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ID: an Animation with an Environment About the Ego and the Id
Rochester Institute of Technology RIT Scholar Works Theses 12-4-2018 ID: an Animation with an Environment about the Ego and the Id Huangzhi Tang [email protected] Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Tang, Huangzhi, "ID: an Animation with an Environment about the Ego and the Id" (2018). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ID: an Animation with an Environment about the Ego and the Id By Huangzhi Tang A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Visual Communication Design School of Design College of Arts & Design Rochester Institute of Technology Rochester, NY December 4, 2018 ID: an Animation with an Environment about the Ego and the Id By Huangzhi Tang Committee Approval: Mike Strobert Date Chief Advisor Lecturer, Visual Communication Design Graduate Co-Director | Design Marla Schweppe Date Associate Advisor Professor, 3D Digital Design Undergraduate Program Director | Design Stephanie Maxwell Date Associate Advisor Professor | Film and Animation Abstract When people discover their inner worlds, they would feel different psyches inside. According to the human psyche conception of Sigmund Freud, there are three kinds of psyches in human minds. They are the id, ego, and super-ego, representing instinct, reality, and morality. What is worth noticing is the relationship between the ego and id. -
About Psychoanalysis
ABOUT PSYCHOANALYSIS What is psychoanalysis? What is psychoanalytic treatment for? Freud’s major discoveries and innovations • The Unconscious • Early childhood experiences • Psychosexual development • The Oedipus complex • Repression • Dreams are wish-fulfilments • Transference • Free association • The Ego, the Id and the Super-Ego Major discoveries and additions to psychoanalytic theory since Freud: the different strands and schools within psychoanalysis today • Classical and contemporary Freudians • Sándor Ferenczi • Ego-Psychology • Classical and contemporary Kleinians • The Bionian branch of the Kleinian School • Winnicott’s branch of the Object-Relations Theory • French psychoanalysis • Self-Psychology • Relational Psychoanalysis The core psychoanalytic method and setting • Method • Setting Various Psychoanalytic Treatment Methods (adult, children, groups, etc) • Psychoanalysis • Psychoanalytic or psychodynamic psychotherapy • Children and adolescents • Psychoanalytic psychodrama • Psychoanalytic Couples- and Family-Psychotherapy • Psychoanalytic Groups Psychoanalytic training Applied psychoanalysis The IPA, its organisation and ethical guidelines Where to encounter psychoanalysis? What is psychoanalysis? Psychoanalysis is both a theory of the human mind and a therapeutic practice. It was founded by Sigmund Freud between 1885 and 1939 and continues to be developed by psychoanalysts all over the world. Psychoanalysis has four major areas of application: 1) as a theory of how the mind works 2) as a treatment method for psychic problems 3) as a method of research, and 4) as a way of viewing cultural and social phenomena like literature, art, movies, performances, politics and groups. What is psychoanalytic treatment for? Psychoanalysis and psychoanalytic psychotherapy are for those who feel caught in recurrent psychic problems that impede their potential to experience happiness with their partners, families, and friends as well as success and fulfilment in their work and the normal tasks of everyday life. -
Science in Context Fear and Envy: Sexual Difference and The
Science in Context http://journals.cambridge.org/SIC Additional services for Science in Context: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Fear and Envy: Sexual Difference and the Economies of Feminist Critique in Psychoanalytic Discourse José Brunner Science in Context / Volume 10 / Issue 01 / March 1997, pp 129 - 170 DOI: 10.1017/S0269889700000302, Published online: 26 September 2008 Link to this article: http://journals.cambridge.org/abstract_S0269889700000302 How to cite this article: José Brunner (1997). Fear and Envy: Sexual Difference and the Economies of Feminist Critique in Psychoanalytic Discourse. Science in Context, 10, pp 129-170 doi:10.1017/ S0269889700000302 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SIC, IP address: 109.66.70.204 on 12 Feb 2014 Science in Context 10, I (1997), pp. 