Featured Events Dean’S Reception Friday, November 14, 2014 @ 9:00 A.M

Total Page：16

File Type：pdf, Size：1020Kb

WELCOME USC THORNTON PARENTS! FEATURED EVENTS DEAN’S RECEPTION FRIDAY, NOVEMBER 14, 2014 @ 9:00 A.M. - 10:15 A.M. USC UNIVERSITY CLUB Join Dean Robert A. Cutietta and other Thornton parents for conversation and light breakfast. RSVP required. Please RSVP by calling 213-821-1664. USC THORNTON GUIDED TOUR THURSDAY, NOVEMBER 13, 2014 @ 2:00 P.M. - 2:45 P.M. FRIDAY, NOVEMBER 14, 2014 @ 2:30 P.M. - 3:15 P.M. TMC 200 Take a guided tour of the USC Thornton School of Music! Meet at TMC 200. POP MUSIC FORUM FRIDAY, NOVEMBER 14, 2014 @ 2:30 P.M. - 3:30 P.M. ALFRED NEWMAN RECITAL HALL Featuring GRAMMY® and TEC award-winning producer/engineer Ed Cherney. Cherney is one of the great rock engineers of all time, with credits that include the Rolling Stones, Bonnie Raitt, Jackson Browne, Bob Dylan, and Eric Clapton. This event is exclusive to Thornton Parents. CHAMBER ORCHESTRA CONCERT FRIDAY, NOVEMBER 14, 2014 @ 7:30 P.M. BOVARD AUDITORIUM The USC Thornton Chamber Orchestra presents Mozart’s Symphony No. 40. Students from within the orchestra lead rehearsals and make musical decisions as a group, culminating in a performance without a conductor. For the second half of the program, resident conductor Sharon Lavery leads the ensemble in Beethoven’s Symphony No. 6, the “Pastorale” inspired by the composer’s love of nature. UNIVERSITY CHORUS CONCERT FRIDAY, NOVEMBER 14, 2014 @ 8:00 P.M. ALFRED NEWMAN RECITAL HALL The USC Thornton University Chorus presents With Strings Attached, a concert featuring compositions by Franz Schubert, Eric Whitacre and Susan LaBarr. This ensemble is comprised of alumni, community members, undergraduate, and graduate students of all majors. CONTACT US PHONE: 213.821.1664 GETTING AROUND CAMPUS THORNTON BUILDINGS & LOCATIONS AES - Schoenfeld Symphonic Hall 1. Bing Theatre AHF - Hancock Foundation Building 2. Bovard Auditorium BMH - Booth Hall 3. Flora L. Thornton Courtyard CTV - Carson Center 4. Ground Zero Performance Cafe MUS - Raubenheimer Music Faculty Building 5. Herklotz Courtyard PED - Physical Education Building 6. Jeanette MacDonald Recital Hall PSX - Parking Structure X 7. Music Library RHM - Ramo Hall 8. Newman Recital Hall TCC - Tutor Campus Center 9. Polish Music Center/Trojan Marching Band Office TMC - The Music Complex 10. Ramo Recital Hall UG - University Gateway 11. Thornton Admissions/Student Affairs UUC - United University Church 12. Tommy’s Place 13. UUC Sanctuary CONTACT US PHONE: 213.821.1664.

Copy Link

Recommended publications

Recording Engineer's Handbook
THE Recording Engineer’s HANDBOOK by Bobby Owsinski This page intentionally left blank The Recording Engineer’s Handbook by Bobby Owsinski © 2005 Bobby Owsinski. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without written permission from Thomson Course Technology PTR, except for the inclusion of brief quotations in a review. The ArtistPro Publishing and Thomson Course Technology PTR logo and related trade dress are trademarks of Thomson Course Technology PTR and may not be used without written permission. SVP, Thomson Course Technology PTR: Andy Shafran Publisher: Stacy L. Hiquet Executive Editor: Mike Lawson Senior Marketing Manager: Sarah O’Donnell Marketing Manager: Heather Hurley Manager of Editorial Services: Heather Talbot Associate Marketing Manager: Kristin Eisenzopf Marketing Coordinator: Jordan Casey Project Editor: Cathleen D. Snyder PTR Editorial Services Coordinator: Elizabeth Furbish Copy Editor: Heather Johnson Cover Designer/Interior Designer: Stephen Ramirez Proofreader: Gene Redding Cover photography: Susana Millman Special thanks to John Lucasey and Studio 880, Oakland, CA All other trademarks are the property of their respective owners. Thomson Course Technology PTR and the author have attempted throughout this book to distinguish proprietary trademarks from descriptive terms by following the capitalization style used by the manufacturer. Information contained in this book has been obtained by Thomson Course Technology PTR from sources believed to be reliable. However, because of the possibility of human or mechanical error by our sources, Thomson Course Technology PTR, or others, the Publisher does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from use of such information.
