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Between the Buried & Me Cradle of Filth Kissing Candice Jungle Rot August Burns Red Thy Art Is Murder Wilson
BETWEEN THE BURIED CRADLE OF FILTH KISSING CANDICE JUNGLE ROT & ME HAMMER OF THE WITCHES BLIND UNTIL WE BURN ORDER SHALL PREVAIL COMA ECLIPTIC NUCLEAR BLAST VICTORY VICTORY METAL BLADE Unquestionably one of the greatest and most “Pretty, ugly, gross, bloody, pissed, catchy, Shots’ firing overhead, out of breath, thankful When tasked with explaining Between the influential British metal bands of all time, heavy.” These are the words spewed from to be alive, an exhausted, courageous soldier Buried and Me’s previous effort, The Paral- CRADLE OF FILTH have cast a commanding Kissing Candice frontman Joey Simpson takes cover in a nearby trench. Overcome with lax II: Future Sequence, Decibel Magazine and macabre shadow across the metal scene when describing the bands impending album, tragedy, the cadet looks down to carefully re- claimed that the album “offers more substance for nearly a quarter of a century. Armed with Blind Until We Burn – one of the most blood- move his worn down combat boots to discover than most bands put forth in entire careers.” their trademark cross-pollinated assault that drenched doses of violence that has been put his feet numb and blue, knocking him back Where does a burgeoning progressive act go taps into myriad strands of sonic extremity to ears. Distinct themes of angry defiance and with an overwhelming smell of decay and gan- from there? The answer is found in their sev- and morbid opulence, they have steadily con- horror-laced hysteria snake throughout the grene. This phenomenon is known as “jungle enth full-length album, Coma Ecliptic. -
A Day to Remember to Release Common Courtesy Physically & Digitally on November 25Th
FOR IMMEDIATE RELEASE A Day To Remember To Release Common Courtesy Physically & Digitally On November 25th New Album Features First Single “Right Back At It Again” NEW YORK, NY (October 22, 2013) –A Day To Remember’s new album Common Courtesy was made available digitally at only ADTR.com earlier this month drawing massive traffic to the band’s website. Their new album will now be available everywhere on November 25 th . Lead singer Jeremy McKinnon commented on finally being able to release the album: “It still doesn't feel real to me. I can't wait to just be able to go into a store and actually pick it up myself! It'll be the first time I'll have actually held the album.” The upcoming release of Common Courtesy will feature three bonus tracks bringing the total number of songs to 16. “The extra songs are the tracks we couldn't place on the album, so they were cut,” McKinnon added. “When we found out we couldn't release it on the same day that we wanted, we decided to just give people the songs extra with the physical form for supporting us through all this. Also, anyone who bought the 13 track original album from us at adtr.com will get the three songs for free!” The CD version will also include the hilarious four episodes (originally premiered at adtr.com) of A Day To Remember’s creative process in creating Common Courtesy . The band’s last album What Separates Me From You was a major breakthrough for A Day To Remember. -
Four Loko Is Simply Loco Photo Courtesy of by Kasara Mclaughlin Copy Editor
INSIDE: “No Parking in Dorm Circle”…or Anywhere Else for that Matter The Comenian Volume CXXIV, Issue Number 4 Moravian College’s Student Newspaper Thursday, December 9, 2010 IMPACT Calendar See what’s coming in Spring! Dates to be determined. Jeopardy! Photo Courtesy of www.gearlog.com Jim Karol, the Psychic Madman (featured on the Ellen Degeneres show and the Tonight Show with Jay Leno) Photo Courtesy of www.delhi.edu Comedy Show (Featuring a well known Photo Courtesy of http://www.hoodfever.com/ comedian, To Be Determined) Four Loko is Simply Loco Photo Courtesy of www.thrillermag.com by Kasara McLaughlin Copy Editor Four Loko: these two words alone spark some Many people can get drunk off of just one sort of response in every person they come into can of Four Loko, which has the price equivalent contact. Four Loko is an alcoholic and caffeinated to a mere shot or a single beer at the bar. energy drink which come in many flavors, and