Deleuze Through Wittgenstein: Essays in Transcendental Empiricism
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CRATYLUS by Plato Translated by Benjamin Jowett the Project Gutenberg Ebook of Cratylus, by Plato
CRATYLUS By Plato Translated by Benjamin Jowett The Project Gutenberg EBook of Cratylus, by Plato INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words in order to conceal his thoughts, or that he would have been unintelligible to an educated contemporary. In the Phaedrus and Euthydemus we also find a difficulty in determining the precise aim of the author. Plato wrote satires in the form of dialogues, and his meaning, like that of other satirical writers, has often slept in the ear of posterity. Two causes may be assigned for this obscurity: 1st, the subtlety and allusiveness of this species of composition; 2nd, the difficulty of reproducing a state of life and literature which has passed away. A satire is unmeaning unless we can place ourselves back among the persons and thoughts of the age in which it was written. Had the treatise of Antisthenes upon words, or the speculations of Cratylus, or some other Heracleitean of the fourth century B.C., on the nature of language been preserved to us; or if we had lived at the time, and been 'rich enough to attend the fifty-drachma course of Prodicus,' we should have understood Plato better, and many points which are now attributed to the extravagance of Socrates' humour would have been found, like the allusions of Aristophanes in the Clouds, to have gone home to the sophists and grammarians of the day. -
Ray Brassier: Nihil Unbound: Enlightenment and Extinction Palgrave Macmillan, Basingstoke, UK, 2007, 296 Pp, ISBN 9780230522046, US $84.95 (Cloth)
Cont Philos Rev (2010) 42:583–589 DOI 10.1007/s11007-009-9127-8 Ray Brassier: Nihil unbound: enlightenment and extinction Palgrave MacMillan, Basingstoke, UK, 2007, 296 pp, ISBN 9780230522046, US $84.95 (cloth) Knox Peden Published online: 12 January 2010 Ó Springer Science+Business Media B.V. 2010 Punctuated by paeans to ‘‘the coruscating potency of reason’’ and the ‘‘dissociative virulence of…non-dialectical negativity,’’ Ray Brassier’s Nihil Unbound: Enlight- enment and Extinction is a work of philosophy committed to the ‘‘labor of disenchantment initiated by Galileo in the physical realm, continued by Darwin in the biological sphere, and currently being extended by cognitive science to the domain of mind’’ (xi, 45, 40). The defacement of the ‘‘book of the world’’ accomplished during the Enlightenment beckons ‘‘an invigorating vector of intellectual discovery, rather than a calamitous diminishment’’ (xi). This is because ‘‘[t]hinking has interests that do not coincide with those of living; indeed, they can and have been pitted against the latter’’ (xi). Pursuing these interests, Brassier develops a concept of the ‘‘will to know’’ congruent with a ‘‘will to nothingness’’ impervious to the countervailing force of the ‘‘will to live.’’ It is not the least of the ironies of Nihil Unbound that a work committed to marshalling the rigorous stringency of reason against the affective finesse of interpretation often produces claims that connect with the gut as much as the mind. Committed though he is to the notion that words are categorically weak objects for philosophical thought, Brassier nonetheless gets a lot of mileage out of them. -
Against 'Flat Ontologies'
64 Ray Brassier Deleveling: Against ‘Flat Ontologies’ Ray Brassier is associate professor of philosophy at the American University of Beirut. What I am going to present today is a critical discussion of the 65 tenets of so-called ‘flat ontology’. The expression ‘flat onto- logy’ has a complicated genealogy. It was originally coined as a pejorative term for empiricist philosophies of science by Roy Bhaskar in his 1975 book, A Realist Theory of Science. By the late 1990s, it had begun to acquire a positive sense in discus- sions of the work of Deleuze and Guattari. But it only achieved widespread currency in the wake of Manual De Landa’s 2002 book about Deleuze, Intensive Science and Virtual Philosophy. More recently, it has been championed by proponents of ‘ob- ject-oriented ontology’ and ‘new materialism’. It is its use by these theorists that I will be discussing today. I will begin by explaining the ‘four theses’ of flat onto- logy, as formulated by Levi Bryant. Bryant is a proponent of ‘object-oriented ontology’, a school of thought founded by Graham Harman. In his 2010 work The Democracy of Objects, Bryant encapsulates flat ontology in the following four theses: Thesis 1: “First, due to the split characteristic of all ob- jects, flat ontology rejects any ontology of transcendence or presence that privileges one sort of entity as the origin of all others and as fully present to itself.” Thesis 2: “Second, […] the world or the universe does not exist. […] [T]here is no super-object that gathers all other ob- jects together in a single, harmonious -
