Le Velo Dans L'art

Total Page：16

File Type：pdf, Size：1020Kb

LE VELO DANS L’ART Claude Monet, Jean Monet sur son cheval à bascule, 1872 Jean Metzinger, Au vélodrome, 1912 Marcel Duchamp, Roue de bicyclette, 1913 Natalia Goncharova, Le cycliste, 1913 Jean Métzinger, Au vélodrome, 1914 Gerardo Dottori, Cycliste, 1914 Fortunato Depero, Ciclista moltiplicato, 1924 Meret Oppenheim, La selle d’abeilles, 1930 Herbert List, Allemagne, mer Baltique, 1930 Pablo Picasso, Tête de taureau, 1942 Fernand Léger, Les belles Cyclistes, 1944 Fernand Léger, Les deux guidons, 1945 Fernand Léger, L’homme au vélo, 1947 Fernand Léger, Les loisirs sur fond rouge, 1949 Kees Van Dongen, La bicyclette sous la pluie, 1947 Bernard Buffet, L’acrobate à la bicyclette, 1955 Jean Tinguely, Tricycle, 1960 Jean Tinguély, Cyclograveur, 1960 Robert Filliou, groupe Fluxus, Danse poème aléatoire, 1962 Marc Chagall, Le cirque, les cyclistes, 1965 Jean-Michel Basquiat, GEM SPA, 1982 Philippe Ramette, Sans titre (Mobylette crucifiée), 1987 Bengt-Göran Broström, ASEA strömmen, 1989 Claes Oldenbourg et Coosje Van Bruggen, La bicyclette ensevelie, 1990 César, Compression de vélos, 1990 Gabriel Orozco, Four bicycles, 1994 Jean-Bernard Métais, Le Tour de France dans les Pyrénées, 1995-1996 Vincent Lamouroux et Raphaël Zarka, Pentacycle, 2002 Chris Gilmour, Bike, sculpture hyperréaliste en carton, 2003 Chris Gilmour Ai Weiwei, Forever bicycles, 2003 Alain Sechasen, Le Cycliste de Bruxelles, 2005 Dominique Blais, Marclay’s Bike, 2006 Mark Grive, Bike Arch, 2007 Michael Gumhold, Movement #1913– 2007, 2007 Dorothy Shoes, The passenger, 2007 Kevin Cyr, Camping Bike, 2008 Alix Petit, Pissenlits, 2009 Marion Laval-Jeantet et Benoît Mangin, Unrooted Tree (Arbre sans racines) ou la Machine à faire parler les arbres, 2009 Ji Lee, Duchamp Reloaded, 2009 Richard Fauguet, Sans titre, 2010 Mark Grieve, Cyclisk, 2010 Monsieur BMX, Velo mural, street art, Montpellier, 2010 Alain Delorme, Totem, 2010, photomontage Alain Delorme Ai Weiwei, Forever bicycles, 2011 Ron Arad, Soft Ride, 2011 Benedetto Bufalino, La moto vélo, 2012 https://www.benedettobufalino.com/ John A. Barry, Traction Painting, 2011 Marcus Moestue, Dinosaur Bike, 2014 Virginie Nicolas, Mise en lumière des Pissentits d’Alix Petit, 2015 Et même… l’homme orchestre à vélo! .

