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Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
Burris, Durbin Call for DADT Repeal by Chuck Colbert Page 14 Momentum to Lift the U.S
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 Mar. 10, 2010 • vol 25 no 23 www.WindyCityMediaGroup.com Burris, Durbin call for DADT repeal BY CHUCK COLBERT page 14 Momentum to lift the U.S. military’s ban on Suzanne openly gay service members got yet another boost last week, this time from top Illinois Dem- Marriage in D.C. Westenhoefer ocrats. Senators Roland W. Burris and Richard J. Durbin signed on as co-sponsors of Sen. Joe Lie- berman’s, I-Conn., bill—the Military Readiness Enhancement Act—calling for and end to the 17-year “Don’t Ask, Don’t Tell” (DADT) policy. Specifically, the bill would bar sexual orien- tation discrimination on current service mem- bers and future recruits. The measure also bans armed forces’ discharges based on sexual ori- entation from the date the law is enacted, at the same time the bill stipulates that soldiers, sailors, airmen, and Coast Guard members previ- ously discharged under the policy be eligible for re-enlistment. “For too long, gay and lesbian service members have been forced to conceal their sexual orien- tation in order to dutifully serve their country,” Burris said March 3. Chicago “With this bill, we will end this discrimina- Takes Off page 16 tory policy that grossly undermines the strength of our fighting men and women at home and abroad.” Repealing DADT, he went on to say in page 4 a press statement, will enable service members to serve “openly and proudly without the threat Turn to page 6 A couple celebrates getting a marriage license in Washington, D.C. -
To Gay Marriage by LISA KEEN Stars Page 22 KEEN NEWS SERVICE
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 April 8, 2009 • vol 24 no 28 www.WindyCityMediaGroup.com Iowa says ‘I Do’ Chicago Red to gay marriage BY LISA KEEN Stars page 22 KEEN NEWS SERVICE In an enormous victory for equal marriage rights for gay couples, the Iowa Supreme Court ruled unanimously April 3 that gay couples should have the right to marriage licenses the same as heterosexual couples. The decision represents the first time a state supreme court has ruled unanimously in favor of equal marriage rights for gay couples, and it is the first time a state in America’s “heartland” has done so. The decision, which goes into ef- fect in 21 days, will make Iowa the third state to TrueChild be currently offering marriage licenses to same- sex couples. Cook-Off page 7 “We are firmly convinced the exclusion of gay and lesbian people from the institution of civil marriage does not substantially further any im- portant government objective,” wrote Justice Mark Cady, for the seven-member court. “The legislature has [with its 1998 law banning mar- riage] excluded a historically disfavored class of persons from a supremely important civil insti- tution without a constitutionally sufficient jus- tification.” The court said the law violated the state con- stitution’s guarantee of equal protection of the South by law and that the court’s own constitutional duty “requires” it to strike the law down. Southwest page 16 Noting that other supreme courts have al- lowed legislatures to provide “equal benefits” of Ingrid Olson (left) and Reva Evans of Council Bluffs, Iowa, talk with news reporters April 3 after marriage through civil unions, the Iowa court that state’s supreme court ruled unanimously in favor of same-sex marriage. -
Inventory and Analysis of Archaeological Site Occurrence on the Atlantic Outer Continental Shelf
OCS Study BOEM 2012-008 Inventory and Analysis of Archaeological Site Occurrence on the Atlantic Outer Continental Shelf U.S. Department of the Interior Bureau of Ocean Energy Management Gulf of Mexico OCS Region OCS Study BOEM 2012-008 Inventory and Analysis of Archaeological Site Occurrence on the Atlantic Outer Continental Shelf Author TRC Environmental Corporation Prepared under BOEM Contract M08PD00024 by TRC Environmental Corporation 4155 Shackleford Road Suite 225 Norcross, Georgia 30093 Published by U.S. Department of the Interior Bureau of Ocean Energy Management New Orleans Gulf of Mexico OCS Region May 2012 DISCLAIMER This report was prepared under contract between the