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Packet of Curricular Materials
May 12, 2000 Dear Colleagues: I am one of this year’s Midwest Faculty Fellows with the Regional Worlds Program. This spring Richard Guzman, a Midwest Faculty Fellow from North Central College, and I have been involved in organizing the pedagogy session that will be part of the upcoming Regional Worlds Capstone Conference, “Mobile Geographies, Plural Histories.” The session is entitled, “New Paradigms in Area Studies Teaching,” and will be held on Saturday, May 20th from 10:00 am – 12:00 noon at the Franke Institute of the Humanities, Regenstein Library. Discussions about pedagogy have been a very important dimension of the Regional Worlds Program and our session next Saturday provides an opportunity to involve participants from this year’s program, “Diasporas, Minorities and Counter Geographies,” as well as participants from the three previous programs, “South Asia 1996-97,” “Latin America 1997-98,” and “East Asia 1998- 1999.” In planning this session we wanted to address tandem goals. First, we wanted to look at some of the specific curricular initiatives that emerged as a direct result of faculty participation in Regional Worlds. David Moore (International Studies, Macalester College], Arjun Guneratne (Anthropology, Macalester College], Jerome Levi (Sociology and Anthropology, Carleton College), Kathleen Ryor (Art History, Carleton College], and Nandini Bhattacharya (English, Valparaiso University] have kindly agreed to share syllabi of courses they developed or revised as a result of their participation in the Program. In addition, I asked them to provide us with some information contextualizing the courses in terms of Regional Worlds and/or their particular institutional frameworks. The syllabi and statements are attached. -
White Ball-Breaking As Surplus Masculinity in Jackass
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU English Faculty Publications English 2015 The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass Christina M. Tourino College of Saint Benedict/Saint John's University, [email protected] Follow this and additional works at: https://digitalcommons.csbsju.edu/english_pubs Part of the Film and Media Studies Commons, and the Gender and Sexuality Commons Recommended Citation Tourino, Christina M., "The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass" (2015). English Faculty Publications. 21. https://digitalcommons.csbsju.edu/english_pubs/21 © 2015 Wiley Periodicals, Inc The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass In Jackass: Number Two (2006), Bam Margera allows Ryan Dunn to brand his posterior with a hot iron depicting male genitalia. Bam cannot tolerate the pain enough to remain perfectly still, so the brand touches him several times, resulting in multiple images that seem blurry or in motion. Bam’s mother, who usually plays the role of game audience for his antics, balks when she learns that her son has been hurt as well as permanently marked. She asks Dunn why anyone would ever burn a friend. “Cause it was funny,” Dunn answers.1 Jackass mines the body in pain as well as the absurd and the taboo, often dealing with one or more of the body’s abject excretions. Jackass offers no compelling narrative arc or cliffhangers, presenting instead a series of discrete segments that explore variations on the singular eponymous focus of the show: playing the fool. This deliberate idiocy is the show’s greatest strength, and its excesses seem calculated to repeatedly provide the viewer with a mix of schadenfreude, horror, and disbelief. -
De Draagbare Wikipedia Van Het Schrijven – Verhaal
