DOCSLIB.ORG

Law School Tower Ok'd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Law School Tower Ok'd INSIDE : SUMMER IN BROOKLYN WWW.BROOKLYNPAPERS.COM Happy Fourth! We’ve included a U.S. flag on our back page. Including The Midwood, Kensington and Ocean Parkway Papers Display it proudly. GOD BLESS AMERICA Published weekly by Brooklyn Paper Publications Inc, 26 Court St., Brooklyn 11242 Phone 718-834-9350 AD fax 718-834-1713 • NEWS fax 718-834-9278 © 2002 Brooklyn Paper Publications • 20 pages including 8 pages GO BROOKLYN • Vol.25, No. 26 DTG, PSG • July 1, 2002 • FREE LAW SCHOOL TOWER OK’D By Patrick Gallahue jected the proposal for the 265-foot-tall dorm ex- The Brooklyn Papers pressed neither shock nor outrage at the planning commission’s decision, however, and instead said The controversial plan for a Brooklyn Law they had generally anticipated the judgement. School dormitory in Boerum Hill took a giant “It’s what I expected,” said Judy Stanton, the ex- leap toward becoming a reality Wednesday ecutive director of the Brooklyn Heights Associa- when the City Planning Commission unani- tion, which came out against breaking the special mously approved plans for the high-rise On fire! Downtown Brooklyn zoning limits. “The planning structure. commissioners have indicated at every hearing and The building has been the target of almost unani- every public discussion that they thought this proj- mous disapproval from neighborhood associations ect was a good one.” because it would break a hard-won zoning limita- “Well, they’re mostly developers on the City tion imposed just last year. Planning Commission and also people that are pro- Community groups that have unequivocally re- See TOWER on page 9 Heights mourns 9-11 hero fireman / Tom Callan / Tom By Patrick Gallahue The Brooklyn Papers A little over a month after his remains were identified, hero Firefighter Vernon Cherry, of Papers The Brooklyn Ladder Company 118 in Brooklyn Heights, was laid to rest on Saturday. On a scorching Saturday afternoon, a firebreather tries to heat things up Cherry’s funeral service was held at the Church even more — to the delight of the crowd, at Coney Island’s annual Mer- of the Assumption of the Blessed Virgin Mary, on maid Parade. At left, two “mermaids” try to cool off by sitting on a cooler. Cranberry Street between Hicks and Henry streets, Below, a beer-lover kicks back and enjoys a few cold ones (on her head!) in around the corner from his firehouse. For many, it front of the Cyclone roller coaster, which turned 75 on Wednesday. was a return to the site of an emotional collective commemoration held last October, for the eight members of the Middagh Street firehouse killed on Sept. 11. In the ensuing weeks and months since Octo- ber’s ceremony, the men from the firehouse that have been discovered, have each been honored in singular services — and on Sunday it was Cherry’s turn. A singer and a cook, the author of the coveted lasagna recipe “Vernon Mo Lasagmo,” and a fire rig operator with a bold driving style — which earned him the nickname “Cowboy” — Cherry was, above all, known as a cheerful, harmonious man with an easy laugh. “Vernon’s rhythm was his family, the melody of Darien Cherry weeps as he’s handed the helmet his life was his music and the harmony of his life of his father, Vernon, Saturday. AP / Raddiffe Roye See CHERRY on page 10 Boost for Armory By Patrick Gallahue and after 4 pm the facilities would be open to pri- / Greg Mango / Greg The Brooklyn Papers vate schools, community leagues and neighborhood Callan / Tom At the urging of Park Slope Councilman organizations. Bill DeBlasio, Mayor Michael Bloomberg “This was an extraordinary possibility,” DeBla- and City Council Speaker Gifford Miller this sio said. “To have this much space available to See ARMORY on page 9 The Brooklyn Papers The Brooklyn week allocated $250,000 each towards the Papers The Brooklyn renovation of the 17th Regiment Armory, located on Eighth Avenue between 14th and 15th streets. The funds are a small step towards completing a $15 million proposal first presented to the commu- nity last April at a meeting of the Park Slope Civic Council. The plan would turn the vast crumbling Anchorage moves to ‘Tobacco’ road building into a 61,600-square-foot, state-of-the-art community athletic facility. The Brooklyn Papers The annulment, however, has Two long-time presenters of based presenter of public arts ly lease on the Anchorage, that told The Brooklyn Papers, The plan’s author and champion, Take the Field Reasons of national security accelerated use of the Tobacco the arts in Brooklyn, Creative projects, which has put on sea- national security concerns would “There were safety concerns ex- Inc., an organization dedicated to rebuilding public Warehouse on Water Street at Time and Arts at St. Ann’s, are sonal shows in the Anchorage halt