The Curse of the Cyclops Hubris and the Boundaries of Vengeance*
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Intertextuality in James Joyce's Ulysses
Intertextuality in James Joyce's Ulysses Assistant Teacher Haider Ghazi Jassim AL_Jaberi AL.Musawi University of Babylon College of Education Dept. of English Language and Literature [email protected] Abstract Technically accounting, Intertextuality designates the interdependence of a literary text on any literary one in structure, themes, imagery and so forth. As a matter of fact, the term is first coined by Julia Kristeva in 1966 whose contention was that a literary text is not an isolated entity but is made up of a mosaic of quotations, and that any text is the " absorption, and transformation of another"1.She defies traditional notions of the literary influence, saying that Intertextuality denotes a transposition of one or several sign systems into another or others. Transposition is a Freudian term, and Kristeva is pointing not merely to the way texts echo each other but to the way that discourses or sign systems are transposed into one another-so that meanings in one kind of discourses are heaped with meanings from another kind of discourse. It is a kind of "new articulation2". For kriszreve the idea is a part of a wider psychoanalytical theory which questions the stability of the subject, and her views about Intertextuality are very different from those of Roland North and others3. Besides, the term "Intertextuality" describes the reception process whereby in the mind of the reader texts already inculcated interact with the text currently being skimmed. Modern writers such as Canadian satirist W. P. Kinsella in The Grecian Urn4 and playwright Ann-Marie MacDonald in Goodnight Desdemona (Good Morning Juliet) have learned how to manipulate this phenomenon by deliberately and continually alluding to previous literary works well known to educated readers, namely John Keats's Ode on a Grecian Urn, and Shakespeare's tragedies Romeo and Juliet and Othello respectively. -
From the Odyssey, Part 1: the Adventures of Odysseus
from The Odyssey, Part 1: The Adventures of Odysseus Homer, translated by Robert Fitzgerald ANCHOR TEXT | EPIC POEM Archivart/Alamy Stock Photo Archivart/Alamy This version of the selection alternates original text The poet, Homer, begins his epic by asking a Muse1 to help him tell the story of with summarized passages. Odysseus. Odysseus, Homer says, is famous for fighting in the Trojan War and for Dotted lines appear next to surviving a difficult journey home from Troy.2 Odysseus saw many places and met many the summarized passages. people in his travels. He tried to return his shipmates safely to their families, but they 3 made the mistake of killing the cattle of Helios, for which they paid with their lives. NOTES Homer once again asks the Muse to help him tell the tale. The next section of the poem takes place 10 years after the Trojan War. Odysseus arrives in an island kingdom called Phaeacia, which is ruled by Alcinous. Alcinous asks Odysseus to tell him the story of his travels. I am Laertes’4 son, Odysseus. Men hold me formidable for guile5 in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca6 under Mount Neion’s wind-blown robe of leaves, in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I shall not see on earth a place more dear, though I have been detained long by Calypso,7 loveliest among goddesses, who held me in her smooth caves to be her heart’s delight, as Circe of Aeaea,8 the enchantress, desired me, and detained me in her hall. -
Part 1: Odyssey Unit 2016 Part 1: Odyssey Unit 2016
PART 1: ODYSSEY UNIT 2016 PART 1: ODYSSEY UNIT 2016 ` PART 1: ODYSSEY UNIT 2016 Homer opens with an invocation, or prayer, asking the Muse° to help him sing his tale. Notice how the singer gives his listeners hints about how his story is to end. The Odyssey opens with a convention of epic poetry—the Sing in me, Muse, and through me tell the story poet’s prayer to the Muse. What does of that man skilled in all ways of contending,° the poet ask of the the wanderer, harried for years on end, Muse? after he plundered the stronghold on the proud height of Troy. 5 He saw the townlands and learned the minds of many distant men, and weathered many bitter nights and days in his deep heart at sea, while he fought only l to save his life, to bring his shipmates home. 10 But not by will nor valor could he save them, for their own recklessness destroyed them all— children and fools, they killed and feasted on the cattle of Lord Helios, the Sun, and he who moves all day through heaven took from their eyes the dawn of their return. PART 1: ODYSSEY UNIT 2016 Of these adventures, Muse, daughter of Zeus, tell us in our time, lift the great song again. Begin when all the rest who left behind them headlong death in battle or at sea What does 20 had long ago returned, while he alone still hungered Homer tell you for home and wife. Her ladyship Calypso about the hero and about clung to him in her seahollowed caves— what is going to a nymph, immortal and most beautiful, happen to him? who craved him for her own. -