Language After Philosophy of Nature: Schelling’S Geology of Divine Names
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Liverpool Repository LANGUAGE AFTER PHILOSOPHY OF NATURE: SCHELLING’S GEOLOGY OF DIVINE NAMES DANIEL WHISTLER Each mineral is a real philological problem.1 Future commentary on Dante belongs to the natural sciences… No one has yet approached Dante with a geologist’s hammer, in order to ascertain the crystalline structure of his rock, in order to study the particles of other minerals in it, to study its smoky colour, its garish patterning, to judge it as a mineral crystal which has been subjected to the most varied series of accidents.2 What happens to language after the post-linguistic turn? In what does a speculative approach to religion consist? Such are the two questions around which this essay is structured. It is not my purpose to give a comprehensive answer to either question; rather, I am concerned with one very specific approach that could be taken, and this is the approach of F.W.J. Schelling. Schelling has never been so relevant, and this is in no small part thanks to Iain Hamilton Grant’s Philosophies of Nature after Schelling. Grant’s work–part of the recent resurgence in speculative philosophies—has been instrumental in presenting Schelling’s Naturphilosophie as a viable pursuit for philosophy in the wake of Deleuze. This chapter is intended as a “regional application” of Grant’s presentation of Schelling onto philosophy of language and religion. It is important to stress straight-off that, while language and the numinous may well be two of the deconstructionist’s favourite tools for undermining theoretical discourse, this chapter has no such aim. -
Thyrion Plato De Magistro
Plato De Magistro Stacie Lynne Thyrion Fond du Lac, Wisconsin Bachelor of Arts in Greek, University of Minnesota, 2007 Master of Arts in Philosophy, University of Virginia, 2012 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Philosophy University of Virginia May, 2018 CONTENTS Introduction: The Student Paradox 5 Chapter 1: Poet as Teacher 25 Chapter 2: Rhetorician and Text and Teacher 58 Chapter 3: Language as Teacher 89 Chapter 4: Sophist as Teacher 118 Bibliography 154 2 ACKNOWLEDGEMENTS I owe a deep debt of gratitude to both advisors who oversaw this project. Dan Devereux saw it through to the end with me, gave me his ceaseless, caring support, and offered a critical eye that never failed to make my work stronger and more careful. Dominic Scott was there at the inception of most of these chapters, thinking with me and encouraging me to pursue my ideas in a way that was exceptionally rewarding. I will always feel immense gratitude and affection for them both. I want to thank the many other members of my philosophy community that helped and encouraged this project. My dissertation committee, for their time, hard work, and care: Ian McCready-Flora, Brie Gertler, Antonia LoLordo, and Jenny Strauss Clay. The close friends who supported me and helped me grow through years of effort, not least of all Derek Lam and Nick Rimell. And the many others at the University of Virginia who have given me the happiest intellectual years of my life. -
Plato's Epistemology
Plato’s Epistemology: a Coherent Account in Meno , Phaedo and Theaetetus Chuanjie Sheng Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Department of Classics August 2015 II The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Chuanjie Sheng The right of Chuanjie Sheng to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. III Acknowledgements I appreciate all the persons that helped me to complete this thesis. I would like to express my greatest gratitude to my supervisors, Dr. Elizabeth E. Pender and Professor Malcolm F. Heath. As an enlightened teacher, Dr. Pender has offered me valuable comments and suggestions for my dissertation. Working with her is a stimulating intellectual experience. She patiently suggested on the structure of my thesis and corrected all the chapters line by line. As a wonderful friend, she brings happiness, pleasure and fruitful experience into my life in Leeds. Professor Heath has read all the chapters of my thesis and has given me feedbacks on each of the chapters. During the supervisions, he has given me valuable academic advice and comments, which has saved me from a large number of mistakes and errors in this dissertation. -
The Ocean of Theosophy Is a Classic of Theosophical Literature
