Crowd Controllers for August 2021
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RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 :*( ; ; ; -('.-/0$1 "&'"'( !"#$% 746>3+1A(4334. <!%3<+27+=! 6*3 5734!3 *3@13*147*7=5 1(3)1@32627)3A&721 1<26!!7!=>12 ? + %4/--6 $"$ 87 ! 3 7 # * 2)#20" 23145 ! "$% !& )* R RR )3 *3456 arguments, it was not influ- enced by the heat generated by he Supreme Court on the debates. TWednesday upheld the “The issue has generated Constitutional validity of the heated public debate as well. Centre’s flagship Aadhaar Even outside the court, there scheme, but introduced safe- are groups advocating in favour guards against collection of of the Aadhaar scheme and citizens’ data by banks, telecom those who are stoutly opposing operators, online shopping the same,” said the Bench. platforms, private and corpo- Justice AK Sikri, who wrote rate entities. The court also the majority verdict for Chief ruled that Aadhaar authenti- Justice Dipak Misra, AM cation data cannot be stored for Khanwilkar and himself, said, more than six months and “Interestingly, it is not only the directed the Government to commoners who belong to ensure that Aadhaar is not and Services) Act, 2016. that violated right to privacy of either of the two groups but given to illegal immigrants. The five judges came out an individual, Justice Sikri intelligentsia is also equally A five-judge Constitution with three sets of judgments. asked the Government to bring divided. There have been num- Bench headed by Chief Justice While Justice AK Sikri wrote in a robust -
Newsletter Vol 55
NEWSLETTER PAGE NO. 26-29 MAY-JUNE 2021 | VOL. 55 Indian Men's & Women's Hockey Team announcement for the Olympics #IndiaKaGame Newsletter Vol. 55 (May & June 2021) Major Team Partner Follow Us : www.hockeyindia.org @TheHockeyIndia @hockeyindia facebook.com/TheHockeyIndia www.youtube.com/HockeyIndiaMedia www.hockeyindia.org 04 Message from Hockey India President 05-19 20-21 22-25 Top Feature Story Feature Story Highlights Birendra Lakra Hockey India Coaching Education Pathway benefits over 1000 candidates in India 26-29 30-31 32-33 Cover Story Feature Story Feature Story Indian Men's and Women's Indian Men's Hockey Indian Women's Hockey Hockey Team Team Captain dedicating Team Captain dedicating announcement for the Olympic Medal to Olympic Medal to Olympics Covid Warriors Covid Warriors 34-35 36-37 39-45 Feature Story Feature Story Hockey India Savita Hockey India registered Member Unit Umpires Raghuprasad Activites RV and Javed Shaikh on Olympic preparations 46-49 50 51 Media Team In Focus Coverage Birthdays Gurjit Kaur Newsletter Vol. 55 (May & June 2021) Message from Hockey India President Mr. Gyanendro Ningombam Namaskar, The months of May and June were fantasc here at Hockey India. It was absolutely magnificent for Hockey India to be recognized with the Eenne Glichitch Award by the Internaonal Hockey Federaon (FIH) during the virtual conference organised as part of the 47th FIH Congress in May. We are also delighted to note that the Chairman, Managing Director and CEO of Hero MotoCorp, Dr. Pawan Munjal and the Private Secretary to the Hon’ble Chief Minister of Odisha, Shri. -
Pakistan Response Towards Terrorism: a Case Study of Musharraf Regime
PAKISTAN RESPONSE TOWARDS TERRORISM: A CASE STUDY OF MUSHARRAF REGIME By: SHABANA FAYYAZ A thesis Submitted to the University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of Political Science and International Studies The University of Birmingham May 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The ranging course of terrorism banishing peace and security prospects of today’s Pakistan is seen as a domestic effluent of its own flawed policies, bad governance, and lack of social justice and rule of law in society and widening gulf of trust between the rulers and the ruled. The study focused on policies and performance of the Musharraf government since assuming the mantle of front ranking ally of the United States in its so called ‘war on terror’. The causes of reversal of pre nine-eleven position on Afghanistan and support of its Taliban’s rulers are examined in the light of the geo-strategic compulsions of that crucial time and the structural weakness of military rule that needed external props for legitimacy. The flaws of the response to the terrorist challenges are traced to its total dependence on the hard option to the total neglect of the human factor from which the thesis develops its argument for a holistic approach to security in which the people occupy a central position. -
