DOCSLIB.ORG

Casa De Sueños

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Casa De Sueños Habitats_TOTIJA06.qxp 5/24/06 10:06 AM Page 22 ) HABITATS( Casa de Sueños The House of Dreams that Hoffman built by Suzanne Tissier LaBounty tepping onto the grounds of Casa de Sueños is like stepping onto a palatial estate in S Andalusia on the southern coast of Spain. From the vine-covered entry complemented by a bubbling foun- tain, to the private terraces fenced in fish- scale terra cotta, one feels infinitely closer to the Mediterranean than the Caloosahatchee. This Spanish-revival home is truly a “house of dreams,” as its name translates. Built on two and a half acres directly on the Intracoastal Waterway with a view that is unrivaled, Casa de Sueños is the vision of Dawn and Al Hoffman, founder of WCI Communities, Inc. and United States Ambassador to the Republic of Portugal. The Hoffmans put their heart and soul into the creation of the home, traveling throughout Europe to bring back and recreate their most favored architectural elements in the dwelling’s design. Long-time admirers of 1920s architect Addison Mizner, known for his Moorish- Mediterranean-revival designs, the Hoffmans set out to create their own Mizner-inspired masterpiece. Important to the Hoffmans, however, was that the home feel like a home and not a formal manor. “We made sure that the rooms, A two-story foyer with suspended stone and wrought iron staircase (above) greets arriving guests after passing through the entrance gardens (right) more reminiscent of the Mediterranean than the Caloosahatchee. PHOTOS BY RHONDA MANDEL BY RHONDA PHOTOS 22 JULY/AUGUST 2006 Habitats_TOTIJA06.qxp 5/24/06 10:06 AM Page 23 though large, weren’t so big that it became Moorish castle. Deep sienna-colored impossible to keep them within the limits walls, an iron chandelier, and an intricate- of scale for personal living,” says ly stenciled, beamed ceiling all add to the Hoffman. “Also, the personalized touch- old-world feel, as does the pecky cypress es–artwork, photos, throws–all point to door leading into the hall.There are forty- GPSCFBVUZBOEXFMMOFTT the fact that it is a lived-in home.” nine doors like this one throughout the From floor to ceiling, each room of the house, every one unique, every one a work over sixteen-thousand-square-foot manse of art. is drenched in authenticity. A brazier, In conversations with interior designer .BTTBHF once used in palaces throughout Europe Joan Simonsen-Hickok, one discovers that 4LJO$BSF for warming the rooms, is the centerpiece each armoire, each majolica vase, each of the two-story foyer which is also graced impressive piece of artwork was hand- .BOJDVSFT by a suspended, stone and wrought-iron picked or custom crafted to authentic staircase and stone columns indicative of specifications. “The Hoffmans wanted a 1FEJDVSFT European manors.Throughout the home, home that was elegant but comfort- .BLFVQ shades of blue, ochre, and deep red mimic able...more rustic than formal,” says the colors found in Mediterranean homes. Simonsen-Hickok. “It took two and a half )BJS4BMPO Even the water in the negative-edge swim- years to build and furnish the home. ming pool, poised at river’s edge, appears Dawn [Hoffman] was very hands-on dur- a deep sea blue rather than everyday ing the process. We shopped for many of turquoise. the pieces together.” 5FO1SJWBUF Just beyond the foyer, guarded by four- One of the reasons the home emanates 5SFBUNFOU3PPNT foot foo dogs, the grand salon greets its authentic charm so successfully is the guests with breathtaking awe. A remark- work of faux artist and painter Molly able view pours through picture windows Anderson, whose talent can be seen .FEJ4QB warming each piece of rich fabric-covered furniture #0509 and illuminating every 3BEJBODF design element. In one cor- 3FTUBMZOF ner stands a baby grand piano, whose formality is "RVB%FUPY softened by family photos 1IPUP and children’s sheet music. 3FKVWFOBUJPO A fireplace dominates the opposite wall, its design /FFEMFMFTT 8SJOLMF'JMMFS taken from one found in the only Mizner-designed home in the state of California. And large nich- es on either side of the The formal dining room, with velvet drapes and iron entry hold elaborate bronze chandeliers, adds to the old-world feel of a Moorish monkeys, a tribute to castle. Mizner’s own pet monkey perhaps? throughout the home—on walls and most Stepping through the iron-gated for- notably in the perfectly replicated stencil- mal dining room almost feels like stepping ing on the pecky cypress ceilings and into another time.The courtyard fountain beams. “Ceilings are most often over- can be heard through the windows, creat- looked in thinking about architectural XXXTBOJCFMEBZTQBDPN (VMMZT'BNJMZ3FTUBVSBOU 0QFO'PS#SFBLGBTU -VODIBOE%JOOFSPQT 'JOF4I BZ4QB ing a romantic ambiance. Velvet drapes detailing, but they are the largest expanse 4BOJCFM% .. F 4JEF PHOTO BY RHONDA MANDEL BY RHONDA PHOTO puddle on the tile floor in the style of a in a room and will catch your eye if done WWW.TIMESOFTHEISLANDS.COM 23 Habitats_TOTIJA06.qxp 5/24/06 10:06 AM Page 24 ) HABITATS( by holds a pedestal sink that is, perhaps, the most unusual piece in the house. Designed by Dawn and inspired by one she saw in her travels, it is formed from concrete and covered with a random pattern of mosaic tiles. “We formed the sink right where it stands, and a tile artist set the broken old tiles in it,” says Hoffman.