19 Art Destinations in the U.S
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A Passion for Rodin Set a Manhattan Couple on an Ambitious Collecting Journey& Covering the Past Century of Art History
dreamers creators A passion for Rodin set a Manhattan couple on an ambitious collecting journey& covering the past century of art history. By Margie Goldsmith • Photography by Billy Cunningham The collector looks up at his cast of “The Thinker.” Perhaps he is recalling what Rodin himself wrote about his sculpture: “The Thinker has a story. In the days long gone by I conceived the idea of the Gates of Hell. Before the door, seated on the rock, Dante thinking of the plan of the poem behind him ... all the characters from the Divine Comedy. This proj- ect was not realized. Thin ascetic Dante in his straight robe separated from all the rest would have been without meaning. Guided by my first inspiration I conceived another thinker, a naked man, seated on a rock, his fist against his teeth, he dreams. The fertile thought slowly elaborates itself within his brain. He is no longer a dreamer, he is a creator.” Rodin’s tale helps reveal why a boy from a small Mid- western town who became one of New York’s most suc- cessful fund managers would identify with a working-class sculptor whose masterpieces created a Rodin, “The Thinker,” conceived bronze bridge between 19th-century Romanticism and c. 1880 (this version was cast 20th-century Modernism. “I identify with the creativity and the before 1952), bronze with dark passion with which Rodin led his life,” says the collector, who brown and green patina. wishes to remain anonymous, as he continues to regard “The Charles Ephraim Burchfield, “Sultry Thinker.” “Look at the combination of strength, beauty and emo- Day” (right), 1957, watercolor on tional passion that Rodin manages to put in a lump of bronze. -
Guided Reading Level I
Guided Reading Book List It can be difficult finding books that meet your child's reading ability. Below is a list of suggested books according to their guided reading level. Guided Reading Level I Airport by Byron Barton Albert the Albatross by Syd Hoff Allergies by Sharon Gordon All Tutus Should Be Pink by Sheri Brownrigg Alligators All around by Maurice Sendak Ambulances by Marcia Freeman Angus and the Cat by Marjorie Flack Apples and Pumpkins by Ann Rockwell Are You My Mother? by P.D. Eastman Asthma by Sharon Gordon The Bear’s Bicycle by Emilie McLeod Benny Bakes a Cake by Eve Rice Big Dog, Little Dog by P.D. Eastman The Big Hungry Bear by Don and Audrey Wood The Bike Lesson by Stan and Jan Berenstain Busy Buzzing Bumblebees by Alvin Schwartz Charles M. Schulz by Cheryl Carlson Come and Have Fun by Edith Thacher Hurd The Dinosaur Who Lived in My Backyard by Brendan Hennessy Dragon Gets By by Dav Pilkey Dragon’s Fat Cat by Dav Pilkey Earaches by Sharon Gordon Father Bear Comes Home by Else Minarik Fire Engines by Marcia Freeman A Friend for Dragon by Dav Pilkey Go away, Dog by Joan Nodset Goodnight, Owl! by Pat Hutchins Hattie and the Fox by Mem Fox Hello Cat, You Need a Hat by Rita Gelman Henny Penny by Paul Galdone Hiccups for Elephant by James Preller It’s Not Easy Being a Bunny by Marilyn Sadler Jim Meets the Thing by Miriam Cohen Just a Mess by Mercer Mayer Leo the Late Bloomer by Robert Kraus The Lighthouse Children by Syd Hoff A Look at China by Helen Frost A Look at Mexico by Helen Frost Lost in the Museum by Miriam Cohen Maurice -
UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
The Reves Collection
