Maria Isaura Pereira Gomes Teixeira
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The Global Visual Memory a Study of the Recognition and Interpretation of Iconic and Historical Photographs
The Global Visual Memory A Study of the Recognition and Interpretation of Iconic and Historical Photographs Het Mondiaal Visueel Geheugen Een studie naar de herkenning en interpretatie van iconische en historische foto’s (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 juni 2019 des middags te 2.30 uur door Rutger van der Hoeven geboren op 4 juni 1974 te Amsterdam Promotor: Prof. dr. J. Van Eijnatten Table of Contents Abstract 2 Preface 3 Introduction 5 Objectives 8 Visual History 9 Collective Memory 13 Photographs as vehicles of cultural memory 18 Dissertation structure 19 Chapter 1. History, Memory and Photography 21 1.1 Starting Points: Problems in Academic Literature on History, Memory and Photography 21 1.2 The Memory Function of Historical Photographs 28 1.3 Iconic Photographs 35 Chapter 2. The Global Visual Memory: An International Survey 50 2.1 Research Objectives 50 2.2 Selection 53 2.3 Survey Questions 57 2.4 The Photographs 59 Chapter 3. The Global Visual Memory Survey: A Quantitative Analysis 101 3.1 The Dataset 101 3.2 The Global Visual Memory: A Proven Reality 105 3.3 The Recognition of Iconic and Historical Photographs: General Conclusions 110 3.4 Conclusions About Age, Nationality, and Other Demographic Factors 119 3.5 Emotional Impact of Iconic and Historical Photographs 131 3.6 Rating the Importance of Iconic and Historical Photographs 140 3.7 Combined statistics 145 Chapter 4. -
FLH Journal 2018 (Pdf) Download
Journal of FRODSHAM AND DISTRICT HISTORY SOCIETY Issue No. 48 November 2018 CONTENTS Pages CHAIRMAN’S INTRODUCTION – Brian Dykes 2 FOUNDING OF FRODSHAM & DISTRICT LOCAL HISTORY GROUP 3 – Arthur R Smith THE PICKERINGS OF FRODSHAM BRIDGE 4-10 – Sue Lorimer & Heather Powling THE GABLES, 52 MAIN STREET, FRODSHAM 11 JAMES HULLEY OF FRODSHAM – Sue Lorimer 12-13 NORLEY HALL & THE WOODHOUSE FAMILY – Kath Gee 14-21 WHITLEY WINDOW, ST JOHN’S CHURCH, ALVANLEY – Sue Lorimer 22 JOHN MILLER 1912-2018 23-24 FINAL ARCHIVE REPORT 14TH MAY– Kath Hewitt 25-27 OUT & ABOUT IN THE COMMUNITY – Editors 28-30 EXTRACT FROM CHESTER CHRONICLE 16TH NOVEMBER 1918 31 PROGRAMME OF MEETINGS 2019 32 Front cover picture: To mark the centenary of votes for women, the theme of Heritage Open Days 2018 was ‘Extraordinary Women’. In Frodsham we were able to celebrate the life of Harriet Shaw Weaver, granddaughter of Edward Abbot Wright of Castle Park. Harriet was born at East Bank (now Fraser House), Bridge Lane on 1st September 1876. The family moved to Hampstead in 1892 when Harriet’s mother, Mary Berry (Wright) Weaver, inherited a considerable fortune on the death of her father. Harriet became a staunch campaigner for women’s rights as well as an important figure in avant-garde literary circles. She died on 14th October 1961. From FDN1856 cheshireimagebank.org.uk 1 CHAIRMAN’S INTRODUCTION Officers: Mr Brian Dykes, Chairman; Dr Kath Gee, Hon.Secretary; Mr David Fletcher, Hon.Treasurer. Committee: Mrs Margaret Dodd, Membership Secretary; Mr Frank Whitfield, Programme Secretary; Mr Andrew Faraday; Mr Brian Keeble; Mrs Pam Keeble; Mrs Heather Powling; Mrs Beryl Wainwright; Mrs Betty Wakefield; Mr Tony Wakefield. -
Pleksiglass Som Lokke Mat Og Mulighet Plexiglas As a Lure And
Pleksiglass som lokke mat og mulighet Pleksiglass som lokke mat og mulighet Plexiglas as a lure and Plexiglas potential By Liam Gillick Den britiske kunstneren Liam Gillick har gjerne The British artist Liam Gillick is often associated as a lure and blitt forbundet med den relasjonelle estetikken, with relational aesthetics, which emphasises the som la vekt på betrakteren som medskaper av ver- contribution of the viewer to an artwork and tends ket, og som ofte handlet om å tilrettelegge steder to focus on defining places and situations for social og situasjoner for sosial interaksjon. Men i mot- interaction. But in contrast to artists like Rirkrit setning til kunstnere som Rirkrit Tiravanija, som Tiravanija, who encourages audience-participation inviterte publikum til å samtale over et måltid, in a meal or a conversation, Gillick’s scenarios do gir ikke Gillicks scenarier inntrykk av å være laget not seem constructed for human activity. Instead, for menneskelig aktivitet. Installasjonene hans i his installations of Plexiglas and aluminium are potential pleksiglass og aluminium handlere snarere om concerned with the analysis of structures and types å analysere sosiale strukturer og organisasjons- of social organisation, and with the exploration of måter, og undersøke de romlige forutsetningene the spatial conditions for human interaction. Rec- for menneskelig interaksjon. Inspirert av hans ognising Gillick’s carefully considered relationship reflekterte forhold til materialene han jobber to the materials he uses, we invited him to write By med, ba vi ham skrive om sin interesse for pleksi- about his interest in Plexiglas, a material he has glass, et materiale han har arbeidet med i over 30 år. -