“It was so heavy it was going to stay put no matter how it turned out.” On the other side of the house is the master suite. The bedroom has a fireplace sur- Although built on two and a rounded by built-in shelving and a half acres overlooking the Intra- private balcony overlooking the coastal Waterway, (left) Casa river. Described as having a “light Sueños was designed to feel Gothic feel” by Simonsen-Hickok, more like a home than a formal the focal point is a sixteenth-century manor. The master bath (top) Italian bed above which carved features a claw foot tub painted cherubs hover on the wall. Indoor to complement the tile and and outdoor chaise lounges further stenciled trim, and water in the embody the room’s relaxing aura. negative-edge pool (middle) is The master bath rivals the bedroom a deep sea blue. in square footage and features a walk-in shower and a claw-foot tub properly,” explains Hoffman. “That is just the right texture—not too bumpy, not as a central focal point. Again, the key what makes some of the old homes so too smooth.” word here is detail.The outside of the tub great. We took many photos of ceilings in The same care translates into the floor- is painted to complement the tile and the older homes and tore pages from books ing. Except for the kitchen, which utilizes stenciled trim throughout the bathroom. that contained ceiling pictures and details pillowed limestone for a warm, brighter Truly a stunning centerpiece, it is rivaled of old homes.” look, Mexican tile graces the home only by a custom-designed, dark wood True to Mizner’s fondness for design- throughout. The pattern in each room is armoire/cabinet nestled between his-and- ing tongue-in-cheek elements into a different—some arranged in a herring- hers pedestal sinks. home, Anderson did the same: Just bone design, some with decorative edg- And, of course, there is the master clos- around the corner from the grand stair- ing, and some, like the powder room off et. Rich, thick carpeting welcomes bare case at the entry appears to be yet anoth- the grand salon, with brightly painted tile feet. It is built for maximum storage and er winding staircase at the end of the hall. squares sprinkled among the terra cotta. organization, as one would expect, but it Upon closer inspection, one comes to find To further accent the casual feeling of also hides a spiral staircase that leads to a an expertly painted trompe l’oeil mural— the home, a family room and informal second-floor workout room. Also on the a staircase that leads to nowhere, a trick dining area feed off the kitchen. A down- second floor are three more rooms for that Mizner, too, employed. The convex filled sofa and an oversized coffee table guests and for the Hoffmans’ daughters. wall it is painted on serves as the perfect and chairs serve as the perfect spot to Three guest suites grace the property. canvas to truly perplex the viewer. When relax and kick off your shoes while taking Although all were built with the same asked why he would do such things, in the mesmerizing water view. These exterior architecture as the main house, Mizner often replied, “Why not?” rooms, while still in harmony with the rest the interior detailing of each has a differ- The walls, too, match old-world speci- of the décor, are more relaxed and are ent look and feel. A breezeway connects fications—twelve inches thick with round- clearly the heart of the home where the the main home to the first guest quarters, ed corners, sans baseboards or trim. Says day-to-day activities occur. a one-bedroom suite with a living and Simonsen-Hickok, “I stood right there Also in the heart of the house, tucked dining area and full kitchen with a casual, with the contractor as he troweled the behind columns, is a morning room that 1930s feel. walls, experimenting until we achieved overlooks the courtyard. A half bath near- After the home was originally built in PHOTOS BY RHONDA MANDEL BY RHONDA PHOTOS 24 JULY/AUGUST 2006 Habitats_TOTIJA06.qxp 5/24/06 10:06 AM Page 25 1998, two more guest quarters were added.
