From Obsesión to Una Mentirita: Interview with Henry Santos
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Top 100 Most Requested Latin Songs
Top 100 Most Requested Latin Songs Based on millions of requests played and tracked through the DJ Intelligence® music request system at weddings & parties throughout 201 9 RANK ARTIST SONG 1 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 2 Pitbull Feat. John Ryan Fireball 3 Jennifer Lopez Feat. Pitbull On The Floor 4 Cardi B Feat. Bad Bunny & J Balvin I Like It 5 Pitbull Feat. Ne-Yo, Afrojack & Nayer Give Me Everything 6 Marc Anthony Vivir Mi Vida 7 Elvis Crespo Suavemente 8 Bad Bunny Feat. Drake Mia 9 Pitbull Feat. Ne-Yo Time Of Our Lives 10 DJ Snake Feat. Cardi B, Ozuna & Selena Gomez Taki Taki 11 Gente De Zona Feat. Marc Anthony La Gozadera 12 Daddy Yankee Gasolina 13 Prince Royce Corazon Sin Cara 14 Daddy Yankee Dura 15 Shakira Feat. Maluma Chantaje 16 Celia Cruz La Vida Es Un Carnaval 17 Prince Royce Stand By Me 18 Daddy Yankee Limbo 19 Nicky Jam & J Balvin X 20 Carlos Vives & Shakira La Bicicleta 21 Daddy Yankee & Katy Perry Feat. Snow Con Calma 22 Luis Fonsi & Demi Lovato Echame La Culpa 23 J Balvin Ginza 24 Becky G Feat. Bad Bunny Mayores 25 Ricky Martin Feat. Maluma Vente Pa' Ca 26 Nicky Jam Hasta El Amanecer 27 Prince Royce Darte Un Beso 28 Romeo Santos Feat. Usher Promise 29 Romeo Santos Propuesta Indecente 30 Pitbull Feat. Chris Brown International Love 31 Maluma Felices Los 4 32 Pitbull Feat. Christina Aguilera Feel This Moment 33 Alexandra Stan Mr. Saxobeat 34 Daddy Yankee Shaky Shaky 35 Marc Anthony Valio La Pena 36 Azul Azul La Bomba 37 Carlos Vives Volvi A Nacer 38 Maluma Feat. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLVI, Issue 2 Spring 2017 Dominican Migrants, Plural Identities, and Popular Music Angelina Tallaj, Guttman Community College, CUNY In an age of globalization marked by proliferating population movements, ever-faster communication, and cultural exchanges across nations, diasporic communities strive, often through music, to maintain connection to a homeland identity. In doing so they create new styles in adapting to their new host society, and offer musi- cal experiences that complicate the home/host binary positions. Dominican-American music, while influenced by American genres such as R&B, house, and hip hop, also features specifically Dominican Spanish lyrics and distinctive local Dominican rhythms to assure a continuity with Dominicans’ identity as Latinos or Hispanics. Dominican genres in New York, especially merengue and bachata, have become symbols of Latinidad (pan- Latino solidarity) for many migrants from Latin America precisely because they blend local and global genres of music. These genres mix rural Latin American cultural references with urban elements from New York City in ways that Spanish-speaking groups, who also experience newly fluid racial and ethnic identities away from their homeland, can identify with. Experiencing these Dominican-American genres is a way for migrants to rei- magine new and more porous borders of geography, race, and history. They combine past and present, rural and urban, and home and host countries in ways that create new and more plural models of identities. For many Dominicans, New York is just another Dominican city: we call upper Manhattan Quisqueya Heights, citing the Taíno Native Indian name for the island of Haiti and the Dominican Republic. -
Este Es El Colmo
