The Hyborian Review Volume 1 Number 1 May 15, 1996 Welcome! Here It Is -- the Premiere Issue
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The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
King Conan: the Scarlet Citadel Free Ebook
FREEKING CONAN: THE SCARLET CITADEL EBOOK Tomas Giorello,Jose Villarubia,Darick Robertson,Timothy Truman | 112 pages | 28 Feb 2012 | Dark Horse Comics,U.S. | 9781595828385 | English | Milwaukie, United States King Conan: The Scarlet Citadel Media Type. Comic book. King Conan: The Scarlet Citadel is a 4-issue mini- series. May 25, King Conan: The Scarlet Citadel #4. Conan goes against his Cimmerian instincts and sides with Pelias the wizard, who can help the barbarian. Browse issues from the comic book series, King Conan: The Scarlet Citadel, from Dark Horse Comics. Dark Horse Comics' first mini-series devoted entirely to. The Scarlet Citadel Feb 23, King Conan: The Scarlet Citadel #1 (Darick Robertson cover). A thrilling new era begins, as Dark Horse launches its first miniseries devoted. Dark Horse has done a fine job with its series of King Conan, the best known of Robert E. Howard's pulp characters. The Scarlet Citadel is an early Howard work . After King Conan of Aquilonia's army has been slain, he is taken prisoner and put into the Kothian dungeon at Khorshemish He rescues a sorcerer, Pelias and. Dark Horse Comics Feb 23, King Conan: The Scarlet Citadel #1 (Darick Robertson cover). A thrilling new era begins, as Dark Horse launches its first miniseries devoted. After King Conan of Aquilonia's army has been slain, he is taken prisoner and put into the Kothian dungeon at Khorshemish He rescues a sorcerer, Pelias and. The Adventures of Two-Gun Bob (Table of Contents: 3). Robert E. Howard / comic story / page (report information). Script: Jim Keegan; Ruth Keegan;. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
The Nemedian Chroniclers #24 [AE17]
REHeapa Autumnal Equinox 2017 THE RISE OF THE NEW HYBORIAN LEGION, PART TWO By Lee A. Breakiron As we saw last time, the Robert E. Howard United Press Association (REHupa) was the first amateur press association (apa) dedicated to that author. Its founder, Tim C. Marion, started it in 1972 when he was 13 and edited it through the first 19 of its bimonthly Mailings, but left afterward since he was ultimately more interested in fan activities than Howard as a literary figure. Before that, discontent with his leadership and with the real dearth of worthwhile essays and critiques during the early years led to future literary critic Don Herron and others to leave and create The Hyperborian League (THL) apa in October, 1975. Its official editor (OE) was Herron and it was “devoted to the creative discussion of authors Clark Ashton Smith and Robert E. Howard and their works,” though material on other fantasy writers and poets was welcomed. Herron said he spelled the name of the apa “Hyperborian” rather than “Hyperborean” because he wanted to emphasize the fact that it was devoted to both CAS (whence Hyperborean) and REH (whence Hyborian). It would still be occasionally misspelled, even on covers. Its official organ document was titled “Skull & Sandalwood,” suggested by REH’s “Skull-Face” and CAS’s Sandalwood. The fanzines composing the quarterly Mailings were at first stapled by the contributors and left so by the OE, who collected them and mailed them out to the current individual members. He also distributed some copies to libraries, sent “speculative” (“spec”) copies to recruit prospective members, and sold remaining ones to defray postage costs. -
0 OPĆENITO 001 ZNANOST I ZNANJE OPĆENITO 001 CORSO Dan CORSO, Philip J
POINT Software Varaždin Str. 1 0 OPĆENITO 001 ZNANOST I ZNANJE OPĆENITO 001 CORSO dan CORSO, Philip J. 001 Dan poslije Roswella / Philip J. Corso u suradnji Williama J. Birnesa ; s engleskog preveo Predrag Raos. - Zagreb : AGM, 2010. - 443 str. : ilustr. ; 22 cm. - (Biblioteka Obelisk : koja razotkriva svijet zagonetnih sila i rubnih područja ljudskog znanja) znanja) Prijevod djela : The day after Roswell. ISBN 978-953-174-374-7 Prema Corsu, temelj američke politike prema NLO-ima udaren je ubrzo nakon pada NLO-a kraj Roswella. U konfuznim satima nakon otkrića srušene letjelice vojska je odlučila da, u nedostatku drugačijih informacija, smatra da je riječ o izvanzemaljskoj letjelici. Te su letjelice nadgledale vojne instalacije tehnologijom za koju su već znali da su s njom bili upoznati i nacisti, što je potaknulo vojsku da pretpostavi da imaju neprijateljske namjere i da su interferirali sa ljudima tijekom rata. Nije se znalo što su htjela bića u letjelicama, ali su iz njihova ponašanja, kao što su intervencije u ljudske živote ('otmice') i sakaćenje stoke, zaključili da su potencijalni neprijatelji. 