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Captive Orcas
Captive Orcas ‘Dying to Entertain You’ The Full Story A report for Whale and Dolphin Conservation Society (WDCS) Chippenham, UK Produced by Vanessa Williams Contents Introduction Section 1 The showbiz orca Section 2 Life in the wild FINgerprinting techniques. Community living. Social behaviour. Intelligence. Communication. Orca studies in other parts of the world. Fact file. Latest news on northern/southern residents. Section 3 The world orca trade Capture sites and methods. Legislation. Holding areas [USA/Canada /Iceland/Japan]. Effects of capture upon remaining animals. Potential future capture sites. Transport from the wild. Transport from tank to tank. “Orca laundering”. Breeding loan. Special deals. Section 4 Life in the tank Standards and regulations for captive display [USA/Canada/UK/Japan]. Conditions in captivity: Pool size. Pool design and water quality. Feeding. Acoustics and ambient noise. Social composition and companionship. Solitary confinement. Health of captive orcas: Survival rates and longevity. Causes of death. Stress. Aggressive behaviour towards other orcas. Aggression towards trainers. Section 5 Marine park myths Education. Conservation. Captive breeding. Research. Section 6 The display industry makes a killing Marketing the image. Lobbying. Dubious bedfellows. Drive fisheries. Over-capturing. Section 7 The times they are a-changing The future of marine parks. Changing climate of public opinion. Ethics. Alternatives to display. Whale watching. Cetacean-free facilities. Future of current captives. Release programmes. Section 8 Conclusions and recommendations Appendix: Location of current captives, and details of wild-caught orcas References The information contained in this report is believed to be correct at the time of last publication: 30th April 2001. Some information is inevitably date-sensitive: please notify the author with any comments or updated information. -
SAYER JI! 3 EXPERT TALK TRANSCRIPTS from HEALTHMEANS CONTENTS
LET’S “TALK” WITH SAYER JI! 3 EXPERT TALK TRANSCRIPTS from HEALTHMEANS CONTENTS Enjoy learning from these expert Transcending the Detox/ We’re happy that you’re taking talk transcripts pulled Retox Cycle through time to learn about living a from the thousands of talks Radical Nourishment healthier and happier life, and we in our HealthMeans library! Deanna Minich, PhD, CNS, IFMCP hope you’ll make us a regular part with Sayer Ji of that journey! If you’re already a member of Click here to watch this interview! HealthMeans, you can access From the entire HealthMeans the video interviews of these Evidence-Based Medicine team, thank you for downloading talks below: Proves the Power of the these transcripts—we hope you If you’re not yet a member, Mind and Soul learn a lot from them! Alicia Lynn Diaz, MA, AHP be sure to sign up to access with Sayer Ji these interviews! Click here to watch this interview! Food as Medicine Carrie Diulus, MD and Mark Hyman, MD with Sayer Ji Click here to watch this interview! Transcending the Detox/ Retox Cycle through Radical Nourishment Deanna Minich, PhD, CNS, IFMCP with Sayer Ji Click here to watch this interview! The purpose of this presentation is to convey information. It is not intended to diagnose, treat, or cure your condition or to be a substitute for advice from your physician or other healthcare professional. Dr. Minich: Hello, everyone! This different things. You mentioned to Dr. Minich: So GreenMedInfo came is Deanna Minich, host of The me that your father’s a toxicologist. -
International Journal of Human Nutrition and Functional Medicine
