Labor Day—'Work' Songs
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KMP LIST E:\New Songs\New Videos\Eminem\ Eminem
_KMP_LIST E:\New Songs\New videos\Eminem\▶ Eminem - Survival (Explicit) - YouTube.mp4▶ Eminem - Survival (Explicit) - YouTube.mp4 E:\New Songs\New videos\Akon\akon\blame it on me.mpgblame it on me.mpg E:\New Songs\New videos\Akon\akon\I Just had.mp4I Just had.mp4 E:\New Songs\New videos\Akon\akon\Shut It Down.flvShut It Down.flv E:\New Songs\New videos\Akon\03. I Just Had Sex (Ft. Akon) (www.SongsLover.com). mp303. I Just Had Sex (Ft. Akon) (www.SongsLover.com).mp3 E:\New Songs\New videos\Akon\akon - mr lonely(2).mpegakon - mr lonely(2).mpeg E:\New Songs\New videos\Akon\Akon - Music Video - Smack That (feat. eminem) (Ram Videos).mpgAkon - Music Video - Smack That (feat. eminem) (Ram Videos).mpg E:\New Songs\New videos\Akon\Akon - Right Now (Na Na Na) - YouTube.flvAkon - Righ t Now (Na Na Na) - YouTube.flv E:\New Songs\New videos\Akon\Akon Ft Eminem- Smack That-videosmusicalesdvix.blog spot.com.mkvAkon Ft Eminem- Smack That-videosmusicalesdvix.blogspot.com.mkv E:\New Songs\New videos\Akon\Akon ft Snoop Doggs - I wanna luv U.aviAkon ft Snoop Doggs - I wanna luv U.avi E:\New Songs\New videos\Akon\Akon ft. Dave Aude & Luciana - Bad Boy Official Vid eo (New Song 2013) HD.MP4Akon ft. Dave Aude & Luciana - Bad Boy Official Video (N ew Song 2013) HD.MP4 E:\New Songs\New videos\Akon\Akon ft.Kardinal Offishall & Colby O'Donis - Beauti ful ---upload by Manoj say thanx at [email protected] ft.Kardinal Offish all & Colby O'Donis - Beautiful ---upload by Manoj say thanx at [email protected] om.mkv E:\New Songs\New videos\Akon\akon-i wanna love you.aviakon-i wanna love you.avi E:\New Songs\New videos\Akon\David Guetta feat. -
The Clique Song List 2000
The Clique Song List 2000 Now Ain’t It Fun (Paramore) All About That Bass (Meghan Trainor) American Boy (Estelle & Kanye West) Applause (Lady Gaga) Before He Cheats (Carrie Underwood) Billionaire (Travie McCoy & Bruno Mars) Birthday (Katy Perry) Blurred Lines (Robin Thicke) Can’t Get You Out Of My Head (Kylie Minogue) Can’t Hold Us (Macklemore & Ryan Lewis) Clarity (Zedd) Counting Stars (OneRepublic) Crazy (Gnarls Barkley) Dark Horse (Katy Perry) Dance Again (Jennifer Lopez) Déjà vu (Beyoncé) Diamonds (Rihanna) DJ Got Us Falling In Love (Usher & Pitbull) Don’t Stop The Party (The Black Eyed Peas) Don’t You Worry Child (Swedish House Mafia) Dynamite (Taio Cruz) Fancy (Iggy Azalea) Feel This Moment (Pitbull & Christina Aguilera) Feel So Close (Calvin Harris) Find Your Love (Drake) Fireball (Pitbull) Get Lucky (Daft Punk & Pharrell) Give Me Everything (Tonight) (Pitbull & NeYo) Glad You Came (The Wanted) Happy (Pahrrell) Hey Brother (Avicii) Hideaway (Kiesza) Hips Don’t Lie (Shakira) I Got A Feeling (The Black Eyed Peas) I Know You Want Me (Calle Ocho) (Pitbull) I Like It (Enrique Iglesias & Pitbull) I Love It (Icona Pop) I’m In Miami Trick (LMFAO) I Need Your Love (Calvin Harris & Ellie Goulding) Lady (Hear Me Tonight) (Modjo) Latch (Disclosure & Sam Smith) Let’s Get It Started (The Black Eyed Peas) Live For The Night (Krewella) Loca (Shakira) Locked Out Of Heaven (Bruno Mars) More (Usher) Moves Like Jagger (Maroon 5 & Christina Aguliera) Naughty Girl (Beyoncé) On The Floor (Jennifer -
Pre-Participation Physical Evaluation Form (Ppe)