Load more

Recommended publications
  • Boca Raton and the Florida Land Boom of the 1920S
    20 TEQUESTA Boca Raton and the Florida Land Boom of the 1920s by Donald W. Curl The Florida land boom of 1924-25 is commonly mentioned by historians of the twenties and of the South. Most of them see the boom as a phenomenon of the Miami area, though they usually mention in passing that no part of the state remained immune to the speculation fever. Certainly Miami's developments received major attention from the national press and compiled amazing financial statistics for sales and inflated prices. Still, similar activity took place throughout the state. Moreover, the real estate boom in Palm Beach County began as early as that in Miami, contained schemes that equaled that city's in their imagination and fantasy, and also captured national attention. Finally, one of these schemes, that of Addison Mizner's Boca Raton, probably served as the catalyst for exploiting the boom bubble. The Florida land boom resulted from a number of complex fac- tors. Obviously, the mild winter climate had drawn visitors to the state since the Civil War. Summer was said "to spend the winter in West Palm Beach." Now with the completion of the network of roads known as the Dixie Highway and the increasing use of the automobile, Florida became easily accessible to the cities of the northeast and midwest. For some, revolting against the growing urbanization of the north, Florida became "the last frontier." Others found romance in the state's long and colorful history and "fascination in her tropical vege- tation and scenery." Many were confident in the lasting nature of the Coolidge prosperity, and, hearing the success stories of the earliest Donald W.
    [Show full text]
  • The Architectural Style of Bay Pines VAMC
    The Architectural Style of Bay Pines VAMC Lauren Webb July 2011 The architectural style of the original buildings at Bay Pines VA Medical Center is most often described as “Mediterranean Revival,” “Neo-Baroque,” or—somewhat rarely—“Churrigueresque.” However, with the shortage of similar buildings in the surrounding area and the chronological distance between the facility’s 1933 construction and Baroque’s popularity in the 17th and 18th centuries, it is often wondered how such a style came to be chosen for Bay Pines. This paper is an attempt to first, briefly explain the Baroque and Churrigueresque styles in Spain and Spanish America, second, outline the renewal of Spanish-inspired architecture in North American during the early 20th century, and finally, indicate some of the characteristics in the original buildings which mark Bay Pines as a Spanish Baroque- inspired building. The Spanish Baroque and Churrigueresque The Baroque style can be succinctly defined as “a style of artistic expression prevalent especially in the 17th century that is marked by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements.” But the beauty of these contrasting elements can be traced over centuries, particularly for the Spanish Baroque, through the evolution of design and the input of various cultures living in and interacting with Spain over that time. Much of the ornamentation of the Spanish Baroque can be traced as far back as the twelfth century, when Moorish and Arabesque design dominated the architectural scene, often referred to as the Mudéjar style. During the time of relative peace between Muslims, Christians, and Jews in Spain— the Convivencia—these Arabic designs were incorporated into synagogues and cathedrals, along with mosques.
