May—June 2017 Vol. MMXVII No. 3 ______
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Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Philadelphia National Cemetery
PHILADELPHIA NATIONAL CEMETERY Civil War Philadelphia National Cemetery Medal of Honor Recipient At the time of the Civil War, Philadelphia was the second-largest American The dead were initially buried in several locations that One Civil War recipient of the Medal of Honor is city. Its factories supported the Union war effort by producing everything collectively made up the original Philadelphia National buried in the cemetery: Gen. Galusha Pennypacker, from blankets to gunboats. In less than three months, its navy yards Cemetery. The War Department maintained lots in seven 97th Pennsylvania Infantry. produced the sloop-of-war U.S.S. Tuscarora. The ironclad U.S.S. New city cemeteries—Glenwood, Lafayette, Lebanon, Mount Ironsides, which saw action at Charleston, South Carolina, and at Fort Fisher Moriah, Odd-Fellows, United American Mechanics, and Wilmington, North Carolina, was also built in Philadelphia shipyards. and Woodlands. Lots in Rural Cemetery in Chester, and Whitehall and Bristol cemeteries, also received military burials. By the early 1880s, Quartermaster General Montgomery C. Meigs chose to consolidate these dead into a single national cemetery. After the War Department acquired more than 13 acres in northwest Philadelphia in 1885, an estimated 1,500 Union and Confederate remains were reinterred here. The cemetery was designed in the rural style. Curving roads and generous plantings created a park-like environment. A large Italianate house acquired with the property served as the superintendent’s residence for fifty years. It was razed in 1934. Gen. Galusha Pennypacker. History of the Ninety-Seventh Pennsylvania Infantry, 1875. Ward in Union Volunteer Hospital, a private hospital in Philadelphia, c. -
Ashokan Farewell from Civil War Sheet Music
Ashokan Farewell From Civil War Sheet Music Download ashokan farewell from civil war sheet music pdf now available in our library. We give you 2 pages partial preview of ashokan farewell from civil war sheet music that you can try for free. This music notes has been read 3950 times and last read at 2021-09-29 04:55:40. In order to continue read the entire sheet music of ashokan farewell from civil war you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Solo Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Ashokan Farewell Ashokan Farewell sheet music has been read 7679 times. Ashokan farewell arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-29 12:38:07. [ Read More ] Ashokan Farewell For Two Violins Ashokan Farewell For Two Violins sheet music has been read 11078 times. Ashokan farewell for two violins arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-28 22:26:13. [ Read More ] Ashokan Farewell For String Orchestra Ashokan Farewell For String Orchestra sheet music has been read 3059 times. Ashokan farewell for string orchestra arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 03:36:44. [ Read More ] Ashokan Farewell String Quartet Ashokan Farewell String Quartet sheet music has been read 4060 times. Ashokan farewell string quartet arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-28 16:20:06. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
The Muse of Fire: Liberty and War Songs As a Source of American History
3 7^ A'£?/</ THE MUSE OF FIRE: LIBERTY AND WAR SONGS AS A SOURCE OF AMERICAN HISTORY DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kent Adam Bowman, B.A., M.A Denton, Texas August, 1984 Bowman, Kent Adam, The Muse of Fire; Liberty and War Songs as a Source of American History. Doctor of Philosophy (History), August, 1984, 337 pp., bibliography, 135 titles. The development of American liberty and war songs from a few themes during the pre-Revolutionary period to a distinct form of American popular music in the Civil War period reflects the growth of many aspects of American culture and thought. This study therefore treats as historical documents the songs published in newspapers, broadsides, and songbooks during the period from 1765 to 1865. Chapter One briefly summarizes the development of American popular music before 1765 and provides other introductory material. Chapter Two examines the origin and development of the first liberty-song themes in the period from 1765 to 1775. Chapters Three and Four cover songs written during the American Revolution. Chapter Three describes battle songs, emphasizing the use of humor, and Chapter Four examines the figures treated in the war song. Chapter Five covers the War of 1812, concentrating on the naval song, and describes the first use of dialect in the American war song. Chapter Six covers the Mexican War (1846-1848) and includes discussion of the aggressive American attitude toward the war as evidenced in song. -
96> ? SOLDIER in the SOUTHWEST: the CAREER of GENERAL AV