PHILOSOPHY/THEOSOPHY T Mr. Judge’s The Ocean of Theosophy is a classic of theosophical literature. Written in 1893 as a text to explain the broad themes treated in H.P. Blavatsky’s HE two-volume magnum opus, The Secret Doctrine, it has long been regarded by students of the Wisdom Religion as one of the most valuable “keys” to understanding the latter work. O Robert Crosbie described the import of this volume in the following CEAN OF THE OCEAN OF manner: “As the Author’s Preface shows, the book was written in such a manner as to be understood by the ordinary reader; the simplicity of the terms used, however, should not mislead the reader into thinking that the work is an elementary one, for behind and within every statement THEOSOPHY there is a depth of meaning that the careless and superficial fail to perceive. It is really a simplified text-book of the fundamental teachings of Theosophy, and is found by students of the “Secret Doctrine” to be a true abridgment of that great work and a wonderful aid in its T comprehension; it was written with that end in view by the only one HEOSOPHY competent to do so and is there fore earnestly recommended to every student of Theosophy.” Students of every variety will gain enormous benefit from the study of both works conjointly. Mr. Judge’s Ocean provides a high-level overview - the schematic, if you will - of the subject matter treated in great detail in the Secret Doctrine, and is so very useful in keeping in mind the scope of that work. -
Introduction Christoph Cox, Jenny Jaskey, and Suhail Malik
Introduction Christoph Cox, Jenny Jaskey, and Suhail Malik Realism and materialism have become important watchwords in intellectual and cultural discourse today. Despite their di!erences, these philosophical stances propose that thought can think outside itself, that reality can be known without its being shaped by and for human comprehension. This position sharply contrasts with the philosophical and cultural view dominant over the last half century, a view that a"rms the indispensability of interpretation, discourse, textuality, signi#cation, ideology, and power. Diverse as they are, the theoretical pro- grams that constitute this latter orthodoxy (notably phenomenology, hermeneu- tics, post- structuralism, deconstruction, and psychoanalysis) maintain that our apprehension of the natural and social worlds is either constituted or mediated by a discursive #eld or a cognitive subject, and that nothing—or nothing mean- ingful—exists outside of discourse or its socially- organized construction. In short, this orthodoxy has been staunchly anti-realist. Today’s realism and materialism explicitly challenge many of these now prevalent assumptions of cultural practice and theoretical inquiry. Realism Materialism Art (RMA) presents a snapshot of the emerging and rapidly changing set of ideas, practices, and challenges proposed by contemporary realisms and materialisms, re$ecting their nascent reworking of art, philosophy, culture, theory, and science, among other #elds. Further, RMA strives to expand the hori- zons and terms of engagement with -
Dogma Et Rituel De La Haute Magie
Eliphas Levi Dogma et Rituel de la Haute Magie Translated by A. E. Waite www.holybooks.com Dogme et Rituel de la Haute Magie Part II: The Ritual of Transcendental Magic By Eliphas Levi (Alphonse Louis Constant) Translated by A. E. Waite. Originally published by Rider & Company, England, 1896. Transcribed and converted to Adobe Acrobat format by Benjamin Rowe, January, 2002. Typeset in Bauer Bodoni, Goudy Text, and Waters Titling. www.holybooks.com Part II: The Ritual of Transcendental Magic www.holybooks.com The Sabbatic Goat www.holybooks.com INTRODUCTION KNOWEST thou that old queen of the world who is on the march always and wea- ries never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of our tearful valley, and, scythe in hand, these indefatigable labourers reap their eternal harvest. That queen is old as time, but her skeleton is concealed in the wreckage of women's beauty, which she abstracts from their youth and love. Her skull is adorned with lifeless tresses that are not her own. Spoliator of crowned heads, she is embellished with the plunder of queens, from the star-begemmed hair of Berenice to that-white, but not with age-which the executioner sheared from the brow of Marie Antoinette. Her livid and frozen body is clothed in faded garments and tattered winding-sheets. Her bony hands, covered with rings, hold diadems and chains, scepters and crossbones, jewels and ashes. When she goes by, doors open of themselves; she passes through walls; she penetrates to the cabinets of kings; she surprises the extortioners of the poor in their most secret orgies; she sits down at their board, pours out their wine, grins at their songs with her gumless teeth, takes the place of the lecherous courtesan hidden behind their curtains. -
Hegel 250—Too Late?