Bureau of Ocean Energy Management (BOEM) and TRC Environmental Corporation. This report has been technically reviewed by BOEM, and it has been approved for publication. Approval does not signify that the contents necessarily reflect the views and policies of BOEM, nor does mention of trade names or commercial products constitute endoresements or recommendation for use. It is, however, exempt from review and compliance with BOEM editorial standards. REPORT AVAILABILITY This report is available only in compact disc format from the Bureau of Ocean Energy Management, Gulf of Mexico OCS Region, at a charge of $15.00, by referencing OCS Study BOEM 2012-008. The report may be downloaded from the BOEM website through the Environmental Studies Program Information System (ESPIS). You will be able to obtain this report also from the National Technical Information Service in the near future. Here are the addresses. You may also inspect copies at selected Federal Depository Libraries. U.S. Department of the Interior U.S. -
Best Gay Songs: 30–21 30
Best gay songs: 30–21 30 “City Grrrl” by CSS Bad girls and gay boys have always been besties, and this 2011 track from Brazilian combo Cansei de Ser Sexy is a loving ode to that special relationship. Lead singer Lovefoxxx looks back on adolescent fantasies of "being busy with my job and my gay friends, laughing and drinking with my one-night stands" in the "big city." Anyone who's ever felt trapped in a small town (and eventually escaped) will definitely relate. —Ethan LaCroix Download on Amazon www.youtube.com/watch?v=duOA3FgpZqY 29 “Your Loving Arms” by Billie Ray Martin Most gay dance anthems are packed with drama of both the lyrical and vocal variety. But in 1994, German singer Billie Ray Martin invaded clubland with this icy floor filler that's so calm she almost seems detached. Don't let that near-monotone fool you, though—Martin is a formidable vocalist, and when she finally cuts loose ("Burning inside, burning inside, yeah!"), it's a master class in the art of delayed gratification.—Ethan LaCroix Download on Amazon www.youtube.com/watch?v=RVukIhibLYM 28 “Viz” by Le Tigre Before forming her dance-DJ-production project MEN, JD Samson stepped up to the mike as a member of this electro-rock trio. "Viz" (2004), about butch-lesbian visibility, offers an early glimpse of Samson's sly humor and her ability to make radical queer politics into dance-floor fodder. Bandmates Kathleen Hanna and Johanna Fateman join in on the final chorus for a joyous feminist sing-along.—Ethan LaCroix Download on Amazon www.youtube.com/watch?v=vMcCNzUyG5I 27 “The Jean Genie” by David Bowie The copper mullet, the lightning bolt across the face—in 1972, Bowie was at the peak of his androgynous alien phase, pushing Ziggy Stardust closer to the sun until he incinerated in a flash. -
Rebel Cities: from the Right to the City to the Urban Revolution
REBEL CITIES REBEL CITIES From the Right to the City to the Urban Revolution David Harvey VERSO London • New York First published by Verso 20 12 © David Harvey All rights reserved 'Ihe moral rights of the author have been asserted 13579108642 Verso UK: 6 Meard Street, London WI F OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 1120 I www.versobooks.com Verso is the imprint of New Left Books eiSBN-13: 978-1-84467-904-1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Harvey, David, 1935- Rebel cities : from the right to the city to the urban revolution I David Harvey. p. cm. Includes bibliographical references and index. ISBN 978-1-84467-882-2 (alk. paper) -- ISBN 978-1-84467-904-1 I. Anti-globalization movement--Case studies. 2. Social justice--Case studies. 3. Capitalism--Case studies. I. Title. HN17.5.H355 2012 303.3'72--dc23 2011047924 Typeset in Minion by MJ Gavan, Cornwall Printed in the US by Maple Vail For Delfina and all other graduating students everywhere Contents Preface: Henri Lefebvre's Vision ix Section 1: The Right to the City The Right to the City 3 2 The Urban Roots of Capitalist Crises 27 3 The Creation of the Urban Commons 67 4 The Art of Rent 89 Section II: Rebel Cities 5 Reclaiming the City for Anti-Capitalist Struggle 115 6 London 201 1: Feral Capitalism Hits the Streets 155 7 #OWS: The Party of Wall Street Meets Its Nemesis 159 Acknowledgments 165 Notes 167 Index 181 PREFACE Henri Lefebvre's Vision ometime in the mid 1970s in Paris I came across a poster put out by S the Ecologistes, a radical neighborhood action movement dedicated to creating a more ecologically sensitive mode of city living, depicting an alternative vision for the city. -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