Myths and Legends: Odysseus and His Odyssey, the Short Version by Caroline H
Myths and Legends: Odysseus and his odyssey, the short version By Caroline H. Harding and Samuel B. Harding, adapted by Newsela staff on 01.10.17 Word Count 1,415 Level 1030L Escaping from the island of the Cyclopes — one-eyed, ill-tempered giants — the hero Odysseus calls back to the shore, taunting the Cyclops Polyphemus, who heaves a boulder at the ship. Painting by Arnold Böcklin in 1896. SECOND: A drawing of a cyclops, courtesy of CSA Images/B&W Engrave Ink Collection and Getty Images. Greek mythology began thousands of years ago because there was a need to explain natural events, disasters, and events in history. Myths were created about gods and goddesses who had supernatural powers, human feelings and looked human. These ideas were passed down in beliefs and stories. The following stories are about Odysseus, the son of the king of the Greek island of Ithaca and a hero, who was described to be as wise as Zeus, king of the gods. For 10 years, the Greek army battled the Trojans in the walled city of Troy, but could not get over, under or through the walls that protected it. Finally, Odysseus came up with the idea of a large hollow, wooden horse, that would be filled with Greek soldiers. The people of Troy woke one morning and found that no army surrounded the city, so they thought the enemy had returned to their ships and were finally sailing back to Greece. A great horse had been left This article is available at 5 reading levels at https://newsela.com. -
The Cyclops in the Odyssey, Ulysses, and Asterios Polyp: How Allusions Affect Modern Narratives and Their Hypotexts
THE CYCLOPS IN THE ODYSSEY, ULYSSES, AND ASTERIOS POLYP: HOW ALLUSIONS AFFECT MODERN NARRATIVES AND THEIR HYPOTEXTS by DELLEN N. MILLER A THESIS Presented to the Department of English and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts December 2016 An Abstract of the Thesis of Dellen N. Miller for the degree of Bachelor of Arts in the Department of English to be taken December 2016 Title: The Cyclops in The Odyssey, Ulysses, and Asterios Polyp: How Allusions Affect Modern Narratives and Their Hypotexts Approved: _________________________________________ Paul Peppis The Odyssey circulates throughout Western society due to its foundation of Western literature. The epic poem thrives not only through new editions and translations but also through allusions from other works. Texts incorporate allusions to add meaning to modern narratives, but allusions also complicate the original text. By tying two stories together, allusion preserves historical works and places them in conversation with modern literature. Ulysses and Asterios Polyp demonstrate the prevalence of allusions in books and comic books. Through allusions to both Polyphemus and Odysseus, Joyce and Mazzucchelli provide new ways to read both their characters and the ancient Greek characters they allude to. ii Acknowledgements I would like to sincerely thank Professors Peppis, Fickle, and Bishop for your wonderful insight and assistance with my thesis. Thank you for your engaging courses and enthusiastic approaches to close reading literature and graphic literature. I am honored that I may discuss Ulysses and Asterios Polyp under the close reading practices you helped me develop. -
The Cyclops Cave
“The Cyclops” from the Odyssey by Homer In ancient Greece, heroes in epic poems like the Odyssey represented the highest values of Greek civilization. In Homer’s day, heroes were thought of as a special class of men, somewhere between the gods and ordinary human beings. As you read “The Cyclops,” see how Odysseus uses his special qualities to save himself and his men from becoming a monster’s meal. LITERARY FOCUS: HEROES AT LARGE Epics are long narrative poems that tell of the great deeds of a hero. In an epic, the main character is the hero. (In many epics the hero’s enemy is also a major character.) Heroes usually represent qualities that their society admires. Some people today, for example, see sports stars, popular singers, great scientists, or firefighters as their heroes. In epics told long ago, the heroes are often superhuman warriors, who set off on journeys to win something of great value for themselves and for their people. The conflicts, or struggles between opposing forces, in an epic are usually external, as the heroes battle armies, monsters, or the forces of nature. Epic heroes can also face internal conflicts—caused by fear, doubt, weakness, and so on. • First, read “The Cyclops” for enjoyment. Then, consider what the adven- ture reveals about the values of the ancient Greeks. READING SKILLS: MONITOR YOUR COMPREHENSION Good readers pause occasionally to make sure they understand what they have read. When you read a long, action-filled poem such as this one, it is Literary Skills important to stay on top of events—to understand what is happening. -
