JOURNAL & NEWSLETTER Volume 10 No 6
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Stratford's the Merchant of Venice and Alabama Shakespeare Festival's the Winter's Tale
Vol. XVI THE • VPSTART • CR.OW Editor James Andreas Clemson University Founding Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State University Herbert Coursen Bowdoin College Charles Frey The University of Washington Marjorie Garber Harvard University Walter Haden The University of Tennessee at Martin Chris Hassel Vanderbilt University Maurice Hunt Baylor University Richard Levin The University of California, Davis John McDaniel Middle Tennessee State University Peter Pauls The University of Winnipeg Jeanne Roberts American University Production Editors Tharon Howard, Suzie Medders, and Deborah Staed Clemson University Editorial Assistants Martha Andreas, Kelly Barnes, Kati Beck, Dennis Hasty, Victoria Hoeglund, Charlotte Holt, Judy Payne, and Pearl Parker Copyright 1996 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XVI About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diver sity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $14 Institutions and Libraries, same rate as individuals- $14 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes. -
Lady Alice Le Strange 1585
Lady Alice Le Strange 1586-1656 Lady Alice Le Strange was the wife of Sir Hamon Le Strange of Hunstanton, a Stuart landowner, whose estates were spread across North-West Norfolk and beyond. As well as being a member of the local gentry, Sir Hamon, whose family had held the manor of Hunstanton since the Norman conquest, was also a prominent figure in county politics. He represented the people of Norfolk as a Member of Parliament and like his father before him was Sheriff of Norfolk. Sir Hamon was an ardent supporter of the monarchy and church and openly displayed his Royalist sympathies in a county which had strong Parliamentarian leanings. The principal source of this article is the series of household accounts kept by Alice herself. No letters or personal papers have been found and it seems likely that these were deliberately destroyed, perhaps by Alice herself. But she speaks to us from these meticulously kept accounts. Those who spend some time reading these ledgers begin to feel they know Alice, her likes and dislikes, her character and even her favourite colour. Ketton Cremer calls her “… a woman of unconquerable spirit” and Alfred Kingston speaks of “…a capable woman, whose opinion of men and things, one feels, would have been worth having”. Her husband in his will in 1652 spoke of her thus: - “I thank thee [Lord]... abundantly for that comfortable union and blessed harmony which I have for many years enjoyed with that life of my life my dear wife…her ever dear esteem of my life and person and her most pious and painful care in the education of my children… and her ever incessant industry in straynes of knowledge above her sex”. -
The Battle Speeches of Henry V
The Battle Speeches of Henry V Anne Curry University qfSouthampton In the attack on Constantinople in 1204, when Peter of Amiens saw Murzurphlus spurring his horse towards him, he shouted to his followers Now lords, stand firm' We will have a fight on our hands: see the emperor is coming. Take care that there is no one so bold as to run away. But now resolve to stand firm,l Such scenes arc commonplace in medieval chronicles. As Bllese observed, chroniclers wrote hundreds of battle orations. harangues to the knights before or during combat, that show in detail the kinds of motive appeals the chroniclers believed would be most effective in building morale.' . One of the most famous battle speeches of all must be that of Henry V at Agincourt, well known not from its chronicle versions but from the stirring words of Shakespeare.' Shapiro has alerted us to Shakespeare's use of expressions he heard in daily life as well as those he read in the printed histories which informed his works. In the case of the battle speech, Shapiro detects the influence ofa sermon delivered to the royal court on Ash Wednesday 1599 by Lancelot Anclrewes. 4 The theme was war, the context the preparations for the expedition of the earl of Essex to Ireland. Andrewes' 'thumping reiteration of "this time" and "this day''', Shapiro argues, inspired Shakespeares similarly repeated emphasis on 'St Crispin's day'. Shakespearean scholars have detected other influences on the composition of the speech, ranging from popular sayings,' to biblical passages,6 to accounts of other battles in the histories of Hall and Holinshed.' But Henry V's battle speech has a much longer pedigree which can be traced back to the earliest chronicle narratives of the battle. -