Lady Miss Kier
Lady Miss Kier Kier Kirby más conocida como Lady Miss Kier, mÃtica vocalista, co-productora y bailarina de los no menos mÃticos Deee Lite. Este combo neoyorquino con talante cosmopolita fue fundado en 1986 por la propia Kier y Super Dj Dimitry, a quienes poco después se unió Towa Tey conformando el núcleo definitivo de esa máquina de fabricar hits para las pistas de baile. Su primer single \"Groove Is In The Heart\", editado en el 91, que paso de ser un white label para dj\'s a vender millones de copias, significaba un equilibrio perfecto entre las demandas del mercado pop y las necesidades de las pistas de baile, resumiendo el hedonismo quÃmico de aquella época. Su debut en formato álbum \"World Clique\" llegó poco después, un trabajo que ellos mismo calificaron como \"holographic techno soul\" y que fusionaba p funk, breaks, house y techno. La Kier ejerció además de estilista y directora de arte del grupo, asumiendo desde el diseño de vestuario hasta el concepto de los videos y el diseño gráfico. Su segundo álbum, \"Infinity Within\", llegó un año más tarde y constituÃa un disco de protesta en contra de la guerra del golfo y a favor del pacifismo. Musicalmente continuaba profundizando en las premisas Deee Lite aunque se orientaba hacia un contexto ligeramente más electrónico. Su último álbum oficial fue \"Dewdrop In The Garden\" (1994) -a parte del recopilatorio de rarezas \"Sampladelic Relics & Dancefloor Oddities\" (1996)- un ejercicio de liberación sexual alimentado de sustancias alucinógenas que marcaba el punto final en la trayectoria de una banda genial e inclasificable. -
Glassheart by Katharine Orton Published 2020 by Walker Books
KATHARINE ORTON © Glassheart by Katharine Orton published 2020 by Walker Books. Cover illustration by Sandra Dieckmann GLASSHEART_9781406385236_PI_UK.indd 3 01/09/2020 12:29 11 InIn thethe cold,cold, stillstill hourshours ofof night,night, whenwhen shadowsshadows swathedswathed thethe wildwoodswildwoods andand mostmost peoplepeople werewere inin bed,bed, footstepsfootsteps creakedcreaked onon thethe landinglanding nearnear Nona’sNona’s door.door. SheShe frozefroze atat herher deskdesk –– pencilpencil poisedpoised overover herher sketchbook,sketchbook, heartheart inin mouth.mouth. HerHer wide,wide, darkdark eyeseyes glitteredglittered byby thethe lightlight ofof aa falteringfaltering candle.candle. ThisThis waswas whatwhat she’dshe’d beenbeen waitingwaiting for.for. TheThe reasonreason she’dshe’d stayedstayed awakeawake allall thisthis time.time. YetYet thethe soundsound stillstill chilledchilled herher blood.blood. SheShe heldheld herher breath.breath. Listened.Listened. AA foxfox shriekedshrieked fromfrom thethe WiltshireWiltshire wildswilds beyondbeyond herher windowwindow –– itsits crycry soso humanhuman andand eerieeerie thatthat itit mademade Nona’sNona’s skinskin prickle.prickle. There’dThere’d beenbeen foxesfoxes inin LondonLondon wherewhere sheshe waswas bornborn andand hadhad lived,lived, ofof course,course, butbut therethere theythey werewere moremore likelylikely toto rattlerattle thethe dustbinsdustbins thanthan toto howlhowl inin thatthat terrible,terrible, mournfulmournful way.way. That’sThat’s notnot whatwhat sheshe waswas -
MEIEA 2017 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 17, Number 1 (2017) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor Butler University Ben O’Hara, Associate Editor (Book Reviews) Australian College of the Arts Published with Support from The Journal of the Music & Entertainment Industry Educators As- sociation (the MEIEA Journal) is published annually by MEIEA in order to increase public awareness of the music and entertainment industry and to foster music and entertainment business research and education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music and entertainment industries and is designed as a resource for anyone currently involved or interested in these industries. Topics include issues that affect music and entertainment