Reza Safinia

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REZA SAFINIA FEATURE FILMS BIRTH OF THE DRAGON Michael London, Wei Han, prods. Groundswell Productions George Nolfi, dir. Composer THE TRUST Molly Hassell, Braxton Pope, prods. Hassell Free Productions Alex and Ben Brewer, dirs. Composer / Music Supervisor THE GREEN GHOST Aaron Lee Lopez, Brandon Keropian Olmos, Mutt Productions David Rodriquez, prods. Composer Michael D. Olmos MERCY Jason Blum, McG, Mary Viola, prods. Universal Pictures Peter Cornwell, dir. Composer EUGENIA AND JOHN Chad Burris, Amy Durning, prods. Indion Entertainment Group Hossein Keshavarz, dir. FILLY BROWN Edward James Olmos, Homa Sorror, Kevin Lionsgate / Cima Productions Smith, exec prods. Composer/ Songwriter “Dream Big”, “Filly Youssef Delara, Michael D. Olmos, dir. Brown”, “Wisdom”, “I Get Nasty”, “Stuck”, “Good Lovin”, “Reflections”, “This Is My Life” THE BOUNCE BACK Ray Brown, Victor Teran, Amir Delara, Cima Productions Youssef Delara, prods. Composer Youssef Delara, dir. FIGHT LIKE A GIRL (Documentary) Tchavdar Georgiev, Jill Morley, prods. Composer Jill Morley, dir. ENTER THE DANGEROUS MIND Kevin Smith, Jeremy Platt, Reza Safinia, exec. prods. Cima Productions / Generate Youssef Delara, Victor Teran, dir. Composer KINYARWANDA Alrick Brown, dir. Blok Box IMG Additional Music AS USUAL BILL Florencia Davidson, prod. Composer Florencia Davidson, dir. WHO IS A.B.? Michael Morley,Yasmin Rais, prods. Composer Massoumeh Emami, Yasmin Rais, dirs. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 REZA SAFINIA TELEVISION SECRET KEEPERS (Series) Josh Shader, prod. P-VALLEY (Series) Peter Chernin, Dante Di Loreto, Jenno Topping, Lionsgate TV Katori Hall, exec prods. SNATCH (Series) Rupert Grint, Alex De Rakoff, exec prods. Sony TV / Crackle WARRIOR (Series) Justin Lin, Assaf Bernstein, Shannon Lee, Brad HBO Caleb Kane, Troy Craig Poon, Richard Sharkey, *Co-Composer Jonathan Tropper, Danielle Woodrow, exec prods. NUDE (TV Special) Tony Saccim Josh Shader, prods. Lionsgate Composer VITAL SIGNS (Series) Aaron Ginsburg, William Green, prods. Eye Candy Composer CONFLICT (mini-series) Aziz Isham, Chris Keener, Shaul Schwartz, prods. RedFitz Prod. Composer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 .

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0 GET FIRED up W Inter
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Titolo Anno Paese
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Walpole Public Library DVD List A
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'A Huge Success'
INSIDE TODAY: Death toll rises to 11 as Florence pours on the rain / A3 SEPT. 16, 2018 JASPER, ALABAMA — SUNDAY — WWW.MOUNTAINEAGLE.COM $1.50 WALKER COUNTY BRIEFS BOARD OF EDUCATION State to host job fair for Board lists people with disabilities Dora, Cordova MONTGOMERY (AP) — Alabama is schools on hosting a job fair for people with dis- ‘wish list’ of abilities. Alabama Gov. Kay Ivey's office future projects announced that the second annual By NICOLE SMITH Governor's Job Daily Mountain Eagle Fair for People The Walker County Board of Educa- with Disabilities will tion’s five-year capital plan includes the be held Oct. 25 at hope for two new school construction projects in Cordova the Von Braun and Dora and other Center in needs in the school Huntsville. system. The event will co- Board members and interim Superin- incide with Na- tendent Dr. Joel Ha- tional Disability good approved a list Awareness Month. of 10 items on their Alabama Depart- capital plan Thurs- ment of Labor Sec- day. Daily Mountain Eagle - Ron Harris The first item on retary Fitzgerald the list is renovations Dr. Joel Washington said Taylor Hicks, center, and Robert Randolph, far right, performed together at the end of to the Cordova High Hagood the state is hosting Hicks’ set during last weekend’s Foothills Festival in downtown Jasper. School field house, which was recently approved by the the fair for a sec- school board in the amount of $100,000. ond time after the Other projects on the list for 2019, in success of last order of mention, include: Land acqui- year's event.
