Tango Or Sirtaki? the Argentine and Greek Dance with Sovereignty and a Multilateral Sovereign Debt Restructuring Framework
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SYRTAKI Greek PRONUNCIATION
SYRTAKI Greek PRONUNCIATION: seer-TAH-kee TRANSLATION: Little dragging dance SOURCE: Dick Oakes learned this dance in the Greek community of Los Angeles. Athan Karras, a prominent Greek dance researcher, also has taught Syrtaki to folk dancers in the United States, as have many other teachers of Greek dance. BACKGROUND: The Syrtaki, or Sirtaki, was the name given to the combination of various Hasapika (or Hassapika) dances, both in style and the variation of tempo, after its popularization in the motion picture Alexis Zorbas (titled Zorba the Greek in America). The Syrtaki is danced mainly in the taverns of Greece with dances such as the Zeybekiko (Zeimbekiko), the Tsiftetelli, and the Karsilamas. It is a combination of either a slow hasapiko and fast hasapiko, or a slow hasapiko, hasaposerviko, and fast hasapiko. It is typical for the musicians to "wake things up" after a slow or heavy (vari or argo) hasapiko with a medium and / or fast Hasapiko. The name "Syrtaki" is a misnomer in that it is derived from the most common Greek dance "Syrtos" and this name is a recent invention. These "butcher dances" spread throughout the Balkans and the Near East and all across the Aegean islands, and entertained a great popularity. The origins of the dance are traced to Byzantium, but the Argo Hasapiko is an evolved idiom by Aegean fisherman and their languid lifestyle. The name "Syrtaki" is now embedded as a dance form (meaning "little Syrtos," though it is totally unlike any Syrto dance), but its international fame has made it a hallmark of Greek dancing. -
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
Issue 1 : ( Non ) Conformity ( Vol
N O . 1 V O L U M E 1 / N O V E M B E R 2 Lingua 0 2 0 NI S S U E 1a : ( N OtN ) CoO N F OlR MiI TnY ( V OaL . 1 ) US AND THEM SERBIA: WANNA LIVE LIKE ON DANCE: A RETURN OF THE COMMON PEOPLE: NOTES ON NON-ALIGNMENT ON THE APOLITICISM POLICY? MUSEUMIFICATION OF SPACE Uladzimir Niakliaeŭ Antoine Granier Liza Deléon Simon Berger Lingua Natolina E D I T O R I A L It is Lingua Natolina’s belief that the accomplishment of cross-cultural meaning is both a personal and collective adventure beyond the borders set by language and conventional forms of expression. In this sense, rather than a definitive and coherent outlet, our hybrid and multilingual journal is an experience in European intellectual community. The College of Europe's students hail from over 50 countries. By bringing together the talented students of the College of Europe Mario-Soares Promotion (2020-2021), and key voices in the pan-European cultural discourse, we intend to lift up a true Babel-like cacophony that has the potential to spur intercultural and multilingual dialogue further. In this first volume of our issue on (non)conformity, readers will find a collection of academic and creative essays, as well as stories and art that bears witness to the rich cultural tapestry of Europe. This volume includes original texts in Belarusian, German, Italian, French, and English from students and key artists, writers, academics, and political figures. This seminal motivation to enact a shift away from conventional modes of expression led to the choice of the theme of (non)conformity through which form could match content in our first issue. -
Dutchcu|Ture Dance in Turkey |
Centre for international DutchCu|ture | cooperation Dance in Turkey Version 2019 | Written by Zeynep Günsür Dance in Turkey Dance in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Zeynep Günsür cultural field. This mapping was written by local experts and edited by Teike Asselbergs and Chantal Edited by Chantal Hamelinck and Teike Asselbergs. Hamelinck. The mapping was produce as a means to Proofread by Natasha Hay. promote cultural exchange between the Netherlands and Turkey and as a starting point of the year 2012, Commissioned by DutchCulture, centre for internati- which marked 400 years of Dutch – Turkish diplo- onal cooperation. matic relations. The mapping was supported and produced in close co-operation with the Dutch public Supported by the Ministry of Education, Culture and funds. Science of the Netherlands. An update of these mappings was commissioned in 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultu- ral practitioners an insight into the Turkish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Dance in Turkey Contents Summary 4 Introduction 5 Short History 6 Main trends and topics 10 Popular 16 Audiences 17 Sub-disciplines 18 Professional groups and -