PRE-PARTICIPATION PHYSICAL EVALUATION FORM (PPE) The IHSAA Pre-participation Physical Evaluation (PPE) is the first and most impo1tant step in providing for the well-being ofIndiana's high school athletes. The form is designed to identify risk factors prior to athletic participation by way ofa thorough medical history and physical examination. The IHSAA, under the guidance ofthe Indiana State Medical Association's Com mittee on Sports Medicine, requires that the PPE Fo1m be signed by a physician (MD or DO) holding an unlimited license to practice medicine, a nurse practitioner (NP) or a physician assis tant (PA). In order to assure that these rigorous standards are met, both organizations endorse the following requirements for completion of the PPE Form: I. The most current version of the IHSAA PPE Form must be used and may not be altered or modified in any way. (available for download at www.ihsaa.org<http://wwwJhsaa.org/>) 2. The PPE Form must be signed by a physician (MD or DO) holding an unlimited license to practice medicine, a nurse practitioner (NP) or a physician assistant (PA) only after the m~dical histo1y is reviewed, the examination performed, and th~ PP~.Form completed in ' , :· ... its entirety. No pre-signed or pre-stamped f01ms will be accepted. · ' 3. SIGNATURES □ The signature must be hand-written. No signature stamps will be acceptec;l. □ The signature and license number must be affixed on page two (2). □ The parent signatures must be affixed to the fonn on pages one (1) and four (4). □ The student-athlete signature must be affixed to pages one (1) and four (4). -
Beyonce Embarrassed to Play Her Steamy New Song for Her Mother
lifestyle SUNDAY, JANUARY 5, 2014 Gossip Beyonce embarrassed to play her steamy new song for her mother he 32-year-old singer has admitted she still mad at me.” The ‘Drunk in Love’ hitmaker, who has a Thasn’t played the sexy track - which appears 23-month-old daughter, Blue Ivy, with husband Jay on her recently released hit album ‘BEYONCE’ - Z, also revealed that the song was inspired by her for her mum Tina Knowles because the lyrics are so spouse’s attempts to woo her when they first met. salacious. On ‘Partition’, Beyonce sings of a romantic Beyonce made the admission in a new mini-docu- tryst with her lover in the back of a chauffeur-driven mentary ‘Liberation’, which she uploaded to car, with lyrics including: “Driver, roll up the partition YouTube in support of her fifth album. She said: “It please, I don’t need you seeing ‘Yonce on her knees.” takes me back to being in my car as a teenager. It The star explained: “I kinda had this whole fantasy of takes me back to when me and my husband first being in the car, and this whole movie played in my meet, and he tries to scoop me and he thinks I’m the head. I didn’t have a pen and paper. I got to the mic, hottest thing in the world. I’m like, ‘Oh, press record...’ “I was so embarrassed after I recorded the song because I’m just talking s**t. I’m like, ‘I can’t play this for my husband!’ I still haven’t played it for my mum. -
Gender & Society
~Draft: Schedule and Materials Subject to Revision~ GSWS 002: GENDER & SOCIETY Summer Session II July 1st-August 6th, 2021 Synchronous Zoom sessions will be held for conversation, review, and classroom community on Tuesdays and Thursdays, 9:00-11:00 am EST. All other course lectures, activities, and assessments will be asynchronous. Course Instructor: Alicia Meyer (she/her) Email: [email protected] Office Hours: by appointment via Zoom, chat session, or phone Course Description: This course will introduce students to the ways in which sex, gender, and sexuality mark our bodies, influence our perceptions of self and others, organize families and work like, delimit opportunities for individuals and groups of people, as well as impact the terms of local and transnational economic exchange. We will explore the ways in which sex, gender, and sexuality work with other markers of difference and social status such as race, age, nationality, and ability to further demarcate possibilities, freedoms, choices, and opportunities available to people. Required Texts: All