1 Sport Mega-Events and a Legacy of Increased
SPORT MEGA-EVENTS AND A LEGACY OF INCREASED SPORT PARTICIPATION: AN OLYMPIC PROMISE OR AN OLYMPIC DREAM? KATHARINE HELEN HUGHES A thesis submitted in partial fulfilment of the requirements of the Leeds Metropolitan University for the degree of Doctor of Philosophy. JANUARY 2013 1 Contents Acknowledgements ............................................................................................................ 7 Abstract ............................................................................................................................. 8 Student’s declaration ....................................................................................................... 10 List of Tables and Figures ................................................................................................ 11 List of Acronyms .............................................................................................................. 12 Preface ............................................................................................................................ 14 Chapter 1: Context of the study ....................................................................................... 17 1.1 Introduction ........................................................................................................................... 17 1.2 Structure of the thesis ......................................................................................................... 19 1.3 Research aims and questions .......................................................................................... -
A Discourse Analysis of the Western-Led Intervention in Libya (2011)
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS POLÍTICAS Y SOCIOLOGÍA DEPARTAMENTO DE CIENCIA POLÍTICA Y DE LA ADMINISTRACIÓN III TESIS DOCTORAL Human rights as performance: a discourse analysis of the Western-led intervention in Libya (2011) MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Matthew Robson DIRECTOR Heriberto Cairo Carou Madrid, 2018 © Matthew Robson, 2017 PHD THESIS HUMAN RIGHTS AS PERFORMANCE: A DISCOURSE ANALYSIS OF THE WESTERN-LED INTERVENTION IN LIBYA (2011) Matthew Robson Director de tesis: Heriberto Cairo Carou Departamento de Ciencia Política y de la Administración III (Teorías y Formas Políticas y Geografía Humana) Universidad Complutense de Madrid 1 Dedicated to Mum and Dad. 2 CONTENTS Acknowledgements 6 Transliteration 7 Abstract 8 Summary 9 Resúmen 13 INTRODUCTION 20 Objectives and elaboration of research questions 22 Literature review on the military intervention in Libya 26 -Concerning the legality of the NATO mission 28 -Ethical considerations 30 -The politics of Western intervention in Libya 33 Summary of Sections 48 PART 1 METHODOLOGICAL AND THEORETICAL 40 FRAMEWORK CHAPTER 1 METHODOLOGY / RESEARCH DESIGN 41 1. 1 Making choices in post-structural discourse analysis 41 1. 2 Research design for the Western-led intervention in Libya 44 CHAPTER 2 THEORETICAL FRAMEWORK 53 2.1 The 'critical geopolitics' research project and 'imperiality' 53 2. 2 Questions of ontology and epistemology 62 3 2.3 Discourse, power and knowledge 69 2.4 Identity, performativity and intertextuality in foreign 77 policy discourse PART 2 LIBYA IN THE WESTERN GEOPOLITICAL 97 IMAGINATION CHAPTER 3 US AND UK RELATIONS WITH LIBYA 99 DURING THE COLD WAR 3. -
Liverpool Gymnasium, Myrtle Street
Liverpool Gymnasium, Myrtle Street Liverpool Gymnasium, on its opening in 1865, was claimed to be the largest in the world. It offered training in various gymnastic systems, and in sports including rowing, cycling, swimming and fencing. It was founded by two local men: Charles Melly – cotton-trader, philanthropist, and ancestor-to-be of singer George Melly; and John Hulley – gymnastics and athletics entrepreneur, who became the director of the gymnasium – or the ‘Gymnasiarch’ as he styled himself. In 1861, Hulley had been a founder of the Liverpool Athletic Club, and as its Honorary Secretary he had organized various displays, such as the ‘Grand Assault-at- Arms’ at the Theatre Royal, Williamson Square, on 4 December (Liverpool Mercury, 5 December 1861). On Saturday 14 June 1862, he presented the first Grand Olympic Festival on the Parade Ground at Mount Vernon, attended by over 10,000 spectators. These Olympic Festivals for a while became