Farrah Mahmood Rana
FARRAH MAHMOOD RANA | Associate Professor | Curator and in charge of COMSATS Art Gallery (CAG) | Department of Architecture and Design I | COMSATS Institute of Information Technology | Park Road | Chak Shahzad | Islamabad Campus | PAKISTAN | www.cit.edu.pk | | CAG-WEB: http://ww2.comsats.edu.pk/cag | https://www.facebook.com/FarrahStudio |Cellular +92-321-5122590 | | www.farrahmahmood.com | E- mails; [email protected] | [email protected] | ____________________________________________________________________________________________________________ ACADEMIC EXPERIENCE: Taught at the following Universities and Institutes from January 2000 to Date: 2010 to date ▪ Associate Professor, Department of Architecture and Design, COMSATS Institute of Information Technology (CIIT), Islamabad Campus, Pakistan. ▪ Founding Curator / in charge COMSATS Art Gallery (CAG) at CIIT (from 2011 to date). ▪ Member Board of Studies for Fine Art Department at Fatimah Jinnah Women University, (FJWU) Rawalpindi, Pakistan (2015-16). ▪ Member of Asian Study Group (ASG, Islamabad). ▪ Associate Member/ Curator of SHIFNT NGO (2014-15). 2005-2010 ▪ Assistant Professor, Department of Architecture and Design, COMSATS Institute of Information Technology (CIIT), Islamabad Campus, Pakistan. 2008 - 2009 ▪ Consultant for Miniature (Major) class, National College of Arts, (NCA) Rawalpindi. 2003- 2005 ▪ Head of Fine Arts Department, IQRA University, Islamabad. (Courses taught; Drawing, Sculpture, Miniature painting) 2002-2005 ▪ Lecturer, Department of Art -
Amina Cheema D/O Sarfraz Ahmad Cheema [email protected]
Amina Cheema d/o Sarfraz Ahmad Cheema [email protected] Phone: Office: 042‐99211608, Cell: 0334-7414840 College of Art & Design, University of the Punjab, Mall Road Lahore. ______________________________________________________________________________ Education 1. Ph.D. Candidate Art History; 2020-25, Research Centre, College of Art & Design, University of the Punjab, Lahore, Pakistan 2. M.Phil. Art History, (topped in the list of candidates) 2014-2016, Research Centre, College of Art & Design, University of the Punjab, Lahore, Pakistan; Dissertation Topic: Innovation through Tradition, Use of Crafts to create distinct expression in Pakistani Visual Arts, 3. MA Painting, (Gold Medal) 2003, College of Art & Design, University of the Punjab, Lahore, Pakistan 4. BA in Fine Arts as major, 2000, Lahore College for Women University, Lahore, Pakistan Teaching Experience Incharge, Department of Performing Arts & Musicology College of Art & Design, University of the Punjab, Lahore, March 2021 till present Assistant Professor, College of Art & Design University of the Punjab, Lahore, October 2019 till present Lecturer of Painting, College of Art & Design, University of the Punjab, Lahore, Pakistan. (2003 till 2008, 2012 till 2019) Senior Art Teacher Art & Design, IGCSE, The Oxford School, Dubai, 2008-2011 Junior Art Teacher Art & Craft, The Oxford School, Dubai, 2008-2009 Core subjects Teaching at UCAD to M Phil, M.F.A, B.F.A. & M.A (2004-till present) Practical--Material and Process, Experimental Approaches, Drawing & Painting, Theory--History of Western Art, History of Modern Art, Techniques of Painting, History of Muslim Architecture Art Articles for Art Now Pakistan & The Nation 1. Retrospective: A R Nagori, 2 January 2019, ArtNow Pakistan 2. -
Players Unique Id Number