its summer program, accord- school athletic facilities in New York City, intro- have canceled the 20th season pressed by law enforcement. the foot of Dock Street in DUM- currently in the planning stages for almost 20 years, was notified ing to Creative Time spokes- Brooklyn residents are probably duced designs to convert the armory’s currently va- of Creative Time’s arts presen- BO as an arts venue, a use first of sponsoring events at the ware- in the early spring by the Depart- woman Sarah Bacon. cant drill floor, into a sports facility encompassing a seeing the increased police pres- tations in the Anchorage of the proposed by supporters of the house shell this summer. ment of Citywide Administrative The Brooklyn Bridge, along ence in and around the bridge at track and basketball, volleyball and tennis courts. Brooklyn Bridge. planned Brooklyn Bridge Park. Creative Time, a Manhattan- Services, which manages its year- with the Statue of Liberty, has The garrison portion of the building, would be used this point in time. Here at DOT for community space. been considered a potential tar- we respect anything that law en- With several hundred public, private and get for terrorist attacks by intel- forcement asks of us regarding parochial schools inside a four-mile radius of the ar- ligence agencies since Sept. 11. security.” mory, the plan has been promoted as much for its Most recently, claims of cap- Cocola, however, would not public benefits as its enrichment to the surrounding tured al Qaeda operative Abu specify if it was federal, city or a community. A car-free P’Park? Zubaydah, that the bridge was state law enforcement that re- “We forget how densely populated we are,” De- within al Qaeda’s crosshairs, led quested the Anchorage closure. Borough President Marty Creative Time has presented Blasio said. “Hundreds and hundreds of schools The Brooklyn Papers The group currently lists the five Markowitz to cancel his arts shows in the Anchorage within a radius of miles. To me this was something council members whose districts border we had to invest.” The anti-car Transportation Alter- “Brooklyn Bridge to the World” since 1983, when it was first Take the Field President Richard Kahan said that natives may be developing the politi- the park as supporting a three-month festival that had been scheduled opened to the public for the cen- when the plans were first introduced he envisioned cal muscle to temporarily close the study of a car-free park. Those council for June 2. tennial celebration of the Brook- the athletic facilities would be open to the public gates of Prospect Park to traffic to members are Bill DeBlasio (Park Slope- Tom Cocola, a spokesman lyn Bridge. The space offered Borough Park), David Yassky (Brooklyn from 6 am to 8 am. From 8 am to 4 pm, the hall study the effects a car-free park would / File for the city Department of one of the most unique venues could be made available to the Board of Education have on the surrounding communi- Heights-Park Slope), Angel Rodriguez BP Transportation agency that for visual and performing arts in for local public schools currently lacking facilities, ties. See CAR-FREE on page 9 Momentum is building for trial ban on park cars maintains the space, this week See TOBACCO on page 10 Cop charged in DUI death of motorcyclist Independence By Heather J. Wilson Stefanos Kiladitis, of 67th mother, Kallaipi sat sobbing aloud, “Why?” legedly drunken cop. Week holiday The Brooklyn Papers Street, was knocked off his in front of her son’s casket. She and her husband, Kiladitis was heading bike and hurled through the Overcome with grief, she Eltherios, had made the gut- west on Fort Hamilton Park- The Brooklyn Papers’ offices A police officer faces air June 19 after off-duty po- could barely rise to hug the wrenching decision to re- way around 10:30 pm last manslaughter charges for will be closed for our annual lice officer Victor Wilson al- many family and friends move their son — known to Wednesday when Wilson Independence Week vacation, / Greg Mango / Greg allegedly driving under legedly made a left through paying their respects at his his friends and family as slammed into him with the the influence of alcohol July 1-7, and The Papers will a standing red light at 88th wake. “Little Steve” — from life driver’s side of his 1995 not publish next week. Our when he ran a red light Street. Kiladitis never re- Kallaipi Kiladitis was support at Lutheran Medical Chrysler Cirrus as he made and plowed into a 21- gained conscious and died among the many mourners Center Saturday, three days a left turn from 88th Street. offices reopen Monday, July year-old Bay Ridge man after being taken off life at the Dahill Funeral Home after he was thrown from Eltherios Kiladitis told 8, and The Papers will pub- The Brooklyn Papers The Brooklyn riding his motorcycle on support three days later.
