CURRICULUM VITAE NAME: Susan P. Casteras CURRENT POSITION
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Dante Gabriel Rossetti and the Italian Renaissance: Envisioning Aesthetic Beauty and the Past Through Images of Women
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN Carolyn Porter Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/113 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Carolyn Elizabeth Porter 2010 All Rights Reserved “DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN” A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by CAROLYN ELIZABETH PORTER Master of Arts, Virginia Commonwealth University, 2007 Bachelor of Arts, Furman University, 2004 Director: ERIC GARBERSON ASSOCIATE PROFESSOR, DEPARTMENT OF ART HISTORY Virginia Commonwealth University Richmond, Virginia August 2010 Acknowledgements I owe a huge debt of gratitude to many individuals and institutions that have helped this project along for many years. Without their generous support in the form of financial assistance, sound professional advice, and unyielding personal encouragement, completing my research would not have been possible. I have been fortunate to receive funding to undertake the years of work necessary for this project. Much of my assistance has come from Virginia Commonwealth University. I am thankful for several assistantships and travel funding from the Department of Art History, a travel grant from the School of the Arts, a Doctoral Assistantship from the School of Graduate Studies, and a Dissertation Writing Assistantship from the university. -
UNIVERSITY of FINANCE and ADMINISTRATION Xenophobia In
UNIVERSITY OF FINANCE AND ADMINISTRATION Faculty of Economic Studies Field of Study: Marketing Communication Follow-up master’s study programme in the full time. Bc. Iana Pavlenko Xenophobia in Asia: exploring media environment and marketing solutions DIPLOMA THESIS Prague 2019 Final Thesis Supervisor: Mgr. Jitka Cirklová, M.A., Ph.D Acknowledgements First of all, I would like to thank my thesis supervisor Ms. Jitka Cirklová, for her continuous guidance, support and understanding during the whole process of writing this paper. This study would not be the same without her meaningful recommenda- tions and feedback. Secondly, I would like to thank my family and friends who have always been there for me during this busy period and showed sincere interest in my work. Declaration I hereby declare that I have compiled this final thesis on my own and all the quoted literature as well as other sources used in the thesis are listed in the bibliography. The electronic copy of the thesis is identical with the hard-bound copy. I approve that this diploma thesis is published pursuant to Section 47b Act No.111/1998 Coll., on Higher Education and on the amendment and modification of other acts (the Higher Education Act), as amended. 15.04.2019 _________________________ Abstracts In the contemporary VUCA world, topics of xenomania and xenophobia are being discussed more than ever and are affecting societies and businesses worldwide. The advertising and media industry is a direct reflection of the zeitgeist and topical social issues, including xenomania and xenophobia. Since the media landscape has become a highly sensitive ground with emergence of social media and blogger culture, companies need to be very cautious and careful in their messages to consumers. -
Girl's Aloud's Nicola Roberts Used to Be the Quiet and Gawky One in The
ATTITUDE | EDIT Words Joe Stone BIG GAY FOLLOWING Ginger swan Girl’s Aloud’s Nicola Roberts used to be the quiet and gawky one in the girlband. But with the release of an album of her own heartfelt songs she is now a musical force to be reckoned with xcitement about a Nicola Roberts solo project has been expectation thrust upon it. The single, produced by Diplo and collecting like molten lava since she first began to emerge with rapped verses, at once defies all reasonable expectations and Eas the most intriguing member of Girls Aloud. Initially simultaneously sounding like a continuation of Girls Aloud’s dismissed as the gawky one who made a blink-and-you-miss-it sound – bold, brave and deliciously bonkers. cameo in their first video for Sound Of The Underground, Nicola’s Of course, there were early indications that Nicola would become early legacy has in some ways been the making of her, as we’ve the group’s most exciting solo prospect. She wrote and recorded watched her make a very public transition from shy teenager to faultless solo performances on both their second and third albums front-runner as heir to the group’s o!-kilter pop sensibilities. (I Say A Prayer For You and fan favourite It’s Magic respectively), It’s a shift that is referenced in her debut solo outing Beat Of My and as a result was invited to join pop production powerhouse Drum (‘Two left feet I had no beat, baby in the corner keep up… Xenomania as a songwriter. -
Ebook Download out of Control Ebook