Unique ID oF players wHo Have represented India since Hockey India came into existence (2009) Summary MEN WOMEN Particulars Total players Particulars Total players Total players till date 120 Total players till date 84 S No Player Name Unique Number Player Name Unique Number 1 Sardar Singh M - 001 Ritu Rani W - 001 2 Ignace Tirkey M - 002 Surinder Kaur W - 002 3 Prabhjot Singh M - 003 Saba Anjum W - 003 4 Prabodh Tirkey M - 004 Ranjita Devi Thokchom W - 004 5 Vikram Pillay M - 005 Marita Tirkey W - 005 6 Arjun Halappa M - 006 Rosalind Lalchhahimi Ralte W - 006 7 Tushar Khandker M - 007 Deepika Thakur W - 007 8 Adrian D'Souza M - 008 Rani W - 008 9 Rajpal Singh M - 009 Kirandeep Kaur W - 009 10 Sandeep Singh M - 010 Manorama Devi Asem W - 010 11 V Raghunath M - 011 Savita Punia W - 011 12 Shivendra Singh M - 012 Rijuta Mullick W - 012 13 Gurbaj Singh M - 013 Eti Srivastava W - 013 14 Bharat Chikara M - 014 Chanchan Devi W - 014 15 SV Sunil M - 015 Poonam Rani W - 015 16 Gurvinder Singh Chandi M - 016 P. Sushila Chanu W - 016 17 Dhananjay Mahadik M - 017 Sunita Lakra W - 017 18 Bimal Lakra M - 018 Rajani Etimarpu W - 018 19 VS Vinaya M - 019 Jaspreet Kaur W - 019 20 Hari Prasad M - 020 Vandana Katariya W - 020 21 Baljit Singh M - 021 Preety Sunila Kiro W - 021 22 Birender Lakra Sr. M - 022 Kiran Dahiya W - 022 23 Ajitesh Roy M - 023 Sandeep Kaur W - 023 24 Sarvanjit Singh M - 024 Mamta Kharb W - 024 25 Sreejesh PR M - 025 Dipika Murty W - 025 26 Roshan Minz M - 026 Subhadra Pradhan W - 026 27 Danish Mujtaba M - 027 Jasjeet Kaur Handa W -
Shakir Ali, an Enigma Within a Layered Reality’
Pakistan Perspectives Vol. 22, No.2, July-December 2017 ‘Shakir Ali, an Enigma within a Layered Reality’ Iram Zia Raja* Abstract Shakir Ali was a man of multiple identities. As a teacher, the administrator of an art college and a prolific artist, in the beginning years of the newly founded post-colonial state of Pakistan, he enjoyed an almost mythical reputation among the many subsequent generations of art students and artists. This research paper delineates his path as an administrator/educator at the new art college, National College of Arts (NCA), while contextualizing it with his other identities. He was an artist, an occasional writer and had earlier taught at the Mayo School of Arts (MSA). A probe into the realm of art instruction in the early days of a post colony provides valuable insights into the socio-political and cultural contexts thereby facilitating the analysis of administrative constraints as well as instructional methodologies. The methodology adopted is that of qualitative research, structured and un-structured interviews with the first and second batch of students of newly founded NCA, triangulation being done through archival sources and published literary accounts. ______ Who is Shakir Ali? The question, who is Shakir Ali, should be intriguing for art circles in Pakistan. Shakir Ali was an important figure in different and diverse domains. Shakir Ali the painter was also a writer, art college administrator and art educator. There are many who know Shakir Ali: some personally in the capacity of students, colleagues, and friends, while others, as mere admirers and connoisseurs of his art works. -
Books Asia Stock List
Books Asia - Stock List - a leading supplier of multi-cultural books to Public Libraries and Educational Authorities across the world 107 Manningham Lane Bradford West Yorkshire 01 March 2009 BD1 3BN England Stock List shows all items (4997 of 14218) matching criteria : where BookType = 'NF' and age_group = 'A' and (Media = 'Book') - Sorted by : Seq_Number Tel : +44 (0)1274 - 721871 Fax : +44 (0)1274 - 738323 Mobile : +44 (0)7949 - 782790 Email : [email protected] SEQ TITLE AUTHOR DESCRIPTION TYPE / AGE / LANG / ORIG / PGS / FMAT / YOP PRICE 143 Othello Shakespeare, WilliamDrama NF A B BH 1986 £2.00 293 English to bengali dictionary Dev, A. T. Dictionary/English-BengaliNF A B IH 1989 £12.90 294 Bengali to