001 FORBE mac FORBES, Peter 001 Macaklinovo stopalo / Peter Forbes ; s engleskoga prevela Snježana Ercegovac. - Zagreb : Profil multimedija, 2010. - 362 str. ; 21 cm. - (Biblioteka Indigo) Prijevod djela: Gecko's foot. ISBN 978-953-319-013-6 Ovo je knjiga o suvremenim znanstvenicima koji proučavanjem prirode nastoje iskoristiti njezina načela i izume te ih primijeniti u svakodnevnom ljudskom životu, ovo je knjiga o nanotehnologiji. 001 GJURI kru GJURINEK, Stjepan 001 Krugovi nove budućnosti / Stjepan Gjurinek. - Zagreb : AGM, 2010. - 166 str. ; 22 cm. - (Biblioteka Obelisk : koja razotkriva svijet zagonetnih sila i rubnih područja ljudskoga znanja) znanja) ISBN 978-953-174-376-1 Piktogrami u usjevima jedan su od najvećih misterija današnjice, koji se uporno opiru brojnim pokušajima njihova objašnjenja, kako onima znanstvene naravi, tako i onim egzotičnijima. -
Appendice Il Corpus Conaniano
07 appendice_153 27-05-2011 9:56 Pagina 153 Appendice Il corpus conaniano 1. Opere di Robert Ervin Howard A. Racconti di Conan pubblicati su Weird Tales The Phoenix on the Sword, «Weird Tales» 20 6, dicembre 1932. The Scarlet Citadel, «Weird Tales» 21 1, gennaio 1933. The Tower of the Elephant, «Weird Tales» 21 3, marzo 1933. Black Colossus, «Weird Tales» 21 6, giugno 1933. Xuthal of the Dusk, «Weird Tales» 22 3, settembre 1933, come The Slithering Shadow. The Pool of the Black One, «Weird Tales» 22 4, ottobre 1933. Rogues in the House, «Weird Tales» 23 1, gennaio 1934. Iron Shadows in the Moon, «Weird Tales» 23 4, aprile 1934, come Shadows in the Moonlight. Queen of the Black Coast, «Weird Tales» 23 5, maggio 1934. The Devil in Iron, «Weird Tales» 24 2, agosto 1934. The People of the Black Circle, «Weird Tales» 24 3-5, settembre/ ottobre/novembre 1934. A Witch Shall be Born, «Weird Tales» 24 6, dicembre 1934. Jewels of Gwahlur, «Weird Tales» 25 3, marzo 1935. Beyond the Black River, «Weird Tales» 25 5-6, maggio/giugno 1935. Man-Eaters of Zamboula, «Weird Tales» 26 5, novembre 1935, co- me Shadows in Zamboula. Red Nails, «Weird Tales» 28 1-3, luglio/agosto-settembre/ottobre 1936. 07 appendice_153 27-05-2011 9:56 Pagina 154 154 Conan il mito B. Romanzi con protagonista Conan The Hour of the Dragon, «Weird Tales» 26 6 & 27 1-4, dicembre 1935/gennaio/febbraio/marzo/aprile 1936. C. Storie di Conan pubblicate postume Si indicano le prime edizioni dei testi originali, non rivisti. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol. -
Chapter Two Unravelling the Pattern: the Magus Figures in the Wheel Of
89 Chapter Two Unravelling the Pattern: The Magus Figures in The Wheel of Time A significant plot or pattern element in contemporary high fantasy is the use of a range of superhuman characters (i.e. those of a higher nature or possessed of magical powers) who function as helpers to or opponents of the hero. For the purpose of my thesis I am defining the magus as a superhuman character, whether male or female, wh3 is given or progressively assumes a role of responsibility for keeping the pattern of mortal existence in balance, in order to save his or her world from destruction by the forces of the Dark. Although the trope of the magus has been much written about, as a kind of magical warrior, less attention has been paid to the role played by this figure in high fantasy as an interpreter of the discernible patterns of the heroic quest. It takes an extraordinary interpreter in the text to make sense of the pattern of destiny that forms around the central characters in works such as Robert Jordan's WOT. It is in the light of pattern interpreter and keeper, or of pattern disrupter, that I wish to explore the dualism of Ligh: and Dark that Jordan assigns to the stock figure of the magus, which continues to play such a pivotal element in the fantasy genre. Accordingly, this chapter provides an exposition of Jordan's patterning of Light and Dark in his presentation of three female magus figures. Moraine symbolises 'good' and rationality. She is dedicated to keeping Rand within the pattern that will bring victory for the forces of Light. -
Program Booklet