[Show full text]
Bruce Swedien: in the Studio with Michael Jackson Free
FREE BRUCE SWEDIEN: IN THE STUDIO WITH MICHAEL JACKSON PDF Bruce Swedien,Quincy Jones | 194 pages | 28 Jul 2009 | Hal Leonard Corporation | 9781423464952 | English | Milwaukee, United States In the Studio with Michael Jackson by Bruce Swedien With a title Bruce Swedien: In the Studio with Michael Jackson reads, "In the Studio with Michael Jackson," one would expect interesting and new anecdotes about the singer. But instead, you get NONE of that!! That is the honest truth In the Studio with Michael Jackson. Bruce SwedienMichael Jackson. No one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson's records records that topped the charts and shook the world. Friend, co-creator, and colleague, Bruce Swedien was a seasoned recording engineer plucked from a job at legendary Universal Audio in Chicago when he began working with Michael Jackson and Quincy Jones on the soundtrack to The Wizand Bruce Swedien: In the Studio with Michael Jackson was the master technician who gave the records their sound as the trio progressed to Jackson's greatest triumphs, Off the Wall and the iconic, history-making Thrillerwhich revolutionized music and video and fixed Jackson in culture as Bruce Swedien: In the Studio with Michael Jackson King of Pop. In the Studio with Michael Jackson is the chronicle of those times, when everything was about the music, the magic, and the amazing talent of a man who changed the face of pop music and culture forever.
[Show full text]
A Rhetorical Take on Productivity Aids in Audio Engineering Software
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 5-6-2019 Programmed 'Treasuries of Eloquence’: A Rhetorical Take on Productivity Aids in Audio Engineering Software Thomas Breideband Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Breideband, Thomas, "Programmed 'Treasuries of Eloquence’: A Rhetorical Take on Productivity Aids in Audio Engineering Software." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/english_diss/219 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. PROGRAMMED ‘TREASURIES OF ELOQUENCE’: A RHETORICAL TAKE ON PRODUCTIVITY AIDS IN AUDIO ENGINEERING SOFTWARE by THOMAS BREIDEBAND Under the Direction of George Pullman, PhD and Prof. Dr. Alfred Hornung ABSTRACT This project examines the influence of productivity aids in digital audio production software on matters of professional expertise, user experience, and workflow. The research is based on both the public reflections of 25 leading audio engineers about the state of the craft and the field as well as close content analyses of the most widely used software solutions for music mixing. Using the practical tenets of the fourth canon of rhetoric, memory, as a heuristic lens and emphasizing its role as an arbiter of professional expertise, this study contextualizes memory as both recollection strategy and programmed practice. It examines the extent to which embedded productivity aids take over the work of audio engineers and what effects this has on the craft and its community of practitioners.
[Show full text]
The Recording Academy® Producers & Engineers Wing® Announces 2009-2010 Steering Committee
® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] For Immediate Release THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® ANNOUNCES 2009-2010 STEERING COMMITTEE Diverse P&E Wing Leadership Tackles Important Issues Including Performance Rights, Recording Metadata, and Education SANTA MONICA, Calif. (October 20, 2009) — The Producers & Engineers Wing® of The Recording Academy® announces its 2009-2010 Steering Committee, the leadership group for the P&E Wing which works to identify, investigate and recommend solutions for the technical and economic issues facing today's music production professionals. The newly seated Committee, consisting of a diverse array of music engineers, producers and others with hundreds of hit recording credits among them, will both build upon the significant legacy of progress established by prior Steering Committees, and work to determine the key issues confronting music production professionals today, with the goal of finding meaningful solutions and suggestions for the industry moving forward. Newly-appointed Steering Committee Co-Chairs Eric Schilling (Florida) and James McKinney (Washington, D.C.) note the particular emphasis that the P&E Wing will continue to place on the development of standardized metadata practices, advocacy for performance rights and educational outreach. "One of our top priorities is the recording metadata project we're working on with the BMS Chace company and the Library of Congress," stated Schilling. "We need to address this issue; if we don't, we're going to end up with no available credits at all and no good way to track information for payment. We believe that consistent and open standard metadata systems are essential to the overall recording industry, not just to the P&E Wing.