HEGEL 250—TOO LATE? Ljubljana 2020 HEGEL 250—TOO LATE? ANALECTA Publisher: Društvo za teoretsko psihoanalizo Publishing board: Miran Božovič, Mladen Dolar, Rado Riha, Alenka Zupančič (president), Slavoj Žižek Edited by Mladen Dolar Copyedited by Tanja Dominko and Eric Powell Cover Design by AOOA Layout by Klemen Ulčakar Printed by Ulčakar Grafika First Edition Circulation 200 Ljubljana 2020 This publication has been co-published in partnership with the Goethe-Institut Ljubljana. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 1Hegel G.W.F.(082) HEGEL 250 - too late? / [edited by Mladen Dolar]. - 1st ed. - Ljubljana : Društvo za teoretsko psihoanalizo : Goethe-Institut, 2020. - (Zbirka Analecta) (Problemi ; let. 58, 11-12) (Problemi International ; 2020, 4) ISBN 978-961-6376-94-5 (Društvo za teoretsko psihoanalizo) COBISS.SI-ID 61238531 Table of Contents Hegel Reborn: A Brief Introduction to HEGEL 250—TOO LATE? Árpád-Andreas Sölter. 5 Hegel’s Time! Ana Jovanović, Bara Kolenc, Urban Šrimpf, Goran Vranešević. 9 Nadia Bou Ali and Ray Brassier After Too Late: The Endgame of Analysis. 11 Mladen Dolar What’s the Time? On Being Too Early or Too Late in Hegel’s Philosophy. 31 Luca Illetteratti Nature’s Externality: Hegel’s Non-Naturalistic Naturalism. .51 Zdravko Kobe The Time of Philosophy: On Hegel’s Conception of Modern Philosophy . 73 Bara Kolenc Is It Too Late?. 91 Christian Krijnen “What, if Anything, Has Not Been Called Philosophizing?” On the Relevance of Hegel’s Conception of a Philosophical History of Philosophy. 119 Gregor Moder What Is To Be Done: On the Theatricality of Power. 143 Nadia Bou Ali and Ray Brassier Sebastian Rödl Thinking Nothing . -
RAY BRASSIER Pete Wolfendale
RAY BRASSIER Pete Wolfendale Ray Brassier is a Scottish philosopher largely responsible for popularising Meillassoux’s work in the Anglophone world. He published one of the first critical engagements with Meillassoux’s work in English and was the translator of the first English edition of After Finitude. He was also one of the principal organisers and one of the four speakers at the infamous ‘Speculative Realism’ conference at Goldsmiths college in 2007, though he has since distanced himself from that term. He has consistently criticised what he sees as the elision of epistemological problems in Anglophone continental philosophy, and the ignorance and sometimes hostility to the natural sciences that is often associated with it. There is a profound affinity between Brassier’s criticisms and Meillassoux’s critique of correlationism, insofar as they both insist on the necessity of taking the results of natural science literally, but there is equally an affinity between their positive positions, insofar as they are both committed to the revival of rationalism in contemporary philosophy. Nevertheless, Brassier has a number of important disagreements with Meillassoux, some of which have grown more serious as his position has developed and changed in recent years. We will begin by presenting an outline of Brassier’s thought in his book Nihil Unbound, and the criticisms of Meillassoux found therein, before addressing how these have developed since its publication. Nihil Unbound connects a number of different themes, structured around the core contention that nihilism is “not an existential quandary but a speculative opportunity.”1 He takes it that nihilism is the logical conclusion of the progressive disenchantment of nature by science begun in the enlightenment, through which conceptual thought comes to be seen as something manifest in causal processes amenable to naturalistic explanation and normative value comes to be seen as something projected upon nature by these same processes. -
The Speculative Turn Continental Materialism and Realism
The Speculative Turn Continental Materialism and Realism Edited by Levi Bryant, Nick Srnicek and Graham Harman Open Access Statement – Please Read This book is Open Access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. Copyright Notice This work is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for any commercial gain in any form and that you in no way alter, transform or build on the work outside of its use in normal aca- demic scholarship without express permission of the author and the publisher of this volume. Furthermore, for any reuse or distribution, you must make clear to others the license terms of this work. For more information see the details of the creative commons licence at this website: http://creativecommons.org/licenses/by-nc-nd/2.5/ This means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, you cannot: • gain financially from the work in anyway • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution