Born to Run Like a Deere
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
On Born in the U.S.A. by Bruce Springsteen
TR 11 On Born in the U.S.A. by Bruce Springsteen Alina Stefanescu "Born in the U.S.A." He has dark curly hair, a flirt in his laugh, a flag on his mantle, two conservative parents waiting for him back in Atlanta, a family of Limbaugh-lovers and born-again Christians. Bruce Springsteen Born in the U.S.A. Eating it from the inside with their wars and armchair crusades. He is Various the all-American boy I can't stop watching. Born in the U.S.A. "Cover Me" 06/1984 Bombs fall on Baghdad. We kiss like rockets, ready to burn. We are eager to stay free, Columbia running from the last time we lied, the last time we failed. He's not looking for a lover. I'm a single mother 24 years into finding my voice, learning to use it against the war. I'm a wild card, a Romanian-Alabamian. "I'm a shitty girlfriend," I tell him, u"but will y nevero meet a better cover." He shuts the door. "Darlington County" We sit on stools at Jay's and argue about the Iraq war. It's our favorite bar in Arlington, the only place where the owner wears a mullet, offers three-dollar pitchers after work, reminds us of being Southern. The mounted television offers drum-rolls, small-town parades, a diorama of mediated patriotism. He says he can't question the President. Not about war. Not about national security. He was raised a patriot. I relish impugning him, love watching his face fall when I compare him to a missile. -
Most Requested Songs of 2015
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2015 RANK ARTIST SONG 1 Ronson, Mark Feat. Bruno Mars Uptown Funk 2 Journey Don't Stop Believin' 3 Cupid Cupid Shuffle 4 Swift, Taylor Shake It Off 5 Walk The Moon Shut Up And Dance 6 Williams, Pharrell Happy 7 Black Eyed Peas I Gotta Feeling 8 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 9 Sheeran, Ed Thinking Out Loud 10 V.I.C. Wobble 11 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 12 AC/DC You Shook Me All Night Long 13 Bon Jovi Livin' On A Prayer 14 DJ Casper Cha Cha Slide 15 Mars, Bruno Marry You 16 Maroon 5 Sugar 17 Morrison, Van Brown Eyed Girl 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Legend, John All Of Me 20 B-52's Love Shack 21 Isley Brothers Shout 22 DJ Snake Feat. Lil Jon Turn Down For What 23 Outkast Hey Ya! 24 Brooks, Garth Friends In Low Places 25 Beatles Twist And Shout 26 Pitbull Feat. Ke$Ha Timber 27 Def Leppard Pour Some Sugar On Me 28 Jackson, Michael Billie Jean 29 Sir Mix-A-Lot Baby Got Back 30 Trainor, Meghan All About That Bass 31 Beyonce Single Ladies (Put A Ring On It) 32 Loggins, Kenny Footloose 33 Rihanna Feat. Calvin Harris We Found Love 34 Lynyrd Skynyrd Sweet Home Alabama 35 Bryan, Luke Country Girl (Shake It For Me) 36 Sinatra, Frank The Way You Look Tonight 37 Lmfao Feat. -
Illustration and the Visual Imagination in Modern Japanese Literature By
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work. -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Kirk Franklin Just For Me 5:11 2019 Gospel 182 Disk Local 2 Kanye West I Love It (Clean) 2:11 2019 Rap 4 128 Disk Closer To My Local 3 Drake 5:14 2014 Rap 3 128 Dreams (Clean) Disk Nellie Tager Local 4 If I Back It Up 3:49 2018 Soul 3 172 Travis Disk Local 5 Ariana Grande The Way 3:56 The Way 1 2013 RnB 2 190 Disk Drop City Yacht Crickets (Remix Local 6 5:16 T.I. Remix (Intro 2013 Rap 128 Club Intro - Clean) Disk In The Lonely I'm Not the Only Local 7 Sam Smith 3:59 Hour (Deluxe 5 2014 Pop 190 One Disk Version) Block Brochure: In This Thang Local 8 E40 3:09 Welcome to the 16 2012 Rap 128 Breh Disk Soil 1, 2 & 3 They Don't Local 9 Rico Love 4:55 1 2014 Rap 182 Know Disk Return Of The Local 10 Mann 3:34 Buzzin' 2011 Rap 3 128 Macc (Remix) Disk Local 11 Trey Songz Unusal 4:00 Chapter V 2012 RnB 128 Disk Sensual Local 12 Snoop Dogg Seduction 5:07 BlissMix 7 2012 Rap 0 201 Disk (BlissMix) Same Damn Local 13 Future Time (Clean 4:49 Pluto 11 2012 Rap 128 Disk Remix) Sun Come Up Local 14 Glasses Malone 3:20 Beach Cruiser 2011 Rap 128 (Clean) Disk I'm On One We the Best Local 15 DJ Khaled 4:59 2 2011 Rap 5 128 (Clean) Forever Disk Local 16 Tessellated Searchin' 2:29 2017 Jazz 2 173 Disk Rahsaan 6 AM (Clean Local 17 3:29 Bleuphoria 2813 2011 RnB 128 Patterson Remix) Disk I Luh Ya Papi Local 18 Jennifer Lopez 2:57 1 2014 Rap 193 (Remix) Disk Local 19 Mary Mary Go Get It 2:24 Go Get It 1 2012 Gospel 4 128 Disk LOVE? [The Local 20 Jennifer Lopez On the -
Promo Only Country Radiodate
URBAN RADIO ARTIST 05 01 17 OPEN this on your computer. Place your cursor in the “X” Colum. Use the down arrow to move down the cell and place an “X” infront of the song you want played. Forward the file by attachment to [email protected] or F 713-661-2218 X TRK TITLE ARTIST DATE LENGTH BPM STYLE 16 Chill Bill $tone, Rob f./ J. Davi$ & Spooks 11/1/2016 2:58 54 Hip-Hop 16 Chill Bill $tone, Rob f./ J. Davi$ & Spooks 11/1/2016 2:58 54 Hip-Hop JuJu On That Beat (TZ 7 Anthem) & zayion mccall Zay Hilfigerrr 12/1/2016 2:23 80 Hip-Hop JuJu On That Beat (TZ 7 Anthem) & zayion mccall Zay Hilfigerrr 12/1/2016 2:23 80 Hip-Hop 15 Im The Man (Fifty) 50 Cent f./ Sonny Digital 4/1/2016 3:53 98 Hip-Hop 15 Im The Man (Fifty) 50 Cent f./ Sonny Digital 4/1/2016 3:53 98 Hip-Hop 15 Used 2 2 Chainz 13-Nov 3:45 89 Urban 7 Watch Out 2 Chainz 11/1/2015 3:23 65 Hip-Hop 13 I\'m Different 2 Chainz 13-Jan 3:25 97 Hip Hop 12 Riot 2 Chainz 12-May 2:44 65 Hip Hop 22 Gotta Lotta 2 Chainz & Lil Wayne 6/1/2016 3:22 82 Hip-Hop 22 Gotta Lotta 2 Chainz & Lil Wayne 6/1/2016 3:22 82 Hip-Hop 15 Big Amount 2 Chainz f./ Drake 10/1/2016 3:06 67 Hip-Hop 15 Big Amount 2 Chainz f./ Drake 10/1/2016 3:06 67 Hip-Hop 9 Good Drank 2 Chainz f./ Gucci Mane & Quavo 3/1/2017 3:41 66 Hip-Hop 3 No Lie 2 Chainz f./Drake 12-Jul 3:56 65 Urban 9 Netflix 2 Chainz f./Fergie 13-Oct 3:53 62 Rhythm/Urban 2 Feds Watching 2 Chainz f./Pharrell 13-Aug 4:05 70 Rhythm/Urban 15 Milly Rock 2 Milly 2/1/2016 3:39 70 Hip-Hop 15 Milly Rock 2 Milly 2/1/2016 3:39 70 Hip-Hop 10 Milly Rock 2 Milly f./ A$AP -
Runaway American Dream, Hope and Disillusion in the Early Work
Runaway American Dream HOPE AND DISILLUSION IN THE EARLY WORK OF BRUCE SPRINGSTEEN Two young Mexican immigrants who risk their lives trying to cross the border; thousands of factory workers losing their jobs when the Ohio steel industry collapsed; a Vietnam veteran who returns to his hometown, only to discover that he has none anymore; and young lovers learning the hard way that romance is a luxury they cannot afford. All of these people have two things in common. First, they are all disappointed that, for them, the American dream has failed. Rather, it has become a bitter nightmare from which there is no waking up. Secondly, their stories have all been documented by the same artist – a poet of the poor as it were – from New Jersey. Over the span of his 43-year career, Bruce Springsteen has captured the very essence of what it means to dream, fight and fail in America. That journey, from dreaming of success to accepting one’s sour destiny, will be the main subject of this paper. While the majority of themes have remained present in Springsteen’s work up until today, the way in which they have been treated has varied dramatically in the course of those more than forty years. It is this evolution that I will demonstrate in the following chapters. But before looking at something as extensive as a life-long career, one should first try to create some order in the large bulk of material. Many critics have tried to categorize Springsteen’s work in numerous ‘phases’. Some of them have reasonable arguments, but most of them made the mistake of creating strict chronological boundaries between relatively short periods of time1, unfortunately failing to see the numerous connections between chronologically remote works2 and the continuity that Springsteen himself has pointed out repeatedly. -
IN the SUPREME COURT of the STATE of MONTANA Cause No
04/24/2020 IN THE SUPREME COURT OF THE STATE OF MONTANA Case Number: DA 19-0731 Cause No. DA 19-0731 STATE OF MONTANA, Plaintiff and Appellee, v. TRAVIS MICHAEL STAKER, Defendant and Appellant. BRIEF OF APPELLANT On Appeal from the Montana Eighteenth Judicial District Court The Honorable Rienne McElyea, District Judge, Presiding APPEARANCES: MARK J. LUEBECK TIMOTHY C. FOX Angel, Coil & Bartlett Montana Attorney General 125 W. Mendenhall, Suite 201 C. MARK FOWLER Bozeman, Montana 59715 Bureau Chief - Appellate 406.586.1926 215 N. Sanders [email protected] Helena, MT 59620-1401 Attorney for Defendant and Attorneys for Plaintiff and Appellant Appellee Continued on Next Page MARTIN D. LAMBERT Gallatin County Attorney BJORN E. BOYER Deputy County Attorney 1709 W. College Bozeman MT 59715 Attorneys for Plaintiff and Appellee TABLE OF CONTENTS TABLE OF CONTENTS…………………………………………………….….i TABLE OF AUTHORITIES…………………………………………………..iii STATEMENT OF THE ISSUES……………………………………………...1 STATEMENT OF THE CASE…………………………………………………1 STATEMENT OF THE FACTS……………………………………………….3 SUMMARY OF THE ARGUMENTS…………………………………………8 STANDARD OF REVIEW…………………………………………………....10 ARGUMENT……………………………………………………………………10 I. Law Enforcement’s Warrantless Investigation Constituted an Illegal Search and Seizure as Mr. Staker had an Actual Subjective Expectation of Privacy in His Text Message Communication and Society Recognizes His Expectation as Objectively Reasonable………………………………………….10 A. Mr. Staker had an actual expectation of privacy in his cell phone text message communications with “Lily.”………………………………………………………..17 B. Society recognizes Mr. Staker’s actual subjective expectation of privacy in his cell phone text message communication as reasonable………..…………………..21 C. The District Court erred in distinguishing text message communication from oral communication on the basis that text messages are “recorded.”…...….……………...32 D. -
An Introduction to the Study of American Military Marching Cadences
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2015 Sound-off! An Introduction to the Study of American Military Marching Cadences Travis G. Salley University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Musicology Commons Recommended Citation Salley, Travis G., "Sound-off! An Introduction to the Study of American Military Marching Cadences" (2015). Masters Theses. 243. https://doi.org/10.7275/6949713 https://scholarworks.umass.edu/masters_theses_2/243 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SOUND-OFF! AN INTRODUCTION TO THE STUDY OF AMERICAN MILITARY MARCHING CADENCES A Thesis Presented by TRAVIS G. SALLEY Submitted to the Graduate School of the University of Massachusetts-Amherst in partial fulfillment Of the requirements for the degree of MASTER OF MUSIC May 2015 Department of Music and Dance © Copyright by Travis G. Salley 2015 All Rights Reserved SOUND-OFF! AN INTRODUCTION TO THE STUDY OF AMERICAN MILITARY MARCHING CADENCES A Thesis Presented by TRAVIS G. SALLEY Approved as to style and content by: _____________________________________ Marianna Ritchey, Chair _______________________________________ Ernie May, Member _______________________________ Jeff Cox, Department Head Department of Music & Dance DEDICATION To Rachel. ACKNOWLEDGEMENTS I would first like to thank my advisor, Dr. Marianna Ritchey. I will be forever grateful for her kindness, guidance, and patience in helping me create this project. -
Meanings and Measures Taken in Concert Observation of Bruce Springsteen, September 28, 1992, Los Angeles
UNLV Retrospective Theses & Dissertations 1-1-1996 Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles Thomas J Rodak University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Rodak, Thomas J, "Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles" (1996). UNLV Retrospective Theses & Dissertations. 3215. http://dx.doi.org/10.25669/bgs9-fpv1 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality' illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. -
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 26 | Spring 2018
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 26 | Spring 2018 Title The Real Deal: Hip-hop Mixtape Artwork and Black Masculinity Author Emmett Robinson Smith Publication FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts Issue Number 26 Issue Date Spring 2018 Publication Date 11/06/2018 Editors Maria Elena Torres-Quevedo and Valentina P. Aparicio FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. The Real Deal: Hip-hop Mixtape Artwork and Black Masculinity Emmett Robinson Smith University of Western Ontario Despite hip-hop’s status as a means of resistance to myriad systems of institutionalized racism, oppression, and poverty, its rise in mainstream popularity has caused a dramatic increase in its corporate monetization. This causes a transfer of control from the artist to the record label, at times jeopardizing hip-hop’s fundamental principles of rebellion, resistance, and risk. An alternative mode of expression, however – the mixtape – puts power back into the hands of hip-hop artists, becoming a crucial vessel for unmitigated artistic expression and meaning. One of the most significant and immediately striking aspects of the mixtape is the cover art. -
Far Beyond the Hype Rap’S Best Artists of Today
6 LIFE&ARTS Wednesday, September 11, 2019 @TheEtCetera The Et Cetera far beyond the hype Rap’s best artists of today Who comes to mind when discussing the top hip-hop art- ists ever? Of course the usual suspects like Tupac and Biggie will be in this discussion. But other all-time greats like Rakim, DMX and OutKast could also be mentioned. I think everyone’s preferences would look a little different. Recently, a hip-hop podcast called “The Brew” tweeted out a list of the “Top 50 Greatest Rappers of All-Time”. The list that resulted in a Twitter uproar of angry fans and members of the music industry. The commenters had several big complaints. For one, no female artists were listed. One-hit wonder and now outspoken hip-hop critic Joe Budden was listed at No. 3. And a number of highly regarded top artists were either ranked horribly or absent from the list altogether. I agree that this list included a truly ridiculous sequence of artists. Upon seeing the list for the first time, I honestly thought it was a joke or a troll. 4. Travis Scott So I decided to create my own Top 10 rankings while ac- Best Song: Pick Up the Phone (featuring Quavo & knowledging that, because I’m 18 years old, my list caters more to the present-day era of rap. So here’s my ranking of todays Young Thug) greatest artists.. 2. Kendrick Lamar Best Album: Astroworld Best Song: B**** Don’t Kill My Vibe Best Album: Good Kid, M.A.A.D City Imagine this.