industry education and the music and entertain- ment industry such as curriculum design, pedagogy, technological innova- tion, intellectual property matters, industry-related legislation, arts admin- istration, industry analysis, and historical perspectives. Ideas and opinions expressed in the Journal of the Music & Enter- tainment Industry Educators Association do not necessarily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opin- ions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2017 Music & Entertainment Industry Educators Association All rights reserved Editorial Advisory Board Bruce Ronkin, Editor, Northeastern University Paul Linden, Associate Editor, Butler University Ben O’Hara, Associate Editor, Australian College of the Arts (Collarts) Timothy Channell, Radford University Mark J. -
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Influencia Drag Queen en el Diseño de Indumentaria Transformaciones en la Indumentaria Masculina y Femenina Argañaraz, María Candelaria 93565 Diseño Textil y de Indumentaria Investigación Historia y Tendencias 15.09.2020 Índice Introducción …………………………………………………………………………………………..3 Capítulo 1 – La estética en la historia Drag Queen …………….……………………..……….8 1.1 Aparición del concepto drag ……………………………………………………...………….8 1.1.1 Denominación de la figura Drag Queen …………………………......................8 1.1.2 Los comienzos del Drag ……………………………………….……...…………..9 1.1.3 Ball Culture ……………………………………………………….……………….11 1.2 El boom de las Drag Queens ………………………………………………………………12 1.2.1 Movimientos de los 70s…………………………………………………………..12 1.2.2 El furor de los 80s y 90s………………………………………………………….14 1.2.3 Mientras tanto en Bs.As………………………………………………………….14 1.3 Drag Queens en los medios de comunicación …………………………………………..15 Capítulo 2 - Indumentaria femenina tradicional ………………………………………………18 2.1 La indumentaria como expresión ………………………………………………………………18 2.2 Caracterización de lo femenino …………………………………………………………………21 2.2.1 Siglo XIX ...…………………………………………………………………………….21 2.2.2 Siglo XX …..…………………………………………………………………………..23 2.2.3 Siglo XXI……………………………………………………………………………….35 2.3 La femineidad en la actualidad …………………………………………………………………36 Capítulo 3 - Indumentaria masculina tradicional ……………………………………………..39 3.1 A partir del siglo XIX …………………………………………………………………………….39 3.2 Siglo XX …………………………………………………………………………………………..41 3.3 Siglo XXI ………………………………………………………………………………………….48 3.3.1 La masculinidad en la -
Amjambo Africa! Items from the Collection
University of Southern Maine USM Digital Commons Amjambo Africa! Items From the Collection 6-2020 Amjambo Africa! (June 2020) Kathreen Harrison Follow this and additional works at: https://digitalcommons.usm.maine.edu/samgen_amjambo Part of the Adult and Continuing Education Commons, Africana Studies Commons, African History Commons, African Languages and Societies Commons, African Studies Commons, Bilingual, Multilingual, and Multicultural Education Commons, Critical and Cultural Studies Commons, Cultural History Commons, Digital Humanities Commons, Diplomatic History Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Genealogy Commons, International and Intercultural Communication Commons, Journalism Studies Commons, Language Interpretation and Translation Commons, Nonfiction Commons, Other American Studies Commons, Other French and Francophone Language and Literature Commons, Other History Commons, Poetry Commons, Public History Commons, Social History Commons, United States History Commons, and the Women's History Commons Recommended Citation Harrison, Kathreen, "Amjambo Africa! (June 2020)" (2020). Amjambo Africa!. 27. https://digitalcommons.usm.maine.edu/samgen_amjambo/27 This Book is brought to you for free and open access by the Items From the Collection at USM Digital Commons. It has been accepted for inclusion in Amjambo Africa! by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. JUNE, 2020 | VOL. 3 / NO. 3 Understanding, Embracing, and Celebrating Diversity in Maine Free WLOE | BEVNE | AIU | UAAE | SO DOOW | BM VNO | BYY AAU Dr. Abdullahi Ahmed is Maine’s first Aican-born school principal Story on page 3 Leyla Hashi delivers University of Southern Maine’s commencement address Story page 3 Alain Nahimana, Executive Director of Greater Infection rate for people of color in Maine off the charts In This Issue..