According to recent reports, the ABCC (Alcoholic even come in different levels of alcohol. Beverage Control Commission) filed an emergency The company “Four,” that produces this regulation on November 18 ordering that the production berverage, is named for the four ingredients of alcoholic beverages that contain added caffeine used in the company’s products, which are: should be removed from shelves immediately. BINGO caffeine, taurine, guarana, and alcohol. While some cities and states have decided to This drink has put a new spin on the ban it, others are keeping it around due to the Photo Courtesy of www.playbingogames.info importance of the warning label, which is seen amount of profit these products are bringing in. -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Anarchism, Hardcore Music, and Counterculture
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2016 Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture Pearson Bolt University of Central Florida Part of the Critical and Cultural Studies Commons, and the Ethnomusicology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bolt, Pearson, "Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture" (2016). Electronic Theses and Dissertations, 2004-2019. 5128. https://stars.library.ucf.edu/etd/5128 DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. -
Jake Luhrs Vocals JB Brubaker Guitar Brent Rambler Guitar Matt Greiner Drums Dustin Davidson Bass
Jake Luhrs vocals JB Brubaker guitar Brent Rambler guitar Matt Greiner drums Dustin Davidson bass “I definitely don't feel like we're the ‘new guys’ in the scene anymore. We have our sound figured out at this point,” says AUGUST BURNS RED guitarist JB Brubaker. “But it was time to break some rules.” Since the release of AUGUST BURNS RED’s 2009 breakout album, Constellations – which landed the metal juggernauts at #24 on the Billboard 200 – the Lancaster, PA-based genre giants have found themselves in some rather unexpected places. From the cover of Alternative Press to Fox’s “American Dad,” from the sands of Dubai to the Warped Tour, from Japan to Australia to South America, AUGUST BURNS RED crisscrossed the globe time and again on the road to the top of the hard rock heap. When it came time to record their fourth full-length album, Leveler, ABR could have played it safe, could have simply cashed in on their previous success by making Constellations II. Instead, after eight years and a quarter of a million albums sold, AUGUST BURNS RED scrapped the old game plan and followed their sound where it led them. The direction, as it turns out, was both forward and backward. On Leveler, the band recaptured the hungry, ferocious heaviness of their earlier albums, and at the same time bravely indulged some of the more creative impulses they had previously stifled. The breathtaking result is nothing short of a game-changer. “The biggest risk we took on this album was not limiting ourselves to stay inside the standard metalcore box,” says Brubaker. -
The Glamour of Grammar by Roy Peter Clark 授業用サイト
The Glamour of Grammar by Roy Peter Clark 授業用サイト INTRODUCTION p.1 • “Hound Dog” by Elvis Presley • ain’t • prescriptive (vs. descriptive) • Webster’s Third p.2 • descriptive • “Rosebud” (cf.Citizen Kane) • oxymoronic, as paradoxical as a sequined pocket protector • Oxford English Dictionary (OED) p.3 • The Word Detective (cf. The Word Detective) • Gothic stories (cf. Gothic novels) Gothic fiction, sometimes referred to as Gothic horror, is a genre or mode of literature that combines elements of both horror and romance. Gothicism's origin is attributed to English author Horace Walpole, with his 1764 novel The Castle of Otranto, subtitled "A Gothic Story". The effect of Gothic fiction feeds on a pleasing sort of terror, an extension of Romantic literary pleasures that were relatively new at the time of Walpole's novel. Melodrama and parody (including self-parody) were other long-standing features of the Gothic initiated by Walpole. It originated in England in the second half of the 18th century and had much success during the English romantic period with Mary Shelley’s Frankenstein and the works of Edgar Allan Poe. A later well known novel in this genre, dating from the Victorian era, is Bram Stoker’s Dracula. The name Gothic refers to the (pseudo)- medieval buildings in which many of these stories take place. This extreme form of romanticism was very popular in England and Germany. The English gothic novel also led to new novel types such as the German Schauerroman and the French roman noir. • Hadrian’s Wall The Glamour of Grammar by Roy Peter Clark • grammazons (cf. -