Load more

Recommended publications
  • Transforming Lives
    Brooklyn College Foundation Annual Report 2007–2008 Transforming Lives The First Step The doors to Brooklyn College are the doors to opportunity. Compared with other institutions of higher education, a great many of our students shoulder substantial responsibilities, and many are the first in their family to attend college. Diverse in background, interests, and ambition, they share the certainty that higher education is the way to a productive and rewarding future. For many, that future will be secured with the help of the Brooklyn College Foundation Dear Friends of Brooklyn College For students—past and present—Brooklyn College stands as a gateway to a rewarding life. They come because they want to become effective leaders in their chosen profession and engaged citizens of the world. They come because they have heard of our commitment to academic quality and to helping them reach their goals. This commitment is at the heart of who we are and what we do. We have held firm to this principle throughout my presidency and, as I leave Brooklyn College this summer, I am especially proud of what we have done together to give it life and to sustain it. Last fall, we admitted a freshman class larger and better than the year before and we were joined by forty new faculty members, bringing the number of scholars and artists we have recruited over the last nine years to 273, more than half the teaching faculty and more than we appointed in the previous three decades. We also welcomed a new Provost, Dr. William A. Tramontano, who brings proven leadership in initiating and implementing new academic programs.
    [Show full text]
  • Blues Symphony in Atlanta Two Years Ago, Wynton Marsalis Embarked on a New Challenge: Fuse Classical Music with Jazz, Ragtime and Gospel
    01_COVER.qxd 12/10/09 11:44 AM Page 1 DOWNBEAT DOWNBEAT BUDDY GUY BUDDY // ERIC BIBB // JOE HENRY JOE HENRY // MYRON WALDEN MYRON WALDEN DownBeat.com $4.99 02 FEBRUARY 2010 FEBRUARY 0 09281 01493 5 FEBRUARY 2010 U.K. £3.50 02-27_FRONT.qxd 12/15/09 1:50 PM Page 2 02-27_FRONT.qxd 12/15/09 1:50 PM Page 3 02-27_FRONT.qxd 12/15/09 1:50 PM Page 4 February 2010 VOLUME 77 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Contributing Designer Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Quinones, Jessica Marie Constructing the authentic: approaching the `6 Tango-Etudes pour Flute Seula' by Astor Piazzolla (1921±1992) for interpretation and performance Original Citation Quinones, Jessica Marie (2013) Constructing the authentic: approaching the `6 Tango-Etudes pour Flute Seula' by Astor Piazzolla (1921±1992) for interpretation and performance. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/23457/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 1 CONSTRUCTING THE AUTHENTIC: APPROACHING THE ‘6 TANGO-ETUDES POUR FLÛTE SEULE’ BY ASTOR PIAZZOLLA (1921–1992) FOR INTERPRETATION AND PERFORMANCE JESSICA QUIÑONES A thesis submitted
    [Show full text]
  • Viewer’S Male Gaze
    Women and Children First: ​ American Magazine Image Depictions of Japan and the Japanese, 1951-1960 Xander Somogyi Candidate for Honors in History at Oberlin College Professor Leonard Smith, Advisor Spring 2018 Acknowledgments This paper would not have been possible without the help of my advisor and dear friend, Professor Leonard Smith. Whether giving useful critiques or a simple ganbatte (good luck!), ​ ​ Professor Smith was consistently there to help with this project: thank you. I would also like to thank my parents, Kathleen Chamberlain and Victoria Somogyi, who have always been interested in, and engaged with, my academic pursuits. To