reading assignments will be PDFs or other forms of electronic media made available through Canvas. There are several films and clips that we will watch that are available through Canvas and Van Pelt Library. Assignments and Evaluation: Attendance and Participation: 30% Attendance is required. If you need to miss a class, please reach out to me beforehand. You are permitted to take one absence, but, because this is an accelerated course, any further absences will result in a deduction of your final grade. If you have difficulties or are in a unique situation regarding time-zones, travel, quarantine, caregiving, work, or other challenges, please reach out to me ASAP so that we can create a plan together that will allow you to participate in the class. -
BA(Hons) Creative Songwriting
BA(Hons) Creative Songwriting EMU/DIME/DD - BA/CSW - AIF v2 updated May 2015 (HA/JH) 1 of 106 Table of contents I. Award map II. Award Information Form (AIF) A. Section 1 – General award information B. Section 2 – Entry requirements, student support and further activities C. Section 3 – Teaching, learning and assessment 1. Educational aims 2. Learning outcomes 3. Teaching strategy 4. Assessment strategy 5. Curriculum structure, assessment and learning outcomes map D. Section 4 – Learning and employability 1. Skills development strategies 2. Team working 3. Improving learning and performance 4. HEAR/Progress files III. Assessment Criteria Map IV. Module Information Forms (MIF) EMU/DIME/DD - BA/CSW - AIF v3 updated October 2015 (HA/JH) 2 of 106 Award Map - BA(Hons) Creative Songwriting Stage 1 (Level 4) Semester 1 Semester 2 DIME S110 Creating Subject DIME S140 Developing Subject Matter and Lyrics (20 credits) Matter and Lyrics (20 credits) DIME S120 Songwriting DIME S150 Chart Writing Methodology (20 credits) (20 credits) DIME 015 The Domestic Music DIME 010 The International Music Industry Industry (20 credits) (20 credits) Stage 2 (Level 5) Semester 3 Semester 4 DIME S210 Arrangement Skills DIME S240 Writing For Artists (20 credits) (20 credits) DIME S220 Co-Writing DIME S250 Writing For Film and TV (20 credits) (20 credits) DIME 020 Principles of Record DIME S260 Writing For Games Production (20 credits) (20 credits) Stage 3 (Level 6) Semester 5 Semester 6 DIME 030 Publishing and DIME S330 Songwriting Portfolio Copyright Law (40 credits) (30 credits) DIME S320 Songwriting DIME 035 Professional Practice Workbook Portfolio (30 credits) (20 credits) EMU/DIME/DD - BA/CSW - AIF v3 updated October 2015 (HA/JH) 3 of 106 Award Information Form (AIF) The AIF provides essential information to students, staff teams and others on a particular award or a group of awards in a course and is designed to meet the University’s expectations and those of external bodies such as the Quality Assurance Agency (QAA) in respect of course specifications. -
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1 ZOË BRENNAN-KROHN (SBN 324912) [email protected] 2 SUSAN MIZNER (SBN 163452) [email protected] 3 AMERICAN CIVIL LIBERTIES UNION FOUNDATION 39 Drumm Street 4 San Francisco, CA 94111 Telephone: (415) 343-0769 5 Facsimile: (415) 343-0950 6 AMANDA GOAD (SBN 297131) [email protected] 7 ADITI FRUITWALA (SBN 300362) [email protected] 8 AMERICAN CIVIL LIBERTIES FOUNDATION OF SOUTHERN CALIFORNIA 1313 West 8th Street, Suite 200 9 Los Angeles, CA 90017 Telephone: (213) 977-9500 10 Facsimile: (213) 915-0219 11 Counsel for Petitioners Requesting Confidential Communication and Offering Supported 12 Decision-Making Services 13 SUPERIOR COURT FOR THE STATE OF CALIFORNIA FOR THE COUNTY OF LOS ANGELES, CENTRAL DISTRICT 14 15 Case No. BP1088790 In re the Conservatorship of the Person and 16 Estate of PETITION BY AMERICAN CIVIL LIBERTIES UNION FOR 