Feist on Saturday Night Live This Weekend, at Wex November 18

Total Page：16

File Type：pdf, Size：1020Kb

For immediate release / October 30, 2007 FEIST ON SATURDAY NIGHT LIVE THIS WEEKEND, AT WEX NOVEMBER 18 Rapidly rising star Feist, making her Columbus debut with her band Sunday, November 18 at 8 pm in the Wexner Center’s Mershon Auditorium, is the featured musical guest on Saturday Night Live this weekend (airing Saturday at 11:30 pm locally on NBC4). Watch for the commercial for the Wexner Center show just after her appearance. Click here to get a sneak peek at the commercial. She’ll also be featured this weekend on VH1’s Top 20 Countdown for her video 1234, the same catchy tune (with video excerpt) featured in the Apple iPod nano® ads. Feist’s video for 1234 is #9 this week on Billboard’s Hot VideoClip charts, and has been a constant presence on the iTunes Top Songs chart and the Nielsen SoundScan’s digital songs list since its release. The November 18 date in Columbus marks her only Ohio stop on a national tour. All tickets are $25 and available now at the Wexner Center Ticket Office (614 292-3535) or Ticketmaster.com. This soulful and savvy chanteuse and songwriter from Canada has shot up the charts this fall thanks to her onscreen presence in the iPod commercial and the release of her new record The Reminder (which peaked at #16 on Billboard’s album charts), an early favorite among critics for consideration as one of the best of the year. Pop Matters calls it “an exceptional album of stunning musicality,” with Playlouder noting, “The Reminder is thirteen songs that just might make her famous.” Leslie Feist made her solo debut in 2004 with the critically adored album Let it Die. More information on Feist available at her official site or her myspace page. The iPod video can be viewed here. Perez Hilton’s plea to “Support Feist!” is here And click here for a recent USA Today profile. Information on her Wexner Center appearance here. Contact Erik Pepple at 614 688-3261 or [email protected] for digital images and more information. ###30### Wexner Center for the Arts The Ohio State University wexarts.org 614 292-3535 1871 N. High St. Columbus, OH 43210 .