[Show full text]
How Does It Sound Now ? Legendary Engineers and Vintage Gear
How Does It Sound Now? Legendary Engineers and Vintage Gear Gary Gottlieb Course Technology PTR A part of Cengage Learning Australia . Brazil . Japan . Korea . Mexico . Singapore . Spain . United Kingdom . United States How Does It Sound Now? © 2010 Course Technology, a part of Cengage Learning. Legendary Engineers and Vintage Gear ALL RIGHTS RESERVED. No part of this work covered by the copyright herein Gary Gottlieb may be reproduced, transmitted, stored, or used in any form or by any means Publisher and General Manager, Course graphic, electronic, or mechanical, including but not limited to photocopying, Technology PTR: Stacy L. Hiquet recording, scanning, digitizing, taping, Web distribution, information Associate Director of Marketing: Sarah networks, or information storage and retrieval systems, except as permitted 107 108 1976 Panella under Section or of the United States Copyright Act, without the prior written permission of the publisher. Manager of Editorial Services: Heather Talbot Marketing Manager: Mark Hughes For product information and technology assistance, contact us at Cengage Learning Customer & Sales Support, 1-800-354-9706 Acquisitions Editor: Orren Merton Project Editor/Copy Editor: Cathleen D. For permission to use material from this text or product, submit all Small requests online at www.cengage.com/permissions Further permissions questions can be emailed to Editorial Services Coordinator: Judy [email protected] Littleﬁeld Interior Layout Tech: MPS Limited Cover Designer: Mike Tanamachi All trademarks
[Show full text]
Bob Dylan the Complete Guide
Bob Dylan The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 24 Sep 2013 23:21:01 UTC Contents Articles Overview 1 Bob Dylan 1 Studio Albums 31 Bob Dylan 31 The Freewheelin' Bob Dylan 36 The Times They Are a-Changin' 51 Another Side of Bob Dylan 58 Bringing It All Back Home 64 Highway 61 Revisited 74 Blonde on Blonde 85 John Wesley Harding 101 Nashville Skyline 108 Self Portrait 114 New Morning 120 Pat Garrett & Billy the Kid 126 Dylan 130 Planet Waves 131 Blood on the Tracks 138 The Basement Tapes 143 Desire 156 Street-Legal 164 Slow Train Coming 169 Saved 176 Shot of Love 178 Infidels 184 Empire Burlesque 191 Knocked Out Loaded 199 Down in the Groove 203 Oh Mercy 206 Under the Red Sky 210 Good as I Been to You 213 World Gone Wrong 217 Time Out of Mind 220 Love and Theft 228 Modern Times 232 Together Through Life 239 Christmas in the Heart 244 Tempest 248 Live Albums 254 Before the Flood 254 Hard Rain 258 Bob Dylan at Budokan 260 Real Live 263 Dylan & the Dead 265 The 30th Anniversary Concert Celebration 268 MTV Unplugged 271 Live 1961–2000: Thirty-Nine Years of Great Concert Performances 274 Live at the Gaslight 1962 275 Live at Carnegie Hall 1963 278 The Bootleg Series 279 The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 279 The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert 283 The Bootleg Series Vol.
[Show full text]
Remixing for 5.1 Issue 11
Remixing for 5.1 DTS guru and 5.1 old hand, Rory Kaplan, imparts some salient surround sound production and engineering technique tips to Richard Buskin. ory Kaplan’s initial experiences in the music were on the sides and at the back. We did that without the business came as a keyboard player, program- benefit of video footage, but when you locked it to picture mer, songwriter and engineer. He toured with it somehow made sense. It was really phenomenal. luminaries such as Chick Corea, Herbie RB: Since then, guys like Al Schmitt, Ed Cherney, Hancock, Stevie Wonder, Christopher Cross David Tickle, Chuck Ainley, Rob Jacobs and George Rand Michael Jackson, and played in the studio for Yes, Massenburg have done DTS 5.1 remixes of recordings Joe Cocker and Belinda Carlisle. by Bonnie Raitt, Sting, Roy Orbison, Steely Dan, Olivia After producing an album for Edgar Winter, Kaplan was Newton-John, Don Henley, The Mavericks, among introduced to DTS by Winter’s A&R man and learned many, many others. As more and more projects are that the company intended to make its entry into the mixed you must be learning more and more about the consumer market for multichannel music in order to capabilities of the format? "pioneer and spearhead where quad hadn’t been able to RK: Sure. I’ve worked on about 80 of these projects now, go because of the medium delivery". Indeed, by the time and you really pick up on the details of how to use Kaplan joined DTS in 1996, the relatively small setup had reverbs correctly, what delays to use and what new already enjoyed considerable success on the cinematic equipment is supporting this format.