Copy Link

Recommended publications

Vol. 1, No.1, October 2015
Vol. 1, No.1, October 2015 It all happened at ST Marks Place: Abbie Hoffman invented the Yippies at No. 30; Andy Warhol, the Velvet Underground, and Jimi Hendrix performed at the experimental nightclub Electric Circus. Gallery 51X backed eighties-era graffiti artists like Keith Harlng and Basquiat. At No. 77 Leon Trotsky edited the dissident newspaper Novy Mir in 1917. Years later in the same building, the poet W.H. Auden and the artist Larry Rivers lived below. At the Holiday Coctail Lounge, Alan Ginsberg drank. Madonna was there, These are just a few of the characters that haunt Haiku - Poem by Allen Ginsberg Drinking my tea Without sugar - No difference. The sparrow shits upside down - ah! my brain & eggs Mayan head in a Pacific driftwood bole - Someday I'll live in N.Y. Looking over my shoulder my behind was covered with cherry blossoms. Winter Haiku I didn't know the names of the flowers - now my garden is gone. I slapped the mosquito and missed. What made me do that? Reading haiku I am unhappy, longing for the Nameless. A frog floating in the drugstore jar: summer rain on grey pavements. (after Shiki) On the porch in my shorts; auto lights in the rain. Another year has past - the world is no different. ST. MARKS BACK IN THE DAY By 1963, Cue's New York: A Leisurely Guide to Manhattan, was already sending folks to the East Village for its cafes, galleries, and charming Beatniks—people like Jack Kerouac, William S. Burroughs, and Allen Ginsberg, a longtime area resident and denizen of Gem Spa at the corner of St.
[Show full text]
2018 Innovation Et Créativité Autour De L'œuvre Du Peintre Jean-Michel Basquiat
2017- 2018 Séminaire Innover en management Innovation et créativité autour de l’œuvre du peintre Jean-Michel Basquiat Compte-rendu séance du 7 février 2018, par Albert David Intervention de Dominique LAFON Fondateur de CayaK Innov Dominique Lafon raconte sa rencontre avec Basquiat, via un tableau vu par hasard dans une galerie new-yor- kaise. Basquiat est obsédant. « Il vaut mieux se consu- mer que de s’éteindre à petit feu » (Kurt Kobain). Quelques citations en guise d’introduction. • Jacques Hadamard : « l’inventeur ne connaît pas la prudence ». Hadamard écrit des choses sur l’inventivité et la créativité en mathématiques. Impru- reprend des éléments de l’œuvre de Vinci. Ce tableau dence transgressive. montre une sorte de filiation. • Henri Poincaré : « Illuminations subites ». Vie de Basquiat : né en 1960 à Brooklyn. Père Haï- Poincaré a parlé le premier du rôle de l’inconscient en tien mère portoricaine. Forte souffrance dans l’enfance mathématiques. morale mais aussi physique (battu par son père). Evé- • Paul Valéry : « Dieu sait quelles géométries l’in- nement majeur chez Basquiat : il est renversé par vention des miroirs a pu engendrer chez les mouches». une voiture, on lui enlève la rate. S’ennuie à l’hôpi- Donc influence du contexte. tal. Demande un livre. Sa mère lui rapporte un livre… d’anatomie (il n’y avait que des librairies de médecine • Albert Einstein : « des idées j’en ai si peu ». dans le quartier). Basquiat dessine tout le temps. Ren- contre un grapheur (Al Diaz) en 1977. « On est un Un premier dessin de Basquiat : Tesla vs Edison (guerre beau duo, on va secouer cette ville ».
[Show full text]
From the Church of Disco to Waterfront Ruins: an Analysis of Gay Space
Bard College Bard Digital Commons Senior Projects Spring 2019 Bard Undergraduate Senior Projects Spring 2019 From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space Liam Nolan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2019 Part of the Architectural History and Criticism Commons, Historic Preservation and Conservation Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other American Studies Commons, Other Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Nolan, Liam, "From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space" (2019). Senior Projects Spring 2019. 1. https://digitalcommons.bard.edu/senproj_s2019/1 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space Senior Project Submitted to The Division of the Arts of Bard College by Liam Nolan Annandale-on-Hudson, New York May 2019 Acknowledgments Laurie, I couldn't do this without you.
[Show full text]
A Thousand Buildings Landmarked: One Hundred Blocks Rezoned … 1
Greenwich Village Society for Historic Preservation Greenwich Village Society for Historic Preservation Historic for Society GreenwichVillage 232 East 11th Street New York, NY 10003 www.gvshp.org (212) 475-9585 (212) 475-9582 Fax facebook.com/gvshp twi er.com/gvshp youtube.com/gvshp ﬂickr.com/gvshp Support preserva on – Support GVSHP: www.gvshp.org/membership Table of Contents Introduction – Ten Years: A Thousand Buildings Landmarked: One Hundred Blocks Rezoned … 1 Landmark Designations … 2 Historic Districts … 3 Gansevoort Market Historic District (2003) … 5 Greenwich Village Historic District Extension I/Far West Village (2006) … 7 Weehawken Street Historic District (2006) … 9 NoHo East Historic District (2003) … 11 NoHo Historic District Extension (2008) … 13 Greenwich Village Historic District Extension II/South Village (2010) … 15 East 10th Street Historic District (2012) … 19 East Village/Lower East Side Historic District (2012) … 21 Proposed South Village Historic District/Phase II (2013) … 25 Proposed South Village Historic District/Phase III (2013) … 31 Individual Landmarks … 35 Building Types … 41 Federal Houses … 43 Modern Masterpieces … 47 Ecclesiastical Structures … 49 Stables … 53 Maritime or Sailor’s Hotels … 57 Industrial Monuments … 59 Innovations in Housing … 65 Civic Buildings … 69 Cultural Significance … 73 Monitoring Applications for Changes to Landmarked Sites … 87 Contextual Rezonings and Downzonings … 89 Far West Village (2005) … 91 East Village (2008) … 93 Washington and Greenwich Street (2010) … 95 Third and Fourth Avenue Corridor (2010) … 97 Blocked Projects … 99 Moving the Needle … 103 Looking to the Future … 109 Ten Years: A Thousand Buildings: One Hundred Blocks As we reach the end of one Mayoral Administration and approach the beginning of another, it’s an important time for GVSHP to look at what we have been able to accomplish, and what still needs to be done.
[Show full text]
Photographs by and Relating to Allen Ginsberg MSS.PHOTO.0450
http://oac.cdlib.org/findaid/ark:/13030/kt2199q2sr No online items Guide to the Photographs by and relating to Allen Ginsberg MSS.PHOTO.0450 Cheryl McGrath Department of Special Collections and University Archives 2005 ; revised 2018 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Photographs by and MSS.PHOTO.0450 1 relating to Allen Ginsberg MSS.PHOTO.0450 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Photographs by and relating to Allen Ginsberg creator: Ginsberg, Allen Identifier/Call Number: MSS.PHOTO.0450 Physical Description: 26 Linear Feet88,000 images Date (inclusive): 1926-1997 Abstract: Photographs of and by poet Allen Ginsberg and colleagues. Other Finding Aids Guide to the Allen Ginsberg Papers, 1937-1994 (M0733) Allen Ginsberg film and video archive, 1983-1996 (Mss Media 0004) Arrangement This collection of roughly 88,000 photographs has been arranged into three principal series. Series 1 contains photographic prints and is further divided into the subseries: Ginsberg by Others (subseries 1.1), Photographs by Others (Subseries 1.2), Photographs of Friends (1.3) and Ginsberg Family Photographs (1.4). Series 2. Contact Sheets includes numbered contact prints which have been described the print level. Series 3. contains numbered negatives sheets. Scope and Content of Collection Contains photographic prints, contact sheets and negatives of Ginsberg and his associates. Biography / Administrative History Irwin Allen Ginsberg was born on June 3, 1926 in Newark, New Jersey to Louis and Naomi (Levy) Ginsberg. American poet, author, lecturer, and teacher who was one of the core members of the Beat Generation of American author's in the 1950's and early 1960's along with Jack Kerouac, William S.
[Show full text]
Collected Poems
ALLEN GINSBERG COLLECTED POEMS 1947–1997 Collected Poems 1947–1997 is a compilation of the texts of Collected Poems 1947–1980, White Shroud: Poems 1980–1985, Cosmopolitan Greetings: Poems 1986–1992, and Death & Fame: Poems 1993–1997. The Estate would like to express gratitude to Eliot Katz for his dedication and assistance in preparation of this manuscript, Danny Mulligan at HarperCollins for attentive coordinating, and Jerey Posternak at the Wylie Agency for his tireless intermediation. Contents COLLECTED POEMS 1947–1980 Author’s Preface, Reader’s Manual I. EMPTY MIRROR: GATES OF WRATH (1947–1952) In Society The Bricklayer’s Lunch Hour Two Sonnets On Reading William Blake’s “The Sick Rose” The Eye Altering Alters All A Very Dove Vision 1948 Do We Understand Each Other? The Voice of Rock Refrain A Western Ballad The Trembling of the Veil A Meaningless Institution A Mad Gleam Complaint of the Skeleton to Time Psalm I An Eastern Ballad Sweet Levinsky Psalm II Fie My Fum Pull My Daisy The Shrouded Stranger Stanzas: Written at Night in Radio City After All, What Else Is There to Say? Sometime Jailhouse Blues Please Open the Window and Let Me In “Tonite all is well” Fyodor Epigram on a Painting of Golgotha “I attempted to concentrate” Metaphysics In Death, Cannot Reach What Is Most Near This Is About Death Hymn Sunset Ode to the Setting Sun Paterson Bop Lyrics A Dream Long Live the Spiderweb The Shrouded Stranger An Imaginary Rose in a Book Crash The Terms in Which I Think of Reality The Night-Apple Cézanne’s Ports The Blue Angel Two Boys Went Into a Dream Diner A Desolation In Memoriam: William Cannastra, 1922–1950 Ode: My 24th Year How Come He Got Canned at the Ribbon Factory The Archetype Poem A Typical Aair A Poem on America After Dead Souls Marijuana Notation Gregory Corso’s Story I Have Increased Power Walking home at night “I learned a world from each” “I made love to myself” A Ghost May Come “I feel as if I am at a dead end” An Atypical Aair 345 W.
[Show full text]
Herald-Spectator a Ble Mastery..." Art from Quilting, Bi SERVING NILES SINCE 1951 a CHICAGO SUT'ftimes Pubucation 24/7 at PIONEERLOCAL.COM Cago Tribune Shenytj
INSIDE THIS WEEK $2.00 I THURSDAY, MARCH 29, 2012 Nues UNEMPLOYEE: Not quite a pipe dream, 22 ea I... DIVERSIONS: New Herald-Spectator a ble mastery..." art from quilting, Bi SERVING NILES SINCE 1951 A CHICAGO SUT'fTIMES pubUcation 24/7 AT PIONEERLOCAL.COM cago Tribune SHENYtJ CIVIC1OPERAHOUSE Ï Celebration of cultures Members of Maine East High School's South Asian and Middle Eastern clubs perform a Bollywood- Coming inspired dance for guests at the school's International Celebration on March 17. See Page 12. to Chicago after Photo by Allison Williams-For Sun-Times Media SOLD OUT shows in NY, SF, LA, Phoenix and Detroit Buy Your Tickets Today SOC-TLO9 31 SflIN CIVIC OPERA HOUSE APRIL 19.22 J.s Ì1ODJVO Il0969 I islaMIWWI] Dll8fld53}IN isiaM1WJa1-j Dfl1I]dS311}4 Price $200$80 I (800) 515-3468 S6C00000 O00000 6T03 - 6TO-3;(1oJ 8iT9Cs u ticketmaster.com/shenyunchicago "5,000 Years of Chinese Music and SHEN YUN Dance ¡n One Night" The New YorkTimes "I've been to China 27 times, and I have w never seen a show like this." - Dr. Patricia Raven, Trustee olMissowi Botanical Garden SHEN YUN PERFORMING ARTS Discoverthegrandeurof a the world's elitemove in poetic z fantastically rich culture, that of arrangements that evoke pastoral o classicalChina,brought tolife beauty, imperial drama, and the through brilliantly choreographed glory of an ancient civilization. J dance and mesmerizing,all- This season, discover what art was originalorchestral compositions. meant to be. Discover Shen Yun. "Bn II iant choreography... extravagantly beautiful ." Magnificently costumed dancers- - &Üauway Woria zw YIN AND YANG IN CLASSICAL CHINESE DANCE Central to Chinese phi- each other and becoming each other at graceful.