Specials Call Us! See Page 5 > 2 Station Signals January2009 March2009 Sstationtation Ssignalsignals 3
Adirondack Seasons airs Tell Me More premieres Thursday, March 5 at 10:00 p.m. Monday, March 23 at 8 p.m. on WXXI-TV/HD on AM1370/HD91.5-2 STATION SIGNALS TV21 | DTV | AM1370 | FM91.5/90.3/88.5/HD | REACHOUT RADIO | EDUCATION | WXXI.ORG march 2009 in Boston CHRIS BOTTI hosts Rock, Rhythm & Doo Wop Live from the Forum in Acapulco Voices: YANNI YANNI FRANKIE VALLI music SPECIALS call us! see page 5 > 2 StatiON SIGNALS january2009 march2009 SSTATIONtatiON SSIGNALSIGNALS 3 Dear Friend, If you’re a new member of WXXI (especially if you joined during our recent radio membership campaign), let me extend a warm welcome to the WXXI family! You join more than 27,000 others who voluntarily contribute to WXXI to keep our station a strong, independent voice for the Rochester community. Listenership to our radio services, especially news and public affairs, is stronger than ever. There’s also some good news to share about WXXI television. The most recent Nielsen ratings show that WXXI-TV viewers are the most loyal in the nation to their public television station, based on time spent viewing. That means that more people are tuning in and staying with our programming throughout the day. It’s just one measure of audience success, but an important one. Our children’s programming continues to attract a wide, diverse audience, as does drama, culture and news and public affairs in the evening. The WXXI Center for Public Affairs is also being recognized, not just locally, but throughout the state and nation. -
1718Studyguidemaria.Pdf
MARIA DE BUENOS AIRES A little tango opera in two parts for orchestra, narrator, and singers Texts by Horacio Ferrer | Music by Ástor Piazzolla Premiere May 8, 1968, Sala Planeta, Buenos Aires NOVEMBER 10, 11, 12, 2O17 The Noah Liff Opera Center Judy & Joe Barker | Jessica & Zach Liff Co-sponsors Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST Maria Cassandra Velesco* El Payador Luis Alejandro Orozco* El Duende Luis Ledesma* Tango Axis Mariela Barufaldi* Jeremías Massera* The Girl Zazou France Gray* Sofia Viglianco* * Nashville Opera debut † Former Mary Ragland Young Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE JUDY & NOAH SUE & EARL LIFF FOUNDATION SWENSSON THE STORY Ástor Piazzolla’s tango opera, Maria de Buenos Aires, premiered on May 8, 1968, in Sala Planeta, Buenos Aires. The seductive quality of nuevo tango and the bandoneon play such an important role, they embody a central character in the story. Some say that the opera is a metaphor for tango and the city of Buenos Aires, with Maria herself being the personification of the tango. The surrealist plot is conveyed with the words of a narrator character and poet, El Payador, and his antithesis El Duende, an Argentinian goblin-spirit from South American mythology whose powers cause the loss of innocence. The opera, separated into two parts, first tells the story of the young Maria, her struggles on earth, and ultimate demise. The libretto states she “was born on the day God was drunk.” In the second part of the opera, we explore her existence as “Shadow Maria,” experiencing the dark underworld of Buenos Aires. -
Creating Markets in Angola : Country Private Sector Diagnostic