After Agincourt
After Agincourt After Agincourt William Worcester’s Lost Journal edited by Stephen Cooper 1 After Agincourt Copyright Stephen Cooper, 2013 The right of Stephen Cooper to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 2 After Agincourt For William 3 After Agincourt Contents Editor’s Preface Sir John Fastolf’s accompt of the burning of John Badby, 1410 I September, 1444 II October III November IV December V January, 1445 VI February VII March VIII April IX May X June XI July XII August 4 After Agincourt Editor’s Preface This Journal, which I have entitled After Agincourt, was written by William Worcester over a period of twelve months in 1444-5. It describes a very different country from the one we inhabit today. The Kingdom of England was surrounded by enemies. The Welsh were a subject people, but one which had come within an ace of throwing off English rule only thirty years before. The Scots were inveterate enemies, universally hated in England, especially in the northern counties. The French were a constant threat, much more populous and powerful than the English, and quite determined to reclaim the territories which the King of England still held on to, in Aquitaine and Normandy. Henry V’s startling victory at Agincourt in 1415 seemed like a distant memory three decades later. Superficially, there were many similarities between the England of 1444 and the England of 2014. We had a monarch and a bi-cameral Parliament then, and London dominated the life of the nation financially and politically, while most of the wealth was in the South-East. -
Notes on the Agincourt Roll Author(S): J
Notes on the Agincourt Roll Author(s): J. Hamilton Wylie Source: Transactions of the Royal Historical Society, Vol. 5 (1911), pp. 105-140 Published by: Cambridge University Press on behalf of the Royal Historical Society Stable URL: http://www.jstor.org/stable/3678363 Accessed: 26-06-2016 09:46 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press, Royal Historical Society are collaborating with JSTOR to digitize, preserve and extend access to Transactions of the Royal Historical Society This content downloaded from 128.178.131.113 on Sun, 26 Jun 2016 09:46:50 UTC All use subject to http://about.jstor.org/terms NOTES ON THE AGINCOURT ROLL By J. HAMILTON WYLIE, M.A., D.Litt., F.R.Hist.S. Read April 27, 1911. IF anyone were to ask where he ought to look for the Roll of Agincourt he would probably be told that he would find it in the 'History of the Battle,' published by Sir Harris Nicolas in 1827, in which there are seventy-two pages of printed matter containing 'the names of the Dukes, Earls, Barons, Knights, Esquires, Servitours and others that wer withe the Excellent Prince King Henry the Fifte -
A PORTRAIT of SHAKESPEARE His Life, Times and Words
THE SHAKESPEARE PROJECT OF CHICAGO presents Peter Garino in A PORTRAIT OF SHAKESPEARE His life, times and words Sandwich Public Library Highland Park Public Library Oak Lawn Public Library St. Charles Public Library Mokena Public Library Vernon Area Public Library Glencoe Public Library THE SHAKESPEARE PROJECT OF CHICAGO IS PROUD TO ANNOUNCE the lineup for our 25th Anniversary Season. “Hamlet” by William Shakespeare, directed by J.R. Sullivan (Oct. 11-17, 2019); “Richard III” by William Shakespeare, directed by Peter Garino (Jan. 10- 16, 2020); “Romeo and Juliet” by William Shakespeare, directed by Michelle Shupe (Feb. 21-27, 2020); “Measure for Measure” by William www.shakespeareprojectchicago.org Shakespeare, directed by Erin Sloan (May 15-21, 2020). For venues and P.O. Box 25126 show times, visit: www.shakespeareprojectchicago.org Chicago, Illinois 60625 773-710-2718 Peter Garino is a founding member of The Shakespeare Project of Chicago and has served as Artistic Director A PORTRAIT OF SHAKESPEARE since June 2010. This past season, he directed The Roaring Girl, appeared as Marcus Andronicus in Titus Featuring selections from… Andronicus and as Helicanus in Pericles, Prince of Tyre. He will direct Richard III in January 2020. Previous appearances with The Shakespeare Project include the Duke of Florence in Women Beware Women, Duke Hamlet, Prince of Denmark Frederick/Duke Senior in As You Like It, Boyet/Anthony Dull in Love's Labour's Lost, Sir Thomas Erpingham and the Duke of Burgundy in Henry V and Tackleton in Charles Dickens' The Cricket on the Hearth. Peter Edward III directed the Chicago premier of Tom Stoppard's Darkside (Incorporating The Dark Side of the Moon by Pink Floyd). -