annual, and together with the Wenlock Olympian Society would lead directly to the creation of the National Olympian Association, inspiring Pierre de Coubertin and the founding of the modern Olympic Games. Hulley had already set up the Rotunda Gymnasium on Bold Street in the city centre – opened on 6 October 1862 – but had then been cheated out of his share by his supposed partner, Samuel Wylde Ackerley. Charles Melly, who had been involved in the Liverpool Athletic Club at least since the first Grand Olympic Festival, would prove an altogether more reliable partner in Hulley’s second gymnasium venture, this time on Myrtle Street. The foundation stone was laid on 19 July 1864, and Liverpool Gymnasium was formally opened by Lord Stanley on Monday 6 November 1865 (though a letter praising the gym in the Liverpool Mercury on 10 October clearly shows that it was already operating by this time). -
Plans for the 2009 London G20 Summit
Plans for the London G20 Summit 2009 Jenilee Guebert Senior Researcher, G20 Research Group February 21, 2009 Preface 2 7. Appendices 49 1. Introduction 2 G20 Leaders’ Experience for the April Summit 49 2. Agenda and Priorities 3 Members of G20, Gleneagles Dialogue and Major G20 Charter of Principles 7 Economies Meeting 50 International Cooperation 8 G20 Leaders’ Biographies 50 Bank Supervision 9 Statistical Profiles 55 Hedge Funds 11 Argentina 55 Regional Reserve Currencies 11 Australia 56 Export Credit 11 Brazil 57 Credit Cards 12 Canada 59 Unemployment 12 China 60 Reform of the International Financial Institutions13 France 62 Trade 15 Germany 63 Climate Change 17 India 65 Oil Prices and Energy 17 Indonesia 66 Working Groups 18 Italy 68 3. Participants 19 Japan 69 Sideline Meetings 22 Korea 70 4. Implementation and Preparations 24 Mexico 72 Implementation 24 Russia 73 Economic Performance 30 Saudi Arabia 75 Preparatory Meetings 30 South Africa 76 Preparations 30 Turkey 78 Site 44 United Kingdom 79 5. Future Meetings 45 United States 80 6. G20-G8 Relationship 46 European Union 82 7. Civil Society 47 G20 Research Group Preface This report on the “London Economic Summit: Plans for the Second Meeting” is compiled by the G20 Research Group largely from public sources as an aid to researchers and other stakeholders interested in the meetings of G20 leaders and their invited guests. It will be updated periodically as plans for the summit evolve. Note that this document refers to the first G20 leaders’ meeting (or summit), which took place on November 14- 15, 2008, in Washington DC (as opposed to the G20 finance ministers forum, which was founded in 1999, and other groupings such as the G20 developing countries formed in response to the agricultural negotiations at the World Trade Organization). -
ʻrun Through a Brick Wall’
ʻRun through a brick wall’ A sideways look at the history of Liverpool Pembroke Athletic Club* (1890-1995) Charles Gains *The club has had various names from Liverpool Pembroke Harriers through Liverpool Pembroke Athletic and Cycling Club, a bizarre moment of just Pembroke Harriers and a final, later manifestation as Liverpool Pembroke Athletic Club (having ostensibly lost “harriers” and “cyclists” somewhere en route). Here we just stick with the latter name. Where it all began ... Fig. 1 An impression of Pembroke Chapel in Victorian times, by an unknown artist. The first 50 years 1890-1940 Apologies To my knowledge there have been several attempts to write up the history of Liverpool Pembroke Athletic Club stretching back, unbelievably, sixty years. The enormity of the task plus personal distractions have so far defeated a succession of optimists and may well scupper your present scribe. In order that this should not occur I am taking the liberty of dealing with the history in two 50 year chunks starting in 1890. I`m pretty confident this first “bite” will appear thereafter things will just have to take their own course. Constraints In researching this history I have been constrained by lost minutes and other records. There are gaps and these have been bridged in a variety of ways. I have, for example, used short biographies or recollections as with Norman Jones. I have also drawn on newspaper cuttings and publications of various kinds. Inevitably this is more of a “sideways” view. I am particularly impressed with the history of Salford Harriers (Scott and Bent 1984). -
The Henry Jackson Society and the Degeneration of British
