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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Fact Sheet 2009
Wynton Marsalis FACT SHEET 2009 Wynton Marsalis, is the Artistic Director of Jazz at Lincoln Center since its inception in 1987, in addition to performing as Music Director of the Jazz at Lincoln Center Orchestra since it began in 1988, has: Early Life . Born on October 18, 1961, in New Orleans, Louisiana, the second of six sons to Ellis and Dolores Marsalis . At age 8, performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker . At age 12, began studying the trumpet seriously and gained experience as a young musician in local marching, jazz and funk bands and classical youth orchestras . At age 14, was invited to perform the Haydn Trumpet Concerto with the New Orleans Philharmonic . At age 17 became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center and was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student . 1979 Entered The Juilliard School in New York City to study classical trumpet . 1979 Sat in with Art Blakey and the Jazz Messengers to pursue his true love, jazz music. 1980 Joined the band led by acclaimed master drummer Art Blakey . In the years to follow, performed with Sarah Vaughan, Dizzy Gillespie, Gerry Mulligan, John Lewis, Sweets Edison, Clark Terry, Sonny Rollins and countless other jazz legends Acclaimed Musician, Composer, Bandleader . 1982 Recording debut as a leader . 1983 Became the first and only artist to win both classical and jazz GRAMMY® Awards in one year . 1984 Won classical and jazz GRAMMY® Awards for a second year . -
Black Women As Activist Intellectuals: Ella Baker and Mae Mallory Combat Northern Jim Crow in New York City's Public Schools During the 1950S
City University of New York (CUNY) CUNY Academic Works Publications and Research Hostos Community College 2019 Black Women as Activist Intellectuals: Ella Baker and Mae Mallory Combat Northern Jim Crow in New York City's Public Schools during the 1950s Kristopher B. Burrell CUNY Hostos Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ho_pubs/93 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] £,\.PYoo~ ~ L ~oto' l'l CILOM ~t~ ~~:t '!Nll\O lit.ti t~ THESTRANGE CAREERS OfTHE JIMCROW NORTH Segregation and Struggle outside of the South EDITEDBY Brian Purnell ANOJeanne Theoharis, WITHKomozi Woodard CONTENTS '• ~I') Introduction. Histories of Racism and Resistance, Seen and Unseen: How and Why to Think about the Jim Crow North 1 Brian Purnelland Jeanne Theoharis 1. A Murder in Central Park: Racial Violence and the Crime NEW YORK UNIVERSITY PRESS Wave in New York during the 1930s and 1940s ~ 43 New York www.nyupress.org Shannon King © 2019 by New York University 2. In the "Fabled Land of Make-Believe": Charlotta Bass and All rights reserved Jim Crow Los Angeles 67 References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or John S. Portlock changed since the manuscript was prepared. 3. Black Women as Activist Intellectuals: Ella Baker and Library of Congress Cataloging-in-Publication Data Mae Mallory Combat Northern Jim Crow in Names: Purnell, Brian, 1978- editor. -
Scissor Dance: the Danzaq of Southern Peru in New York
Spring–Summer 2015 Volume 41: 1–2 The Journal of New York Folklore Scissor Dance: The Danzaq of Southern Peru in New York Stephen Alcorn on Drawing by Hand in a Digital Age Craft Revisited: A Consumer Revolution In Memoriam: Hilt Kelly, Catskills Fiddler and Caller From the Director From the Editor In the past few weeks, Addy had played in the lives of his family and An explosion of pol- I have been strongly band members. As the family patriarch, Yacub len sent us to the hospi- reminded of the value Addy was the senior “tradition bearer” of a tal one May morning. A of traditional arts and family legacy of the renowned Addy family seemingly extraordinarily culture and their im- of drummers, singers, and dancers from the long winter ended sud- portance to the fabric Avenor neighborhood in Accra, Ghana. This denly with 80-degree of our everyday life. role as the elder statesman of the tradition temperatures and soak- As executive direc- of drumming by the Ga people held great ing showers! Spring flow- tor of the New York cultural importance. However, it was also ers responded immedi- Folklore Society, I consider traditional arts important from an economic viewpoint. ately, enthusiastically casting pollen into the and culture to be an important aspect of Throughout the decades of his involvement air, covering porches and cars in a fine yel- one’s sense of self, and a source of pride with Ghanaian drumming, (from before the low dust. Heaven for those awaiting spring. for a community. It seems to me, without independence of Ghana in 1957 to the pres- Hell for those suffering from allergies and question, that one’s knowledge of one’s own ent), Yacub Addy involved at least 62 band asthma. -