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Este es el Colmo Reet Rannik Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fiction Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Rannik, Reet, "Este es el Colmo" (2018). Senior Projects Spring 2018. 258. https://digitalcommons.bard.edu/senproj_s2018/258 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Este es el Colmo Senior Project submitted to The Division of Languages and Literature of Bard College by Reet Rannik Annandale-on-Hudson, New York May 2018 Acknowledgements Esta colección de relatos se la dedico a mi padre, de él heredé la sensibilidad y sin la sensibilidad no se puede escribir, también me dio la mejor educación posible. A mi madre por darme la vida, el regalo más increíble y extraño que me han dado y por darme hermanos prodigiosos. A mi abuela, Nani, la que me apoyó desde el inicio cuando dije que quería ser escritora. -
Romeo Santos Por Un Segundo
Por un Segundo Romeo Santos Quizás este no sea el momento para preguntarte Si es quial pasar tanto tiempo, pudiste olvidarme Veo en tu dedo un anillo y en conclusión Te casas al final de agosto Y aquí estoy yo con la misma expresion Perdón si soy imprudente Y delante de la gente, te reclamo de repente Como es que supuestamente se vencio el amor Sin un contrato entre tu y yo Como en los cuentos de hadas, nuestra historia fue contada Tu eras mi princesa Diana, y yo el Rey que tanto amabas Y el ejemplo es ficción pero el heridico fue mi amor Y ahora por un segundo, me ahogo en los mares de la realidad Por un segundo acepto mi derrota, te perdí de verdad Y por un segundo enfrento mi duelo, ya no estas conmigo Y desde luego siento el frío, ni tu alma, ni tu cuerpo son míos Mis sueños se han perdido y me hechas al olvido nooo Quizás este no sea el momento para humillarme Pero en mis subconcientes estoy conciente que es muy tarde Y pongo en pausa los deseos y la illución, porque tienes un nuevo dueño Y aquí estoy yo con la misma expresión Perdón si soy imprudente Y delante de la gente, te reclamo de repente Como es que supuestamente se venció el amor Sin un contrato entre tu y yo Como en los cuentos de hadas, nuestra historia fue contada Tu eras mi princesa Diana, y yo el Rey que tanto amabas Y el ejemplo es ficción pero el heridico fue mi amor Y ahora por un segundo, me ahogo en los mares de la realidad Por un segundo acepto mi derrota, te perdí de verdad Y por un segundo enfrento mi duelo, ya no estas conmigo Y desde luego siento el frío, -
My New Updated 2012 List. All Types of Latin Music, Including Merengue, Merengue House, Latin Dance and More!
My new updated 2012 list. All types of Latin music, including Merengue, Merengue House, Latin Dance and more! Tropical Latin January 2012 Tropical Latin March 2012 1 Lovumba/ Daddy Yankee 1 Las Cosas Pequeñas/ Prince Royce 2 Me Toca Celebrar/ Tito \ "El Bambino\ " 2 Mi Santa/ Romeo Santos f./ Tomatito 3 Bebe Bonita/ Chino Y Nacho f./ Jay Sean 3 Mi Reto/ Luis Enrique 4 Por Nada/ Henry Santos 4 Solo Con Un Beso/ Jerry Rivera 5 Aires De Navidad/ N\ 'Klabe 5 Vallenato En Karaoke/ Elvis Crespo f./ Los Del 6 Aires De Navidad/ Remix/ N\ 'Klabe f./ Sergio Vargas Puente 7 Papi/ Original Radio/ Jennifer López 6 Me Voy De La Casa/ Tito \ "El Bambino\ " 8 All My Life/ Migz 7 Hotel Nacional/ Gloria Estefan 9 Energía/ Remix/ Alexis & Fido f./ Wisin & Yandel 8 Lindísima/ Grupomanía f./ Zone D\' Tambora 10 Me Gusta Tanto/ Mambo Remix/ Paulina Rubio f./ 9 International Love/ Pitbull f./ Chris Brown Gocho 10 Claridad/ Richy Peña Merengue/ Mambo Remix/ 11 I Like How It Feels/ Enrique Iglesias f./ Pitbull Luis Fonsi 12 Ya No Quiero Tu Querer/ José Alberto \ "El 11 Quédate Conmigo/ Zacarías Ferreira Canario\ " & Raulín Rosendo 12 Dilema/ Fabián 13 Toma Mi Vida/ Milly Quezada f./ Juan Luis Guerra 13 Ni Loca/ DJ Chino/ Merengue Pop Remix/ Fanny Lú 14 Amor En La Luna/ Ephrem J 14 Tengo Ganas/ Remix/ Ambar f./ El Cata 15 No La Quiero Perder/ Maffio Alkattraks Remix/ 808 15 No Apagues La Luz/ Jco (Ocho Cero Ocho) 16 Que Joyitas!/ Limi-T 21 16 Antes Solías/ Arcángel \ 'La Maravilla\ ' 17 Adiós/ D\'Mingo 17 El Pum/ Radio Edit/ Kalimete 18 Buscando Corazon/ Grupo -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon -
Sé El Dj Y Toma El Control
SÉ EL DJ Y TOMA EL CONTROL Sé el DJ con la aplicación para celulares TouchTunes y controla la música que se escucha en miles de bares, restaurantes y otros puntos de encuentro social. Con un diseño fácil de usar que pone la música en primer plano, la aplicación móvil TouchTunes actúa como un control remoto de la gramola que te permite buscar música, crear listas de reproducción, ganar recompensas y convertirte en el héroe de la gramola. LITMOBILEHOWTO V.032017 Entérate de lo último en un Navega, busca, explora. Si ves una Encuentra gramolas cerca de ti y establecimiento o lo que un canción o un artista que te guste, toca el regístrate. establecimiento o tú prefieren para corazón y crea automáticamente tu lista crear el ambiente perfecto. de favoritos. TouchT 9:45 PM 100% TouchT 9:45 PM 100% TouchT 9:45 PM 100% Ayuda 13 La Cabaña 25 Mis favoritos Editar Encuentra una jukebox cerca de ti Buscar música Prince Royce Shakira Marc Anthony Romeo Santos YOU Y LA CABANA˜ COMO 0.4 mi Shakira Black Rock Chantaje (Feat. Maluma) En reproducción: Aloe Blacc Don Omar 0.6 mi La Cabaña Te Quiero Pa Mi En reproducción: J Balvin Shakira Don Omar Christian Pagán Chantaje (Feat. Te Quiero Pa Mi Bien Paulina Rubio 0.8 mi The Bleekman Pub Maluma) Si Te Vas En reproducción: Aloe Blacc Mis favoritos Christian Pagán O’Hara’s 1.0 mi Bien This jukebox is o ine. Música de mi iPhone Carrie Underwood Lilly O’Briens 1.2 mi Storyteller This jukebox is o ine. -
'The King of Bachata' Romeo Santos Confirms Details
‘THE KING OF BACHATA’ ROMEO SANTOS CONFIRMS DETAILS FOR LEG 2 OF HIS HIGHLY SUCCESSFUL ‘GOLDEN TOUR’ Tickets For New Fall Dates On Sale Starting Friday, June 15 at LiveNation.com LOS ANGELES (Jun 11, 2018) – The King of Bachata, Romeo Santos, confirmed details for the second leg of his highly popular Golden Tour, which wrapped in April of this year. The newly announced fall run of dates, produced and co-promoted by Live Nation, will kick off September 15 in Las Vegas, NV. The 18-city U.S. outing will also make stops in several brand new cities previously unvisited on the last leg of the tour including Las Vegas, Seattle, Sacramento, Tampa and more, before wrapping October 21 in Dallas, TX. Media praise for Romeo Santos’ Golden Tour includes: “[Romeo’s] ability to keep viewers on the edge of their seats is overwhelmingly tangible, as his flawless vocals span for over two hours… It’s his prowess on stage and expert musicianship that have made him this generation’s bachata legend.” – Billboard “Attending a Romeo concert is really an experience that you have to live. Not only because of the good Latin vibe that is felt in the environment, but also because of the lights and scenery, plus the opportunity to enjoy him singing completely live.” – Latin Times Tickets will go on sale to the general public beginning this Friday, June 15th at 10 AM local time at LiveNation.com. Citi is the official pre-sale credit card for Leg 2 of the Golden Tour. As such, Citi cardmembers will have access to purchase U.S. -
Cahiers D'études Africaines