17 BRITNEY JEAN SPEARS CONFIDENTIAL 18 COMMUNICATION WITH CONSERVATEE TO OFFER AND 19 PROVIDE SUPPORTED DECISION- MAKING SERVICES 20 REQUEST FOR ARGUMENT 21 22 Date: July 14, 2021 Time: 1:30PM 23 Department: 4 Judge: Hon. Brenda J. Penny 24 25 26 27 28 PETITION BY ACLU FOR CONFIDENTIAL COMMUNICATION AND TO OFFER SUPPORTED DECISION-MAKING SERVICES 1 PETITION FOR CONFIDENTIAL COMMUNICATION WITH CONSERVATEE TO 2 OFFER AND PROVIDE SUPPORTED DECISION-MAKING SERVICES 3 Petitioners American Civil Liberties Union Disability Rights Program and American Civil 4 Liberties Union of Southern California (collectively “ACLU”), respectfully petition this Court to 5 offer conservatee Britney Spears supported decision-making assistance in selecting her next 6 attorney. 7 This petition incorporates the arguments set forth in the proposed brief concurrently filed 8 by disability and civil rights organizations as amici curiae in this case. -
MUSIC, Dvds, PROGRAMS, PE CLASSES & SOUND SYSTEMS
MUSIC, DVDs, PROGRAMS, PE CLASSES & SOUND SYSTEMS ® and “Hi! I’m Christy Lane, creator of Dare to Dance owner of Christy Lane Enterprises. How can we help you? As you browse through this catalog, you will notice we expanded our line of products and services. When our company was established 20 years ago our philosophy was simple. To educate children that dance can benefit them physically, mentally, That's me on my first video shoot. socially, and emotionally. We did this by producing quality educational products for the physical Catalog Listings: education teachers and dance studio instructors. LINE DANCING Our customer base has expanded tremendously over PARTY DANCING the years and so has the popularity of dance. Now, DECADE DANCING moms, dads, single adults, seniors, and kids who HIP HOP have never danced before are dancing! So join the PARTNER/BALLROOM fun!” LATIN DANCING SQUARE DANCING AMERICA SPORTS & NOVELTY MULTICULTURAL FOLK Christy Lane is one of America’s most well-known and respected dance instructors. Her DANCING extensive dance training has led her to become an acknowledged dance educator, producer, choreographer, and writer. Her work has been recognized by U.S. News and World Report, AFRICAN-CARIBBEAN American Fitness, USA Today and Shape Magazine. Her credits include Disney, Pepsi and DANCING Capezio to name a few. A former private dance studio owner, she tours nationally and her PHYSICAL FITNESS conventions and workshops have delighted thousands of all ages. MUSIC EDITING JAZZ DANCING TAP DANCING DANCE CONVENTIONS HOLIDAY DANCE SHIRTS DANCE FLOORS SOUND SYSTEMS & MICROPHONES TEACHER WORKSHOPS “Christy Lane has the magic to motivate the non-dancer and insight to move DANCE SCHOOL ASSEMBLIES accomplished dancers to the next level.”-Bud Turner, P.E. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
LEADS Program at Bergen Pg
“Truth, No Matter The Cost” The Torch BERGEN COMMUNITY COLLEGE STUDENT NEWSPAPER IGNITING STUDENTS TO MAKE A DIFFERENCE VOLUME 26.. NO.3 TORCHBCC.COM NOVEMBER 2017 Gourmet Dining Negotiates New Contract ADRIANNA CARABALLO CO-EDITOR The cafeteria service hours at all locations have been changed due to a new contract between Bergen Community College and Gourmet Dining. The main cafeteria, Ender Hall Cafe, Bergen Pizza and Dunkin Donuts will all receive reduced hours as a result of the new contract, among other changes. According to Rosanne Aiello, ‘I’m a Lucky Man’ Director of Gourmet Dining, the A WW2 Veteran’s new contract was created because of a severe lack of business. Story “We were losing too much money. The school came to us and said ‘what can we do to pg # 3 keep you,’ and we said ‘we have to redesign everything, so that we’re not leaving,’” Aiello said. That was the compromise