my friends who believed in me, helped with and encouraged my research--especially Hannah Kim, Juanbi Berretta, and my fellow classmates in the Honors Seminar--I am deeply grateful. I would finally like to dedicate this paper to the research assistants and librarians at Oberlin’s Mudd Library and the New York Public Library. Not only did they help me greatly throughout this project, but they instilled a great love for research in me I never thought I had. Title page photograph: Contrasting images of the Japanese from National Geographic’s ​ ​ ​ 1960 article “Japan, the Exquisite Enigma.” 2 Note on Japanese Names Because this paper is written with an American frame in mind, I have followed the Western convention, not the Japanese, in organising Japanese name format. All names in this paper will begin with given name first and surnames last (for instance, Michiko Shoda). 3 Table of Contents Introduction
    [Show full text]
  • At the Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 4-2019 At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians Michael D. Berghoef Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Race and Ethnicity Commons Recommended Citation Berghoef, Michael D., "At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians" (2019). Dissertations. 3424. https://scholarworks.wmich.edu/dissertations/3424 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. AT THE CROSSROADS OF RACE, CLASS AND CULTURE: IDENTIFYING THE UNINTENDED CONSEQUENCES OF TECHNOLOGY ON THE AGENCY OF BLUES MUSICIANS by Michael D. Berghoef A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology Western Michigan University April 2019 Doctoral Committee: David Hartmann, Ph.D. Chair Douglas Davidson, Ph.D. Susan Morris, Ph.D. © 2019 Michael D. Berghoef The Blues are the roots, the rest are the fruits. Willie Dixon Somebody has been cashing checks, and they've been bouncing back on us. And these people, the poor class of Negroes and the poor class of white people, they're getting tired of it. Howlin’ Wolf Now that I'm getting’ old enough to get some money, I'd like to have some money.
    [Show full text]
  • TTC Interview
    TAPE: A1210705 [SHOW: 1 A ] [AIRDTE: 0 7 / 0 5 / 2 1 ] [AIRTME: 10:00 - 12:00] [HOST: JENN WHITE] [STORY: RED, WHITE AND THE BLUES ] [CONTENT: EMILY ATKIN, DANIEL SWAIN, SAMANTHA MONTANO] 12:00:00 DISCLAIMER Transcripts of WAMU programs are available for personal use. Transcripts are provided "As Is" without warranties of any kind, either express or implied. WAMU does not warrant that the transcript is error-free. For all WAMU programs, the broadcast audio should be considered the authoritative version. Transcripts are owned by WAMU 88.5 FM American University Radio and are protected by laws in both the United States and international law. You may not sell or modify transcripts or reproduce, display, distribute, or otherwise use the transcript, in whole or in part, in any way for any public or commercial purpose without the express written permission of WAMU. All requests for uses beyond personal and noncommercial use should be referred to (202)885-1200. 00:00:08 JENN WHITE This is 1A. I'm Jenn White in Washington and today we celebrate Independence Day with a one hour tribute to an original American art form. We call it Red, White and The Blues. Blues music arose from the African American experience in the South. On the farms and in fields, enslaved Black people sang to keep their spirits up, spread the news and sometimes to relay secret messages. In church, they sang gospel music. At work, the blues. Blues music went on to become the basic DNA for jazz, R&B, rock and roll, rap and most every manner of modern music.