CREATING MARKETS IN ANGOLA MARKETS IN CREATING COUNTRY PRIVATE SECTOR DIAGNOSTIC SECTOR PRIVATE COUNTRY COUNTRY PRIVATE SECTOR DIAGNOSTIC CREATING MARKETS IN ANGOLA Opportunities for Development Through the Private Sector COUNTRY PRIVATE SECTOR DIAGNOSTIC CREATING MARKETS IN ANGOLA Opportunities for Development Through the Private Sector About IFC IFC—a sister organization of the World Bank and member of the World Bank Group—is the largest global development institution focused on the private sector in emerging markets. We work with more than 2,000 businesses worldwide, using our capital, expertise, and influence to create markets and opportunities in the toughest areas of the world. In fiscal year 2018, we delivered more than $23 billion in long-term financing for developing countries, leveraging the power of the private sector to end extreme poverty and boost shared prosperity. For more information, visit www.ifc.org © International Finance Corporation 2019. All rights reserved. 2121 Pennsylvania Avenue, N.W. Washington, D.C. 20433 www.ifc.org The material in this work is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. IFC does not guarantee the accuracy, reliability or completeness of the content included in this work, or for the conclusions or judgments described herein, and accepts no responsibility or liability for any omissions or errors (including, without limitation, typographical errors and technical errors) in the content whatsoever or for reliance thereon. The findings, interpretations, views, and conclusions expressed herein are those of the authors and do not necessarily reflect the views of the Executive Directors of the International Finance Corporation or of the International Bank for Reconstruction and Development (the World Bank) or the governments they represent. -
Tango White Gardenia
Tango of the White Gardenia A tango-infused chamber opera in two acts Music by Ethan Gans-Morse • Libretto by Tiziana DellaRovere Tango of the White Gardenia is a compelling new chamber opera that weaves together humor, emotional depth, and timely messages through the riveting music and dance of Argentine tango. Although it is an opera buffa that offers fun winks and nods to the commedia dell’arte style of centuries past, it is also a contemporary story that features urgent themes for today’s audiences, such as how enduring love and staying true to one’s heart are more precious than winning external recognition. This opera shows how the consequences of parents’ mistakes cast a shadow on their children’s lives, and how bullies are made, not born. The story reveals how the abandonment of a child by a mother can create a sense of not being worthy of love, and how the absence of a father can produce a compulsion to win worldly recognition at any cost. All of this drama unfolds against the background of Argentine tango, which permeates both the musical score and the choreography of the six dancers who mirror each of the singing characters. In this context, the Tango becomes a metaphor for life and a perfect canvas for the expression of intense passion, deep connections, strident conflicts, and powerful reconciliation. Plot Synopsis Later in life, renowned tango teacher Anthony still longs for his now- deceased lover and mentor, the beautiful and soulful Sofía. Her spirit appears to guide, inspire, and comfort him. Anthony has dedicated his life to teaching tango as a path to heartfelt human connection. -
Y TARIFA(S): Marque Con Una “X” Los Planes Contratados
ANEXO N° 1: AL ACUERDO PARA LA PRESTACIÓN DEL SERVICIO PÚBLICO 1PLAY, 2PLAY Y 3PLAY – ALÁMBRICOS PLAN(ES) / PAQUETE(S) Y TARIFA(S): Marque con una “X” los planes contratados: PLAN PRECIO POR PLAY Internet 1PLAY (X) 2PLAY (X) 3PLAY (X) Internet 15 Mbps S/ 55.00 S/ 45.00 S/ 39.00 Internet 30 Mbps S/ 70.00 S/ 60.00 S/ 59.00 Internet 60 Mbps S/ 90.00 S/ 80.00 S/ 79.00 Internet 120 Mbps S/ 140.00 S/ 130.00 S/ 124.00 Internet 200 Mbps S/ 199.00 S/ 190.00 S/ 183.00 Telefonía Telefonía 100 S/ 49.00 S/ 20.00 S/ 16.00 Televisión HD Claro HDTV Básico (1 Básico HD) S/ 99.00 S/ 75.00 S/ 70.00 Claro HDTV Avanzado (1 HD) S/ 120.00 S/ 85.00 S/ 80.00 Claro HDTV Superior (1 HD) S/ 170.00 S/ 135.00 S/ 130.00 COMPONENTES DE LOS PLANES PLAY ALÁMBRICOS (1) PLAN DE TELEFONÍA FIJA: la tasación de las llamadas es al segundo. Plan Claro Fijo Local(a) Claro Fijo Nacional(b) Destinos RPC(c) Minutos CDN(d) Telefonía 100 Ilimitado Ilimitado Ilimitado 100 minutos a) Claro Fijo Local: EL CLIENTE podrá realizar llamadas ilimitadas locales a teléfonos fijos de CLARO. b) Claro Fijo Nacional Ilimitado: EL CLIENTE podrá realizar llamadas ilimitadas a teléfonos fijos de CLARO a nivel nacional. c) Destinos RPC: EL CLIENTE podrá realizar llamadas ilimitadas a móviles de CLARO dentro de la red RPC. d) Minuto CDN: Permiten efectuar llamadas a los destinos fijos nacionales y móviles de cualquier operador. -