The Reves Collection Camille Pissarro, Self-Portrait, 1897-1898; Oil on canvas; 20 7/8 x 12 in. (53 x 31 cm); Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.44 AT THE DALLAS MUSEUM OF ART Teaching Materials prepared by Ken Kelsey, Gail Davitt, Carolyn Johnson, Cecilia Leach, Diane McClure, and Catherine Proctor Major underwriting of the exhibition is provided by Merrill Lynch and The Dallas Morning News. American Airlines is the official carrier for the exhibition. © 1995 Dallas Museum of Art. All rights reserved. Use with permission. Page 1 of 36 DEAR TEACHER: The Reves Collection is a resource guide for viewing art at the elementary and secondary student level. The materials are written in the form of dialogues, and are planned to aid both teacher and student as they explore individual objects and build a more personal connection to the decorative and fine artworks in the Reves Collection at the Dallas Museum of Art. This packet includes: 1. 13 ARTWORKS 2. A BIOGRAPHY of the Collectors, Wendy and Emery Reves 3. An INTRODUCTION 4. 13 OBJECT SHEETS (1 for each ARTWORK) 5. ACTIVITIES for Art, Language Arts, Social Studies, & Math/Science 6. A GLOSSARY 7. A BIBLIOGRAPHY 8. List of TEKS Addressed in these Teaching Materials 9. Two EVALUATION SHEETS (1 for this Teaching Packet & 1 for the Tour). _________________________________________________________ The printing in these materials has been manipulated in several ways. • The titles of individual artworks are italicized and bolded. For example, the title of the first artwork/object sheet is set of casters. -
André Derain Stoppenbach & Delestre
ANDR É DERAIN ANDRÉ DERAIN STOPPENBACH & DELESTRE 17 Ryder Street St James’s London SW1Y 6PY www.artfrancais.com t. 020 7930 9304 email. [email protected] ANDRÉ DERAIN 1880 – 1954 FROM FAUVISM TO CLASSICISM January 24 – February 21, 2020 WHEN THE FAUVES... SOME MEMORIES BY ANDRÉ DERAIN At the end of July 1895, carrying a drawing prize and the first prize for natural science, I left Chaptal College with no regrets, leaving behind the reputation of a bad student, lazy and disorderly. Having been a brilliant pupil of the Fathers of the Holy Cross, I had never got used to lay education. The teachers, the caretakers, the students all left me with memories which remained more bitter than the worst moments of my military service. The son of Villiers de l’Isle-Adam was in my class. His mother, a very modest and retiring lady in black, waited for him at the end of the day. I had another friend in that sinister place, Linaret. We were the favourites of M. Milhaud, the drawing master, who considered each of us as good as the other. We used to mark our classmates’s drawings and stayed behind a few minutes in the drawing class to put away the casts and the easels. This brought us together in a stronger friendship than students normally enjoy at that sort of school. I left Chaptal and went into an establishment which, by hasty and rarely effective methods, prepared students for the great technical colleges. It was an odd class there, a lot of colonials and architects. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
California State Parks
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12 · 13 · 14 · 15 · 16 · 17 · 18 · 19 · 20 · 21 Pelican SB Designated Wildlife/Nature Viewing Designated Wildlife/Nature Viewing Visit Historical/Cultural Sites Visit Historical/Cultural Sites Smith River Off Highway Vehicle Use Off Highway Vehicle Use Equestrian Camp Site(s) Non-Motorized Boating Equestrian Camp Site(s) Non-Motorized Boating ( Tolowa Dunes SP C Educational Programs Educational Programs Wind Surfing/Surfing Wind Surfing/Surfing lo RV Sites w/Hookups RV Sites w/Hookups Gasquet 199 s Marina/Boat Ramp Motorized Boating Marina/Boat Ramp Motorized Boating A 101 ed Horseback Riding Horseback Riding Lake Earl RV Dump Station Mountain Biking RV Dump Station Mountain Biking r i S v e n m i t h R i Rustic Cabins Rustic Cabins w Visitor Center Food Service Visitor Center Food Service Camp Site(s) Snow Sports Camp Site(s) Geocaching Snow Sports Crescent City i Picnic Area Camp Store Geocaching Picnic Area Camp Store Jedediah Smith Redwoods n Restrooms RV Access Swimming Restrooms RV Access Swimming t Hilt S r e Seiad ShowersMuseum ShowersMuseum e r California Lodging California Lodging SP v ) l Klamath Iron Fishing Fishing F i i Horse Beach Hiking Beach Hiking o a Valley Gate r R r River k T Happy Creek Res. Copco Del Norte Coast Redwoods SP h r t i t e s Lake State Parks State Parks · S m Camp v e 96 i r Hornbrook R C h c Meiss Dorris PARKS FACILITIES ACTIVITIES PARKS