    [Show full text]
  • Donaldson, Your Full Name and Your Parents’ Names, Your Mother and Father
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LOU DONALDSON NEA Jazz Master (2012) Interviewee: Louis Andrew “Lou” Donaldson (November 1, 1926- ) Interviewer: Ted Panken with recording engineer Ken Kimery Dates: June 20 and 21, 2012 Depository: Archives Center, National Music of American History, Description: Transcript. 82 pp. [June 20th, PART 1, TRACK 1] Panken: I’m Ted Panken. It’s June 20, 2012, and it’s day one of an interview with Lou Donaldson for the Smithsonian Institution Oral History Jazz Project. I’d like to start by putting on the record, Mr. Donaldson, your full name and your parents’ names, your mother and father. Donaldson: Yeah. Louis Andrew Donaldson, Jr. My father, Louis Andrew Donaldson, Sr. My mother was Lucy Wallace Donaldson. Panken: You grew up in Badin, North Carolina? Donaldson: Badin. That’s right. Badin, North Carolina. Panken: What kind of town is it? Donaldson: It’s a town where they had nothing but the Alcoa Aluminum plant. Everybody in that town, unless they were doctors or lawyers or teachers or something, worked in the plant. Panken: So it was a company town. Donaldson: Company town. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Panken: Were you parents from there, or had they migrated there? Donaldson: No-no. They migrated. Panken: Where were they from? Donaldson: My mother was from Virginia. My father was from Tennessee. But he came to North Carolina to go to college.
    [Show full text]
  • Broadcastingtathe Newsweekly of Broadcasting and Allied Arts Our26 47Th Year 1978
    First annual report and ranking: The top 100 in electronic communications BroadcastingtaThe newsweekly of broadcasting and allied arts Our26 47th Year 1978 nI lN3mr- n w N Nr1 N0. -1 y..c_4"r Outstanding Host of a Talk, Service or Variety Series r CJ i7C_ Phil Donahue J+ 3D ti0 r.è G1A z mc1 Outstanding Talk, Service or Variety Series . Z. I1 r,n -i 1nr Executive Producer Producer >111N -i2'G Richard Mincer Patricia McMillen n n cr -4 O C Produced and Distributed by -s C1 T rrTirv-.c11, 'i G ÿ ®DÍÌÌ Q Multimedia Program Productions, Inc. V Cincinnati, Ohio 45202 4, r vd ,X) t; ^1 Cy C-, ru N ''.. J` That's the opinion of Don D. Wear, vice "Cox Data emerged president and general manager of our newest customer, WAPI Television and Rodio, Birmingham - which began using clearly a winner. Cox Data's television automation system June 26. As Mr. Wear explains, "Our decision was reached after minute comparisons with other types of television computer control systems, and Cox Dato emerged clearly o winner. We eagerly look forward to the many capabilities that your splendid system will render our station: We're not only attracting new customers to our list of 26, we're also retaining the confidence of stations we're already servicing. As D.C. Gale, president of Niagara Television Limited (Toronto -Hamilton, Ontario), states: "We wonted the BEST computer system available, and we believe the Cox Don D. Weor System is it: The Cox System is your Vice President computer.
    [Show full text]
  • Women and Children First: American Magazine Image Depictions of Japan and the Japanese, 1951-1960
    Oberlin Digital Commons at Oberlin Honors Papers Student Work 2018 Women and Children First: American Magazine Image Depictions of Japan and the Japanese, 1951-1960 Alexander Adorjan Somogyi Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the History Commons Repository Citation Somogyi, Alexander Adorjan, "Women and Children First: American Magazine Image Depictions of Japan and the Japanese, 1951-1960" (2018). Honors Papers. 174. https://digitalcommons.oberlin.edu/honors/174 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. Women and Children First: ​ American Magazine Image Depictions of Japan and the Japanese, 1951-1960 Xander Somogyi Candidate for Honors in History at Oberlin College Professor Leonard Smith, Advisor Spring 2018 Acknowledgments This paper would not have been possible without the help of my advisor and dear friend, Professor Leonard Smith. Whether giving useful critiques or a simple ganbatte (good luck!), ​ ​ Professor Smith was consistently there to help with this project: thank you. I would also like to thank my parents, Kathleen Chamberlain and Victoria Somogyi, who have always been interested in, and engaged with, my academic pursuits. To my friends who believed in me, helped with and encouraged my research--especially Hannah Kim, Juanbi Berretta, and my fellow classmates in the Honors Seminar--I am deeply grateful. I would finally like to dedicate this paper to the research assistants and librarians at Oberlin’s Mudd Library and the New York Public Library.