[Show full text]
Jean-Michel Basquiat
Jean-Michel Basquiat was born in Brooklyn, New York in 1960 and by twenty-two he was an international star, the first black artist to break into the white-dominated art world. Close JEAN-MICHEL friends with many stars including BASQUIAT Madonna, Debbie Harry, Keith Haring and Andy Warhol, in August 1988 he tragically died of a drug overdose - he has been a legend ever since. PRINT COLLECTION Basquiat was the first to bring the art of graffiti and street culture into galleries, and because of his swift rise to fame, and early death, very few museums have his work, most of which is in private hands and fetches millions if it ever comes up for sale. We are very proud to have finally secured the rights to reproduce his work from his estate. These works have never been reproduced as prints in Europe before and are especially wonderful in the larger sizes. Transform your space with it. PRINT SIZES Small: 280 x 356mm (11 x 14”) Trade price: £2.50 Large: Rectangular images 600 x 800mm Skinny images 500 x 800mm Square Images 600 x 650mm Large prints also feature the official Jean-Michel Basquiat logo. Printed on 250gsm Matt Graphic Art Paper. Trade price: £10.00 * above illustrations shown to scale TUXEDO, 1982-3 UNTITLED (NEW YORK), 1981 Small (280 x 356mm): Small (280 x 356mm): 437827 437866 Large (500 x 800mm): Large (500 x 800mm): 437780 437819 UNTITLED, 1981 IN ITALIAN, 1983 Small (280 x 356mm): 437852 Large (600 x 800mm): 437805 ASS KILLER, 1984 Small (280 x 356mm): 437962 Small (280 x 356mm): 437851 Large (600 x 800mm): 437961 Large (600
[Show full text]
Urban & Pop Contemporary | 5.07.2021
RTCURIAL URBAN & POP CONTEMPORARY Lundi 5 juillet 2021 - 14h, 16h & 18h 7 Rond-Point des Champs-Élysées 75008 Paris URBAN & POP CONTEMPORARY POP & URBAN URBAN & POP CONTEMPORARY Lundi 5 juillet 2021 - 14h, 16h & 18h artcurial.com Lundi 5 juillet 2021 - 14h, 16h & 18h 4122 RTCURIAL RTCURIAL lot n°257, KAWS, NYT, 2013 p.212 URBAN & POP CONTEMPORARY Lundi 5 juillet 2021 - 14h, 16h & 18h 7 Rond-Point des Champs-Élysées 75008 Paris lot n°264, Vhils, Diorama 24, 2015 (détail) p.232 lot n°249, JR, The Wrinkles of the City, Los Angeles, Œil froissé 4 encadré #4, 2011 (détail) p.198 ARTS DES XXe & XXIe SIÈCLES Francis Briest Bruno Jaubert Hugues Sébilleau Arnaud Oliveux Christophe Person Président du conseil de Directeur Directeur Directeur Directeur surveillance et de stratégie Impressionniste & Moderne Post-War & Contemporain Urban Art Art Contemporain Africain Commissaire-priseur Commissaire-priseur Aude de Vaucresson Karine Castagna Florent Wanecq Sophie Cariguel Jessica Cavalero Spécialiste Spécialiste Urban Art Spécialiste junior Spécialiste junior Recherche et certificat Post-War & Contemporain, et Limited Edition Impressionniste & Moderne Post-War & Contemporain Art Moderne & Contemporain Art Contemporain Africain Belgique Elodie Landais Vanessa Favre Florent Sinnah Margot Denis-Lutard Louise Eber Administratrice - catalogueur Administratrice - catalogueur Administrateur Administratrice Recherche et certificat Impressionniste & Moderne Post-War & Contemporain Estampes, Urban Art Art Contemporain Africain Administratrice junior et Limited
[Show full text]
Making a Technology of Consciousness in the Long 1960S
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 The Revolution Will Be Videotaped: Making a Technology of Consciousness in the Long 1960s Peter Sachs Collopy University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons, and the United States History Commons Recommended Citation Collopy, Peter Sachs, "The Revolution Will Be Videotaped: Making a Technology of Consciousness in the Long 1960s" (2015). Publicly Accessible Penn Dissertations. 