Marcus Center Presents BIG BAND HOLIDAYS Jazz at Lincoln Center Orchestra with Wynton Marsalis Featuring Special Guest Cécile Mclorin Salvant
Local Press Contact: Molly Sommerhalder Phone: 414-273-7121 ext. 399 Email: [email protected] FOR IMMEDIATE RELEASE Marcus Center Presents BIG BAND HOLIDAYS Jazz at Lincoln Center Orchestra With Wynton Marsalis Featuring Special Guest Cécile McLorin Salvant Monday, December 1 TICKETS GO ON SALE THIS SUNDAY, OCTOBER 12 MILWAUKEE, WI (Thursday, October 9, 2014) – The Marcus Center for the Performing Arts is proud to present Big Band Holidays: Jazz at Lincoln Center With Wynton Marsalis Featuring Special Guest Cécile McLorin Salvant in Uihlein Hall, for one night only, on December 1 at 7:30pm. Tickets are $65-$30 with limited VIP seating at $90 and are subject to change. Tickets go on sale this Sunday, October 12 at 12:00 pm at the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee. They can also be purchased by phone at 414-273-7206, or online at MarcusCenter.org or Ticketmaster.com. Groups of 10 or more SAVE by calling 414-273-7121 ext. 210. This one night only performance is sponsored by the InterContinental Hotel. Hailed as "an extraordinarily versatile orchestra" by The Los Angeles Times, the JAZZ AT LINCOLN CENTER ORCHESTRA is composed of 15 of jazz music's leading soloists under the leadership of musical director Wynton Marsalis. Drawing from an extensive repertoire that includes original compositions by Mr. Marsalis, Ted Nash, and other members of the orchestra, as well as the masterworks of Ellington, Mingus, Coltrane, and other great jazz composers, the Jazz at Lincoln Center Orchestra with Wynton Marsalis concerts are internationally critically-acclaimed. -
Skidmore College 2001-2002 Catalogue
Nonprofit Organization Skidmore College Catalog 2001-2002 U.S.Postage Paid Skidmore College Office of Admissions Skidmore Skidmore College 815 North Broadway Saratoga Springs New York 12866-1632 College 2001 2002 Directory for Correspondence SKIDMORE COLLEGE 815 NORTH BROADWAY SARATOGA SPRINGS, NEW YORK 12866-1632 Information: 518-580-5000 Automated Operator: 518-580-7400 World Wide Web: www.skidmore.edu General College Policy ...... Jamienne S. Studley, President Academic Policy ....... John J. Berman, Dean of the Faculty Student Affairs .............................. Thomas P. Oles, Dean Student Academic Affairs .... Jon Ramsey, Dean of Studies Admissions ....... Mary Lou Bates, Dean of Admissions and ............................................................................ Financial Aid Financial Aid ................................. Robert Shorb, Director Financial Services ...................................... TBA, Director Records and Transcripts ...........Ann Henderson, Registrar Career Services .......................... Michael Profita, Director Alumni Activities ....................... Michael Sposili, Director College Relations ....................Robert Kimmerle, Director Opportunity Programs..............Susan B. Layden, Director Diversity and Affirmative Action ................................................... Jack T. F. Ling, Director 2001-2002 CATALOG © Skidmore College, 2001 Skidmore College endeavors to present an accurate overview of its curricular and cocurricular programs, facilities, and fees in this publication. -
Jazz at Lincoln Center Orchestra
CAL PERFORMANCE PRESENTS ABOUT THE ARTISTS Tuesday, September 22, 2009, 8pm The Jazz at Lincoln Center Orchestra (JLCO), Freddie Hubbard, Charles McPherson, Marcus Zellerbach Hall composed of 15 of today’s finest jazz soloists and en- Roberts, Geri Allen, Eric Reed, Wallace Roney semble players, has been the Jazz at Lincoln Center and Christian McBride, as well as from current and resident orchestra for over 13 years. Featured in all former JLCO members Wynton Marsalis, Wycliffe Jazz at Lincoln Center Orchestra aspects of Jazz at Lincoln Center’s programming, Gordon, Ted Nash and Ron Westray. Over the last the remarkably versatile JLCO performs and leads few years, the JLCO has performed collaborations with educational events in New York, across the United with many of the world’s leading symphony or- States and around the