OUT OF CONTROL PDF, EPUB, EBOOK Suzanne Brockmann | 480 pages | 01 Jul 2002 | Random House USA Inc | 9780804119719 | English | New York, United States Out of Control PDF Book A quantum fuck-up, which is someone who fucks up in every one of those universes but in different ways. Wanting to be remembered. Special edition. Jeffrey Gundlach on the Growth of U. Words nearby out of control out of business , out of character , out of circulation , out of commission , out of condition , out of control , out-of-court , out-of-date , out-of-door , out-of-doors , out of fashion. For the first time in millennia, Tisiphone faced another as powerful as herself, a mortal mind which had stolen the power of the Furies themselves, and that power had driven it mad. Retrieved 29 September Do you ever do something and think, Who is at the controls? Join Goodreads. The album's lead single, "The Promise", is a s Spector -influenced number. Retrieved 20 February The day after Thanksgiving brings huge sales, long lines—and some out- of-control crowds. Help Learn to edit Community portal Recent changes Upload file. Retrieved 2 August Still, such arrangements shouldn't be entered lightly. Out of Control was initially announced to be released on 10 November , [27] but the release date was moved forward a week to 3 November. Unable to care for or protect herself, she must compensate for the failures of adult care and protection with the only means at her disposal, an immature system of psychological defenses. Previous Next. Contact us info motorsport. -
Counting the Music Industry: the Gender Gap
October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free lance music industry consult ant, is a director of the board of PiPA http://www.pipacam paign.com/ and an exciting music tech startup called Delic https://www.delic.net work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist. -
Press Release Pre-Raphaelites on Paper, Leighton House Museum
PRESS RELEASE Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection An exhibition at Leighton House Museum organised by the National Gallery of Canada, Ottawa 12 Feb 2016 – 29 May 2016 Press Preview 11 Feb 2016 Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection will be the first exhibition opening at Leighton House Museum in 2016, presenting an exceptional, privately- assembled collection to the UK public for the first time. Featuring over 100 drawings and sketches by the Pre- Raphaelites and their contemporaries, the exhibition is organised by the National Gallery of Canada (NGC). It expresses the richness and flair of British draftsmanship during the Victorian era displayed in the unique setting of the opulent home and studio of artist and President of the Royal Academy (PRA) Frederic, Lord Leighton. From preparatory sketches to highly finished drawings intended as works of art in themselves, visitors will discover the diverse ways that Victorian artists used drawing to further their artistic practice, creating, as they did so, images of great beauty and accomplishment. Portraits, landscapes, allegories and scenes from religious and literary works are all represented in the exhibition including studies for some of the most well-known paintings of the era such as Edward Burne- Jones’ The Wheel of Fortune (1883), Holman Hunt’s Eve of St Agnes (1848) and Leighton’s Cymon and Iphigenia (1884). With the exception of Leighton’s painting studio, the permanent collection will be cleared from Leighton House and the drawings hung throughout the historic interiors. This outstanding collection, brought together over a 30-year period by Canadian Dr. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London
Pamela M. Fletcher Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London Nineteenth-Century Art Worldwide 6, no. 1 (Spring 2007) Citation: Pamela M. Fletcher, “Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London ,” Nineteenth-Century Art Worldwide 6, no. 1 (Spring 2007), http://www.19thc-artworldwide.org/spring07/143-creating-the-french- gallery-ernest-gambart-and-the-rise-of-the-commercial-art-gallery-in-mid-victorian-london. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2007 Nineteenth-Century Art Worldwide Fletcher: Creating the French Gallery Nineteenth-Century Art Worldwide 6, no. 1 (Spring 2007) Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London by Pamela M. Fletcher In 1840, Belgian-born Ernest Gambart arrived in London as an agent of the French print publisher Goupil, and quickly struck out on his own as a print publisher and seller.[1] He soon began purchasing paintings and mounting occasional art exhibitions, and by the mid-1850s he had established the French Gallery at 120/121 Pall Mall as a full-time space devoted to the exhibition and sale of contemporary art.[2] The Gallery was one of the first and most successful commercial galleries of contemporary art in London, and its emergence paralleled a larger transformation of the art market. -
The Planetary Turn
The Planetary Turn The Planetary Turn Relationality and Geoaesthetics in the Twenty- First Century Edited by Amy J. Elias and Christian Moraru northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2015 by Northwestern University Press. Published 2015. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data The planetary turn : relationality and geoaesthetics in the twenty-first century / edited by Amy J. Elias and Christian Moraru. pages cm Includes bibliographical references. ISBN 978-0-8101-3073-9 (cloth : alk. paper) — ISBN 978-0-8101-3075-3 (pbk. : alk. paper) — ISBN 978-0-8101-3074-6 (ebook) 1. Space and time in literature. 2. Space and time in motion pictures. 3. Globalization in literature. 4. Aesthetics. I. Elias, Amy J., 1961– editor of compilation. II. Moraru, Christian, editor of compilation. PN56.S667P57 2015 809.9338—dc23 2014042757 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Elias, Amy J., and Christian Moraru. The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century. Evanston: Northwestern University Press, 2015. The following material is excluded from the license: Illustrations and an earlier version of “Gilgamesh’s Planetary Turns” by Wai Chee Dimock as outlined in the acknowledgments. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/. -