1665. https://repository.upenn.edu/edissertations/1665 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1665 For more information, please contact [email protected]. The Revolution Will Be Videotaped: Making a Technology of Consciousness in the Long 1960s Abstract In the late 1960s, video recorders became portable, leaving the television studio for the art gallery, the psychiatric hospital, and the streets. The technology of recording moving images on magnetic tape, previously of use only to broadcasters, became a tool for artistic expression, psychological experimentation, and political revolution. Video became portable not only materially but also culturally; it could be carried by an individual, but it could also be carried into institutions from the RAND Corporation to the Black Panther Party, from psychiatrists’ officeso t art galleries, and from prisons to state-funded media access centers. Between 1967 and 1973, American
[Show full text]
East Village/Lower East Side Historic District Designation Report
Cover Photographs: 38 to 34 East 3rd Street (c. 1835-36); 122 to 116 East 7th Street (c. 1862-63); New York Turn Verein, 66 East 4th Street (1871, Kinkel & Klemt); 25 to 29 East 7th Street (1880, Jobst Hoffmann); 95 to 99 East 7th Street (c. 1891, Kurtzer & Rohl; c. 1891, Schneider & Herter); 69 to 75 East 4th Street (c. 1899, Michael Bernstein; c. 1901, Horenburger & Straub; c. 1897, George F. Pelham); 111 East 7th Street (c. 1901, Michael Bernstein). Christopher D. Brazee, 2010 and 2012 East Village/Lower East Side Historic District Designation Report Essay prepared by Christopher D. Brazee Architects’ Appendix prepared by Virginia Kurshan Building Profiles prepared by Christopher D. Brazee, Jennifer L. Most, Donald G. Presa, and Virginia Kurshan Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS EAST VILLAGE/LOWER EAST SIDE HISTORIC DISTRICT MAP ........................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING .............................................................................................. 3 EAST VILLAGE/LOWER EAST SIDE HISTORIC DISTRICT BOUNDARIES ....................................... 3 SUMMARY .................................................................................................................................................
[Show full text]
The Revolution Will Be Videotaped
THE REVOLUTION WILL BE VIDEOTAPED: MAKING A TECHNOLOGY OF CONSCIOUSNESS IN THE LONG 1960s Peter Sachs Collopy A DISSERTATION in History and Sociology of Science Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2015 Supervisor of Dissertation ———————————————————— John Tresch, Associate Professor of History and Sociology of Science Graduate Group Chairperson ———————————————————— John Tresch, Associate Professor of History and Sociology of Science Dissertation Committee Ruth Schwartz Cowan, Professor Emerita of History and Sociology of Science Nathan Ensmenger, Associate Professor of Informatics and Computing, Indiana University Fred Turner, Associate Professor of Communications, Stanford University To my family: Marianne Sachs, Fred Collopy, Andy Collopy, and Deanna Day ii Acknowledgements The history of experimental video that I recount here is one of interactions between participants in many fields, and the process of writing it has also required such collaboration. Thanks first of all to the members of my dissertation committee, each of whom has supported my research and career with great generosity. I began researching experimental video in seminars taught by Nathan Ensmenger and Ruth Schwartz Cowan, each of whom has shaped this work deeply through their advice and questions. John Tresch has been an endlessly creative mentor, suggesting new disciplinary contexts and historical continuities for my research. And Fred Turner has been an inspiration in making technological countercultures a subject of historical research. I also owe particular thanks to the experimental videographers who have supported me with conversation, advice, and access to archives, especially Stephen Beck, Skip Blumberg, Fred Collopy, Davidson Gigliotti, Andy Gurian, DeeDee Halleck, Ben Levine, Richard Milone, Tom Nickel, Ira Schneider, Parry Teasdale, Ann Woodward, and the late Paul Ryan.
[Show full text]