[Show full text]
Grandmaster Flash & the Furious Five, Lionel Hampton
GRANDMASTER FLASH & THE FURIOUS FIVE, LIONEL HAMPTON, MARILYN HORNE, SALT-N-PEPA, SELENA, AND TALKING HEADS TO BE HONORED WITH RECORDING ACADEMY® LIFETIME ACHIEVEMENT AWARD ED CHERNEY, BENNY GOLSON AND KENNY “BABYFACE” EDMONDS TO BE HONORED WITH TRUSTEES AWARD; DANIEL WEISS TO RECEIVE TECHNICAL GRAMMY® AWARD SANTA MONICA, CALIF. (DEC. 22, 2020) — The Recording Academy® has announced the honorees for its 2021 Special Merit Awards. The Lifetime Achievement Award honorees are Grandmaster Flash & The Furious Five, Lionel Hampton, Marilyn Horne, Salt-N-Pepa, Selena, and Talking Heads. Ed Cherney, Benny Golson and Kenny “Babyface” Edmonds are Trustees Award honorees; and Daniel Weiss is the Technical GRAMMY® Award recipient. The honorees will be recognized on the 63rd Annual GRAMMY Awards® on Jan. 31, 2021. Given the challenges imposed by the COVID-19 pandemic, more details about the special award presentation event will be announced at a later date. "As we welcome the new class of Special Merit Award honorees, it gives us a chance to reward and recognize the influence they’ve had in the music community regardless of genre," said Harvey Mason jr., Interim President/CEO of the Recording Academy. "As a music creator and music lover, I am grateful that we are able to look back at our influences and see the impact that they have made on our community. In a year where music has helped keep us together, I look forward to honoring this iconic group of music creators.” Formed in the South Bronx of New York City in 1978, Grandmaster Flash & The Furious Five are among the pioneers of hip-hop.
[Show full text]
Royer Labs Demonstration Cd #1
ROYER LABS DEMONSTRATION CD #1 This CD was made so that you can hear for yourself, in your own studio, the sound of Royer ribbon microphones on a wide variety of recordings. Don't skip the CD's short introduction - it gives you a few pointers on getting the most out of this CD. Your ears are your best guide, but in case you'd like to know what a few Royer owners think: WARM "I love the way it allows me to put all the low end warmth onto tape." - Eddie Kramer (Jimi Hendrix, Led Zeppelin, Kiss) SWEET "The high frequency response is extremely smooth and sooooo sweet!" - Bruce Swedien (Michael Jackson, Quincy Jones, Duke Ellington) "They worked in virtually every setting we tried them in." - Shawn Murphy (Scoring Engineer; John Williams, James Horner) BIG "Huge low end with no eq." - Jerry Finn (Green Day, Blink-182) "Big, big drums, and great bottom on guitars." - Joe Barresi (Alanis Morrissette, Hole, Weezer) "I have to say these are the clearest, most punchy sounding mic's I've ever used, period." - Gary Tole (David Bowie, Eric Clapton, Melissa Etheridge) DIGITAL FRIENDLY "I use Royer ribbons every day I record. They bring a truly analog vibe to digital recordings." - Steve Kempster (Scoring Engineeer; Trevor Rabin, Mark Mancina) "Royers bring back to digital recording what was lost in the process of going from analog tape to digital formats." - Bryan Carlstrom (Producer/Engineer - The Offspring, Alice In Chains) VERSITILE "God, I love these (*#&%$@#) things!!!" - Ed Cherney (Rolling Stones, Bonnie Raitt, Eric Clapton) "I'm using R-121's all over everything - it's my go-to microphone." - Noel Golden (Engineer w/ Matt Serletic, Matchbox 20, Willy Nelson) "Royer mics are one of the very best things to happen to recording in years." - Tommy Vicari (Quincy Jones, George Duke) "It's deﬁnitely the best mic I've ever used for recording electric guitar." - Sean Beavan (Marilyn Manson, Nine Inch Nails) "It is by far my new, most favorite recording tool." - Ross Hogarth (Keb Mo, Black Crowes, REM) "I ﬁrst used my pair of R-121's on every song on Jewel's 'Joy' album.
[Show full text]
Bruce Swedien: in the Studio with Michael Jackson Free Ebook
FREEBRUCE SWEDIEN: IN THE STUDIO WITH MICHAEL JACKSON EBOOK Bruce Swedien,Quincy Jones | 194 pages | 28 Jul 2009 | Hal Leonard Corporation | 9781423464952 | English | Milwaukee, United States Bruce Swedien: Recording Michael Jackson Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details Bruce Swedien: In the Studio with Michael Jackson other :. Thanks for telling us about the problem. Return to Book Page. Quincy Jones Foreword. No one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five- time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson's records - records that topped the charts and shook the world. Friend, co-creator, and colleague, Bruce Swedien was a seasoned recording engineer-plucked No one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson's records - records that topped the charts and shook the world. Friend, co-creator, and colleague, Bruce Swedien was a seasoned recording engineer-plucked from a job at legendary Universal Audio in Chicago - when he began working with Michael Jackson and Quincy Jones on the soundtrack to The Wiz, and he was the master technician who gave the records their sound as the trio progressed to Jackson's greatest triumphs, Off the Wall and the iconic, history-making Thriller, which revolutionized music and video and fixed Jackson in culture as the King of Pop.
[Show full text]