    [Show full text]
  • Boca Raton, Florida 1 Boca Raton, Florida
    Boca Raton, Florida 1 Boca Raton, Florida City of Boca Raton — City — Downtown Boca Raton skyline, seen northwest from the observation tower of the Gumbo Limbo Environmental Complex Seal Nickname(s): A City for All Seasons Location in Palm Beach County, Florida Coordinates: 26°22′7″N 80°6′0″W Country United States State Florida County Palm Beach Settled 1895 Boca Raton, Florida 2 Incorporated (town) May, 1925 Government - Type Commission-manager - Mayor Susan Whelchel (N) Area - Total 29.1 sq mi (75.4 km2) - Land 27.2 sq mi (70.4 km2) - Water 29.1 sq mi (5.0 km2) Elevation 13 ft (4 m) Population - Total 86396 ('06 estimate) - Density 2682.8/sq mi (1061.7/km2) Time zone EST (UTC-5) - Summer (DST) EDT (UTC-4) ZIP code(s) Area code(s) 561 [1] FIPS code 12-07300 [2] GNIS feature ID 0279123 [3] Website www.ci.boca-raton.fl.us Boca Raton (pronounced /ˈboʊkə rəˈtoʊn/) is a city in Palm Beach County, Florida, USA, incorporated in May 1925. In the 2000 census, the city had a total population of 74,764; the 2006 population recorded by the U.S. Census Bureau was 86,396.[4] However, the majority of the people under the postal address of Boca Raton, about 200,000[5] in total, are not actually within the City of Boca Raton's municipal boundaries. It is estimated that on any given day, there are roughly 350,000 people in the city itself.[6] In terms of both population and land area, Boca Raton is the largest city between West Palm Beach and Pompano Beach, Broward County.
    [Show full text]
  • At Boca Raton
    BOCA RATON NEWS Vol. 14, No. 110 Thursday, Aug. 74, 1969 28 Pages More portables as schools report higher enrollments JfS In spite of classroom construction *: By SANDY WESLEY Portables. That one word describes the situation in Boca > Raton's schools better than any- other. There will be one less port- able at Addison Mizner School this year than there was at Boca Raton High School last year, according to both Jerry Daniels, principal at the high school, and Bob Trafford principal at Addison Mizner School,, Addison Mizner will have 12 portables, plus eight new classrooms and a total of 38 units to hold Trafford's projected 990 students this fall. Capacity at the school with Well, the row of flags; mark- the portables will be 1100. ing the freshly painted center Last year the school be- stripe is almost as straight as gan the year with eight por- the stripe itself. Traffic lanes tables. Only a few of the portable classrooms which will be in use at Addison Mizner School this fall. and school crossings throughout Meanwhile at the high the city have been getting a new school, which is actually the coat of fresh paint during the point from which most of the Recreation meeting set past couple of weeks. city's portables were taken, one portable will remain Dan- iels is expecting 960 stu- dents this year, but he lists his Chamber capacity at 950. Last year he City receives area plan studies had more than 1700 students attending the school which was surrounded: by portables. This A 10-volume package of coun- municipal master plan.
    [Show full text]
  • Addison Mizner's Ritz-Carlton Cloister Opens FALL 1982 VOL
    X.'I ! JJ* Fall 1982 liurr Addison Mizner's Ritz-Carlton Cloister Opens FALL 1982 VOL. XI NO. 1 Near the end of November 1925 T. Coleman du Pont resigned as chairman of the Mizner Development Corpora- tion. For the small Florida real estate investor, the great wealth at du Pont's command and the financial repu- tation he gained as a founder of the modern DuPont corpor- ation, seemed to guarantee the soundness of the Boca Raton venture. His departure from the company caused an imme- diate decline in Boca Raton sales, and according to one author, may have caused the collapse of the entire Florida land boom. The opening of the Cloister, just two months after du Pont's resignation, took on added meaning for the Mizner company. The unquestioned beauty of the small hotel demonstrated Addison Mizner's vision for his entire development. His opening night guests from Palm Beach society, the show business world, and the British aristocracy proved a continuing interest in the develop- ment by the fashionable. Finally, the publicity gained from the opening could keep Boca Raton at the forefront of OLD CITY HALL, HOME OF BOCA RATON HISTORICAL SOCIETY Florida promotions. Jeanne Nixon Baur, Artist T. H. Weigall, in his 1931 book Boom in Florida, told how almost every newspaper or magazine article about Coral Cables came from the company's own publicity department. A report to the membership of The articles in this issue of the Spanish River Papers also seem, in most cases, to be from the office of Harry Reichenbach, the publicity director of the Mizner Develop- Boca Raton Historical Society, Inc.