Soldier in the Southwest: the career of General A. V. Kautz, 1869-1886 Item Type text; Dissertation-Reproduction (electronic) Authors Wallace, Andrew Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 11/10/2021 12:35:25 Link to Item http://hdl.handle.net/10150/552260 7?/ /96> ? zyz /, / {LOjO. >2y SOLDIER IN THE SOUTHWEST: THE CAREER OF GENERAL A. V. KAUTZ, 1869-1886 by ANDREW WALLACE Volume I A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In The Graduate College THE UNIVERSITY OF ARIZONA 1968 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Andrew W h-U r c p __________________________________ entitled _________ Soldier in the Southwest:______________ The Career of General A. V. Kautz, 1869-1886 be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy_________________________ Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:* This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination. The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
Upcoming Events & Programs
Volume MMXV No. 1 January—February 2015 A new exhibit set to open on January 20, 2015 in the upstairs Upcoming gallery at Pennypacker Mills highlights the extraordinary life Events & Programs of Galusha Pennypacker. Galusha was a second cousin to Samuel W. Pennypacker. They shared the same great- Exhibit Opening grandparents Matthias and Mary Custer Pannebecker. Samu- The Making of a Hero: el wrote in his autobiography, When I was a child about seven The Life of Major General years of age, my father one day took me to a house on Nutt’s Galusha Pennypacker Road on the north side about a half mile from Phoenixville and Tues., Jan. 20th thru Mar. 1st within a short distance of the Corner Stores. In the house was a modest, diffident boy, perhaps a little larger than myself. My Gallery Talk father said to me: “Sam, this is your cousin, Galusha Penny- The Making of a Hero: packer,” and we played together in the yard. The Life of Major General Galusha Pennypacker Galusha was the son of Joseph J. and Tamson Workizer Pen- Sun., Jan. 25th 1 to 2 pm nypacker. There have always been discrepancies of his FREE, suggested donation $2 per person birthdate. Galusha wrote to Samuel on October 6, 1871, I was born at Valley Forge- passed but a few years of my life with my Valentine’s Workshop for Kids Grandfather, near Phoenixville. Was born on the farm owned Sat., Feb. 7th 10 am to 12 pm by my mother at V.F., June 1st 1841. Since in Philadelphia, until Fee: $5 per child my mother's decease. -
Commanders of the 16Th Infantry Regiment and Its Lineal Ancestors & Descendents 1861 to Present
Commanders of the 16th Infantry Regiment and its Lineal Ancestors & Descendents 1861 to Present Commanders, 1st Battalion and 11th U. S. Infantry Elements in the Field 1861-1866 NAME DATES REMARKS Lieutenant Colonel Edmund Schriver 3 Jul 61-15 Mar 62 Lieutenant Colonel of the regiment. b: PA s: USMA 1833 Actual commander of Regiment and Highest rank held: Brevet Major General of Volunteers 1st Battalion at Fort Independence and at Perryville until his appointment as Chief of Staff, I Corps 15 Mar 62 Major DeLancey Floyd-Jones 15 Mar 62-1 Oct 62 Commander, 1st Battalion. Leave of b: NY s: USMA 1846 Apr 63–8 Jul 63 absence 1 Oct 62-Feb 63; Commander, Highest rank held: Colonel 2nd Brigade, 2nd Division Feb 63-Apr 63 Transferred to be Commander of Regimental Recruit Depot and Superintendent of Regimental Recruiting Service in Aug 63 Captain Charles S. Russell 1 Oct 62-18 Jan 63 Commander at Fredericksburg b: MA s: Governor of Indiana 1861 8 Jul 63-21 Aug 63 Highest rank held: Brevet Brigadier General 1861 Captain Henry L. Chipman 18 Jan 63-1 Mar 63 Commander during Maj. Floyd- b: NY s: Governor of Michigan 1861 Jones’ leave of absence and while he Highest rank held: Brevet Brigadier General, U.S. Volunteers was commanding 2nd Brigade. Major Jonathan W. Gordon 21 Aug 63-26 Jan 64 Commander, 1st Battalion. Had been b: PA s: Governor of Indiana 1861 Commander of the Regimental Recruit Highest rank held: Major Depot and Superintendent of the Regimental Recruiting Service at Fort Independence Captain Francis M. -
Philadelphians at the Battlefront
Civil War History Consortium Collection Survey 2003 Cynthia Little Philadelphians at the Battlefront (military memorabilia, recruiting posters, uniforms, swords, personal items carried soldiers into war, flags, medals, diaries, letters from and to the battlefront) Grand Army of the Republic Museum and Library Artifacts and Costume 1. Piece of the Stockade of Andersonville Prison in Georgia 2. Prisoners relics from Belle isle Prison where enlisted men were imprisoned Richmond, Va. Carved by prisoners from bone-rings, etc 84.195 3. General George Meade’s chair used at his headquarters at Leister House, Gettysburg. Came from GAR Post #1 4. Gen. Meade’s Campaign hat 84.32 5. General Meade’s Bible 84.228 6. Bridle from Meade’s horse Old Baldi 84.339 7. General Baxter’s uniform00very colorful bright red 84.044 8. Lance from the 6th PA Cavalry Rush’s Lancers with red pinion banner 9. Collection of Captain John Durang’s possessions including his pistol, flask, binoculars 02.067,069,063 10. Battle Flag 82nd PA carried by a Medal of Honor winner, blood stained, needs conservation 11. Sword with scabbard Colonel G. Town 95th PA killed at the Battle of Chancellorsville. There is a large tinted photo of this battle’s survivors from 95th PA 12. Bent silver quarter(framed) which saved life General Gideon Clarke 84.249 13. Original hardtack (airtight frame) battlefield ration 84.215 14. Peace Flag announced the surrender of Lee at Appomattox (has been conserved) 15. Battle Flag 127th United States Colored Troops. In poor condition. Prints, Drawings, Photographs 1. Recruiting Poster for the PA Light Guard Regiment became 121st PA elite 2. -