International Journal of Human Nutrition and Functional Medicine International Journal of Human Nutrition and Functional Medicine ® www.IntJHumNutrFunctMed.org (ISSN 2378-4881) is published and © copyrighted by the International College of Human Nutrition and Functional Medicine ® www.ICHNFM.ORG North America • Latinoamerica • Europe International Journal of Human Nutrition and Functional Medicine (ISSN 2378-4881) www.ICHNFM.org Photo of town center and Roman aqueduct in Segovia Spain © 2016 by Dr Vasquez Expert Perspectives • Clinical Nutrition • Research Methodology • Publication Analysis How to Understand, Refute, and Plan Studies Using Vitamin D Alex Vasquez DO ND DC FACN Defining the problems field into which they enter; one can be amused by the 1. The (primary) problem: Most doctors and researchers prospect of a researcher placed in a position of have zero expert-level training in Nutrition (let alone authority to shape and define the direction of a field Clinical Nutrition, Therapeutic/Interventional which he/she has never studied, ie, many researchers Nutrition, Functional Nutrition) and therefore the quite obviously wear no clothes. studies they design using vitamin D are methodologically flawed, as described below. Guidelines for vitamin D clinical trials were broadly 2. The (secondary) problem: Too many studies using published in 2004 and 2005 vitamin D (cholecalciferol) have used vitamin D in 1) In 2004 and 2005, I was the principal author on several doses that are inadequate, 2) for durations that are publications published in peer-reviewed journals, and in inadequate, and thus these studies are therapeutically each of these I listed criteria for the design and therefore underpowered, tending to lead to lackluster or evaluation of studies using vitamin D; I will list these negative (inefficacious) results, thereby leading to the publications here with hyperlinks to their full text and false conclusion that vitamin D is ineffective when in then describe these criteria with any updates. -
Oklahoma City, OK February 9 – 11, 2018
Oklahoma City, OK February 9 – 11, 2018 Elite 8 Junior Miss StarQuest Cate Crockett – Wild Excuses – South Tulsa Dance Co. Elite 8 Teen Miss StarQuest Emma Callahan – My Favorite Things – Dove Dance School and Co. Elite 8 Miss StarQuest Geena Walton – The Mention Of Your Name – Dove Dance School and Co. Top Select Junior Solo 1 – Lillian Edwards – True Colors – Epic Dance Studio 2 – Cate Crockett – Wild Excuses – South Tulsa Dance Co. 3 – Emrie Lock – My Heart Will Go On – Epic Dance Studio 4 – River Mills – Frim Fram Sauce – Epic Dance Studio 5 – Makenne Morton – Fly Before You Fall – Epic Dance Studio Top Select Teen Solo 1 – Camryn Williams – North – Premiere Dance Company 2 – Avery Johnson – Embers – Epic Dance Studio 3 – Riley Rowland – Even When – Dove Dance School and Co. 4 – Emma Callahan – My Favorite Things – Dove Dance School and Co. 5 – Berkley Reynolds – Beautiful Thing – Epic Dance Studio 6 – Ali Root – Dangerous – 405 Dance Co. 7 – Zoey Taylor – Gone Away – Epic Dance Studio 8 – Jamieson Schmees – Bang Bang – Graham Traditions Encore Dance Centre 9 – Avery Robertson – Limit To Your Love – Massay’s DanceStar Productions Top Select Senior Solo 1 – Izzy Audas – How? – 405 Dance Co. 2 – Bailey Reynolds – Smother – Epic Dance Studio 3 – Geena Walton – The Mention Of Your Name – Dove Dance School and Co. 4 – Reagan Massay – Over Soon – Massay’s DanceStar Productions 5 – Lauren Richards – Ordinary World – Epic Dance Studio 6 – Hope Steedman – Restore My Soul – Dove Dance School and Co. 7 – Laney Humphrey – Grey – Epic Dance Studio 8 – Ekka Gardiner – Blue Lips – Massay’s DanceStar Productions 9 – Natalie Mattson – Bones – Epic Dance Studio 10 – Sara Szukala – Slip – Epic Dance Studio 11 – Abby Hesselroth – Artic – Premiere Dance Co. -
HIPPOLYTUS: MARK II Reading, Respectively, ‘Cypris’ and ‘Artemis’
Set notes: those two pillars right and left of the stairs should have placards HIPPOLYTUS: MARK II reading, respectively, ‘Cypris’ and ‘Artemis’. By Elizabeth Shaw '07 PROLOGUE: O noble crowd, mesdames and sirs, Dramatis Personae friends of the Muse, ye connoisseurs! It brings us joy to see you here Hippolytus - a chaste young prince (Lauren Zimmerman '07) on this, the best day of the year! Phaedra - his lust-stricken stepmother (Katie Baratz HC '07) We hope that joy we may repay Theseus - his aging father (Elizabeth Shaw '07) and entertain you with our play. Artemis - his favorite goddess (Elizabeth Deacon '07) About which there’s a mystery, Cypris - his least favorite goddess & mortal enemy (Emily Lewis '07) to wit, the script’s odd history. Nurse - Phaedra’s devoted servant (Jill Barndt '10) For early one September morning Messenger Bearer of devices (heraldic & plot) (Prof. Edmonds) without omen, sign, or warning Ariadne - Phaedra’s sister and Theseus’ ex (Betsy Spear) a