DE DRAAGBARE WIKIPEDIA VAN HET SCHRIJVEN VERHAAL BRON: WIKIPEDIA SAMENGESTELD DOOR PETER KAPTEIN 1 Gebruik, verspreiding en verantwoording: Dit boek mag zonder kosten of restricties: Naar eigen inzicht en via alle mogelijke middelen gekopieerd en verspreid worden naar iedereen die daar belangstelling in heeft Gebruikt worden als materiaal voor workshops en lessen Uitgeprint worden op papier Dit boek (en het materiaal in dit boek) is gratis door mij (de samensteller) ter beschikking gesteld voor jou (de lezer en gebruiker) en niet bestemd voor verkoop door derden. Licentie: Creative Commons Naamsvermelding / Gelijk Delen. De meeste bronnen van de gebruikte tekst zijn artikelen van Wikipedia, met uitzondering van de inleiding, het hoofdstuk Redigeren en Keuze van vertelstem. Deze informatie kon niet op Wikipedia gevonden worden en is van eigen hand. Engels In een aantal gevallen is de Nederlandse tekst te kort of non-specifiek en heb ik gekozen voor de Engelse variant. Mag dat zomaar met Wikipedia artikelen? Ja. WikiPedia gebruikt de Creative Commons Naamsvermelding / Gelijk Delen. Dit houdt in dat het is toegestaan om: Het werk te delen Het werk te bewerken Onder de volgende voorwaarden: Naamsvermelding (in dit geval: Wikipedia) Gelijk Delen (verspreid onder dezelfde licentie als Wikipedia) Link naar de licentie: http://creativecommons.org/licenses/by-sa/3.0/deed.nl Versie: Mei 2014, Peter Kaptein 2 INHOUDSOPGAVE INLEIDING 12 KRITIEK EN VERHAALANALYSE 16 Literaire stromingen 17 Romantiek 19 Classicisme 21 Realisme 24 Naturalisme 25 -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Film Streams Programming Calendar Film Streams Supporters Want To
Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2013 v7.1 Devdas 2002 Bollywood and Beyond July 26 – October 3, 2013 Devdas 2002 3 Idiots 2009 Sholay 1975 Nishabd 2007 Om Shanti Om 2007 Jalsaghar Dilwale Dulhania (The Music Room) 1958 Le Jayenge 1995 Patang 2011 Omkara 2006 Monsoon Wedding 2001 Generously supported by Sam Walker. A comprehensive overview of India’s prolific film- “Curry Western” tradition through its unforgettable assortment of action, musi- making traditions would be impossible to offer in a cal, melodrama, and comedy—and you’ll find its influence in the more recent year, much less a season. Even a ten-film spotlight DEVDAS, with its grandiosity, opulence, music, and timeless story of tragedy. focused on classics from a given era of Bollywood— But we’ve gone beyond masala film to include PATANG, whose cinematogra- Mumbai-made, Hindi-language films—would phy blends the lines between documentary and fiction, and we’ve gone beyond leave glaring omissions. So for our Bollywood and Bollywood with the classic JALSAGHAR (THE MUSIC ROOM) by the master Beyond series, we’ve put together a small sampling Bengali filmmaker Satyajit Ray. What all of these films have in common is one of cinema that’s a bit like a masala—a mixture thing: They are captivating, beautifully rendered experiences whose sights and of spices that in Indian cinema refers to a genre sounds are truly intended to be experienced on the big screen. that combines conventions into a feast. You’ll find that mix in films like SHOLAY, which birthed the See reverse side for more information and dates. -
Looking at Popular Muslim Films Through the Lens of Genre
Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. IX, No. 1, 2017 0975-2935 DOI: https://dx.doi.org/10.21659/rupkatha.v9n1.17 Full Text: http://rupkatha.com/V9/n1/v9n117.pdf Is Islamicate a Genre? Looking at Popular Muslim Films through the Lens of Genre Asmita Das Department of Film Studies, Jadavpur University, Kolkata. ORCID: 0000-0002-7307-5818. Email: [email protected] Received February 25, 2017; Revised April 9, 2017; Accepted April 10, 2017; Published May 7, 2017. Abstract This essay engages with genre as a theory and how it can be used as a framework to determine whether Islamicate or the Muslim films can be called a genre by themselves, simply by their engagement with and representation of the Muslim culture or practice. This has been done drawing upon the influence of Hollywood in genre theory and arguments surrounding the feasibility / possibility of categorizing Hindi cinema in similar terms. The essay engages with films representing Muslim culture, and how they feed into the audience’s desires to be offered a window into another world (whether it is the past or the inner world behind the purdah). It will conclude by trying to ascertain whether the Islamicate films fall outside the categories of melodrama (which is the most prominent and an umbrella genre that is represented in Indian cinema) and forms a genre by itself or does the Islamicate form a sub-category within melodrama. Keywords: genre, Muslim socials, socials, Islamicate films, Hindi cinema, melodrama. 1. Introduction The close association between genre and popular culture (in this case cinema) ensured generic categories (structured by mass demands) to develop within cinema for its influence as a popular art. -