    [Show full text]
  • $ $ $ MIAMI MILLIO NS $ $ $ CHAPTER FIFTEEN MEASURED In
    $ $ $ MIAMI MILLIO NS $ $ $ CHAPTER FIFTEEN MEASURED in terms of hope, the crash of the dream city of Addison Mizner's Boca Raton was perhaps the greatest tragedy of the 1925 Florida boom. Addison Mizner, architect, artist and creator, was one of the few to inject true poetry of color and line into Florida building. He started to do for a city on the ocean's edge at Boca Raton what he had accomplished as an architect in Palm Beach on the beautiful Everglades club, on the palatial villa of Mr. and Mrs. E. T. Stotes- bury, on the equally gorgeous Cosden villa, the mansions of Van- derbilt, Wanamaker and 80 others. Only one of the incredible Mizners could have laid out Boca Raton. Had he started a year before, we might have there another Coral Gables, but unfortunately Boca Raton went on the market in June, 1925, sold $9,000,000 in lots in as many weeks, and gently subsided before the great Ritz-Carlton Hotel could be built, or the dozens of millionaire stockholders could begin to line its Camino Real with their estates. Not long ago, a paragraph in the newspapers told of the fed- eral court here approving a plan of reorganization of Addison Mizner, Inc., involving refinancing to the extent of $130,000. The Cloister, which Mizner built as a sort of warming-up exercise and administration building while his bigger plans gained momentum, was bought several years ago by Clarence H. Geist, Philadelphia public utilities owner, and made into the exclusive Boca Raton club. It was opened in February, 1926, and cost $10,000 a room.
    [Show full text]
  • Palm Beach and West Palm Beach Attractions
    09_595369_ch05.qxd 10/24/05 12:11 PM Page 285 PART FIVE PALM BEACH COUNTY WELCOME to PALM BEACH TRUMP AND THE BREAKERS, TRUMPETS AT the Philharmonic, and breaking the bank are people and things associated with mostly rar- efied, sometimes vilified, but always fascinating Palm Beach. Palm Beach County is larger than Delaware, but most visitors are aware only of the opulent “Gold Coast,” from Palm Beach to Boca Raton. But there are 37 other municipalities and unincorporated areas, and the county includes 47 miles of beaches on the east, and Lake Okeechobee and the Everglades on the west. Delray Beach, between Boca and Palm Beach, has become a lively, desirable place to play and live. West Palm Beach is becoming a shop- ping and entertainment destination in itself, far less stuffy than its rich neighbor across Lake Worth. And west of the coast, past the suburban communities, are citrus groves, ranches, and wildlife refuges. A BRIEF HISTORY THE COUNTY’S EARLIEST KNOWN RESIDENTS were Native Ameri- cans, but the region was claimed for Spain in 1513. The nascent United States purchased the territory of Florida three centuries later. The Seminole Indian tribe’s famous resistance to forced relocation promptedCOPYRIGHTED three wars. The third, fought MATERIAL between 1835 and 1842, ended Indian control of the area. The county’s oldest nonnative set- tlement, Jupiter, was founded as a wartime fort in 1836. The Jupiter Lighthouse began operating in 1860 and continues to the present. In the 1890s, visionary Henry Flagler, a founding partner of Stan- dard Oil, built the Florida East Coast Railway system from Jacksonville to Key West to open the state as a winter paradise.
    [Show full text]
  • Firmness, Commodity, and Delight: Architecture in Special Collections
    1 FIRMNESS, COMMODITY, AND DELIGHT: ARCHITECTURE IN SPECIAL COLLECTIONS Writing near the end of the first century B.C.E., Roman architect Vitruvius Pollio identified three elements necessary for a well-designed building: firmitas, utilitas,and venustas. Firmness or physical strength secured the building’s structural integrity. Utility provided an efficient arrangement of spaces and mechanical systems to meet the functional needs of its occupants. And venustas, the aesthetic quality associated with the goddess Venus, imparted style, proportion, and visual beauty. Rendered memorably into English by Henry Wotton, a seventeenthcentury translator, “firmness, commodity, and delight” remain the essential components of all successful architectural design. Architecture has been a part of the Library’s holdings since 1891, when President William Rainey Harper purchased the complete stock of a Berlin book dealer for the University of Chicago. Among the treasures acquired for the Library with this collection were early editions of works on classical architecture, sculpture, and design, along with a 15th-century manuscript of Leon Battista Alberti’s influential architectural treatise, De re aedificatoria. Subsequent gifts, acquisitions, and archival transfers have brought added distinction and variety to the Library’s architecture collections: theoretical works and popular manuals, records of the University’s physical development, papers of urban planners, postcards and ephemera, photographs, and architectural drawings and blueprints. Based on the holdings of the Special Collections Research Center, the architectural selections displayed in this exhibition suggest the diversity of these resources and their rich potential for research across a broad range of topics in the arts of building and design. “Firmness, Commodity, and Delight” celebrates the opening of the new Special Collections Research Center Exhibition Gallery and the completion of the Joe and Rika Mansueto Library.
