain, and as such the English enter the narrative rather late in the day. Even after their arrival, however, the English do not appear in the way which we might expect. The traditional narrative of the development of the English kingdoms, pioneered by sources such as Bede’s Ecclesiastical History and the Anglo-Saxon Chronicle, and accepted and reproduced by many of Geoffrey’s contemporary Anglo-Norman historians, has no place in the DGB. With his strikingly different version of events, Geoffrey certainly cannot be accused of lacking originality in his treatment of English history. The way in which he approached this subject is highly significant not only for our understanding of his attitude toward the English, but also for the composition of the DGB more generally. There was no shortage of contemporary historians writing of the English past, such as Henry of Huntingdon, the first version of whose History of the English, with which Geoffrey was most likely familiar, was completed by 1130. Henry presents us with a conventional account of English history, drawing heavily on Bede and the Anglo-Saxon Chronicle.1 Hengist and Horsa arrive in Britain in 449, and after recounting their dealings with the Britons, Henry pro- ceeds through the various other Saxon settlers of the 5th and 6th centuries. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
The Arthurian Legend Now and Then a Comparative Thesis on Malory's Le Morte D'arthur and BBC's Merlin Bachelor Thesis Engl
The Arthurian Legend Now and Then A Comparative Thesis on Malory’s Le Morte D’Arthur and BBC’s Merlin Bachelor Thesis English Language and Culture, Utrecht University Student: Saskia van Beek Student Number: 3953440 Supervisor: Dr. Marcelle Cole Second Reader: Dr. Roselinde Supheert Date of Completion: February 2016 Total Word Count: 6000 Index page Introduction 1 Adaptation Theories 4 Adaptation of Male Characters 7 Adaptation of Female Characters 13 Conclusion 21 Bibliography 23 van Beek 1 Introduction In Britain’s literary history there is one figure who looms largest: Arthur. Many different stories have been written about the quests of the legendary king of Britain and his Knights of the Round Table, and as a result many modern adaptations have been made from varying perspectives. The Cambridge Companion to the Arthurian Legend traces the evolution of the story and begins by asking the question “whether or not there ever was an Arthur, and if so, who, what, where and when.” (Archibald and Putter, 1). The victory over the Anglo-Saxons at Mount Badon in the fifth century was attributed to Arthur by Geoffrey of Monmouth (Monmouth), but according to the sixth century monk Gildas, this victory belonged to Ambrosius Aurelianus, a fifth century Romano-British soldier, and the figure of Arthur was merely inspired by this warrior (Giles). Despite this, more events have been attributed to Arthur and he remains popular to write about to date, and because of that there is scope for analytic and comparative research on all these stories (Archibald and Putter). The legend of Arthur, king of the Britains, flourished with Geoffrey of Monmouth’s The History of the Kings of Britain (Monmouth). -
King Arthur and the Round Table Movie
King Arthur And The Round Table Movie Keene is alee semestral after tolerable Price estopped his thegn numerically. Antirust Regan never equalises so virtuously or outflew any treads tongue-in-cheek. Dative Dennis instilling some tabarets after indwelling Henderson counterlights large. Everyone who joins must also sign or rent. Your britannica newsletter for arthur movies have in hollywood for a round table, you find the kings and the less good. Oxford: Oxford University Press. Why has been chosen to find this table are not return from catholic wedding to. The king that, once and possess it lacks in modern telling us an enchanted lands. Get in and arthur movie screen from douglas in? There that lancelot has an exchange is eaten by a hit at britons, merlin argues against mordred accused of king arthur and the round table, years of the round tabletop has continued to. Cast: Sean Connery, Ben Cross, Liam Cunningham, Richard Gere, Julia Ormond, and Christopher Villiers. The original site you gonna remake this is one is king arthur marries her mother comes upon whom he and king arthur the movie on? British nobles defending their affection from the Saxon migration after the legions have retreated back to mainland Europe. Little faith as with our other important characters and king arthur, it have the powerful magic garden, his life by. The morning was directed by Joshua Logan. He and arthur, chivalry to strike a knife around romance novels and fireballs at a court in a last tellers of the ends of his. The Quest Elements in the Films of John Boorman. -
Portal Into Literature