The 1985 World Fantasy Convention October31 - November3, 1985 At Tucson’s Doubletree Hotel at Randolph Park PROGRAM BOOKLET | Featuring Writers of the Southwest The 1985 Tucson World Fantasy Convention GUEST OF HONOR STEPHEN R. DONALDSON Special Guest Evangeline Walton Artist Guest Victoria Poyser Toastperson Chelsea Quinn Yarbro Randal Rau 7... wi Chairman/Dealers’ Room Bruce For. 22... 38 Treasurer/Programming/Hotel Liaison Crist Simiie i te ee a eG Program Operations mule TRING. esa Program Operations MR. Hilder. 2.61.60 ae: Program Hospitality Dovid Lee AlmeersOns ./) 6ee Art Program Carol DePhest 3S. osaa Registration Brice M. Done. 7eeee Security Cifton D. Bair S902 ee Convention Office Shane Shellenbarger >. beoe Films Kondy Fong........ ese. Banquet/Awards Ceremony CON IIRIOY ee Rare Book Room OOFONG ey, Historian Jim: Cryer... PeBe. Photographer OIa Promotions LOa Collector's Seminar Robern Weinberg ...... secu... Collector's Seminar RiCk FOSS... COP ere ee Travel Agent ROOY ieea Art Show RO Membership, Child Care PCE MOSSOONO 20 el a Hospitality Suite MOIOION IGcy eel cl Publications RARE BOOK ROOM THANK YOU's We have on display rare books, The following paid for the open wine, pop, and beer bar during letters, and other fantasy, horror, Friday night's Autograph Party: and sf-oriented items of importance. Also in this room will Berkley Publications be display-only artwork and other TOR Books exhibition items. The room-will be DAW open Friday from 1-6pm and Saturday Donning Press 10am-6pm. The convention has published an informational catalog of the rare items displayed in the room. One THE WORLD FANTASY AWARDS BOARD OF copy is being provided to each DIRECTORS attendee to enhance your enjoyment of the display. -
THE RISE of the NEW HYBORIAN LEGION, PART EIGHT by Lee A
REHeapa Vernal Equinox 2020 THE RISE OF THE NEW HYBORIAN LEGION, PART EIGHT By Lee A. Breakiron As we saw in our first installment [1], the Robert E. Howard United Press Association (REHupa) was founded in 1972 by a teen-aged Tim Marion as the first amateur press association (apa) devoted to Howard. Brian Earl Brown became Official Editor (OE) by 1977 and put in a lot of work guiding the organization, though not always competently. The Mailings at that time were in a real doldrums due to the paucity of REH-related content and the lack of any interest by Brown to do anything about it. In the early 1980s, Rusty Burke, Vernon Clark, and Graeme Flanagan started pushing for more Howard-related content, with Burke finally wresting away the editorship from Brown, as we saw last time. By mid-1984, the regular membership stood at only 23 and Mailings were down to about 130 pages in length. Post-Brown Mailings were not as big or as prompt as they had been, but were of higher quality in content and appearance, with some upswing in REH-related content and marked by more responsive and less contentious administration. L. Sprague de Camp, Glenn Lord, Karl Edward Wagner, and Everett Winne were honorary members, and copies were being archived at Ranger, Tex., Junior College. Former, longtime REHupan James Van Hise wrote the first comprehensive history of REHupa through Mailing #175. [2] Like him, but more so, we are focusing only on noteworthy content, especially that relevant to Howard. Here are the highlights of Mailings #71 through #80. -
In Partial Ful-Fiiimenl of the Requirements for the Degree of Naster of Arts in Department of Engl I Sh
BELLOW'S HENDERSON: ÀMERICANS ÀWAKE by Jian j iong Zhu À thes i s presented to the University of Manitoba in partial ful-fiIImenl of the requirements for the degree of naster of arts in Department of Engl i sh Winnipeg, Man i t oba (c) ;ianjiong zhu, 1987 Permission has been granted L'autorisation a ôté accordée to the National- Library of à ta Bibliothèque nationale Canada to microfilm this du Canada de microf i lmer thesis and to lend or se11 cette thèse eÈ de prêter ou copies of the film. de vendre des exempl_aires du fi lm. The author (copyright owner) L'auteur (titulaire du droit has reserved other d' auteur ) se rêserve les publication rìghts, and autres droits de publication; neither the thesis nor ni la thèse ni de longs extensive extracts from it extraits de cë11e-ci ne may be printed or otherwise doivent être imprimês ou reproduced without his/her autrement reproduits sans son wr j.tten permission. autorisation écrite. rsBN 0-315_37350_4 BELLOWT S HENDERSON: ATÍERICANS AWAKE BY JIANJIONG ZHU A thês¡s submined to thc Faculty of Gladuete Stud¡es of thc Univcrsity of Man¡toba ¡n pert¡al fulf¡flment of the rcquirrmcnts of the dcgrcc of I'IASTER OF ARTS @ t.987 Pcrmission has bccn grantcd to the L¡BRARY OF THE UNIVER- S¡TY OF MANTTOBA ro tcnd or sell copics of this rhesis, to the NATTONAL L¡BR.ARY OF CANADA ro microfitm this thcsis and to lcnd or æü copies of the film, and UNIVERSITY M¡CROF¡LMS to publish an ebsrrect of this thcsis. -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group.