    [Show full text]
  • The Brooklyn College Foundation Annual Report, 2004–2005
    The Brooklyn College Foundation Annual Report, 2004–2005 On the cover: Architectural plan for realization of the campus design envisioned by Brooklyn College’s founding architect, Randolph Evans, in 1935. The plan proposes new entrances to Roosevelt and James Halls, a new West Quad to mirror the existing East Quad, and a new building to anchor the entire campus west of Bedford Avenue. The West Quad Project is one of several ambitious plans the College has launched to build a modern, student-centered campus conducive to learning and scholarship. Dear Friends of Brooklyn College At Brooklyn College in the last year, we have been busy building— not only the physical campus, but also the educational environment that best encourages vigorous learning and scholarship. Our priorities result largely from initiatives we launched during the first five years of my presidency—and particularly within the last twelve months. These include expanding the campus, renewing the natural sciences, and broadening our fiscal base. The physical transformation of the campus continues apace. We have doubled the size of the Morton and Angela Topfer Library Café, and it is open again 24/7. Over the summer, we renovated and modernized eleven lecture halls in Ingersoll Hall. We move ahead with the West Quad Project, laying out a new quadrangle and pouring the foundation for a new building. We have begun a major rebuilding of our science facilities and our science curriculum. The project will proceed in two stages. First, Roosevelt Hall will be transformed into a science building; then we will renovate Ingersoll Hall. The science faculty meanwhile has been discussing and defining the shape science teaching and research should take at the College.
    [Show full text]
  • More Than Two Million American Men and Their
    More than two million American men and their families are currently battling prostate cancer and three million more men will be compelled to join the battle in the coming decade. Our goal is to keep these families together. We are in a race against time. Prostate CancerKeeping Foundation Families | TogetherAnnual Report 2005 Headline to go here every time. More than 3 years ago, the Prostate Cancer Foundation (PCF) was founded with a single mission: to harness resources – both financial and human – to find better treatments and a cure for recurrent prostate cancer, a cancer that was little known at the time. Back then, who knew that prostate cancer would become the most common non-skin cancer in America? Who knew that prostate cancer would strike one in six men? Who knew that a man would be one-third more likely to develop prostate cancer than a woman is to develop breast cancer? Since then, the PCF has raised more than $260 million for prostate cancer research with the help of tens of thousands of generous supporters and corporate partners. We have funded hundreds of researchers in the United States and throughout the world in an effort to keep families together, longer. Despite the great progress, there is still much to do. In 2005, prostate cancer took the lives of more than 30,000 fathers, brothers, uncles and husbands. One of those men was Mickey Tarnopol, a stalwart supporter and a member of our Board of Directors for 0 years. He was a beloved husband, father and grandfather. It is with him in mind, along with the more than two million American men and their families currently battling this disease, that we move aggressively toward fulfilling our mission.
    [Show full text]
  • Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACKIE MCLEAN NEA Jazz Master (2001) Interviewee: Jackie McLean (May 17, 1931 – March 31, 2006) Interviewer: William Brower with recording engineer Sven Abow Date: July 20-21, 2001 Repository: Archives Center, National Museum of American History. Smithsonian Institution Description: Transcript, 131 pp. Brower: My name is William Brower. I’m sitting with Jackie McLean at the Artists Collective in Hartford, Connecticut, on Friday, July the 20th, 2001. We’re conducting an oral history interview for the Smithsonian Jazz Oral History Project. The first thing I’d like to do is thank Mr. McLean for agreeing to participate in this oral history. McLean: Oh, it’s my pleasure. It’s very important. Brower: I want to start with what we were talking about before we actually started the formal interview and ask you to tell us about your recent trip to Europe, where you played, with whom you were playing, and then talk about how you’re handling your performance – the performance dimension of your life – right now. McLean: This most recent trip that I made – I made two trips to play with Mal Waldron. The first one was in Verona, Italy, a couple of weeks ago. That was a duo where Mal and I played for about 70 minutes solo, between he and I, duo. Then I went just last week over to the North Sea Festival in the Hague to play with Mal again, this time with his trio, with Andrew Cyrille, Reggie Workman, Mal, and I was special guest.
    [Show full text]