295 Le Strange V Creamer and Stileman
1 372 LE STRANGE V CREAMER AND STILEMAN Sir Hamon Le Strange of Hunstanton, co. Norfolk, knt v Robert Creamer of Little Massingham and Robert Stileman of Snettisham, co. Norfolk, gents Michaelmas term, 1638 – June 1640 Name index: Armiger, John, gent Bacon, Robert, mercer Banyard, Edmund, husbandman Bell, Mary Bell, Robert Blackhead, John, scrivener Bramston, John, knight (also Branston) Burnham, Thomas, yeoman Chosell, Thomas, husbandman Clarke, Dr Claxton, Hamon, clerk Clowdeslie, Thomas, gent Cobbe, Edmund, gent (also Cobb) Cobbe, George (also Cobb) Cobbe, Martin, gent (also Cobb) Crampe, Thomas, yeoman Creamer, Bridget (also Cremer) Creamer, Edmund (also Cremer) Creamer, Robert, gent (also Cremer) Crooke, George, knight (also Croke, Crook) Dawney, Thomas, clerk Dixe, Thomas, gent (also Dix) Duck, Arthur, lawyer Eden, Thomas, lawyer Eldgar, John the elder Eldgar, John the younger Garey, Nathaniel, notary public Goldsmith, Robert, miller Gooding, Mr Goodwin, Vincent, clerk Gournay, Edward, esq (also Gurney) Hendry, Thomas Houghton, Robert, esq Hovell, Hugh, gent Hoverson, Roger Howard, Henry, baron Maltravers Howard, Thomas, earl of Arundel and Surrey Jenner, Edmund, yeoman (also Jeynor) Le Strange, Alice, lady (also L’Estrange) Le Strange, Hamon, knight (also L’Estrange) Le Strange, Mary, lady (also L’Estrange) Le Strange, Nicholas, baronet (also L’Estrange) Le Strange, Nicholas, knight (also L’Estrange) 2 Lewin, William, lawyer Lewkenor, Alice Lewkenor, Edward, knight Lownde, Ralph Mileham, Edward, esq Mordaunt, Henry, esq Neve, William, -
William Shakespeare's Henry V February 4-April 6, 2018
L.A.’s Critically Acclaimed Classical Repertory Theatre Company William Shakespeare’s Henry V February 4-April 6, 2018 (Press opening February 10) Co-Directed by Julia Rodriguez-Elliott and Geoff Elliott (Pasadena, January 16, 2018) A Noise Within (ANW), the acclaimed classical repertory theatre company, presents its first production of Shakespeare’s history play Henry V, co-directed by Artistic Directors Julia Rodriguez-Elliott and Geoff Elliott. ANW streamlines the story into a dynamic thrill ride infused with modern relevance. Geoff Elliott says, “Henry V is a play about going to war, and the propulsive energy that leads us to conflict. We’ve zeroed in on the conflict between Henry and France, and captured the unifying, almost euphoric energy that comes with having a shared enemy. While the play is not explicitly for or against war, it does provide an in-depth look at the politics of war and our thirst for conflict. Ours is a very physical, visceral production: we have three fight choreographers and a live percussionist. Expect a fast, furious, and ferocious evening.” The stark scenic design by frequent ANW contributor Frederica Nascimento evokes an arena. The simple set features oversized staircases that resemble bleachers and theatrical lights hung on a cross-shaped scaffold, inviting audience members to bring their own imaginations to the proceedings. “We want audience members to feel engaged from the moment they walk in. We want them to feel like spectators at a coliseum,” says Julia Rodriguez-Elliott, “We think this configuration of our space both reflects the theatricality of the play and reinforces the notion of war as sport.” Henry V is the fourth play in the company’s 2017-18 season, whose recurring theme is ‘Entertaining Courage.’ Julia Rodriguez-Elliott says, “Henry fights for what he believes in. -
Law, Religion, and War in Shakespeare's King Henry V
Journal of Catholic Legal Studies Volume 53 Number 2 Volume 53, 2014, Number 2 Article 2 The Conscience of a King: Law, Religion, and War in Shakespeare's King Henry V Robert J. Delahunty Follow this and additional works at: https://scholarship.law.stjohns.edu/jcls Part of the International Law Commons, and the Religion Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Catholic Legal Studies by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. ARTICLES THE CONSCIENCE OF A KING: LAW, RELIGION, AND WAR IN SHAKESPEARE'S KING HENRY V ROBERT J. DELAHUNTY INTRODUCTION Shakespeare's King Henry V is an elusive, searching meditation on the relationship of law and religion to war, peace, and statecraft, "the most subtly disturbing study in religious warfare that Shakespeare ever created."1 Although set in England and France during the period between Lent 1414 and May 1420, the play reflects the politics of Tudor England in early 1599, when it was originally produced.2 But it remains of absorbing interest for later periods, including ours.3 Just ' Professor of Law, University of St. Thomas School of Law, Minneapolis, Minnesota. I would like to thank Professors Mark Movsesian and Charles Reid, my Research Assistant Ken Knapp, Andrew Ratelle, and Catherine Ratelle for their help with this Article. ' Paul A. Jorgensen, A Formative Shakespearean Legacy: Elizabethan Views of God, Fortune, and War, 90 PUBLICATIONS MOD. -
