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Squatting – the Real Story
Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd. -
Anarchism, the State and the Praxis of Contemporary Antisystemic Social Movements
Anarchism, the State and the Praxis of Contemporary Antisystemic Social Movements Morgan Rodgers Gibson 9 October 2010 Contents ABSTRACT 4 ACKNOWLEDGEMENTS 5 INTRODUCTION 6 CHAPTER ONE: THEORY AND METHODOLOGY 10 THE FRANKFURT SCHOOL AND THE PURSUIT OF EMANCIPATORY KNOWL- EDGE INTERESTS ................................... 10 ONTOLOGY, EPISTEMOLOGY AND ‘EMANCIPATORY’ KNOWLEDGE INTERESTS 11 ON THE USE OF QUALITATIVE APPROACHES ..................... 12 Qualitative Methodology ................................ 13 Justifying the Case Study Choices ........................... 14 SOURCE MATERIAL .................................... 15 CONCLUSION ........................................ 15 CHAPTER TWO: THE STATE AND THE PROMISE OF LIBERATION 16 THE FAILURE OF THE STATE IN THE PURSUIT OF TRANSFORMATIVE SOCIAL CHANGE ........................................ 16 ‘STATE-CENTRIC’ ANTISYSTEMIC MOVEMENTS ................... 17 THE ‘TWO STEP’ STRATEGY AND THE STATE APPARATUS . 19 Socialism, Social Democracy and State Communism . 19 The Global Rise to (State) Power of Antisystemic Movements . 21 THE ‘FAILURE’ OF STATE-CENTRIC MOVEMENTS . 22 CONCLUSION ........................................ 27 CHAPTER THREE: ANARCHISM AND AN ‘ANARCHISTIC PRAXIS’ 28 THE REJECTION OF EXTERNALLY IMPOSED HIERARCHY IN THE PURSUIT OF LIB- ERTY AND AUTONOMY ............................... 28 ANARCHIST METAPHYSICS: OPPOSITION TO IMPOSED HIERARCHY AND THE REJECTION OF THE STATE ............................. 29 ANARCHISM, SOCIALISM AND CAPITALISM ...................... 31 INDIVIDUALISM -
THE TIME of OUR LIVES: LEARNING from the TIME EXPERIENCES of TEACHERS and ADMINISTRATORS DWGA PEMOD of EDUCATIONAL Refohii
THE TIME OF OUR LIVES: LEARNING FROM THE TIME EXPERIENCES OF TEACHERS AND ADMINISTRATORS DWGA PEMOD OF EDUCATIONAL REFOhiI A thesis submitted in confonnity with the requirements for the degree oCDoctor of Philosophy, Graduate Deparunent of Theory and Policy Studies in Education. Ontario Institute for Studies in EducatiodUniversity of Toronto O Copyright by Ciayton Laîleur 200 1 BitiIbthéque nationale du Canada Acquisitions and Acquisitions et Eibliigraphic Services services bibliographiques 395 Wetlington Street 395. nie Wellinglon Ottewa ON K1A ON4 Oltawa ON K1A ON4 CaMda CaMda Yowb VafmriMnrr* Our kb Nam rd* The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lïbrary of Canada to Bibliotkque nationale du Canada de reproduce, loan, distribute or seU reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/Eilm, de reproduction sur papier ou sur format éiectronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othenvise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son ~ermission. autorisation. The Time of Our Lives A thesis szibmitted in conformity with the reqiiirements for the degree of Doctor of Philosophy, -
Grazing 101 Ebook
Grazing 101 Grazing 101 1 Brought to you by: Check out our free online courses too. They include Grazing 101, Record Keeping, and a 30-Day Challenge to cover the basics quickly. The National Grazing Lands Coalition provides science-based technical assistance, research and education for ecologically and economically sound grazing management on private and public lands. Find us on Facebook and on Instagram. OnPasture.com Translating research and experience into practices graziers can use NOW! Follow us on Facebook. Partially funded by a USDA-NRCS agreement. © On Pasture 2021 Grazing 101 2 Table of Contents Click on any page number to start reading Getting started Fencing Welcome 6 Principles 51 An 80-something grazier’s tips for success 7 Some electric fence basics to get started 52 Video Transcript 8 Video Transcript 57 Training animals to electric fence 60 Soil Health Successful solar electric fence 62 Principles 12 Video Transcript 65 A note from Don 13 Fencing experiment has expected outcome 66 A Closer Look at Soil Health Principles Nature and Properties of Soil 14 Water Video Transcript 15 Principles 68 The Five Principles 17 How much water do livestock need Take the Drudgery Out of Soil Testing 20 and how big should the tank be?? 69 Resources Greg Judy’s Fail-Proof Temporary Waterer 71 Use the NRCS Web Soil Survey to Video transcript 72 learn about your soils 22 I couldn’t see the forest..or the water for the trees - an example of thinking through Pastures problems 75 Principles 26 Resources - More stock watering ideas 79 A note from -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
Triad Women's Group Manual
Group Treatment Manual Edited by Colleen Clark, Ph. D. & Fred Fearday, LCSW ii Contents Introduction………………………………………………………………………. 1 Fred Fearday Colleen Clark Part I: Mindfulness………………………………………………………………. 15 Getting Comfortable With Yourself Chapter 1: Empowerment—Building Safety 15 Fred Fearday Chapter 2: Mind, Body, and Emotions 29 Margo Fleisher-Bond Chapter 3: How Mind and Emotions Work Together 37 Margo Fleisher-Bond Chapter 4: What It Means to Be a Female 44 Gigi Cabrera Part II: Interpersonal Effectiveness Skills……………………………………… 49 Having Healthy Relationships with Yourself and Others Chapter 5: Assertive Communication 49 Margo Fleisher-Bond Chapter 6: Trust and Intimacy 58 Fred Fearday Chapter 7: Boundaries 67 Carol Parker Chapter 8: Social Support 72 Fred Fearday Part III: Emotional Regulation…………………………………………………. 77 Feeling Good Chapter 9: Controlling Cravings and Urges 77 Margo Fleisher-Bond & Sharon Slavin Chapter 10: Self-Esteem 83 George Thomas Chapter 11: Self-Soothing 89 Margo Fleisher-Bond & Sharon Slavin Chapter 12: Acceptance and Healing 94 Carol Parker Triad Women’s Group Table of Contents iii Part IV: Distress Tolerance……………………………………………………………………………... 101 Staying Healthy in a Stressful World Chapter 13: Problem Solving George Thomas 101 Chapter 14: Dealing with Violence Michelle Levasseur 105 Chapter 15: Crisis Management and Recovery Margo Fleisher-Bond & Sharon Slavin 118 Chapter 16: Relapse and Recovery Fred Fearday 122 REFERENCES………………………………………………………………… 127 APPENDICES A. Principles of Clinical Interventions 129 B. The Development and Course of Co-occurring Disorders and the Impact of Violence 137 C. DSM-IV Criteria for Substance Abuse and Dependence 139 D. List of Handouts 141 E. Recommended Resources: Books and Web Addresses 142 F. The 12 Steps of Alcoholics Anonymous 147 G. -