American Primacy and the Global Media
City Research Online City, University of London Institutional Repository Citation: Chalaby, J. (2009). Broadcasting in a Post-National Environment: The Rise of Transnational TV Groups. Critical Studies in Television, 4(1), pp. 39-64. doi: 10.7227/CST.4.1.5 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/4508/ Link to published version: http://dx.doi.org/10.7227/CST.4.1.5 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Broadcasting in a post-national environment: The rise of transnational TV groups Author: Dr Jean K. Chalaby Department of Sociology City University Northampton Square London EC1V 0HB Tel: 020 7040 0151 Fax: 020 7040 8558 Email: [email protected] Jean K. Chalaby is Reader in the Department of Sociology, City University in London. He is the author of The Invention of Journalism (1998), The de Gaulle Presidency and the Media (2002) and Transnational Television in Europe: Reconfiguring Global Communications Networks (2009). -
Tango Toolkit MDF 2004.Doc MDF 1
Tango for Organisations 40 Tools for Institutional Development and Organisational Strengthening MDF Training & Consultancy “Tango for Organisations; 40 Tools for Institutional Development and Organisational Strengthening” ISBN 90-808685-1-5 MDF Training & Consultancy BV Bosrand 28 Postbus 430 6710 BK Ede The Netherlands www.mdf.nl All rights reserved. No part of this toolkit may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from MDF Training & Consultancy BV. Copyright © 2004 MDF Training & Consultancy BV Tango for Organisations 40 Tools for Institutional Development and Organisational Strengthening MDF Training & Consultancy Ede, April 2004 Content of the CD Rom Table of Contents of the CD Rom Acknowledgements 6. Internal organisational analysis Abbreviations 6.1 Strategy 1. Introduction 6.1.1 Strategy assessment 6.2 Structure 2. Approach 6.2.1 Organogram 2.1 Question 6.2.2 Mintzberg matrix 2.1.1 Basic Question (BQ) 6.3 Systems 2.1.2 Criteria 6.3.1 Process flow chart 2.2 Client and mindset 6.4 Management style 2.2.1 Client system 6.4.1 Assessment model 2.2.2 Organisational Learning Cycle 6.4.2 Quinn roles 2.2.3 Stakeholder analysis 6.4.3 MacCoby styles 2.3 Process 6.5 Staff 2.3.1 ID/OS process design 6.5.1 Staff conditions algorithm 2.4 Adviser 6.5.2 Competency profiling 2.4.1 Approach International Adviser 6.5.3 Core quadrants 2.4.2 Drama triangle 6.5.4 Functional team roles 3. -
Remotedoc9515288c9cbbec-5F6b-4A Page 1 Typestreamcategory Live
remotedoc9515288c9cbbec-5f6b-4a TypeStreamCategory Live StreamsEvents: Corona Virus - Covid 19Live: Netherland Live StreamsNL: 100% TVLive: Netherland Live StreamsNL: 192 TVLive: Netherland Live StreamsNL: 24 Kitchen HDLive: Netherland Live StreamsNL: 24KitchenLive: Netherland Live StreamsNL: Animal Planet HDLive: Netherland Live StreamsNL: AT5 HDLive: Netherland Live StreamsNL: Baby TVLive: Netherland Live StreamsNL: BBC First HDLive: Netherland Live StreamsNL: BBC OneLive: Netherland Live StreamsNL: BoomerangLive: Netherland Live StreamsNL: BVNLive: Netherland Live StreamsNL: Cartoon NetworkLive: Netherland Live StreamsNL: CBS Reality HDLive: Netherland Live StreamsNL: Comedy CentralLive: Netherland Live StreamsNL: Comedy Central ExtraLive: Netherland Live StreamsNL: Crime & InvestigationLive: Netherland Live StreamsNL: DanceTrippinLive: Netherland Live StreamsNL: Discover Science HDLive: Netherland Live StreamsNL: Discover WorldLive: Netherland Live StreamsNL: Discovery Channel HDLive: Netherland Live StreamsNL: Discovery ID FHDLive: Netherland Live StreamsNL: Disney ChannelLive: Netherland Live StreamsNL: Disney XDLive: Netherland Live StreamsNL: Djazz TVLive: Netherland Live StreamsNL: DRTVLive: Netherland Live StreamsNL: DTV UdenLive: Netherland Live StreamsNL: Duck TVLive: Netherland Live StreamsNL: E! entertainement HDLive: Netherland Live StreamsNL: Edge Sport HDLive: Netherland Live StreamsNL: ESPN 1Live: Netherland Live StreamsNL: ESPN 1 FHDLive: Netherland Live StreamsNL: ESPN 1 HDLive: Netherland Live StreamsNL: ESPN 1 SDLive: