Photographs by and Relating to Allen Ginsberg MSS.PHOTO.0450
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Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 Pm Exhibition Continues Through December 30, 2015
PRESS RELEASE Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 pm Exhibition continues through December 30, 2015 Cheim & Read is pleased to announce an exhibition of Donald Baechler’s early paintings and collages on paper. These works represent the genesis of the artist’s iconic vocabulary of symbols and techniques. The exhibition will be accompanied by a catalogue featuring an essay by David Rimanelli. Between 1980 and 1984, when Baechler was still in his mid-20s, his work was the subject of six solo exhibitions. By the end of the ’80s, his bold, expressive paintings were regarded as some of the most influential of their time—integral to the dialogue between a new generation of New York painters that included Jean-Michel Basquiat, Keith Haring, and Julian Schnabel. The works currently on view at Cheim & Read embody this pivotal moment in Baechler’s career, when he developed a signature iconography and rose to international renown. Three Figures (Wall Street Week) 1980 graphite, spray enamel and oil-based enamel on paper 42 x 42 in Baechler’s work is known for striking compositions that center big, buoyant, thickly outlined forms on layered surfaces, either built up with paint or dense with collage. His subjects are recognizable the world over— flowers, faces, houses, globes, and other familiar objects take center stage. Isolated and magnified on large-scale canvases, they become emblems for universal themes like identity, sexuality, community, and mortality. But they are also uniquely Baechler’s. There is no -
Acu.1203.Cor
18 | The Cooper Union for the Advancement of Science and Art Notes was in Mentors: The Mentoring of Artists , an exhibit honoring the Marriages and artist-mentor relationship, at the Firehouse Center for the Falcon Engagements Foundation in Portland, Maine, August to October 2011 . Derek Dalton Musa (BSE’ 03 ) and Gloria Corinne Cochrane Nippert are Frey Yudkin (A’ 48 ) continues to engaged and planning a 2012 wed - teach and is showing her work at Hewlett Library in March and April ding. Garrett Ricciardi (A’ 03 ) and Lindsay Ross were married in July 2012 . Alex Katz (A’ 49 ) had 2011 solo shows at Gavin Brown’s enter - Constance Ftera (A’53) was in the 2011 . Sara and Michael Kadoch prise and Senior & Shopmaker 4th National Juried Exhibition (BSE’ 05 ) married on June 12 , 2011 at Prince Street Gallery. Gallery. (A’ 49 ) had a in New York. Kristen Breyer (A’ 06 ) Henry Niese and (A’ 08 ) married Laura Miller Margolius (A’42) with solo show of paintings and drawings Jeff Castleman 1960 s as an international network on Saturday, September 3, 2011 , at one of her art pieces in her home in from the mid- 1950 s to present enti - of artists, composers and designers the UC Berkeley Botanical Gardens Bronxville, New York. tled The Painter’s Palette at Gold Leaf Rosyln Fassett (A’56), Cameroon employing a “do-it-yourself” atti - Earth, oil painting, 50 x 40 Redwood Grove in Berkely Studios in Washington, DC, private collections. Irving Lefkowitz tude and focusing on blurring California. Included in their wed - September to November 2011 . -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Press Release WIDMER+THEODORIDIS
Zurich, October 16, 2007 Press Release IRA COHEN WIDMER+THEODORIDIS contemporary is pleased to announce the first HAUTNAH / Swiss individual exhibition by the New York artist Ira Cohen. A selection of UP CLOSE & PERSONAL his photographic work from the series ‘Hautnah / Up Close & Personal’ will October 26 - December 22, 2007 be on display. Opening Reception The exhibition has been arranged in connection with the eponymous new book Thursday, October 25, 2007 7pm by Ira Cohen to be published in the spring of 2008 by the Papageien-Verlag, Zurich. The editors are Florian Vetsch and Michael Pfister. Florian Vetsch and mischa vetere, editors of the book, will speak Ira Cohen is an enigmatic artistic figure who has worked in a variety of at the opening reception. experimental ways. In the 60’s he published the magazine ‘GNAOUA’ in which he presented artists like Brion Gysin and William S. Burroughs. Jimi Hendrix and other artists were portrayed in his ‘Mylar Images’ and he created many record covers. Shamanistic and tantric experiences were technically and conceptually integrated into his photographic work and his work as a poet, musician and filmmaker began at the latest in the 70’s. A work by Ira Cohen was recently presented at the Art Basel 38 / Kunst+Film by John Armleder. In 1970 Cohen moved to Kathmandu where he lived for ten years and build up an artist’s colony. He returned to New York in 1980 where he still lives and works today. In ‘Hautnah / Up Close & Personal’ Cohen leads us into his private world. Friends, relatives, musicians and stars are presented in uninhibited yet apparently natural positions. -
A Finding Aid to the Bob Thompson Papers, 1949-2005, in the Archives of American Art
A Finding Aid to the Bob Thompson Papers, 1949-2005, in the Archives of American Art Kimberley Henze and Rihoko Ueno Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art. 2015 June 15 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1953-2003............................................................. 5 Series 2: Carol Thompson's Correspondence, 1971-2000...................................... 6 Series 3: Writings, 1949-1998................................................................................. -
Spring 2013 • Vol
spring 2013 vol 7 a journal of critical writing a journal of critical writing • spring 2013 • vol. 7 • University of Pennsylvania 7 • University a journal of critical writing • spring 2013 vol. The Critical Writing Program supports and develops young writers. Through our seminars, workshops, and publications, we encourage a journal of critical writing students to share their understanding of the world through writing. We are proud to present in this volume a selection of work produced by our undergraduate writers. These essays were chosen by a student and faculty editorial board from an already select pool of essays nominated by the Critical Writing faculty. The Critical Writing Program is part of the Center for Programs in Contemporary Writing (CPCW) at the University of Pennsylvania. For more information about our program or the journal, please visit www.writing.upenn.edu/critical. THE A PUBLICATION OF CRITICAL WRITING PROGRAM UNIVERSITY OF PENNSYLVANIA 3808 WALNUT STREET PHILADELPHIA, PA 19104-6121 www.writing.upenn.edu/critical 3808_winter 2013_cover_me1_01.indd 1 1/22/13 5:12:57 PM a journal of critical writing Executive Editor Valerie Ross, Director, Critical Writing Program Editor Kate Kramer, Senior Fellow, Critical Writing Program Business Manager Mingo Reynolds Assistant to Editor Sifan Zhang Faculty Editorial Board Student Editorial Board Andrea Applebee Miranda Boydstun Michael Burri Morgan Jones Sara Byala Bobby Kent Jo Ann Caplin Shana Mansbach Dorothy Charbonnier Alexandria Trakimas Marcy Latta Nathan Werksman Rodger LeGrand -
2016 General Election Results
Cumulative Report — Official Douglas County, Colorado — 2016 General Election — November 08, 2016 Page 1 of 9 11/22/2016 09:59 AM Total Number of Voters : 192,617 of 241,547 = 79.74% Precincts Reporting 0 of 157 = 0.00% Party Candidate Early Election Total Presidential Electors, Vote For 1 DEM Hillary Clinton / Tim Kaine 68,657 36.62% 0 0.00% 68,657 36.62% REP Donald J. Trump / Michael R. Pence 102,573 54.71% 0 0.00% 102,573 54.71% AMC Darrell L. Castle / Scott N. Bradley 695 0.37% 0 0.00% 695 0.37% LIB Gary Johnson / Bill Weld 10,212 5.45% 0 0.00% 10,212 5.45% GRE Jill Stein / Ajamu Baraka 1,477 0.79% 0 0.00% 1,477 0.79% APV Frank Atwood / Blake Huber 15 0.01% 0 0.00% 15 0.01% AMD "Rocky" Roque De La Fuente / Michael 45 0.02% 0 0.00% 45 0.02% Steinberg PRO James Hedges / Bill Bayes 7 0.00% 0 0.00% 7 0.00% AMR Tom Hoefling / Steve Schulin 37 0.02% 0 0.00% 37 0.02% VOA Chris Keniston / Deacon Taylor 253 0.13% 0 0.00% 253 0.13% SW Alyson Kennedy / Osborne Hart 13 0.01% 0 0.00% 13 0.01% IA Kyle Kenley Kopitke / Nathan R. Sorenson 64 0.03% 0 0.00% 64 0.03% KFP Laurence Kotlikoff / Edward Leamer 29 0.02% 0 0.00% 29 0.02% SAL Gloria Estela La Riva / Dennis J. Banks 10 0.01% 0 0.00% 10 0.01% Bradford Lyttle / Hannah Walsh 13 0.01% 0 0.00% 13 0.01% Joseph Allen Maldonado / Douglas K. -
Robert Polidori's Photographs In