129-170 JOSfiBRUNNER Fear and Envy: Sexual Difference and the Economies of Feminist Critique in Psychoanalytic Discourse The Argument This essay examines Freud's construction of a mythical moment during early childhood, in which differences between male and female sexual identities are said to originate. It focuses on the way in which Freud divides fear and envy between the sexes, allocating the emotion of (castration) fear to men, and that of (penis) envy to women. On the one hand, the problems of this construction are pointed out, but on the other hand, it is shown that even a much-maligned myth may still provide food for thought. Then, four critiques of Freud which have been articulated by prominent feminist psychoanalysts — Karen Horney, Nancy Chodorow, Luce Irigaray, and Jessica Benjamin — are presented, as well as the alternative visions of sexual identities which these thinkers have developed. -
The Collective Unconscious in Eugene O`Neill`S Desire Under The
Aleppo University Faculty of Arts and Humanities Department of English The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study By Diana Dasouki Supervised by Prof. Dr. Iman Lababidi A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Literature 2018 i Dasouki Declaration I hereby certify that this work, "The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study", has neither been accepted for any degree, nor is it submitted to any other degrees. Date: / / 2018 Candidate Diana Dasouki ii Dasouki Testimony I testify that the described work in this dissertation is the result of a scientific research conducted by the candidate Diana Dasouki under the supervision of Prof. Dr. Iman Lababidi, professor doctor at the Department of English, Faculty of Arts and Humanities, Aleppo University. Any other references mentioned in this work are documented in the text of this dissertation. Date: / / 2018 Candidate Diana Dasouki iii Dasouki Abstract This dissertation explores the theory of the collective unconscious in Eugene O'Neill's Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw's Pygmalion and Man and Superman. The main objective is to study how the work of Jung has awakened interest in the unconscious and archetype psychology. The collective unconscious is a useful theory because studying literature, myth and religion through archetypes can reveal many deep and hidden meanings. -
Recognizing Female Desire and Subjectivity in the Oedipus Complex
Jenna Davis 1 Beyond Castration: Recognizing Female Desire and Subjectivity in the Oedipus Complex Je=aDavis Critical Theory Swathmore College December 2011 Jenna Davis 2 CHAPTER 1 Argument and Methodology Psychoanalysis was developed by Austrian physician Sigmund Freud in the late nineteenth and early twentieth centuries. One of Freud's most celebrated theories was that of the Oedipus complex, which explores the psychic structures that underlie sexual development. In the following chapters I will be examining the Oedipal and preoedipal stages of psychosexual development, drawing out their implicit gendered assumptions with the help of modern feminist theorists and psychoanalysts. I am pursuing a Lacanian reading of Freud, in which the biological roles of mother and father are given structural importance, so that whomever actually occupies these roles is less important than their positional significance. After giving a brief history of the evolution of psychoanalytic theory in the first chapter, I move on in the second chapter to explicate Freud's conception of the Oedipus complex (including the preoedipal stage) and the role of the Oedipal myth, making use of theorist Teresa de Lauretis. In the third chapter, I look at several of Freud's texts on femininity and female sexuality. I will employ Simone de Beauvoir, Kaja Silverman and de Lauretis to discuss male and female investments in femininity and the identities that are open to women. After this, Jessica Benjamin takes the focus away from individuals and incorporates the other in her theory of intersubjectivity. I end chapter three with Helene Cixous, Julia Kristeva and Luce Irigaray, who all attest to the necessity of symbolic female representation--Cixous proposes a specifically female manner of writing called ecriture feminine, Kristeva introduces the semiotic realm to contend with Lacan's symbolic realm, and Irigaray believes in the need for corporeal Jenna Davis 3 representation for women within a female economy. -
