The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI
The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI STEPHAN JÜRGENS, ITI/LARSyS, Portugal NUNO N. CORREIA, University of Greenwich, UK and ITI/LARSyS, Portugal RAUL MASU, ITI/LARSyS, Portugal and DI, FCT, Universidade Nova de Lisboa, Portugal This paper argues that a significant paradigm change in contemporary dance can offer further opportunities for HCI researchers interested in embodied interaction and interactive system design. Based on the analysis of 42 HCI papers in our data set, resulting from searches in two computing research libraries, we suggest seven thematic categories that reflect how HCI researchers have been engaging with contemporary dance. Moreover, we propose a standardized usage of contemporary dance terminology in HCI literature, and discuss the current state of engagement with publications from the field of performance theory. We identify three opportunities for HCI, which can arise through further engagement with the knowledge produced in contemporary dance and performance: to engage with the field of embodied interaction from the perspective of performance research and theory; to employ contemporary dance methods and practices in HCI research; and to integrate contemporary dance choreographers and performers as researchers in interdisciplinary projects. CCS Concepts: • Human-centered computing ! HCI theory, concepts and models; • Applied computing ! Performing arts. Additional Key Words and Phrases: embodied interaction; contemporary dance; literature review; performance studies; interdisci- plinarity; referencing 1 INTRODUCTION There is an increasing interest from the HCI community in contemporary dance, often linked to the growing attention given to the concept of embodied interaction. Regarding the latter, an important milestone has been Dourish’s book “Where the Action Is” [25], which set the foundation for embodied interaction in HCI as “interaction design for and with the lived body” [30].
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