Jackass 3D - Filmcritic.Com Movie Review 10-10-19 8:33 PM
Jackass 3D - Filmcritic.com Movie Review 10-10-19 8:33 PM RSS Twitter Facebook movie titles, actors, directors IN THEATERS NEW ON DVD TOP RATED COLUMNS & FEATURES TRAILERS & VIDEO Watch Trailer Jackass 3D Reviewed by Bill Gibron on Oct 14 2010 Trailers from Video Detective critics: users: you: Film: Jackass 3D Whether they're covered in filth, excrement, or any other Bill Gibron bodily or environmental fluids, the Jackass gang always Bill Gibron is a veteran film Starring: Johnny Knoxville seem to be having a good time. Even as bones are critic from Tampa, Florida. broken, bladders are ruptured, and vital organs are full bio of Bill Gibron Director: Jeff Tremaine destroyed, the friendship between Johnny Knoxville and his scatology-as-slapstick brothers in (fractured) arms -- Bam Margera, Steve-O, Ryan Dunn, Chris Pontius, Ehren McGhehey, Screenwriter: Preston Lacy Preston Lacy, Dave England, and Jason "Wee Man" Acuña -- is absolutely addictive. For their http://www.filmcritic.com/reviews/2010/jackass-3d/ Page 1 of 4 Jackass 3D - Filmcritic.com Movie Review 10-10-19 8:33 PM third feature-length film, these arrested adolescents have decided to delve into the cinematic Producer: Spike Jonze, Johnny Knoxville, Jeff "stunt" of 3D. While the new optical gimmick adds some interesting touches, the rest of the film Tremaine is the same old Jackass antics -- and we wouldn't have it any other way. Genre: Comedy Sure, it's lowbrow and loaded with bad taste. Yes, we see more vomit, feces, and male genitalia than a civilized society should ever have to. Granted, there are moments and certain skits (the Year: 2010 "lewd Grandpa" bit, the sequence where Bam is, once again, terrorized by snakes) that drag a bit. -
Jackass Season 3 Download
Jackass season 3 download Continue Jackass TV SeriesCreated Johnny KnoxvilleSpyk JonzeJeff TremaineBam MargeraPresented Johnny KnoxvilleProtagonists Johnny Knoxville Bam MargeraSteve-OChris PontiusRyan Dunn † Eren McGheheyDave EnglandPreston LacyJason Wee-Man Acu'a. 25 (episode list)ProductionDuration 22 minCompany (s) production company (s) MTVLanzamientoFirst broadcast October 1, 2000 Last broadcast February 17, 2002 External Links Official site View all credits (IMDb) ImDb Tab on TV.com , broadcast on MTV. In it, actors conduct various unnecessarily risky, dangerous and painful events to entertain the audience. The history of the text that follows is an erroneous translation. If you want to collaborate with Wikipedia, look for the original article and improve this translation. Copy and paste the following code on the discussion page of the author of this article: subst:Incorrect notice of Jackass' program, developed from Big Brother magazine, related to the humor of the skate magazine, that Jeff Tremayne's Dave Carney, Rick Kosik and Chris Pontius all worked, and featured regular contributions from Johnny Knoxville, Tyler Newton and Dave England, among others. The concept of Jackass dates back to 1998, when no actor-turned-writer Johnny Knoxville thought about the idea of testing different self-defense devices in itself as the basis for the article. She pitched the idea for several magazines and was turned down before meeting Big Brother Jeff Tremayne. Tremayne hired him as a journalist and convinced Johnny to write down the idea and other stories. The images, which involved Knoxville being Tasered, maced, and eventually shot while wearing a bulletproof vest, appeared in the second big brother skate movie: The V-Man made his appearance in the video, and Steve-O sent in performances to be part of the video. -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr. -
DVD List As of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret
A LIST OF THE NEWEST DVDS IS LOCATED ON THE WALL NEXT TO THE DVD SHELVES DVD list as of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret Garden, The Witches, The Neverending Story, 5 Children & It) 5 Days of War 5th Quarter, The $5 A Day 8 Mile 9 10 Minute Solution-Quick Tummy Toners 10 Minute Solution-Dance off Fat Fast 10 Minute Solution-Hot Body Boot Camp 12 Men of Christmas 12 Rounds 13 Ghosts 15 Minutes 16 Blocks 17 Again 21 21 Jumpstreet (2012) 24-Season One 25 th Anniversary Rock & Roll Hall of Fame Concerts 28 Weeks Later 30 Day Shred 30 Minutes or Less 30 Years of National Geographic Specials 40-Year-Old-Virgin, The 50/50 50 First Dates 65 Energy Blasts 13 going on 30 27 Dresses 88 Minutes 102 Minutes That Changed America 127 Hours 300 3:10 to Yuma 500 Days of Summer 9/11 Commission Report 1408 2008 Beijing Opening Ceremony 2012 2016 Obama’s America A-Team, The ABCs- Little Steps Abandoned Abandoned, The Abduction About A Boy Accepted Accidental Husband, the Across the Universe Act of Will Adaptation Adjustment Bureau, The Adventures of Sharkboy & Lavagirl in 3-D Adventures of Teddy Ruxpin-Vol 1 Adventures of TinTin, The Adventureland Aeonflux After.Life Agatha Cristie’s Poirot-The Murder of Roger Ackroyd Agatha Cristie’s Poirot-Sad Cypress Agatha Cristie’s Poirot-The Hollow Agatha Cristie’s Poirot-Five Little Pigs Agatha Cristie’s Poirot-Lord Edgeware Dies Agatha Cristie’s Poirot-Evil Under the Sun Agatha Cristie’s Poirot-Murder in Mespotamia Agatha Cristie’s Poirot-Death on the Nile Agatha Cristie’s Poirot-Taken at -
The Grizzly, September 28, 2006
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 9-28-2006 The Grizzly, September 28, 2006 Kerri Landis Marlena M. McMahon-Purk Sarah Keck Dan Lamson Erin Padovani See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Authors Kerri Landis, Marlena M. McMahon-Purk, Sarah Keck, Dan Lamson, Erin Padovani, Kevin Curl, Lane Taylor, Gabe Herman, Travis High, Chris Curley, Matt Flyntz, Simon Marcus, Brandon Brown, Alex Ernst, Tyler Johnson, John Strassburger, and Stephanie Kaysen Thursday, September 28, 2006 Ursinus dancers usher in Fringe Festival Collegeville, Pa. Volume 31 Issue 5 News [email protected] Anti-racist writer and Spinach recall and dining educatorspeaksto at Ursinus DAN LAMSON Ursinus 'community dalamson@ ursinus.edu SARAH KECK [email protected] "Eat your spinach!" Many students around the country grew up with this or a similar "People of color have a much more realistic answer refrain ringing in their ears. A recent warning from the government gave them a temporary about the state of racial inequality because they"re living reprieve. it and because they have to know. White folks have the A few weeks ago, Escherichia coli was detected in spinach coming from San Benito luxury of not knowing. In every generation, whites have and Santa Clara Counties in California, where much of the salad greens for the United States had the luxury ofminimi;;ing the problem. -
United States Securities and Exchange Commission Form
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q ☒ QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended September 30, 2007 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32686 VIACOM INC. (Exact name of registrant as specified in its charter) DELAWARE 20-3515052 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 1515 Broadway New York, NY 10036 (212) 258-6000 (Address, including zip code, and telephone number, including area code, of registrant’s principal executive offices) Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ☒ No ☐ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, or a non-accelerated filer. See definition of “accelerated filer and large accelerated filer” in Rule 12b-2 of the Exchange Act. (Check one): Large accelerated filer ☒ Accelerated filer ☐ Non-accelerated filer ☐ Indicate by check mark whether the registrant is a shell company (as defined in Rule 12b-2 of the Exchange Act). Yes ☐ No ☒ Shares Outstanding Class of Stock as of October 15, 2007 Class A Common Stock, par value $0.001 per share 57,628,563 Class B Common Stock, par value $0.001 per share 598,611,238 Table of Contents VIACOM INC.