Review of Jane Whittle & Elizabeth Griffiths, Consumption and Gender
Review of Jane Whittle & Elizabeth Griffiths, Consumption and Gender in the Early Seventeenth-Century Household: the World of Alice Le Strange (Oxford, Oxford University Press, 2012) Reviewer: William Farrell Birkbeck, University of London IHR Reviews in History, review no. 1358 http://www.history.ac.uk/reviews/review/1358 Where does the history of consumption happen? The answer would be easy for the history of production: the workplace. Historians can use a well-understood taxonomy to organise their research: the farm, the factory, the office and so on. The history of consumption has never had this precision, thanks to the less location-specific nature of consuming. Clothing, for example, acquired its power as a bearer of status and taste, partly because of the variety of situations in which people wore their garments. Similarly, people have eaten food at work or in the street as well as in their kitchens. Studies of consumption have addressed this problem in a number of ways. Some ‘go with the flow’, tracking the items of consumption across a range of situations, to show how meaning and use changes in different context. Others focus on particular sites where important decisions about consumption are made or a high volume of activity takes place. A popular one for historians has been the household. Jane Whittle and Elizabeth Griffiths have written a detailed study of consumption in a single household, that of the Le Stranges, a gentry family in early 17th–century Norfolk. The Le Stranges lived in the parish of Hunstanton on the north-west Norfolk coast and had been associated with the area since the 12th century. -
THE COMMITTEEMEN of NORFOLK and BEDFORDSHIRE by TOLL IAM STANLEY MARTIN B.A., University of Cambridge, 1970 a THESIS SUBMITTED I
THE COMMITTEEMEN OF NORFOLK AND BEDFORDSHIRE 1642-1660 by TOLL IAM STANLEY MARTIN B.A., University of Cambridge, 1970 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in ... The Department of HISTORY We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1976 (c) William Stanley Martin, 1976 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of History The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date 29 April 1976 - ii - ABSTRACT This study of Norfolk and Bedfordshire in the civil war and Interregnum was based on an analysis of the membership of the various committees appointed for the counties between December 1642 and March 1660. The members of the committees were divided into groups for analysis according to the dates of their first and last appointments. The gentry of Norfolk and Bedfordshire, which were both Parliamentarian counties, filled the committees of the 1640s, as they had the commissions of the peace in the 1630s. After the execution of the King in January'' 1649, the membership of the Bedfordshire committees was drastically changed by the loss of almost all the gentry members, while the Norfolk committees remained largely unchanged until I65I-I652. -
The Newtons of Lincolnshire
Durham E-Theses The Social Production of Gentility and Capital in Early Modern England: The Newtons of Lincolnshire. NEWTON, RUSSELL,SCOTT,HENRY How to cite: NEWTON, RUSSELL,SCOTT,HENRY (2017) The Social Production of Gentility and Capital in Early Modern England: The Newtons of Lincolnshire., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12108/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Social Production of Gentility and Capital in Early Modern England: The Newtons of Lincolnshire. Russell Newton A thesis presented for the degree of Doctor of Philosophy Department of History University of Durham England September 2016 ABSTRACT The Social Production of Gentility and Capital in Early Modern England: The Newtons of Lincolnshire. Russell Newton This thesis has two principal aims; first, to examine and illuminate the social production of gentility and capital which was experienced by the Newton family between the early part of the seventeenth century and c.1743.