world; in concert halls, chestras, including the New York Philharmonic, Wynton Marsalis dance venues, jazz clubs, public parks, river boats the Russian National Orchestra, the Berlin and churches; and with symphony orchestras, bal- Philharmonic, the Boston, Chicago, and London let troupes, local students and an ever-expanding symphonies, and the Orchestra Esperimentale in roster of guest artists. Education is a major part São Paolo, Brazil. In 2006, the JLCO collaborated Wynton Marsalis music director, trumpet of Jazz at Lincoln Center’s mission, and its educa- with Ghanaian drum collective Odadaa!, led by James Zollar trumpet tional activities are coordinated with concert and Yacub Addy, to perform Congo Square, a compo- Ryan Kisor trumpet JLCO tour programming. sition Mr. Marsalis and Mr. Addy co-wrote and Marcus Printup trumpet These programs, many of which feature JLCO dedicated to Mr. -
2008-2009 Addendum
Skidmore College A coeducational liberal arts college Addendum to the Catalog 2008–2009 815 North Broadway Saratoga Springs, NY 12866-1632 www.skidmore.edu 2008–2009 CATALOG ADDENDUM © Skidmore College, 2008 Skidmore College endeavors to present an accurate overview of An online version of the full catalog can be found at www. its curricular and cocurricular programs, facilities, and fees in skidmore.edu/catalog. It is a fully hyperlinked Web document this publication. The information contained herein is current containing the most up-to-date information about courses and as of May 1, 2008. As growth and change are inevitable, Skid- policies, as well as any necessary corrections or clarifications. more College reserves the right to alter any program, facility, or In addition, you can view or download Adobe Acrobat (PDF) fee described in this publication without notice or obligation. versions of this addendum and the full catalog. This publication is an adjunct to the full catalog published in 2007. It contains additions, deletions, amendations, and cor- Catalog Production Office of Communications rections relative to that document, and is not to be considered Editor Paul Dwyer comprehensive. Copy Editor Maryann Teale Snell 1 Contents College Calendar ......................................................................3 Foreign Languages and Literatures .................................19 Academic Environment ............................................................4 Government ....................................................................20 -
Skidmore College Catalog Addendum, 2010-2011
Addendum to the College Catalog 2010 2011 Skidmore College A coeducational liberal arts college Addendum to the Catalog 2010–2011 815 North Broadway Saratoga Springs, NY 12866-1632 www.skidmore.edu 2010-2011 CATALOG ADDENDUM ©Skidmore College, 2010 Skidmore College endeavors to present an accurate overview of document containing the most up-to-date information about its curricular and cocurricular programs, facilities, and fees in courses and policies, as well as any necessary corrections or this publication. The information contained herein is current as clarifications. In addition, you can view or download Adobe of April 22, 2010. As growth and change are inevitable, Acrobat (PDF) versions of this addendum and the full catalog. Skidmore College reserves the right to alter any program, facility, or fee described in this publication without notice or Note: Not all courses are offered every year. Every effort has obligation. been made to ensure accuracy. Please bring any errors to the attention of the Office of Communications, This publication is an adjunct to the full catalog published in [email protected]. 2009. It contains additions, deletions, amendations, and corrections relative to that document, and is not to be considered comprehensive. Catalog Production Office of Communications, An online version of the full catalog can be found at Dan Forbush, Executive Director www.skidmore.edu/catalog. It is a fully hyperlinked Web Catalog Editor Jennifer Crewell 1 Contents College Calendar....................................................................3-4 -
Thirty-Fourth Annual Meeting of the Social Science History Association Thirty-Fourth Annual Meeting of the Social Science History Association