Cahiers d’études africaines 216 | 2014 Musiques dans l’« Atlantique noir » Urban Bachata and Dominican Racial Identity in New York Bachata urbaine et identité raciale dominicaine à New York Deborah Pacini Hernandez Electronic version URL: http://journals.openedition.org/etudesafricaines/17927 DOI: 10.4000/etudesafricaines.17927 ISSN: 1777-5353 Publisher Éditions de l’EHESS Printed version Date of publication: 5 October 2014 Number of pages: 1027-1054 ISSN: 0008-0055 Electronic reference Deborah Pacini Hernandez, « Urban Bachata and Dominican Racial Identity in New York », Cahiers d’études africaines [Online], 216 | 2014, Online since 21 January 2017, connection on 03 May 2019. URL : http://journals.openedition.org/etudesafricaines/17927 ; DOI : 10.4000/etudesafricaines.17927 This text was automatically generated on 3 May 2019. © Cahiers d’Études africaines Urban Bachata and Dominican Racial Identity in New York 1 Urban Bachata and Dominican Racial Identity in New York Bachata urbaine et identité raciale dominicaine à New York Deborah Pacini Hernandez 1 Picture this : a music video opens with images of two stylishly dressed young dark- skinned men talking to each other by cell phone ; one of them is on a Manhattan rooftop, the other standing in the dark next to a chain link fence. They address each other as “homey”, “bro” and “playboy”, in language and speech patterns most viewers would instantly recognize as those associated with urban African Americans. It is clear the two men have many commonalities and are friends, as they confess their emotional vulnerability to the intense passion they feel for the women they are courting. It is not until 45 seconds into the video, when the music begins, that a crucial distinction between the two becomes apparent : one of them sings in Spanish, the other in English ; the former is a Dominican Latino1, the other, African American. -
Bachata Extreme
SESSION HANDOUT Bachata Extreme Carlos Henriquez Canadian Zumba® Jammer Zumba® Fitness Concert Performer & Presenter Mo Diakite ZIN™ Member Zumba® Fitness Presenter SESSION HANDOUT Bachata Extreme; the Sexy Urban Mix Style Get ready to connect with Bachata’s colorful history. Allow the passion and flow of this Dominican music style of dance to move you and experience a world full of tantalizing, joyful and exotic rhythm that will overwhelm your senses. Presenters Zumba® Jammer Carlos Henriquez & Mo Diakite Schedule 10 min: Intro & History 15 min: Preview (3 songs) 30 min: Choreo/movement Breakdown 45 min: Class 10 min: Stretch & Cool down 10 min: Wrap up/ Q&A (Total: 2 hours) Session Objective In this super charged session you will learn the basic steps and basic history of Bachata and other denomination of the rhythm and mixes. We will provide you with customized choreographies that you can take home and apply immediately to your classes and overall have successful classes. Some of our main objectives are the following: Create Bachata choreography and put them in to practice. Provide you with information, tools, the different styles and rhythm variations. Use Bachata rhythm, steps, and variation to increase playlist verity and class flow History & Background Bachata is a form of music and dance that originated in the countryside and rural neighborhoods of the Dominican Republic. Derived from the Latin American tradition of guitar music, Bachata emerged in the 1960s and its subject is usually romantic; especially prevalent are tales of heartbreak. The music is in 4/4 timing and is influenced by Rumba and Son, while remaining of distinctive sound.