package came into our hands The Chorus - exiled cosmopolitans of Athens clothed in stamps from distant lands Philodemus (Sarah Stefanski '09) Philocrates (Catherine Graham '10) Within, a crumbling manuscript Nikias (Erika Carlson '08) Nikophon (Alexandra Dowrey '09) antique, gnawed-upon and ripped. Stephanos (Emily Olsen '09) Stephanides (Sarah Pfanz '10) By working hard to great effect Timocrates (Denise Camporeale) Timoclides (Becky Brendel '10) we Mawrters have restored the text. Theocrines (Catharine Judson '10) Theophilos (Elizabeth Deacon '07) Hippolytus it is by name Erotes (Betsy Spear & Diane Amoroso-O'Connor) but not the one of general fame; Euripides, prolific boy, Musical Numbers wrote two distinct Hippolytoi: 1. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Let Us Entertain
Aug ust/Sep temb er 2 010 Let Us Entertain You Star Island Dancing Backwards OCTAVIA BOOKS No one can entertain you Violet Hetherington has 513 Octavia Street quite like Carl Hiassen, with taken the rash step of joining New Orleans, LA 70115 such madcap adventures and a transatlantic cruise to New 504-899-READ (7323) eccentric characters. He’s at it York to visit Edwin, an old octaviabooks.com again with Star Island ($26.95, friend. As she makes the six- [email protected] Knopf, 978-0-307-27258- day crossing, she relives the 4), a hilarious spin on life in traumatic events that led to her STORE HOURS the celebrity fast lane. You’ll losing Edwin’s friendship and Open 10 am - 6 pm meet Cherry Pye, a pop star abandoning her career as a poet Monday - Saturday who needs an undercover stunt for the safety of marriage and double for public appearances domesticity. Despite her natural Sunday 12 Noon - 5 pm when she is too wasted on drugs and alcohol to be seen. reserve, she meets a rich variety of Ann, mistaken for Cherry, is kidnapped from a South passengers traveling with her, who affect her understanding Ma gazine S t. Beach hotel by obsessed paparazzo Bang Abbott. Cherry’s of her own past. Most signifi cant, she meets Dino, the Con sta handlers – quite the collection of misfi ts themselves – must dancing host, whose motives in befriending Vi are shady nce S t. fi nd a way to rescue Ann while keeping her existence a but who teaches her to ballroom dance and inadvertently t. -
2021 Breeze Show Choir Catalog
Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer. -
How the Gut Plays Into Mental Illness
1 CONTENTS 3 Revising Our Theories About the Cause of Depression 3 Depression’s ACE in the Hole 4 Your Brain on Stress 5 Faulty Wiring and Malfunctioning Microglia 5 Inflammation: Brain on Fire 6 How the Gut Plays into Mental Illness 7 Sugar and Depression 8 Gluten: Neurotoxicity and Addiction, Rolled into One 9 Are You Sitting Your Way to an Early Grave? 10 The Power of Sunlight 11 Pharmaceutical Triggers of Depression 11 Non-pharmaceutical Triggers 12 Treatments for Depression 12 The Serotonin Myth 13 The Failure of Antidepressant Drugs 14 Epidemic Malnutrition 14 The Tryptophan-Niacin-Serotonin Connection 15 Omega-3 Fats: A Neuron’s Best Friend 16 Other Food for Your Mood 17 Are Moods Contagious? 18 Clinical EFT for Depression and Anxiety 19 Bright Light Therapy if You’re Feeling SAD 19 Harnessing the Healing Power of Electromagnetism 20 Summary 23 GreenMedInfo Depression Research PDF 2 Depression is taking a major toll on public health, yet many suffer in silence, still fearful of the stigma that continues around “mental illness.” According to National Institutes of Mental Health, an estimated 15.7 million adults had at least one major depressive episode in 2013, which represents 6.7 percent of all adults in the US.1 Antidepressant drug use is skyrocketing. Researchers estimate eight to 10 percent of Americans are now taking antidepressants, not only for depression but for off-label issues such as anxiety, chronic pain, ADHD and even autism.2 Sadly, pharmaceutical antidepressants that target neurotransmitters have very disappointing rates of effectiveness, with an overall failure rate of about 60 percent, plus numerous adverse health effects. -
Download Lyrics