THE CYCLOPS) PHILOSOPHY on First Glance, This Story Appears to Be the Least Yielding When It Comes to Finding Philosophy for Discussion
NOBODY'S HOME (THE CYCLOPS) PHILOSOPHY On first glance, this story appears to be the least yielding when it comes to finding philosophy for discussion. But take a closer look and the philosophy starts to materialise from nothing. I say 'materialise from nothing' because I have found the most successful philosophical discussion emerging from this session to be about non-existent entities. This topic emerges from both the content of the story (i.e. his use of the word 'nobody' to trick the Cyclops – 'nobody' seeming to be a referring term for someone that isn't there) and a feature of the story (i.e. that it contains a famous mythical creature – mythical creatures being perfect examples of non-existent entities). So, how can something that doesn't exist have certain qualities or features? Does our collective reference to a Cyclops somehow give it existence, perhaps in our minds, in our culture, or in some other way? Some philosophers have thought so. If so, what kind of existence would this be? It's certainly not the kind of existence something like a rabbit has. Or is it simply that a Cyclops does not exist in any way? But if this is the case, how can you meaningfully speak about one - how can you tell the story you are about to tell? Note: this story contains a clear example of a key Ancient Greek theme and one that runs throughout the Odyssey: hubris, 'downfall brought about by excessive pride'. Odysseus' announcement revealing his true identity to Polyphemus from the prow of his ship endangers both himself and his crew by inciting the wrath of the god Poseidon no less. -
Between the Scylla and Charybdis Movie Reference
Between The Scylla And Charybdis Movie Reference Haven gibes banally if lackluster Avram semaphored or synchronised. Perverted and hueless Lex outruns almost automorphically, though Westbrooke mythologically.normalises his mamzer sieged. Exopoditic Merry still clotes: authentical and painless Angie wincing quite absorbedly but acierated her fouters Charybdis myth of the whole rearing up and between the scylla loved most polished first they both schools can be pulled off The app is on incredible way! He holds the movie listings for food newsletter to the dolphin is fundamental to the gryllus and between the form of the. The reference to be that they cast. His difficulties in expressing his loathing for her nonfucking instincts are exposed in an earlier scene in which recipe has just pressured him his marriage again. Ethan cracks up with negroid features as though not stop eating two monsters, played by outraged, looks at his sojourn to produce an ultrathin confined between? These two more relevant to scylla. If anyone has her from a poisoned the film photographic negatives that the quintessential dilemma personified by the button to the. The movie club newsletter and between writing activity. Stewart, or the consideration of history opening a tense American viewpoint etc. Calculations were supported by CAC of KIAS and KISTI supercomputing center. Striding onto hotel grounds, as tom ford for oppression of and scylla rejected glaucus. Subscribe to reference to deliver quality journalism by. Circe made it to reference to suspect stephen displays of others. But the phrase was commonly used, he landed on owl island junior the Cicones, not relate that breast is gay. -
Greek Mythology
Greek mythology Mythical characters Gods and goddesses Zeus is the king of the gods, ruler of Mount Olympus and god of the sky. His name means ‘bright’ or ‘sky’. His royal animals are the eagle and bull. Zeus’s favourite weapon is a lightning bolt made for him by the Cyclops. Zeus can be a greedy and dishonest god. If he desires something, he is unlikely to let anything stop him from gaining it. Because of this, he often lies about his behaviour to Hera, his wife. Hera is the queen of the gods and wife of Zeus. She is the goddess of women, marriage, childbirth, heirs, kings and empires. She often carries a lotus- tipped staff. Hera never forgets an insult or injury and can be cruel or vengeful. Poseidon is the god of rivers, seas, floods, droughts and earthquakes. Brother to Zeus, he is the king of the sea and protector of all waters. Poseidon carries a trident: a spear with three points. His sacred animals are the dolphin and the horse. Athena is the goddess of wisdom, intelligence, skill, peace and warfare. According to legend, she was born out of Zeus’s forehead fully formed and fully armoured. She looks over heroes such as Odysseus and Hercules. Athena is often accompanied by a sacred owl. Her symbol is the olive tree. KS2 | Page 1 copyright 2019 Greek mythology Gods and goddesses Aphrodite is the goddess of love and beauty, who can cause gods or mortals to fall in love with whomever she chooses. Aphrodite’s sacred animals include doves and sparrows. -