PLH for Young Children Facilitator
Parenting for Lifelong Health Programme for Young Children – Facilitator Manual Fifth Edition: March 2018 The Parenting for Lifelong Health Programme for Young Children was developed as part of Parenting for Lifelong Health, a partnership between the World Health Organization, UNICEF, the Universities of Bangor, Cape Town, and Oxford, and Clowns Without Borders South Africa. License for the Parenting for Lifelong Health Programme for Young Children is held by Lucie Cluver, Frances Gardner, Judy Hutchings, Jamie Lachman, and Cathy Ward via Creative Commons Attribution- NoDerivatives and NonCommercial 4.0 International Public License. Except where otherwise noted, this work is licensed under Creative Commons. The conditions of the License including the following: • ATTRIBUTION: Appropriate credit must be given when using the Parenting for Lifelong Health Programme for Young Children according to the Creative Commons definition, including (a) the name of the authors and attribution parties, (b) a copyright notice, (c) a license notice, (d) a disclaimer notice, and (e) a link to the material. • NON-COMMERCIAL: The Parenting for Lifelong Health Programme for Young Children materials are to be made available free of charge. • NO DERIVATIVES: No changes to any Licensed Materials are allowed without prior approval. The License is applicable to any changes, adaptation, or translations of Licensed materials; Any deviation of the terms of the License is strictly prohibited. The development and original studies of PLH for Young Children in South Africa were funded by Ilifa Labantwana, the World Health Organization, Rand Merchant Bank Fund, the ApexHi Charitable Trust, the John Fell Fund, the Clarendon Fund, and the European Research Council (ERC) under the European Union’s Seventh Framework Programme (FP7-2007-2013) (Grant agreement No. -
Excerpts from 9 Things You Simply Must Do to Succeed in Love and Life
Excerpts from 9 Things You Simply Must Do to Succeed in Love and Life Déjà Vu People My feelings of déjà vu came from my growing sense that certain kinds of people, given certain circumstances, always face and resolve situations in the same way. People who possessed this one pattern in common were all successful in life. They moved forward. They did not stay stuck, repeating the same mistakes over and over again. And these people were getting from life what they had decided they wanted from their vocation, relationships, spiritual attainment, or otherwise. Life was working for them. Nine Things Hidden in Plain Sight I had discovered nine principles that are like gravity. These Nine Things are there, and we can work with them to achieve great results in success, relationships, etc. or we can ignore them and suffer the consequences. Over the years I’ve come to realize three truths about these principles: 1. They are paths or patterns of behavior that really do make a huge difference in the lives of those who practice them. 2. Avoiding these principles can lead to disastrous consequences, such as loss of love, dreams, goals, etc. 3. These principles are often ignored. Principle 1: Dig it Up The invisible world is always where the visible originates. The reality of the life we see and live on the outside is one that emerges from the inside, from our hearts, minds, and souls. It is our internal life that creates our external one. So, to find our lives we must find what lies below the surface of our skin. -
The Ultimate Listening-Retrospect
PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
Magical Realism in Transnational Cinema
MAGICAL REALISM IN TRANSNATIONAL CINEMA CODY LANG A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN CINEMA AND MEDIA STUDIES YORK UNIVERSITY TORONTO, ONTARIO August 2020 © Cody Lang, 2020 ii Abstract This project is an analysis of the magical realist genre in cinema, specifically its multiple forms found in transnational cinema. The status of magical realism in film as a genre will be questioned and this project argues that the concept is best understand as a transgeneric critical category rather than a genre in the conventional understanding of the term. Magical realism as academic concept has been discussed in-depth in literary theory and this project extends those discussions into the field of cinema. The history of criticism of magical realism is summarized as it applies to studying film with special attention given towards the semiotic differences between literature and cinema. Furthermore, this project explicates the distinct ways that magical realism operates in cinema in contrast to literature while also noting the shared aesthetic strategies between each media. Each section covers a thematic topic observed in transnational magical realist cinema: metafiction in overt and covert forms; the representation of historicity; and the representation of marginalized subjectivities, specifically looking at how magical realist cinema presents issues of class, gender, race, and sexual identity. The final thematic discussion discusses the possibility of utopian discourses in magical realist cinema, the attempts to envision a less exploitative social collective according to a variety of cultural and national contexts in late-capitalism. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.