FACILITIES ACTIVITIES t i Scott Bar f OREGON i Requa a Lake Tulelake c Admiral William Standley SRA, G2 • • (707) 247-3318 Indian Grinding Rock SHP, K7 • • • • • • • • • • • (209) 296-7488 Klamath m a P Lower CALIFORNIA Redwood K l a Yreka 5 Tule Ahjumawi Lava Springs SP, D7 • • • • • • • • • (530) 335-2777 Jack London SHP, J2 • • • • • • • • • • • • (707) 938-5216 l K Sc Macdoel Klamath a o tt Montague Lake A I m R National iv Lake Albany SMR, K3 • • • • • • (888) 327-2757 Jedediah Smith Redwoods SP, A2 • • • • • • • • • • • • • • • • • • (707) 458-3018 e S Mount a r Park h I4 E2 t 3 Newell Anderson Marsh SHP, • • • • • • (707) 994-0688 John B. -
Joslyn Art Museum's 2007 Annual Report
Joslyn Art Museum 2 0 0 7 A N N U A L R E P O R T YEAR AT A GLANCE 201,021 visited Joslyn Art Museum. 293 works of art were acquired by Joslyn Art Museum through gift or purchase in the following areas: Modern and Contemporary (142); American (140); European (8); and Asian (3). 60 works of art were lent by Joslyn to other institutions. 28 works of art were lent by other institutions and individuals to Joslyn's permanent collection. 10 special exhibitions were on view at the Museum. 38,774 attended tours, lectures, gallery talks, special programs for adults, art classes, camps, and other programs at Joslyn. The Museum ended the year with 5,971 membership households and an additional 10,000 members through the Passport Partners program. 46,298 attended music programs at Joslyn. 68,041 participated in Joslyn outreach programs. Volunteers logged 7,855 hours of service for the Museum's Art Reference Library; Museum Shop; Joslyn Art Museum Association events; Young Art Patrons events; and Membership, Education (including the docent program), and Marketing and Public Relations departments (including music series and visitor services). Joslyn's Abrahams Library acquired 699 new volumes, and there were 258 outgoing interlibrary loans. Joslyn Art Museum receives numerous requests from around the world for images of art works from its permanent collection. These images are used in textbooks, exhibition catalogues, books, and other publications; featured on posters, cards, and calendars; and used in films, videos, or television programs. In 2007, there were 77 completed reproduction requests, 46 of which were for works by Karl Bodmer. -
State Park System Statistical Report with at Least the Scope of the Last One in the Series, Published Eleven Years Earlier
Statistical Reyort 2016/17 Fiscal Year Planning, Recreation and Support Section Marketing and Business Development Office California State Parks P.O. Box 942896 Sacramento, California 94296-0001 TABLE OF CONTENTS INTRODUCTION ..................................................................................................... 1 CHAPTER 1 - SUMMARY AND ANALYSIS ............................................................ 5 Number of Units and Properties ......................................................................... 5 Acreage, DPR-Owned ........................................................................................ 5 Acreage, Other ................................................................................................... 5 Total Acreage ..................................................................................................... 5 Waterfront Feet ................................................................................................... 6 Individual Camp Sites ......................................................................................... 6 Group Camp Sites .............................................................................................. 6 Non-Camping Overnight Facilities ...................................................................... 7 Individual Picnic Sites ......................................................................................... 7 Group Picnic Sites ............................................................................................. -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.