Composing Catastrophe: Robert Polidori’s Photographs in “After the Flood” and Comparative Visual Records of Post-Katrina New Orleans William M. Taylor INTRODUCTION The form of cities, their design, and their construction have long made it possible to think about human society, its representation and its values. Likewise, the destruction of cities through various means, accidental circumstance or human error, and the representation of urban ruin have given historical, visual, and narrative form to diverse values governing ethical conduct, individual desires, and collective responsibilities. In recent years a spate of natural disaster films like Volcano (1997), The Day After Tomorrow (2004), and 2012 (2009) have cast the city as a prime target for cataclysm or as a place to escape from following an apocalyptic event (think of escape films like I am Legend [2007] and The Road [2010]). The appeal of these films might be understood in view of present day environmental uncertainties or perhaps a state of anxiety in the world more generally. However, their coincidence with documentary coverage of very real cataclysmic events—such as the 2004 Boxing Day tsunami’s destruction of Banda Aceh and Hurricane Katrina’s impact on New Orleans in 2005—leads one to question how different media represent the complex reality of a fallen city, the circumstances which bring such events about, and their social and personal costs. The coincidence between fictional and non–fictional representations and the topicality of disaster leads one to wonder if there are not interpretive parameters, disciplines, or visual economies of a kind that are wholly or partly responsible for representing the subjects one contemplates in viewing these scenes. -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
City Lights Pocket Poets Series 1955-2005: from the Collection of Donald A
CITY LIGHTS POCKET POETS SERIES 1955-2005: FROM THE COLLECTION OF DONALD A. HENNEGHAN October 2005 – January 2006 1. Lawrence Ferlinghetti. Pictures of the Gone World. San Francisco: City Lights Pocket Bookshop, 1955. Number One 2. Kenneth Rexroth, translator. Thirty Spanish Poems of Love and Exile. San Francisco: City Lights Pocket Bookshop, 1956. Number Two 3. Kenneth Patchen. Poems of Humor & Protest. San Francisco: City Lights Pocket Bookshop, 1956. Number Three 4. Allen Ginsberg. Howl and Other Poems. San Francisco: City Lights Pocket Bookshop, 1956. Number Four 5. Marie Ponsot. True Minds. San Francisco: City Lights Pocket Bookshop, 1956. Number Five 6. Denise Levertov. Here and Now. San Francisco: City Lights Pocket Bookshop, 1957. Number Six 7. William Carlos Williams. Kora In Hell: Improvisations. San Francisco: City Lights Books, 1957. Number Seven 8. Gregory Corso. Gasoline. San Francisco: City Lights Books, 1958. Number Eight 9. Jacques Prévert. Selections from Paroles. San Francisco: City Lights Books, 1958. Number Nine 10. Robert Duncan. Selected Poems. San Francisco: City Lights Books, 1959. Number Ten 11. Jerome Rothenberg, translator. New Young German Poets. San Francisco: City Lights Books, 1959. Number Eleven 12. Nicanor Parra. Anti-Poems. San Francisco: City Lights Books, 1960. Number Twelve 13. Kenneth Patchen. The Love Poems of Kenneth Patchen. San Francisco: City Lights Books, 1961. Number Thirteen 14. Allen Ginsberg. Kaddish and Other Poems. San Francisco: City Lights Books, 1961. Number Fourteen OUT OF SERIES Alain Jouffroy. Déclaration d’Indépendance. San Francisco: City Lights Books, 1961. Out of Series 15. Robert Nichols. Slow Newsreel of Man Riding Train. San Francisco: City Lights Books, 1962. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Vietnam - Organizations and General Public (Correspondence With)
UN Secretariat Item Scan - Barcode - Record Title Page 50 Date 30/05/2006 Time 9:35:53 AM S-0871-0004-01-00001 Expanded Number S-0871-0004-01-00001 Title items-in-Peace-keeping operations - Vietnam - organizations and general public (correspondence with) Date Created 02/02/1967 Record Type Archival Item Container s-0871-0004: Peace-Keeping Operations Files of the Secretary-General: U Thant - Viet-Nam Print Name of Person Submit Image Signature of Person Submit <£ " HEARST HEADLINE SERVICE UNITED NATIONS, N. Y. 10O17 O "tit * /.:J' Karai&Bwniliisr UM JCswipwSefil «S& | • Eiifl *.,o tee Mst'5iflTft2c:G .WOK tte iTwfe VLctiira^'i'irt.-iI'M-ii ; haa begua. ta prevail it. elo'iisti docs crmsuit on Hu-jvol OH lies. B &»d M, cluM to t"ne sccre cspreaa tlae iitsp tlsai ell '?-sj:t-£3 to tliu •tici ve feeea svijfc GUS to U^l mR;,v fea rsafiy feT 4r United Ets£K> and tte tTnifsiA Snr'Kie saas Mmo, .possM;/ Easi iLittNjpa, . Aln^'i, -anal ':?;ksvis'ci c5:to nsixtes^ covsn- B»isma, • I if 1I st 1 1 J "Xu-il3il* ' ''*'H' t(- .$A!t.C' •1*. )l«j tV'j i tal'iilcrtV"!*-' i '"il'^l'fU.i.i 01£jf'l ?'•?'"? au£seklSV.tiiatl.fe il.£iS ! '3s sM'un.dscieied. But, ?ifc til' ^"iBfcjaa I'jsS-SKs eca- Esrib^^fSittSa! preaa ^id va-i m-iisi ti, list rrefioti^ ^~K. filGvli^E' at Sis «jEitc&Tia4 caia. ,,' • EOt'srs; b(3£3 esyceb Kmt iftei oj 'GlM-tvff -j." Hi'-ft iiitt KwSti im'J: a s Mr, fefot Istfei? «fefess! o fepefc its & a p^*felt»^ of' 'feists s^ S i»' til® Stli esUM^it of tfe« SA8 a 2» is 8* S* eias* It is a© at l-fes this attsati^it sjssS fbs* as© CITY OF BERKELEY CALIFORNIA VALLACE J.