Tom Griffin Hilary Aked David Miller Sarah Marusek THE HENRY JACKSON SOCIETY AND THE DEGENERATION JUNE 2015 OF BRITISH NEOCONSERVATISM: LIBERAL INTERVENTIONISM, ISLAMOPHOBIA AND THE ‘WAR ON TERROR’ Sponsored by: ISBN 978-0-9570274-4-2 AUTHOR PROFILES David Miller is Professor of Sociology in the Department of Social and Policy Sciences at the University of Bath. He is an RCUK Global Uncertainties Leader- ship Fellow (2013-15) conducting Tom Griffin is a freelance writer and a project to examine the construc- researcher and a doctoral candidate tion, use and impact of expertise on at the University of Bath. He is a ‘terrorism’. He has written widely on contributing editor of OpenDemoc- propaganda, spin and lobbying and racy’s OurKingdom blog and writes for was co-founder of Public Interest Investigations a non profit Spinwatch. He is a former executive company of which Spinwatch and Powerbase are projects. editor and political correspondent of Recent publications include: A Century of Spin: How Public the Irish World. Relations Became the Cutting Edge of Corporate Power (Pluto Press, 2008, co-author); Neoliberal Scotland (Cam- bridge Scholars, 2010, co-editor); Critical Terrorism Studies Dr Sarah Marusek is a freelance since 11 September 2001. What has been learned? (Rout- researcher and writer. She has a PhD in ledge, 2014, co-editor). Researching the Powerful: Public social science from the Maxwell School Sociology in Action (Routledge, forthcoming, co-editor). of Syracuse University. Her doctoral research focused on Islamic activism in Lebanon and was funded by the gener- Hilary Aked is a freelance researcher ous support of the Mellon Foundation. -
The British Far Left from 1956
The British far left from 1956 EDITED BY EVAN SMITH AND MATTHEW WORLEY Against the grain MANCHESTER 1824 Manchester University Press This content downloaded from 154.59.124.115 on Sun, 11 Feb 2018 10:26:06 UTC All use subject to http://about.jstor.org/terms This content downloaded from 154.59.124.115 on Sun, 11 Feb 2018 10:26:06 UTC All use subject to http://about.jstor.org/terms Against the grain The British far left from 1956 Edited by Evan Smith and Matthew Worley Manchester University Press Manchester and New York distributed in the United States exclusively by Palgrave Macmillan This content downloaded from 154.59.124.115 on Sun, 11 Feb 2018 10:26:06 UTC All use subject to http://about.jstor.org/terms Copyright © Manchester University Press 2014 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed in the United States exclusively by Palgrave Macmillan, 175 Fifth Avenue, New York, NY 10010, USA Distributed in Canada exclusively by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 978 07190 9590 0 hardback First published 2014 The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
Charting the Development of the Artistic Imagination While
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Charting the development of the artistic imagination while undermining the writer's story| Meta-fictive contemplation and narrative indeterminacy in Salman Rushdie's "Midnight's Children" Joseph M. Campana The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Campana, Joseph M., "Charting the development of the artistic imagination while undermining the writer's story| Meta-fictive contemplation and narrative indeterminacy in Salman Rushdie's "Midnight's Children"" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 1786. https://scholarworks.umt.edu/etd/1786 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted b}' "^he author to reproduce this material in its entirety, provided that this materia, is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature *' Yes, I grant pemiission No, I do not grant permission Author's Signature ^ —i? Date /o "L- Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. Charting the Development of the Artistic Imagination While Undermining the Writer's Story: Meta-fictive Contemplation and Narrative Indeterminacy in Salman Rushdie's Midnight's Children By Joseph M. -
Blair's War on Terror: Selling Intervention to Middle England
This is a repository copy of Blair's War on Terror: Selling Intervention to Middle England. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/93324/ Version: Accepted Version Article: Holland, J (2012) Blair's War on Terror: Selling Intervention to Middle England. British Journal of Politics and International Relations, 14 (1). pp. 74-95. ISSN 1467-856X https://doi.org/10.1111/j.1467-856X.2011.00469.x © 2011, The Author. British Journal of Politics and International Relations. This is an author produced version of a paper published in British Journal of Politics and International Relations. Uploaded in accordance with the publisher's self-archiving policy. Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Jack Holland, University of Surrey, 3rd June 2011 Blair’s War on Terror: Selling Intervention to Middle England Introduction In December 2009 Tony Blair made an admission that quickly sparked outrage among government officials, television pundits and newspaper journalists.