    [Show full text]
  • National Register of Historic Places Inventory—Nomination Form 1
    NFS Form 10-900 OMB No.1024-0018 (3*2) Exp. 10-31-84 United States Department off the Interior National Park Service National Register of Historic Places Inventory—Nomination Form See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Administration Buildings street & number 2 Camino Real nof for publication city, town Boca Raton vicinity of state Florida code 12 county palm Beach code 099 3. Classification Category Ownership Status Present Use district public occupied agriculture museum x building(s) x private x unoccupied commercial park structure both work in progress educational private residence site Public Acquisition Accessible entertainment religious object in process x yes: restricted government scientific being considered yes: unrestricted industrial transportation N/A no __ military _x- othervacant 4. Owner of Property name The Arvida Corporation street & number 5550 Glades Road city, town Boca Raton state Florida 5. Location of Legal Description courthouse, registry of deeds, etc. Paim Beach County Courthouse street & number 300 North Dixie Highway city, town West Palm Beach state Florida title Historic Boca Raton has this property been determined eligible? yes no date 1980 federal state county x local depository for survey records Florida Division of Archives, History and Records city, town Tallahassee state Florida 7. Description Condition Check one Check one excellent deteriorated unaltered x original site good ruins _ x_ altered moved date _J^fair unexposed '•• T '^ V '• •'" Describe the present and original (iff known) physical appearance The Administration Buildings, designed by noted Florida architect Addison Mizner in the Spanish Colonial or Mediterranean Revival style of architecture, consist of two archi­ tecturally complementary detached two-story buildings arranged around a large open court.
    [Show full text]
  • Florida Discovers the Arts of Spain
    The Old World in the New: Florida Discovers the Arts of Spain Richard L. Kagan Johns Hopkins University Samuel Colman, Views of the Alhambra and Granada ca. 1865 Hotel Ponce de Leon ( now Flagler College, St. Augustine, 1887 ) Stanford White (arch.), Madison Square Garden, NY 1890 A. Page Brown (arch.), Ferry Terminal, San Francisco, CA, 1898 Wrigley Building, Chicago, ILL 1920 Giralda Tower, Kansas City, 1920-1923 Biltmore Hotel, Coral Gables, Florida 1926 Concha Piquer, 1923 Washington Irving ( 1783-1859) Mary Cassatt On the Balcony 1873 After the Bullfight 1873 John Singer Sargent. El Jaleo 1882 William Merritt Chase. Sunny Spain. 1882. Private Collection, NY Walt Whitman ( 1819-1892) Helen Hunt Jackson (1830-1885) Maynard Dixon. Portrait Sketch of Charles Lummis. 1897 Columbian World Exhibition, Chicago, 1893 Pan-American Exposition, Buffalo, New York. 1901 B. G. Goodhue (arch.). California Bldg., San Diego CA 1915 Nineteenth-Century St. Augustine Old “Cathedral,” St. Augustine William Cullen Bryant ( 1794-1878) Magnolia House Hotel Hotel St. Augustine San Marco Hotel Thomas Buckingham Smith ( 1810-1871) George R. Fairbanks ( 1820-1901) Thomas Hastings Ponce de Leon Hotel, 1888 Villa Zorayda, Frank Smith, arch. 1883 January , 2012 Henry Plant Tampa Bay Hotel ( under construction) Ca da´Zan ( Dwight J. Baum, arch.) , Sarasota, Fl 1924-1926 Hotel Rolyat, St Petersburg, FL ca. 1925 Rolyat Hotel, St. Petersburg.FL, 1925 Torre de Oro, Seville Villa Vizcaya (Paul Chalfin, F. .B. Hoffman, arch.), Coconut Grove, 1914-1916 Royal Ponciana Hotel, Palm Beach, 1893 Plaza de Lago, Wilmette, IL, 1926 Eagle’s Nest, Northport, Long Island, 1928 Spanish Revival Style House, Baltimore, MD ca.