Thirty-Fourth Annual Meeting of the Social Science History Association Thirty-Fourth Annual Meeting of the Social Science History Association Table of Contents President’s Welcome ............................................................................. 2 Officers and Committees ................................................................. 3 – 8 SSHA Information ................................................................................... 9 Book Exhibit ........................................................................................... 9 Network Representatives ............................................................ 10 – 11 Network Meetings ............................................................................... 12 Special Conference Events ................................................................... 13 Women’s Breakfast .............................................................................. 13 Presidential Address and Reception .................................................... 13 Association Business Meeting .............................................................. 13 Presidential Sessions ............................................................................ 14 Program Committee Sessions .............................................................. 13 SSHA Committee and Member Initiated Meetings .............................. 14 Session Listing by Network .................................................................. 15 Program at a Glance............................................................................ -
Stephen Tyson
stephenjtyson.com Biography Stephen J. Tyson was born and raised in New York City. He graduated from the High School of Music & Art, attended the Art Students League of New York, the Rhode Island School of Design, earned his BFA from Manhattanville College, and his MFA from the City College of New York. He was tenured as an art teacher with the New York City Board of Education and as an associate professor of studio art and art history at the University of Pittsburgh in Johnstown, Pennsylvania. He has been a fine arts faculty member at Siena College, SUNY-Albany, Union College, SUNY-Adirondack, and he is currently an Instructor of Fine Arts at Schenectady County Community College. In 1988 and 1995, he was awarded Fulbright-Hays Fellowships to study in Nigeria and in Namibia and Botswana, respectively. Those experiences further inspired his interest in pattern design—evident in a series of paintings and drawings he has continued to produce since 1994. He has also drawn inspiration from the field of cellular biology, astronomy, illuminated manuscripts, Australian Aboriginal art, the mural designs of the Kassena in West Africa, digital photography, and music. His illustrations have been featured in science-related publications. His work has been featured at venues such as the New York State Museum, the Schenectady Museum (now miSci), the National Black Fine Art Show (NBFAS) in New York City. His work is part of the collection of the New York Public Library’s Schomburg Center for Research in Black Culture, the Schenectady Museum (miSci), Hudson Valley Community College, Siena College, and numerous private collections. -
Fellows Heritage National
NATIONAL 1982 1983 1984 Dewey Balfa * Sister Mildred Barker * Clifton Chenier * HERITAGE Cajun Fiddler Shaker Singer Creole Accordionist Basile, LA Poland Spring, ME Lafayette, LA FELLOWS Joe Heaney * Rafael Cepeda * Bertha Cook * Irish Singer Bomba Musician/Dancer Knotted Bedspread Maker 1982–2019 Brooklyn, NY Santurce, PR Boone, NC Tommy Jarrell * Ray Hicks * Joseph Cormier * Appalachian Fiddler Appalachian Storyteller Cape Breton Violinist Mt. Airy, NC Banner Elk, NC Waltham, MA Bessie Jones * Stanley Hicks * Elizabeth Cotten * Georgia Sea Island Singer Appalachian Musician/Storyteller/ African-American Singer/Songster Brunswick, GA Instrument Maker Syracuse, NY Vilas, NC George Lopez * Burlon Craig * Santos Woodcarver John Lee Hooker * Potter Cordova, NM Blues Guitarist/Singer Vale, NC San Francisco, CA Brownie McGhee * Albert Fahlbusch * Blues Guitarist/Singer Mike Manteo * Hammered Dulcimer Player/ Oakland, CA Sicilian Marionettist Builder Staten Island, NY Scottsbluff,NE Hugh McGraw * Shape Note Singer Narciso Martinez * Janie Hunter * Bremen, GA Texas-Mexican Accordionist/ African-American Singer/ Composer Storyteller Lydia Mendoza * San Benito, TX Johns Island, SC Mexican-American Singer San Antonio, TX Lanier Meaders * Mary Jane Manigault * Potter African-American Seagrass Cleveland, GA Basketmaker Bill Monroe * Mt. Pleasant, SC Bluegrass Musician Nashville, TN Almeda Riddle * Ballad Singer Genevieve Mougin * Greers Ferry, AR Lebanese-American Lace Maker Elijah Pierce * Bettendorf, IA Carver/Painter Columbus, OH Joe Shannon *