english dictionary Dev, A. T. Dictionary/Bengali-EnglishNF A B IH 1989 £12.50 515 Hajrat boropir Rehman, JalilurReligious/Islam biography NF A B B328 H 1987 £5.20 702 Ovidhaan Quyaum, AbdulLiterature NF A B BH 0 £1.20 728 Shoncheetaa Islam, Kazi NazrulPoetry NF A B BH 1991 £3.25 732 Bangla shahitter ruprekha Haidar, GopalLiterature NF A B BH 1974 £2.50 923 Moksedul momenin Rehman, K. M. G.Religious/Islam/hadis NF A B BH 1985 £6.00 937 Banglar probad porichity - book 2 Pathan, M. H.Literature NF A B BH 1985 £5.00 947 Lok shahitto shonkolon Khan, M. A.Literature NF A B BH 1985 £4.00 949 Kahini kingbodonti Fariduddin, M.Literature NF A B BH 1986 £1.20 951 B'desher shahitto - proshongo Hussain, S. A.Literature NF A B BH 1985 £4.40 954 Bangla probondha porichoy Siddique, J. -
Pakistan, the Deoband ‘Ulama and the Biopolitics of Islam
THE METACOLONIAL STATE: PAKISTAN, THE DEOBAND ‘ULAMA AND THE BIOPOLITICS OF ISLAM by Najeeb A. Jan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2010 Doctoral Committee: Professor Juan R. Cole, Co-Chair Professor Nicholas B. Dirks, Co-Chair, Columbia University Professor Alexander D. Knysh Professor Barbara D. Metcalf HAUNTOLOGY © Najeeb A. Jan DEDICATION Dedicated to my beautiful mother Yasmin Jan and the beloved memory of my father Brian Habib Ahmed Jan ii ACKNOWLEDGEMENTS There are many people to whom I owe my deepest gratitude for bringing me to this stage and for shaping the world of possibilities. Ones access to a space of thought is possible only because of the examples and paths laid by the other. I must begin by thanking my dissertation committee: my co-chairs Juan Cole and Nicholas Dirks, for their intellectual leadership, scholarly example and incredible patience and faith. Nick’s seminar on South Asia and his formative role in Culture/History/Power (CSST) program at the University of Michigan were vital in setting the critical and interdisciplinary tone of this project. Juan’s masterful and prolific knowledge of West Asian histories, languages and cultures made him the perfect mentor. I deeply appreciate the intellectual freedom and encouragement they have consistently bestowed over the years. Alexander Knysh for his inspiring work on Ibn ‘Arabi, and for facilitating several early opportunity for teaching my own courses in Islamic Studies. And of course my deepest thanks to Barbara Metcalf for unknowingly inspiring this project, for her crucial and sympathetic work on the Deoband ‘Ulama and for her generous insights and critique. -
Aqsa Malik Naela Aamir the Aesthetic of Retaliation and Its Contribution to Society Abstract There Is an Ample Literature On
Aqsa Malik Naela Aamir The Aesthetic of Retaliation and its Contribution to Society Abstract There is an ample literature on the political changes that took place under the military government of General Muhammad Zia-ul Haq and a few studies that explore the status of art under the censorship policies imposed, however, there are still many areas that need to be explored from the perspectives of art history and criticism. One such area is the focus of this study, wherein, art works are analyzed in terms of their main aesthetic content. The study maintains that various artists who were resilient against oppressive censorship collectively produced an aesthetic of retaliation which promoted freedom and insight in multiple ways. Although each of the artists discussed in the study require separate and detailed inquiry but still looking their notable works at one place helps in defining some common features. Introduction The development of art as a historical process is not contestable. There exists ample literature particularly after the emergence of modern art, wherein, art historians have linked development in arts to either the material conditions of a particular period or the emerging intellectual framework. For instance, Marxist art historians and critics understand art as a product of cultural evolution and progress, whereby, art integrated with culture through the determining economic conditions. They also maintain that visual arts cannot be explained unless the essential connection between artistic and social practices is not considered. Since social reality is a revolutionary development according to Marxists therefore art reflects such change in a comprehensive manner as the artists are inclined to serve the society.1 The other camp observes art as a product of intellectual framework of the time period in which an artist exists. -