    [Show full text]
  • The Florida Historical Quarterly
    COVER In 1926, when a lawsuit filed in open court accused Addison Mizner of fraud and al- leged his company was insolvent, angry depositors stormed the Mizner-affiliated banks in Palm Beach County. Photograph courtesy of Historical Society of Palm Beach County. The Florida Historical Quarterly Volume LXXV, Number 4 Spring 1997 The Florida Historical Quarterly (ISSN 0015-4113) is published quarterly by the Flor- ida Historical Society, 1320 Highland Avenue, Melbourne, FL 32935, and is printed by E.O. Painter Printing Co., DeLeon Springs, FL. Second-class postage paid at Tampa, FL, and at additional mailing office. POSTMASTER: Send address changes to the Florida Historical Quarterly, 1320 Highland Avenue, Melbourne, FL 32935. Copyright 1997 by the Florida Historical Society, Melbourne, Florida. THE FLORIDA HISTORICAL QUARTERLY Kari Frederickson, Editor Samuel Proctor, Editor Emeritus Nancy Rauscher, Editorial Assistant EDITORIAL ADVISORY BOARD Raymond O. Arsenault, University of South Florida, St. Petersburg William S. Coker, University of West Florida David R. Colburn, University of Florida James B. Crooks, University of North Florida Kathleen Deagan, University of Florida Wayne Flynt, Auburn University Michael V. Gannon, University of Florida Maxine D. Jones, Florida State University Harry A. Kersey, Jr., Florida Atlantic University Jane Landers, Vanderbilt University Eugene Lyon, Flagler College John K. Mahon, University of Florida Raymond A. Mohl, University of Alabama at Birmingham Gary R. Mormino, University of South Florida Theda Perdue, University of Kentucky Gerald E. Poyo, St. Mary’s University Joe M. Richardson, Florida State University William W. Rogers, Florida State University Daniel L. Schafer, University of North Florida Correspondence concerning contribution, books for review, and all editorial matters should be addressed to the Editor, Florida Historical Quarterly, Department of History, University of Central Florida, Orlando, FL 32816-1350.
    [Show full text]
  • Addison Mizner Leaves His Mark
    ADDISON MIZNER LEAVES HIS MARK TOPIC: Addison Mizner and Palm Beach Architecture AIM: Students will become familiar with and be able to recognize design elements of the Mediterranean-Revival style houses and other buildings inspired by Addison Mizner. They will use these concepts to make a pictorial town of their own creation. RELATED SUBJECT AREAS: Art and Social Studies SUNSHINE STATE STANDARDS: Social Studies: SS.A.1.2.1 SS.A.1.2.2 Visual Arts: VA.B.1.2.1 VA.C.1.2.1 SS.A.6.2.3 SS.B.1.2.2 VA.C.1.2.2 VA.D.1.2.2 VA.E. 1.2.1 BACKGROUND INFORMATION: One of the features of Boca Raton and South Florida, which is clearly recognized, is its unique style of architecture. Addison Mizner is one man whose vision left that unique mark. He lived in Central America and Spain so he was greatly influenced by the Mediterranean style. He came to Palm Beach County during the South Florida land boom and in 1918 he began to build elegant homes for wealthy families. His buildings could be identified by the handmade red barrel tiles he used for roofs and the rough textured stucco walls. He made extensive use of wrought iron decorative grills and lightening fixtures. The windows and door frames were made of cast stone. There were arches and columns and even towers. Much of the materials used in his buildings were made in his factories in West Palm Beach. The furniture for the homes was either imported from the Mediterranean or built in Mizner’s workshop.
    [Show full text]