Music Education Entering the 21St Century
MUSIC EDUCATION ENTERING THE 21ST CENTURY Editor: Patricia Martin Shand Dedicated to ISME in celebration of its 50th Anniversary ISBN 0-9752063-0-3 Title: Music Education Entering the 21st Century: History of the ISME Music in Schools and Teacher Education Commission and Papers and Workshop Descriptions from the MISTEC 2000 and 2002 Seminars Edition: First Editor: Shand, Patricia Martin Date of Publication: April 2004 Printing: Uniprint, The University of Western Australia © International Society for Music Education International Society for Music Education (ISME) PO Box 909 NEDLANDS 6909 Western Australia Email: [email protected] mailto: [email protected] website: http://www.isme.org Tel: 61+8+9386 2654 Fax: 61+8+9386 2658 FOREWORD 2003-4 marks the 50th anniversary of the International Society for Music Education (ISME). The celebration of that anniversary is an opportunity for music educators to reflect on the past, consider the present, and plan for the future. The Music in Schools and Teacher Education Commission of ISME is pleased to contribute to the ISME 50th anniversary celebration with the publication of this book. Part One focuses on the ISME Music in Schools and Teacher Education Commission (MISTEC), with a statement of its current mission, an overview and personal memories of its history and past achievements, and reflections on future directions for the Commission. Parts Two and Three present 18 selected papers and workshop descriptions from the first two MISTEC seminars of the 21st century. The authors represent 11 different countries, and their presentations cover a wide range of topics and issues, dealing with the past, present, and future. -
Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915
Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Susan Casteras, Chair Paul Berger Stuart Lingo Program Authorized to Offer Degree: Art History ©Copyright 2015 Kimberly E. Hereford ii University of Washington Abstract Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford Chair of the Supervisory Committee: Professor Susan Casteras Art History This dissertation examines representations in art of the Victorian woman in “altered states.” Though characterized in Victorian art in a number of ways, women are most commonly stereotyped as physically listless and mentally vacuous. The images examined show the Victorian female in a languid and at times reclining or supine pose in these representations. In addition, her demeanor implies both emotional and physical depletion, and there is both a pronounced abandonment of the physical and a collapsing effect, as if all mental faculties are withdrawing inward. Each chapter is dedicated to examining one of these distinct but interrelated types of femininity that flourished throughout British and American art from c. 1850 to c. 1910. The chapters for this dissertation are organized sequentially to demonstrate a selected progression of various states of consciousness, from the most obvious (the sleeping woman) to iii the more nuanced (the female Aesthete and the female medium). In each chapter, there is the visual perception of the Victorian woman as having access to otherworldly conditions of one form or another. -
KEY SONGS and We’Ll Tell Everyone Else
Cover-15.03.13_cover template 12/03/13 09:49 Page 1 11 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.03.13 £5.15 40 million albums sold worldwide 8 million albums sold in the UK Project1_Layout 1 12/03/2013 10:07 Page 1 Multiple Grammy Award winner to release sixth studio album ahead of his ten sold out dates in June at the O2 Arena ‘To Be Loved’ 15/04/2013 ‘It’s A Beautiful Day’ 08/04/2013 Radio Added to Heart, Radio 2, Magic, Smooth, Real, BBC Locals Highest New Entry and Highest Mover in Airplay Number 6 in Airplay Chart TV March BBC Breakfast Video Exclusive 25/03 ‘It’s A Beautiful Day’ Video In Rotation 30/03 Ant & Dec Saturday Night Takeaway 12/04 Graham Norton Interview And Performance June 1 Hour ITV Special Expected TV Audience of 16 million, with further TVs to be announced Press Covers and features across the national press Online Over 5.5 million likes on Facebook Over 1 million followers on Twitter Over 250 million views on YouTube Live 10 Consecutive Dates At London’s O2 Arena 30th June • 1st July • 3rd July • 4th July 5thSOLD July OUT • 7thSOLD July OUT • 8thSOLD July OUT • 10thSOLD July OUT 12thSOLD July OUT • 13thSOLD July OUT SOLD OUT SOLD OUT SOLD OUT SOLD OUT Marketing Nationwide Poster Campaign Nationwide TV Advertising Campaign www.michaelbuble.com 01 MARCH15 Cover_v5_cover template 12/03/13 13:51 Page 1 11 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.03.13 £5.15 ANALYSIS PROFILE FEATURE 12 15 18 The story of physical and digital Music Week talks to the team How the US genre is entertainment retail in 2012, behind much-loved Sheffield crossing borders ahead of with new figures from ERA venue The Leadmill London’s C2C festival Pet Shop Boys leave Parlophone NEW ALBUM COMING IN JUNE G WORLDWIDE DEAL SIGNED WITH KOBALT LABEL SERVICES TALENT can say they have worked with I BY TIM INGHAM any artist for 28 years, but Parlophone have and we are very et Shop Boys have left proud of that.