Celebrating Our Graduates
Celebrating our graduates. LANGARA COLLEGE CLASS OF 2021 On behalf of Musqueam, congratulations to the 2021 and the regalia worn by Langara’s President, who was graduates, their families, and friends of snəeyəɬ lelə gifted the name Takaya, meaning “wolf,” incorporates Langara College. traditional Musqueam blanket patterns, as designed by renowned Musqueam artist Debra Sparrow. The river grass Our lands have long been places of learning, and Langara is at the base of the College’s coat of arms, printed on every situated on our unceded, ancestral, and traditional territory diploma and certificate, refers to Musqueam,xʷməθkʷəy̓əm , on what was once a Musqueam village. We have honoured which means “people of the river grass.” We value our that connection by gifting the College a name in our language, continued partnership with snəeyəɬ lelə and the snəeyəɬ lelə, which means “house of teachings.” The word opportunity to share a small part of our culture with you. snəeyəɬ references the advice given to a child to build their character and to guide them into adulthood. We trust Congratulations to all the graduates, including our growing that your time at snəeyəɬ lelə has helped to do just that, number of Indigenous students who will have their and prepared you all for successful futures. degree conferred. Your accomplishment reflects your hard work and talent, and we hope that you continue to contribute Our connection with snəeyəɬ lelə is also reflected to snəeyəɬ lelə, your communities, and society after in the Convocation ceremonies in a number of ways. you graduate. We wish you every success for your future. -
Curriculum Vitae
CURRICULUM VITAE PROF. DR. RAHAT NAVEED MASUD Presently, serving as Principal, College of Art and Design, University of the Punjab, Lahore. Official Address: Home Address: Principal 98-Q, Phase – II, College of Art & Design D.H.A., Lahore, Pakistan Allama Iqbal Campus (Old Campus) 042-35726698, Mob.0300-8476550 University of the Punjab, Lahore email: [email protected] 042-99211608, 042-9211604 (fax) [email protected] Education: PhD (Fine Art by Practice) Materializing the Spiritual in Contemporary Painting in Pakistan: An Artist’s Exploration of Figurative Art and Sufism. Kingston University, London. 2010. M.A. Art & Design, Kingston University, London. 1995. M.A. Fine Arts, University of the Punjab, Lahore. 1976. Open Studio Student, Heatherly School of Art, Chelsea London. 1993-1997. Advanced Drawing Courses at Wimbledon School of Art, London. 1993 and 1997. Watercolor Course at Heatherly School of Art, Chelsea London. 1996. Awards: Nominated of Economic cooperation organization (ECO) Award 2012. Pride of Performance, Pakistan 2012. Fatima Jinnah National Award for Meritorious Service in the field of Painting, Women’s International Day, March 2007. Artists Association of Punjab Award, 1999. Punjab Council of the Arts Prize for Outstanding Work, 1991. Gold Medal for attaining first class first position in M.A. Fine Arts, University of the Punjab, 1976. Gold Medal for standing first in the Social Sciences (Humanities) in the University of the Punjab, 1976. 1 | P a g e Exhibitions in Foreign Countries 2012 Exhibition at Parliament House London Uk, 23rd January, 2012. 2012 Participated in a group show at Noyes Arts Center, Chicago USA from January 6 to January 16 2012 2011 Exhibition in Art Expo Malaysia 2011 at Matrade Exhibition & Convention Centre, Kuala Lumpur, Malaysia from Oct.