CPQ Medicine (2021) 12:3 Research Article
CPQ Medicine (2021) 12:3 Research Article CIENT PERIODIQUE Complex in Psychoanalysis Revisited: Freud, Jung, and the War Complex Desmond Ayim-Aboagye1* & Manuela Julietta Amorin2 1Regent University College of Science and Technology, Ghana, Uppsala University, Sweden 2Morgan State University, Maryland, USA *Correspondence to: Dr. Desmond Ayim-Aboagye, Regent University College of Science and Technology, Ghana, Uppsala University, Sweden. Copyright © 2021 Dr. Desmond Ayim-Aboagye, et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Received: 06 July 2021 Published: 19 July 2021 Keywords: Complex; Delusions; Hannibal Odessey Complex; Narcissistic; Paranoid Schizoid; Psychoanalysis; Psychobiography; Psychopathic Disorder; Sadistic Personality Disorder; Schizophrenic Personality Disorders; Unconscious Conflicts Abstract Introduction Psychoanalysis clinical principles in the treatment of psychopathology have attracted philosophers and many professional psychologists for decades since its development. Some of these scholars have expanded what the pioneers, Freud and Jung, have earlier postulated. The discipline continues to engage modern scholars, some of who believe the psychoanalytic theory succinctly describes the reality of the individual’s unconscious mind conflicts, which finally appear to cause mental problems that make him grapple with pain and suffering for the rest of his life. Purpose The article endeavors to describe and explain the theory of complex, which was developed by Desmond Ayim-Aboagye, et al. (2021). Complex in Psychoanalysis Revisited: Freud, Jung, and the War Complex. CPQ Medicine, 12(3), 01-11. Desmond Ayim-Aboagye, et al., CPQ Medicine (2021) 12:3 Page 2 of 11 Sigmund Freud and later embellished by his foremost disciple, Carl Gustav Jung. -
The Electra Complex in Sylvia Plath and Anne Sexton's Poems
師大學報:人文與社會類 民國 97 年 .53(2) • 117- \30 The Electra Complex in Sylvia Plath and Anne Sexton's Poems Shu-hua Chung Applied Foreign Languages, Tung-Fang Institute ofTechnology Abstract This paper aims to explore the theme of the Electra complex in the poems by two contemporaneous American female poets, Sylvia Plath (1 932-63) and Anne Sexton (1928-74). The theme ofthe Electra complex is dealt with by these two poets through their own unique treatments: Plath represents the theme through surrealist expression, namely, an emphasis on the expression of the imagination as realized in dreams and presented ostensibly without conscious control. Sexton shows the theme through sexual imagery and parallelism. These two poets demonstrate the same theme in diverge ways, but they share an affinity: Escaping from the development of their Electra complex, they reconstruct themselves by way of taking a feminist stance against patriarchy. When their Electra complex disappears, their self-consciousness increases; consequently, they yeam for the independence to flee from their fathers. In this paper, 1 propose to use the theory of the Electra complex as presented in Sigmund Freud's Sexuality and the Psychology 01 Love as a critical tool to analyze the uniqueness and similarities within their poems. The poems that will be discussed include Sylvia Plath's “Full Fathom Five,"“Electra on Azalea Path,"“The Beekeeper's Daughter,"“The Colossus," and “ Wintering;" Anne Sexton's “ The Moss of His Skin,"“All My Pretty Ones,"“And One for My Dame,"“The Papa and Mama Dance," and “ Briar Rose." In my paper, 1 attempt to examine their description of their fathers and their ambivalent feelings towards their fathers. -
The Id, the Ego and the Superego of the Simpsons
Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character. -
Classical Psychoanalysis Psikologi Kepribadian