For the Fallen Dreams Album Download for the Fallen Dreams Album Download
for the fallen dreams album download For the fallen dreams album download. For The Fallen Dreams - Discography (2006-2018) Genre: Hardcore/Metalcore/Melodic Country: USA Quality: Mp3, CBR 320 kbps. Quality Mp3, CBR 128 kbps. Tracklist 01. Intro 02. Dead As The Rest 03. The Killing Tree 04. A Serpent, A Flower. Quality Mp3, CBR 128 kbps. Tracklist 01. This World Around Us 02. New Beginnings 03. Divine 04. Look Alive 05. Last Dying Breath. Tracklist 01. Brothers In Arms 02. New Beginnings 03. Hopeless 04. Last Dying Breath 05. This World Around Us 06. Never Again 07. Changes 08. Vengeance 09. Falling Down 10. Through The Looking Glass. Tracklist 01. Intro 02. The Call Out Perceptions 03. A Plethora Of 04. Nightmares (feat. Jeremy McKinnon from A Day to Remember) 05. December Everyday 06. Defiance 07. Smoke Signals 08. In Sincerity 09. Before I Regret 10. Two Tweny Two 11. Resurface The End 12. The Pain Loss. Tracklist 01. Say What You Will 02. Deep Down Inside 03. Complicate The Situation 04. Only Unopened Arms 05. My Anthem-Like Symphony 06. The Big Empty 07. Bottom Feeders 08. Don't Give Up, Don't Give In 09. The Human Collective 10. Let Go 11. Yellow 12. Fist Fight. Tracklist 01 Strange Faces. Tracklist 01. Hollow 02. Resolvent Feelings 03. Please Don’t Hurt 04. Until It Runs Out 05. Sober 06. Living a Lie 07. Always About You 08. Moving Forward 09. Your Funeral 10. When Push Comes to Shove 11. No One to Blame 12. Waking Up Alone 13. -
A Day to Remember Common Courtesy Full Album Tracklist
A day to remember common courtesy full album tracklist "Sometimes You're the Hammer, Sometimes You're the Nail" was the last song written for the album, the band wasn't pleased with the Music and lyrics · Release · Critical reception · Track listing. Sometimes You're The Hammer, Sometimes You're The Nail 4. Dead & Buried 5. Best of Me 1. This is all the songs off of A Day to Remember's album "Common Courtesy", this includes the three new bonus tracks as well. Subscribe, like A Day to Remember- Best Of Me (Lyrics). by Jessie A Day to Remember- I Surrender (Lyrics) A Day to Remember- The Document Speaks For Itself (Lyrics). Listen to songs from the album Common Courtesy, including "City of Ocala", "Sometimes You're the Hammer, Sometimes You're the Nail", and many more. A Day to Remember to self-release their fifth full-length, Common. Life @ 11 I surrender Life lessons learned the Hard way End of me The Document speaks for itself I remember Find album reviews, stream songs, credits and award information for Common Courtesy - A Day to Remember on AllMusic - been left on tracks, giving fans a window into a creative process that sounds fun and relaxed. A Day To Remember are finally releasing Common Courtesy tomorrow. Check out the track listing and album length via AbsolutePunk below. A Day To Remember's 5th studio album, and 4th fourth under the label that put them through months of album-delays, Victory. Released on October 8th, A Day To Remember lyrics - 84 song lyrics sorted by album, including "If It Means A Lot To You", "All I Want", "You Be Tails, I'll Be Sonic". -
Don't Let the World
DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this study, I identified the ways music and lyrics craft attitudes and environments for revolt and rebellion, cultivating critical thinking and disobedience in equal measures. In order to understand the hardcore community, I conducted interviews, studied political theory, analyzed the lyrics of hardcore bands, and synthesized the data to draw connections between major thematic elements of this community. I’ve found that hardcore music has created a countercultural ethos that subverts and defies political apathy and instigates direct action in order to revolutionize the political process and erect spaces of anarchic solidarity. Keywords: anarchy, hardcore, music, politics, counterculture iii For Barrett Brown, Jeremy Hammond, Edward Snowden, Chelsea Manning, Julian Assange, and the countless other journalists, dissidents, academics, and anarchists arrested, exiled, and executed by the State for crimes of conscience—may we follow your example and engage in protest, rebellion, direct action, and insurrection with songs of resistance on our lips. -