Galusha Pennypacker Youngest U.S
Galusha Pennypacker Youngest U.S. citizen to achieve the rank of General Born: Jun. 1, 1844 Died: Oct. 1, 1916 The only child of Joseph and Tamson Pennypacker. His father served in the Mexican War; his grandfather was an officer in the War of 1812. After the death of his mother, Galusha, still a child, was entrusted to the care of his grandmother by his father, who departed to seek his fortune in California. Union Brigadier General, Congressional Medal of Honor recipient. On April 28, 1865, he was promoted to Brigadier General of Volunteers; one month before his 21st birthday. This made him the youngest general officer' in United States Military history, a distinction he still holds. Born in Chester County, Pa. in 1844. Sgt. 9th Pa. Inf. 90 days regiment. Capt. 97th Pa. Inf. Wounded four times. Bvt. Major General in March of 1865. Major General in 1867. Retired in 1883. By the end of the year 1864, Wilmington was the South’s last open seaport on the Atlantic coast and was protected by Fort Fisher in North Carolina. On December 24 the Union Navy and Army made a combined assault on Fort Fisher, but were turned back after two days of fighting. The combined force returned on January 12, 1865, and engaged the fort in three days of combat from sea and land. The campaign culminated in a six-hour battle on January 15 during which at least 30 men earned Medals of Honor and the important fort was captured. Colonel Galusha Pennypacker gallantly led his men in the charge over the traverse, where he planted he colors of one of his regiments, though he was severely wounded in this battle. -
When Johnny Comes Marching Home
Education When Johnny Comes Marching Home Slaves planting sweet potatoes on the James Hopkins Plantation, circa 1862. Public domain. Background Information Civil War drummer boys. Courtesy of Music could be heard throughout the Civil War amongst soldiers, sailors, slaves, the Library of Congress women, men, and children. Many of the songs were taken from print, memory, or Grade Level passed down orally and were sung because they were familiar songs that brought comfort or inspiration. New lyrics were often created to embellish • 4-8 traditional songs and the words were pertinent to circumstance or motivation. Timeframe Some songs originated as African-American spiritual songs. Slaves and workers • 1-2 hours in the fields often sang spiritual songs to bring courage, strength, and unity to the Materials unkind conditions in which they lived and worked. Spiritual songs were usually composed in the moment, reflecting suffering or understanding. Computer with internet access, paper, pencils Shanties were work songs set to a tempo that synchronized to repetitive tasks. Key Words Sea shanties, such as Blow the Man Down, also brought men together who worked on the ships at sea. The songs had a purpose and the lyrics harmonized Shanty, sea shanty with the sailors’ labors. There were also patriotic battle songs that inspired and Activity Summary united the troops. Sailors and soldiers had songs about the flag and love of country, their sweethearts, religion, and even drinking songs. Music offered a This lesson focuses on the songs of time for the soldier and sailor to relax and reflect. the Civil War and the role music played. -
Newsletter, June 2008
June 2008 Newsletter -------------------------------------------------------- Yesterday & Today Records P.O. Box 54 Miranda NSW 2228 Phone/Fax: (02) 9531-1710 --------------------------------------------------- Our walk in store is no more but that is about all that has changed. It was a frantic last couple of weeks and it was great to see so many special friends and supporters during that period. Fear not though, we will be continuing and expanding our mail order business. It will mean greater coverage and greater frequency of newsletters, which I can appreciate, is the only means many have of finding out about the wonderful music we carry. You can reach us 7 days a week. If I am out there is an answering machine and I will get back to you with the greatest of speed. This newsletter is largely devoted to sale items. BUT, there are some wonderful new releases and you can guarantee some of these will feature in the year end lists. ------------------------------------------------------------------------------------------------------- Postage rates will be same as before but read on and see how you can get free postage if you make any Bear Family order this month. Regular postage is 1 cd $2/ 2cds $3/ 3-4 cds $6 1 dvd $2/ 2-3 dvds $6 ------------------------------------------------------------------------------------------------------- Fayssoux – “Early” $28 Emmylou Harris fans, and there are one or two, may recognise the name as when she was married to prominent bluegrass/country man John Starling she was featured on several Emmylou Harris albums, most notably “Quarter Moon in a Ten Cent Town” where she even sang a duet with Emmy on “Green Rolling Hills”. She dropped out of the music biz as her marriage to Starling broke up and was rediscovered by accident by Nashville Writer and fellow Red Beet Records artis, Peter Cooper, who also does a fine job as producer.