Classical Psychoanalysis Psikologi Kepribadian Rizqy Amelia Zein 2017-09-14 1 / 67 [1] Image credit: Giphy 2 / 67 Classical Psychoanalysis [...also known as Ego Psychology, Psychodynamics] 3 / 67 First things rst: Instinct! 4 / 67 Instincts (1) Freud denes it as the motivating forces that drive behaviour and determine its direction. Instinct (or Trieb in German), is a form of energy, that is transformed into physical energy and serve its function to connect the physical and psychological needs. Freud argues that human always experience instinctual tension and unable to escape from it. So most of our activities are directed to reduce this tension. People could have different ways to reduce the tension (e.g. sexual drives can manifest in various sexual behaviours). It's also possible to substitute the objects (displacement) and this process is primarily important to determine one's behaviour. Freud coined the terms "life" and "death" instincts, which posit different process of primal motivations. 11 / 67 Instincts (2) The Life Instinct 1. Serve the purpose of survival of the individual and the species by seeking to satisfy the needs for food, water, air, and sex. 2. The life instincts are oriented toward growth and development. The psychic energy manifested by the life instincts is the libido. 3. The libido can be attached to or invested in objects, a concept Freud called cathexis. 4. So if you like Ryan Gosling so much, for example, then your libido is cathected to him. 12 / 67 Instincts (2) The Death Instinct 1. In opposition to the life instincts, Freud postulated the destructive or death instincts. -
Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion. -
DRAFT 2 Chapter One Stigmatized by Choice: the Self-Fashioning Of
DRAFT 2 Chapter One Stigmatized by Choice: The Self-Fashioning of Anna Katharina Emmerick, 1813 Introduction: Whose Story? The residents of Dülmen had plenty to talk about and worry over in March of 1813. By then, the Westphalian village had seen three regime changes over the course of a decade of war.1 As the front line of the battle between Napoleon’s Imperial France and the other European powers had shifted, passing soldiers made camp in Dülmen’s fields and requisitioned its goods – over 15,000 of them at one point, overwhelming the community’s 2,000 inhabitants. The French Revolution had come to their doorstep: the annexed village’s Augustinian convent was secularized, its peasants emancipated. Twenty of Dülmen’s young men had just recently been conscripted into Napoleon’s Grand Armeé, joining its long march to Russia. Now the Russian campaign was over, all twenty Dülmener soldiers were dead, and not only retreating French but Prussian and Russian troops were heading Dülmen’s way.2 Despite all these pressing concerns, a growing number of Dülmeners were talking in the streets and taverns about something else entirely: Anna Katharina Emmerick, the bedridden spinster forced to leave Dülmen’s convent upon its secularization. This peasant woman, rumor 1 At the time of Emmerick’s birth, Dülmen was part of the Prince-Bishopric of Münster. The last Prince-Bishop of Münster died in exile in Vienna in 1801, and the Prince-Bishopric was formally dissolved by the Reichsdeputationshauptschluß of 25 February 1803 (for more on this document, see p. 14 below). -
Transference
Transference Transference (German: Übertragung) is a theoretical phenomenon characterized by unconscious redirection (projection) of the feelings a person has about their parents, as one example, on to the therapist. It usually concerns feelings from a primary relationship during childhood. At times, this projection can be considered inappropriate.[1][2][3] Transference was first described by Sigmund Freud, the founder of psychoanalysis, who considered it an important part of psychoanalytic treatment. Occurrence It is common for people to transfer feelings about their parents to their partners or children (that is, cross-generational entanglements). For instance, one could mistrust somebody who resembles an ex-spouse in manners, voice, or external appearance, or be overly compliant to someone who resembles a childhood friend. In The Psychology of the Transference, Carl Jung states that within the transference dyad both participants typically experience a variety of opposites, that in love and in psychological growth, the key to success is the ability to endure the tension of the opposites without abandoning the process, and that this tension allows one to grow and to transform.[4] Only in a personally or socially harmful context can transference be described as a pathological issue. A modern, social-cognitive perspective on transference explains how it can occur in everyday life. When people meet a new person who reminds them of someone else, they unconsciously infer that the new person has traits similar to the person previously known.[5] This perspective has generated a wealth of research that illuminated how people tend to repeat relationship patterns from the past in the present.