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Moral Rights in the Last Airbender and Fair Use in Ms. Marvel
4. Tanaka4. Tanaka (Do Not Delete) 9/4/2018 10:01 PM Promoting Asian American Representation Through Copyright: Moral Rights in The Last Airbender and Fair Use in Ms. Marvel Jon Tanaka† INTRODUCTION ................................................................................... 88 I. REPRESENTATION OF ASIAN AMERICANS IN POPULAR CULTURE ... 91 A. The Absence of Asian American Characters and Narratives .......................................................................................... 93 B. The Whitewashing of Asian American Characters ............. 95 II. THE POTENTIAL ROLE OF MORAL RIGHTS AND FAIR USE ............. 98 A. Preventing Whitewashing with Moral Rights ..................... 98 1. Moral Rights in the United States: The Visual Artists Rights Act ................................................................. 100 2. An Expansive Moral Rights Framework .................... 101 3. Moral Rights as a Framework for Whitewashing ....... 105 B. Promoting Diversity with Fair Use ................................... 107 1. Transformative Works ................................................ 108 2. Character Copyrightability ......................................... 110 3. Applicability to Racebending ..................................... 111 III. DUELING CASES: AVATAR: THE LAST AIRBENDER AND MS. MARVEL ............................................................................................... 114 A. The Whitewashed Case: Avatar: The Last Airbender....... 114 1. Moral Rights in Avatar ..............................................
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The Last Stand
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COVER 2020 JC.Indd
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Dragons and Dragon Lore
DRAGONS AND DRAGON LORE BY ERNEST INGERSOLL With an Introduction by HENRY FAIRFIELD OSBORN President of the American Museum of Natural History "There’s no such thing in nature, and you’ll draw A faultless monster which the world ne’er saw." 1928 Payson & Clarke Ltd. New York Introduction I became intensely interested in Dragon Worship and the Dragon Myth during my recent journey in China and Mongolia in support of the Central Asiatic Expeditions of Roy Chapman Andrews. Especially, in the royal city of Peking appears the apotheosis of the Dragon in every conceivable form of symbolism and architecture. The Dragons leading up to the steps of the temples and palaces of the Manchu emperors, and the superb dragon-screen guarding the approach to one of the royal palaces, are but two of the innumerable examples of the universal former belief in these mythical animals, and of the still prevailing beliefs among the common people of China. For example, one night in a far distant telegraph station in the heart of the desert of Gobi, I overheard two men pointing out Leader Andrews and myself as 'men of the Dragon bones.' On inquiry, I learned that our great Central Asiatic Expedition was universally regarded by the natives as engaged in the quest of remains of extinct Dragons, and that this superstition is connected with the still universal belief among the natives that fossil bones, and especially fossil teeth have a high medicinal value. Not long after my return from Central Asia, I suggested to my friend, Ernest Ingersoll, that he write the present volume, preparing a fresh study of the history of the Dragon Myth which, now largely confined to China, once spread all over Asia and Europe, as dominant not only in mythology but entering even into the early teachings of Christianity, as so many other pagan myths have done.
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The Birth of the Dragon—Bruce Lee As a Cultural Icon and a Cross- Cultural Translator/ Adaptor
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Or Why Are We Still Talking About Yellowface in Twenty-First-Century Cinema?
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