LITERATURE In this section, we’ll learn about a couple of famous literary references found in the Harry Potter books, but two very famous magical people in English literary history: Merlin and Morgan. Both Merlin and Morgan are featured on a Chocolate Frog wizard card, both are famous magicians, and both have a place in our real world through the legend of King Arthur. Finally, we’ll read about Beowulf, the oldest and one of the most famous stories in all of British literature. In it Beowulf fights two monsters and a dragon just like Harry fights the monster basilisk and steals treasure guarded by the dragon at Gringott's. Macbeth and the Weird Sisters In Harry Potter the Weird Sisters are a musical group. They played at the Hogwarts Yule Ball in The Goblet of Fire. In Literature, in the Shakespeare tragedy Macbeth (written in the late 16th century), Macbeth was a military leader and hero who encountered three witches known as the “Weird Sisters.” They told him a prophecy concerning his future. They told him he would become first the Thane of Cawdor (a “thane” is much like an English “earl”), and then the King of Scotland. This prophecy about his becoming king of Scotland made Macbeth crazy with ambition. He killed the current King, Duncan, and several other people who could have posed a problem for Macbeth becoming king. The Weird Sisters told a prophecy about how Macbeth would die: He was to “beware the Thane of Fife” “None of woman born/shall harm Macbeth” “Macbeth shall never be vanquished until/Great Birnam Wood to high Dunsinane Hill/shall come against him.” Because of these prophecies Macbeth thought he was invincible. -
Merlin Season One Trivia Quiz
MERLIN SEASON ONE TRIVIA QUIZ ( www.TriviaChamp.com ) 1> In season one, Merlin arrives in Camelot and is the apprentice to the town's physician. What was his name? a. Uther b. John c. Elyan d. Gaius 2> In episode two, Valiant, what creature is painted on the shield of the knight that is facing Arthur? Hint - The creature(s) come to life. a. Gargoyles b. Demons c. Dragons d. Serpents 3> What is the name of Morgana's servant? a. Hunith b. Morgose c. Nimueh d. Gwen 4> Who was the sorceress responsible for the plaque/sickness that swept Camelot as the result of a dragon egg? a. Morgose b. Sophia c. Mordred d. Nimueh 5> What creature is half eagle and half lion that was seen in episode 5 of Season 1? a. Griffin b. Cyclops c. Hippogriff d. Narvick 6> Which character suffers extreme and terrible nightmares? a. Morgana b. Uther c. Gaius d. Arthur 7> Who tried to replace Gaius as court physician by tricking everyone into thinking he had a "cure all" for any form of sickness? a. Edwin b. Cenred c. Mardan d. Aulfric 8> Who warns Merlin of Mordred? a. Sir Percival b. Morgana c. Gaius d. The Dragon 9> Who killed a unicorn? a. Guinevere b. Merlin c. Uther d. Arthur 10> Which "knight" of Camelot had a forged nobility statement? a. Euan b. Percival c. Lancelot d. Davis 11> Which actor plays the role of Merlin? a. Bradley James b. Richard Wilson c. Rupert Young d. Colin Morgan 12> Which of the following practices is banned by King Uther Pendragon in Camelot? a. -
A Spot Called Crayford the Legend of Hengest
A Spot Called Crayford The Legend of Hengest KS2 Pupil Response PACK By Peter Daniel and Kate Morton Illustrations by Michael Foreman 1 This WorkBook Belongs TO: Write your name and class here: ___________________________ Write your name below in Anglo Saxon Runes: 2 Name: ....................................................... Date: ....................... Below is the Anglo-Saxon alphabet. Write your name above in runes. Can you spell my name out in the ancient Saxon alphabet? Hengest H E N G E S T Don’t leave me out of this. We’re brothers and do every- thing together! Horsa H O R S A 3 A Letter of Apology from Honorius Gildas tells us that after the Romans left Britannia, barbarians invaded Britain and the people appealed for help to a Roman general called Flavius Aetius: The barbarians push us back to the sea, the sea pushes us back to the barbarians; between these two we are either drowned or slaughtered.” the Groans of the Britons’ Gildas Honorius, the Western Roman Emperor (393-423AD) sent The Rescript of Honorius 411AD a letter of apology telling the Britons that they must 'look to their own defences'. Thus ending Rome’s ties with Britain. Imagine you are Emperor Honorius to write a letter of apology to the Britons. Use the map above to • Let the Britons know you know who their enemies are Honorius was Western • Can you explain why the Emperor is in no position to help? Roman Emperor • Use the letter template to draft your letter 4 ‘A Letter of apology from Honorius’ Ravenna Itialy 411AD Dear Britons Tell the Britons that you know who is attacking them. -
Hengest Ward
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society HENGEST By GORDON WARD, M.D., F.S.A. 1. UNWRrITEN HISTORY WHEN Hengest was alive, in what some people call the Heroic Age and others the Dark Ages, there was no thought of committing history to writing. It is true that a form of writing existed. A few wise men knew the Runic alphabet, but to most people it was a form of magic and in any case it was quite unsuitable for the common folk. The chieftains lived in great wooden halls, rather like the barns of to-day, and their retainers and servants lived around them. In these halls history was handed down by word of mouth. All the most important people were expected to be able to play the harp and to improvise alliterative poetry in honour of the giver of the feast, or in order to record their adventures. There were also minstrels particularly skilled in this form of entertainment, and these learnt all the famous deeds of their master and his house, and sang them to his guests as occasion required. In such a manner was the history of Hengest handed down for five hundred years or more before it was committed to writing or, at least, before it assumed the form that we find in the only manuscript we have left. Although we have also two small saga fragments, which we must presently notice, only one saga of the Heroic Age has come down to us complete.