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Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition
Journal X Volume 7 Number 1 Autumn 2002 Article 5 2020 Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition Steven Frye California State University, Bakersfield Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Film Studies Commons Recommended Citation Frye, Steven (2020) "Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition," Journal X: Vol. 7 : No. 1 , Article 5. Available at: https://egrove.olemiss.edu/jx/vol7/iss1/5 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Frye: Clint Eastwood's Unforgiven, the "Alternative" Western, and the A Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition Steven Frye Steven Frye is Asso Much criticism of Clint Eastwood's Unforgiven ciate Professor of focuses on the way the film dismantles or decon English at structs traditional western myths. Maurice California State Yacowar argues that Unforgiven is a myth "disre- University, Bakers membered and rebuilt, to express a contempo field, and author of Historiography rary understanding of what the west and the and Narrative Western now mean" (247). Len Engel explores Design in the the film's mythopoetic nature, stating that direc American tor Eastwood and scriptwriter David Webb Peo Romance: A Study ples "undermine traditional myths" in a tale of Four Authors that evokes Calvinist undertones of predestina (2001). tion (261). Leighton Grist suggests that the film "problematizes the familiar ideological assump tions of the genre" (294). -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
Burundian Refugees in Western Tanzania, It Can Be Expected That Such Activities Would Take Place
BURUNDIAN REFUGEES IN TANZANIA: The Key Factor to the Burundi Peace Process ICG Central Africa Report N° 12 30 November 1999 PROLOGUE The following report was originally issued by the International Crisis Group (ICG) as an internal paper and distributed on a restricted basis in February 1999. It incorporates the results of field research conducted by an ICG analyst in and around the refugee camps of western Tanzania during the last three months of 1998. While the situation in Central Africa has evolved since the report was first issued, we believe that the main thrust of the analysis presented remains as valid today as ever. Indeed, recent events, including the killing of UN workers in Burundi and the deteriorating security situation there, only underscore the need for greater attention to be devoted to addressing the region’s unsolved refugee problem. With this in mind, we have decided to reissue the report and give it a wider circulation, in the hope that the information and arguments that follow will help raise awareness of this important problem and stimulate debate on the best way forward. International Crisis Group Nairobi 30 November 1999 Table of Contents PROLOGUE .......................................................................................................................................... I I. INTRODUCTION......................................................................................................................... 1 II. REFUGEE FLOWS INTO TANZANIA....................................................................................... -
NAT TURNER's REVOLT: REBELLION and RESPONSE in SOUTHAMPTON COUNTY, VIRGINIA by PATRICK H. BREEN (Under the Direction of Emory
NAT TURNER’S REVOLT: REBELLION AND RESPONSE IN SOUTHAMPTON COUNTY, VIRGINIA by PATRICK H. BREEN (Under the Direction of Emory M. Thomas) ABSTRACT In 1831, Nat Turner led a revolt in Southampton County, Virginia. The revolt itself lasted little more than a day before it was suppressed by whites from the area. Many people died during the revolt, including the largest number of white casualties in any single slave revolt in the history of the United States. After the revolt was suppressed, Nat Turner himself remained at-large for more than two months. When he was captured, Nat Turner was interviewed by whites and this confession was eventually published by a local lawyer, Thomas R. Gray. Because of the number of whites killed and the remarkable nature of the Confessions, the revolt has remained the most prominent revolt in American history. Despite the prominence of the revolt, no full length critical history of the revolt has been written since 1937. This dissertation presents a new history of the revolt, paying careful attention to the dynamic of the revolt itself and what the revolt suggests about authority and power in Southampton County. The revolt was a challenge to the power of the slaveholders, but the crisis that ensued revealed many other deep divisions within Southampton’s society. Rebels who challenged white authority did not win universal support from the local slaves, suggesting that disagreements within the black community existed about how they should respond to the oppression of slavery. At the same time, the crisis following the rebellion revealed divisions within white society. -
Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min
January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d. -
Performance of Gender and Fetishization of Women in WWE Divas Matches – a Case Study Using the Mixed-Methods Framework
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2016 by ASCO 2016, Vol. 6, No. 1 Amity University Rajasthan Performance of Gender and Fetishization of Women in WWE Divas Matches – A Case Study using the Mixed-Methods Framework Hansa Malhotra The Quint, New Delhi Ruchi Jaggi Symbiosis International University, Pune Abstract This research study aims to combine quantitative and qualitative techniques contextualized in the interpretative paradigm to explore the methodological nuances in mass communication research. Using professional wrestling as the context, this research paper will endeavor to understand the underlying conscious and subconscious biases and stereotypes that one might harbour with respect to discourses of gender and sexuality. Keywords: sexuality, methodology, stereotype Background studies. He identifies these as problems of content, dispersal, While the discussion on methods is central to humanities ephemerality, access, discovery, ethics, production, the plurality of and social sciences, media studies has struggled and reconfigured audiences and generalizability. itself over the last century to accommodate a mix of methodologies The above discussion problematizes the importance of and also develop some exclusive ones. The potential of a method methodological conflicts in the domain of media research. As is dependent on the way in which it connects the researcher to the Merrin (2006) states, Media studies has a range of research question. However in the case of media studies, this favouredmethodologies which it uses. Images are subjected to relationship gets more and more complex as the media ecosystem semiotic analysis and texts are analysed using content analysis and is constantly evolving. The methodological framework of discourse analysis, whilst audiences are studied using both scholarly research in media studies has also developed in myriad qualitative and quantitative methods, from ethnographic ways in this ecosystem. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Participation From Above and Below: The Contours and Contradictions of Audience Participation, From Video Games to Social Media Permalink https://escholarship.org/uc/item/6t57r0cm Author Yeritsian, Gary Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Participation From Above and Below: The Contours and Contradictions of Audience Participation, From Video Games to Social Media A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Gary Yeritsian 2019 © Copyright by Gary Yeritsian 2019 ABSTRACT OF THE DISSERTATION Participation From Above and Below: The Contours and Contradictions of Audience Participation, From Video Games to Social Media by Gary Yeritsian Doctor of Philosophy in Sociology University of California, Los Angeles, 2019 Professor Stefan Bargheer, Co-Chair Professor Douglas M. Kellner, Co-Chair This dissertation comprises three case studies of audience participation in media, addressing in turn Web 2.0, fan culture, and video games. The overarching theoretical framework highlights the dynamics between participation ‘from above’ and ‘from below,’ emphasizing the fact that participation is managed, controlled, and commodified on the one hand, and holds the potential for autonomy, creativity, and resistance on the other. This framework represents a synthesis of existing approaches to the study of audiences, bridging accounts of ‘participatory culture’ and ‘audience autonomy’ with those emphasizing the ‘new spirit of capitalism’ and the ‘social factory.’ The first constituent chapter is a study of the ideology and practice of Web 2.0 platforms, centering on a thematic analysis of managerial literature that finds such platforms to be extensions of what Boltanski and Chiapello term the ‘new,’ ‘participatory’ spirit of capitalism. -
Badal a Culture of Revenge the Impact of Collateral Damage on Taliban Insurgency
Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis and Dissertation Collection 2008-03 Badal a culture of revenge the impact of collateral damage on Taliban insurgency Hussain, Raja G. Monterey, California. Naval Postgraduate School http://hdl.handle.net/10945/4222 NAVAL POSTGRADUATE SCHOOL MONTEREY, CALIFORNIA THESIS BADAL: A CULTURE OF REVENGE THE IMPACT OF COLLATERAL DAMAGE ON TALIBAN INSURGENCY by Raja G. Hussain March 2008 Thesis Advisor: Thomas H. Johnson Thesis Co Advisor: Feroz H. Khan Approved for public release; distribution is unlimited THIS PAGE INTENTIONALLY LEFT BLANK REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED March 2008 Master’s Thesis 4. TITLE AND SUBTITLE BADAL: A Culture of Revenge 5. FUNDING NUMBERS The Impact of Collateral Damage on Taliban Insurgency 6. AUTHOR(S) Raja G. Hussain 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING ORGANIZATION Naval Postgraduate School REPORT NUMBER Monterey, CA 93943-5000 9. -
IIS Windows Server
Nevada Historical Society Quarterly SUMMER 1994 NEV ADA HISTORICAL SOCIETY QUARTERLY EDITORIAL BOARD Eugene Moehring, Chairman, University of Nevada, Las Vegas Marie Boutte, University of Nevada, Reno Robert Davenport, University of Nevada, Las Vegas Doris Dwyer, Western Nevada Community College Jerome E. Edwards, University of Nevada, Reno Candace C. Kant, Community College of Southern Nevada Guy Louis Rocha, Nevada State Library and Archives Willard H. Rollings, University of Nevada, Las Vegas Hal K. Rothman, University of Nevada, Las Vegas The Nevada Historical Society Quarterly solicits contributions of scholarly or popular interest dealing with the following subjects: the general (e.g., the political, social, economic, constitutional) or the natural history of Nevada and the Great Basin; the literature, languages, anthropology, and archaeology of these areas; reprints of historic documents; reviews and essays concerning the historical literature of Nevada, the Great Basin, and the West. Prospective authors should send their work to The Editor, Nevada Historical Society Quarterly, 1650 N. Virginia St., Reno, Nevada 89503. Papers should be typed double-spaced and sent in duplicate. All manuscripts, whether articles, edited documents, or essays, should conform to the most recent edition of the University of Chicago Press Manual of Style. Footnotes should be typed double-spaced on separate pages and numbered consecutively. Correspondence concerning articles and essays is welcomed, and should be addressed to The Editor. © Copyright Nevada Historical Society, 1994. The Nevada Historical Society Quarterly (ISSN 0047-9462) is published quarterly by the Nevada Historical Society. The Quarterly is sent to all members of the Society. Membership dues are: Student, $15; Senior Citizen without Quarterly, $15; Regular, $25; Family, $35; Sustaining, $50; Contributing, $100; Departmental Fellow, $250; Patron, $500; Benefactor, $1,000. -
A Case Study of the Chris Benoit Double Murder-Suicide
Rowan University Rowan Digital Works Theses and Dissertations 5-13-2008 The image of professional wrestling: a case study of the Chris Benoit double murder-suicide Neil Borenstein Rowan University Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Public Relations and Advertising Commons Recommended Citation Borenstein, Neil, "The image of professional wrestling: a case study of the Chris Benoit double murder- suicide" (2008). Theses and Dissertations. 687. https://rdw.rowan.edu/etd/687 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. THE IMAGE OF PROFESSIONAL WRESTLING: A CASE STUDY OF THE CHRIS BENOIT DOUBLE MURDER-SUICIDE by Neil Borenstein A Thesis Submitted in partial fulfillment of the requirements of the Masters of Arts Degree of The Graduate School of Rowan University May 13, 2008 Approved by ; 2, 26-ma Date approved /' V' © 2008 Neil Borenstein ABSTRACT Neil Borenstein THE IMAGE OF PROFESSIONAL WRESTLING: A CASE STUDY OF THE CHRIS BENOIT DOUBLE MURDER-SUICIDE 2008 Adviser: Dr. Suzanne Sparks FitzGerald Public Relations Graduate Program This study investigates the media's role in influencing public perception of the professional wrestling industry following the Chris Benoit double murder-suicide. The researcher sought to understand the manner in which newspapers portrayed the professional wrestling industry and whether media coverage in general played a role in forming the public's opinion of the industry. Through a content analysis of articles and headlines in The New York Times and The Miami Herald,the researcher evaluated the tone of the media coverage of the professional wrestling industry.