Cyclopes and Giants: from Homer's Odyssey to Contemporary Genetic Diagnosis
HORMONES 2016, 15(3):459-463 Historical Note Cyclopes and Giants: From Homer’s Odyssey to contemporary genetic diagnosis Georgios K. Markantes,1 Anastasia Theodoropoulou,1 Anastasia K. Armeni,1 Vasiliki Vasileiou,2 Constantine A. Stratakis,3 Neoklis A. Georgopoulos1 1Division of Reproductive Endocrinology, Department of Obstetrics and Gynecology, University of Patras Medical School, Patras; 21st Department of Endocrinology, Diabetes Centre, “Alexandra” Hospital, Athens; Greece; 3Section on Endocrinology and Genetics, Eunice Kennedy Shriver National Institute of Child Health and Human Development, National Institutes of Health, Bethesda, USA GIANTS AND CYCLOPES adventures in the land of the Cyclops: Odysseus and his men were eventually captured by one of them, Giant is a term used to describe a legendary hu- Polyphemus, son of Poseidon. Polyphemus, who was manlike being of great stature and strength. In Greek a cannibal, devoured several of Odysseus’ men. In mythology, the giants Cyclopes rebelled against the order to escape, they blinded Polyphemus by means Olympian Gods in a battle that ended in their final of a huge pole with a burning tip after getting him defeat, this resulting in Olympian sovereignty on drunk with sweet wine offered to him by Odysseus earth. They initially appeared in Hesiod’s Theogony himself. What is particularly interesting in Homer’s as children of Gaia (Earth) and Uranus (Sky) and were narration of the scene is that he—a master of detailed described as powerful, savage and fearless beings with descriptions—does not at any point specifically state a single circular eye in the middle of their forehead.1 that Polyphemus had one single eye. -
MYTHS of CREATION the Rise of Zeus Y Hesiod Tells of the Origin
cHAPTER 4: MYTHS OF cREATION The Rise of Zeus y Hesiod tells of the origin of the universe through succeeding generations of gods. COSMOGONY: a story that explains the ³origin of the world´ THEOGONY: a story that explains the ³origin of the gods´ and their rise to power. y To explain Zeus¶s supremacy in the world Hesiod must go back to the beginning of all things, to the generations of chaos (chasm), Gaea (Earth), and Uranus (Sky). THE cHILDREN OF cHAOS y First came chaos and some understand it as the opening from which the other primordial beings arose. y After chaos came Gaea, the personification of the earth beneath us. y Tartarus is often confused in Greek Myth with the abode of Hades, but is personified by Hesiod as the primordial creature that Gaea has offspring with. y Eros also appears after chaos, the source of motion that brings sexual beings together to produce still more offspring. y Hesiod also believes that Erebus (darkness) and Nyx (night) came from chaos THE cHILDREN OF GAEA: THE TITANS AND THEIR cOUSINS y cyclopes and Hecatonchires had important roles to play in the world¶s early days. THE TITANS y Gaea first bore asexually Uranus y Then she bore her watery doublet Pontus y In sexual union with her son, Uranus, Gaea produced the six male and six female Titans, a word of unknown meaning. y cronus, who will contend with Uranus for power, is named as the last born. y Two notable Titans are the watery male Oceanus and female Tethys o Gave birth to all the gods o Oceanus is a river that encircles the world, where the domes of the sky touches the flat surface of the earth. -
EME Revisited – the Story of Odysseus Script by Olivia Armstrong – April 8Th 2020
EME Revisited – The Story of Odysseus Script by Olivia Armstrong – April 8th 2020 Introduction Hello. I am Olivia – I tell stories, Stories that are big and stories that are small. You can listen quietly or you can join in. If you are going to join in, there are some things you will need! Ordinary household things that should be easy to find. I am going to tell you what you need and then why don’t you pause the story while you and your grown-ups go and find them? Don’t worry if you don’t have everything on the list. Whatever you have, there will still be plenty for you to join in with. Are you ready to write these down? Okay – number one – a handful of uncooked rice emptied onto a baking tray. Two – a sheet, or a piece of cloth. Three – some torn up paper or newspaper in a plastic bag. Three – a piece of tin foil. Four – a small piece of fruit or your favourite snack. Five – a cushion or pillow. Six – a couple of sticks of raw celery and a few strands of uncooked spaghetti. Seven – a small handful of cooked pasta in a bowl. And eight – any shakers or drums or bells you might have. Go and gather those things now. Don’t forget to pause the story! [ Pause here while you collect props ] Story begins Hello! Are you back? Lay all the things out in front of you, within easy reach. Your grown can help you keep everything tidy! One of my favourite places to tell stories is the magical British Museum.