between the school and Gourmet Dining to keep their services and to keep them content. “We had to cut the hours, cut the staffing [and] create an environment where we’re not :[\KLU[ZPU[OLTHPUJHML[LYPHVU[OLZLJVUKÅVVY(KYPHUUH*HYHIHSSV losing our shirts,” Aiello said. is the only contract Gourmet “Yeah, we took that out warming light. This has been going on for Dining has with a community because it just wasn’t making As of right now, the cafeteria some time, and within this year, college. Aiello had stated that it any money. It’s very expensive to will not turn a student away, but Gourmet Dining has lost more is difficult to make money at a run that Sonos. -
So You've Been Musically Shamed
WILLIAM CHENG Dartmouth College Email: [email protected] So You’ve Been Musically Shamed ABSTRACT In July 2014, an anonymous source leaked the raw audio of Britney Spears’s confessional ballad “Alien.” Haters pounced on this star’s denuded voice, gleefully seizing on the viral artifact as a smoking gun for Spears’s deficits and for the pop industry’s artistic fakeries more broadly. My paper situates this flashpoint of Spears-shaming within late-capitalist archives of public humiliation, cyberleaks, and the paternalistic scrutiny of women’s bodies and voices. KEYWORDS: critical theory, media studies, popular music A marketplace has emerged where public humiliation is a commodity and shame is an industry. How is the money made? Clicks. The more shame, the more clicks. – monica lewinsky1 “Poor Britney Spears” is not the beginning of a sentence you hear often uttered in my household. – tony hoagland, “poor britney spears,” beginning of the poem2 In the summer of 2014, the internet sprang a musical leak. Suddenly circulating on YouTube was a video featuring the allegedly raw, non-Auto-Tuned sounds of Brit- 3 ney Spears singing her new album track “Alien.” Spears’s voice in this recording was noticeably off-key and off-kilter, like some abject artifact meant to be overwritten, for- gotten, abandoned on the cutting room floor. In the video’s comment threads, view- ers’ strident pronouncements of aching ears and melting brains swirled in a chorus of mockery. Haters pounced on the star’s denuded voice and offered it as airtight 1. Monica Lewinsky, “The Price of Shame,” TED Talks (2015), transcript available at http://www.ted.com/ talks/monica_lewinsky_the_price_of_shame/transcript?language=en. -
Thesis Hum 2012 Macabela M V.Pdf
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Country and City: A study of autobiographical tropes in Ncumisa Vapi’s novel Litshona liphume by Monwabisi Victor MacabelaTown Thesis submitted in fulfilmentCape of the requirements of the degree of Doctor of Philosophy in African Languagesof and Literatures at the University of Cape Town University Supervisor: Adjunct Professor T. Dowling Date: 5 June 2012 TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION: THE TITLE OF THE THESIS ...................................................................... 4 CHAPTER ONE: AIMS AND SIGNIFICANCE OF RESEARCH, LITERATURE REVIEW AND METHODOLOGY ................................................................................................................ 6 1.1 Introduction .............................................................................................. 6 1.2 Statement of the problem ........................................................................ 7 1.3 Aims of the research ................................................................................. 7 1.4 Significance of the study ...........................................................................Town 9 1.5 Literature review ....................................................................................