NICK MASON on the Occasion of a Monster Pink Floyd Reissue Campaign, We Detail the Drummer’S Many Sonic Charms and Chat with Him for His First-Ever
!.!-!:).'% 02/ 02):%0!#+!'% 13*.644+":-"/&t4/"3&#&%4*/%&15) 7). &2/-0%!2, VALUED ATOVER .OVEMBER 4HE7ORLDS$RUM-AGAZINE 4-".%6/,5)&'6/, 5*14'30. (&/&-",& %&'*/&:0633*%& (3*14501&3'&$5 :0631)3"4*/( 1*/,'-0:%4 .)#+-!3/. /.$!2+3)$% 7)3(9/57%2%(%2% 4(%7!,, !.$-/2% 5)&'-&$,50/&4'6563&."/ +";;(3&"5#"33:"-54$)6- */'-6&/$&4+*..:$)".#&3-*/ #-"$,450/&$)&33:4+0)/'3&%:06/( -ODERN$RUMMERCOM 3&7*&8&% (3&54$)3&/08/.&*/-#:;"/$&45":&.&5"-803,41&%"-(.4461&37*/5"(&5*()54$3&84#-6&.*$4 Volume 35, Number 11 • Cover photo by Bob Gruen CONTENTS Bob Gruen Ash Newell 32 JOHN FRED YOUNG Black Stone Cherry’s super-animated sticksman isn’t above pushing his playing over the top to add fuel to the band’s already fiery shows. by Rick Mattingly 56 JAY LANE More than two decades ago, he helped Primus find its sea legs. He made the difficult choice to move on, and kept honing his craft in funk, jazz, hip-hop, rock, and jam bands. In a rare example of sec- ond chances, the Primus ship circled back Jay’s way, and he’s at the wheel again, on the ride of his life—earning and owning the gig down to the last tickle of the hi-hats. by Michael Parillo 38 NICK MASON On the occasion of a monster Pink Floyd reissue campaign, we detail the drummer’s many sonic charms and chat with him for his first-ever Modern Drummer cover story. by Adam Budofsky Paul La Raia Kevin Packard 12 UPDATE • August Burns Red’s MATT GREINER • Battles’ JOHN STANIER • PAUL STANLEY-MCKENZIE • The Flecktones’ ROY WOOTEN • Drummer/Percussionist DANNY FRANKEL Courtesy of Solid State Records 62 68 INFLUENCES JIMMY CHAMBERLIN BARRY ALTSCHUL The differences between straight-ahead and avant-garde, melody and rhythm, and straight and free time become 96 PORTRAITS Job for a Cowboy’s JON RICE intriguingly unclear when you’re studying the work of this jazz-drumming great. -
1 South by Southwest – Continuing Legal Education “Actions, Reactions and Class Actions: Music Business Litigation” March
South by Southwest – Continuing Legal Education “Actions, Reactions and Class Actions: Music Business Litigation” March 14, 2014 | 12:30-1:30PM | Austin Convention Center | Room 9ABC Materials Prepared by David M. Given, Phillips Erlewine & Given, LLP I. Music Industry Download Cases: A. Sledge v. Warner Music Group. On January 23, 2014, U.S. District Judge Richard Seeborg granted preliminary approval to a deal struck between a group of recording artists and Warner Music Group over the treatment of monies derived from digital downloads and ringtones. The deal provides an $11.5 million fund for pre-digital age artists to claim against for past amounts based on their download activity together with an uplift (subject to a floor and ceiling) in the royalty rate paid to artists by WMG on download activity.1 The court has set a hearing for final approval in October 2014. B. James v. UMG Recordings, Inc. Ongoing class action litigation against UMGR over the treatment of digital licensing income brought by the estate of Rick James, Chuck D. of Public Enemy, Dave Mason, Whitesnake and others.2 The court has set a hearing on plaintiffs’ motion for class certification in November 2014. (A similar case is pending in the same court against EMI/Capitol Records, now owned by UMGR, which has only just gotten underway.) C. Shropshire v. Sony Music Entertainment; Youngblood v. BMG Music. Plaintiffs, including The Allman Brothers, Cheap Trick, and The Youngbloods, alleged that BMG and Sony (and after a 2004 merger, Sony BMG Music Entertainment), failed to render to them and other artists accurate accounting statements and to properly account and credit royalties for digital music downloads, mobile phone ringtones, and ringback tone uses generated by Sony/BMG’s licensing of the plaintiffs’ and other class members’ master recordings to third-party licensees.