It falls once again. Is the winter never-ending? Soaked to the gills, Which we really ought to grow... TRAFFIC AND WEATHER Creeks overfill; Music, Shelly Berg/Lyrics, Lorraine Feather There's a heady scent of mildew In the canyons of San Mateo. So, there's a bit of a situation On the Golden Gate. We got traffic and weather, Steer clear of the number 2 lane Traffic and weather. If it's not too late. Like Rand and McNally, Got carpet unspoolin’ They're always together. For a mile, no foolin’. There'll be some tricky vehiculation out on Now, if you're traveling from Sonoma, Highway One. That's a nasty route. Watch out for Cal Trans You're seething with irritation On Devil's Slide, Devil's Slide. From the harsh commute. It's fragile and slippery and not very wide. That's our copter above you—hi! God, there's so many of you. Three little words, If you're traveling north on I-5 Your life's in your paws I can only say three little words: As you creep along the causeway, "Stalled big rig." If your attention Meanders out to sea. Move it! Try not to gawk At the tussle on the walkway! We've got reports of a little twister Mind how you swerve Over Watsonville. While avoiding the debris! There's hail the size of ponies Out in Pleasant Hill, We got traffic and weather, Hail, hail, hail, hail hail,hail.... Traffic and weather. Like Barnum and Bailey, We got traffic and weather, They're always together. -
Great Awakening 2020: the Neoliberal Wellness Journey Down the Rabbit Hole
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 8-2021 GREAT AWAKENING 2020: THE NEOLIBERAL WELLNESS JOURNEY DOWN THE RABBIT HOLE Melissa Ann McLaughlin Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation McLaughlin, Melissa Ann, "GREAT AWAKENING 2020: THE NEOLIBERAL WELLNESS JOURNEY DOWN THE RABBIT HOLE" (2021). Electronic Theses, Projects, and Dissertations. 1277. https://scholarworks.lib.csusb.edu/etd/1277 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. GREAT AWAKENING 2020 THE NEOLIBERAL WELLNESS JOURNEY DOWN THE RABBIT HOLE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Social Sciences and Globalization by Melissa McLaughlin August 2021 GREAT AWAKENING 2020 THE NEOLIBERAL WELLNESS JOURNEY DOWN THE RABBIT HOLE A Thesis Presented to the Faculty of California State University, San Bernardino by Melissa McLaughlin August 2021 Approved by: Kevin Grisham, Committee Chair, Geography Hareem Khan, Anthropology © 2021 Melissa McLaughlin ABSTRACT 2020 was a good year for conspiracy theory. From COVID denialism to QAnon, the usual cast of conspiracy influencers was joined by mommy bloggers, yoga teachers, and social media opportunists to spread disinformation and sow doubt in the American psyche across the vast network of the internet. -
The Slow Death of Everett True: a Metacriticism
The slow death of Everett True: A metacriticism Jeremy Thackray A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2016 1 Abstract This thesis problematises and investigates the role of the popular music critic in Web 2.0 environments. It does so through an act of metacriticism grounded in my experience as an internationally successful popular music critic for major print publications including NME, Rolling Stone, and Melody Maker. The reflective aspect of the metacriticism is triangulated through interviews with other notable music critics, through a dialectical approach to role definition grounded in the literature, and through the ongoing experiment of Collapse Board, a music blogging site I set up to experience the new environment from the “inside”. Popular music critics have customarily been seen as gatekeepers of ‘cool’ and arbiters of taste. The industrial structure of print allowed critics to earn a living from their craft. The print environment was defined by limited outlets and large readerships with limited access to information. In that environment popular music criticism helped mould the ways popular music was received, consumed, and contextualised. This project asks whether the same holds true in Web 2.0 environments in which audiences have access to the same sources of information through which critics formerly derived their knowledge, authority, and influence. The thesis concludes that there are four major roles of relevance to the critic in the new media environments: bespoke criticism, music critic as fan, music criticism as entertainment, and the music critic as ‘firestarter’.