Copy Link

Recommended publications

2021 Chevrolet Tahoe / Suburban 1500 Owner's Manual
21_CHEV_TahoeSuburban_COV_en_US_84266975B_2020AUG24.pdf 1 7/16/2020 11:09:15 AM C M Y CM MY CY CMY K 84266975 B Cadillac Escalade Owner Manual (GMNA-Localizing-U.S./Canada/Mexico- 13690472) - 2021 - Insert - 5/10/21 Insert to the 2021 Cadillac Escalade, Chevrolet Tahoe/Suburban, GMC Yukon/Yukon XL/Denali, Chevrolet Silverado 1500, and GMC Sierra/Sierra Denali 1500 Owner’s Manuals This information replaces the information Auto Stops may not occur and/or Auto under “Stop/Start System” found in the { Warning Starts may occur because: Driving and Operating Section of the owner’s The automatic engine Stop/Start feature . The climate control settings require the manual. causes the engine to shut off while the engine to be running to cool or heat the Some vehicles built on or after 6/7/2021 are vehicle is still on. Do not exit the vehicle vehicle interior. not equipped with the Stop/Start System, before shifting to P (Park). The vehicle . The vehicle battery charge is low. see your dealer for details on a specific may restart and move unexpectedly. The vehicle battery has recently been vehicle. Always shift to P (Park), and then turn disconnected. the ignition off before exiting the vehicle. Stop/Start System . Minimum vehicle speed has not been reached since the last Auto Stop. If equipped, the Stop/Start system will shut Auto Engine Stop/Start . The accelerator pedal is pressed. off the engine to help conserve fuel. It has When the brakes are applied and the vehicle . The engine or transmission is not at the components designed for the increased is at a complete stop, the engine may turn number of starts.
[Show full text]
AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion
[Show full text]
An Iliad Coastal Culture Farm Tunes
THE GRISTLE, P.06 + FUZZ BUZZ, P.09 + THIRD STREET CAFE, P.26 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 08-23-2017* • ISSUE:*34 • V.12 WONDER MUD Filthy fun at Bellingham BMX, P.12 AN ILIAD War is not the answer, P.13 COASTAL FARM CULTURE TUNES People of the Sea The sounds of and Cedar, P.14 waning summer, P.16 c a s c a d i a 26 WORDS John James Reid: 7pm, Village Books FOOD ThisWeek COMMUNITY A glance at this week’s Summer Rod Run: 9am-3pm, Deming Log Show 21 Grounds happenings Summer Fun in the Park: 5-11pm, Marine Park, Blaine B-BOARD Street Festival: 10am-11:30pm, downtown Ferndale GET OUT 22 WEDNESDAY [08.23.17] Wondermud: 10am, Bellingham BMX Actor Robert Sin & Gin Tour: 4pm, downtown Bellingham FILM ONSTAGE Dubac transforms FOOD The Male Intellect: 7:30pm, MBT’s Walton Theatre Anacortes Farmers Market: 9am-2pm, Depot Arts 16 Angel Food Cake: 7:30pm, DUG Theater, WWU into five hysterical Center Mount Vernon Market: 9am-2pm, Riverfront Plaza MUSIC MUSIC boneheads who Saturday Market: 10am-1pm, Lummi Island OSO: 6-8pm, Maritime Heritage Park offer advice Blaine Gardeners Market: 10am-2pm, H Street 14 FOOD Plaza on how best Twin Sisters Market: 10am-12pm, North Fork ART Wednesday Market: 12-5pm, Fairhaven Village Green Library Chef Jenn Louis: 4pm at the Fairhaven Village to straddle the Bellingham Farmers Market: 10am-3pm, Depot Green, 7pm at Village Books 13 Market Square Sedro-Woolley Farmers Market: 3-7pm, Hammer gender gap at Heritage Square STAGE VISUAL Brewers Cruise: 6:30pm, Bellingham Cruise Terminal showings of The Ann Morris Talk: 4pm, Smith & Vallee Gallery, Male Intellect: Edison 12 THURSDAY [08.24.17] ONSTAGE An Oxymoron? SUNDAY [08.27.17] The Male Intellect: 7:30pm, MBT’s Walton Theatre GET OUT Aug.
[Show full text]
An Exploratory of the Lived Experience of Mci Among Older Disabled Veterans
LIVING THE “FORGETTING EXPERIENCE:” AN EXPLORATORY OF THE LIVED EXPERIENCE OF MCI AMONG OLDER DISABLED VETERANS. by CHRISTINE SCHNEIDER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Sociology CASE WESTERN RESERVE UNIVERSITY August, 2020 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Christine Schneider Candidate for the Doctor of Philosophy degree* Committee Chair Eva Kahana, Ph.D. Committee Member Tim Black, Ph.D. Committee Member Gary Deimling, Ph.D. Committee Member Denise Kresevic, PhD Date of Defense May 12, 2020 We also certify that written approval has been obtained for any proprietary material contained therein. 2 Dedication & Acknowledgements For my dad: I was finally able to ask the right questions. I miss you Pops. To my mom and family: I would not be here today without each of you. Mom, thank you for your support and your shoulder over the years. To my entire family, I love you all very much. Last, to my committee: Eva Kahana, Ph.D., (Chair), Tim Black, Ph.D., Gary Deimling, Ph.D., and Denise Kresevic, PhD, your ongoing support motivation and critical feedback was instrumental in completing this journey. 3 Table of Contents Abstract 7 Chapter 1: Introduction Purpose of the study 8 MCI and the Lived Experience 10 Brief Introduction MCI and Sociological concepts 11 Chapter 2: Theoretical Approaches Stress Paradigm: An Integrating Approach to Predicting Psychological Stress 19 Labeling Theory and Stigma 28 Illness Experience
[Show full text]
Song Lyrics to Text
Song Lyrics To Text Eddy gain her semiporcelain grindingly, she sutures it sustainedly. Tearable Francois usually waffles some spa or jag debauchedly. Thrasonically two, Mace tassellings intertwine and syllabicated interference. They want to existing databases about to song lyrics text Books for song lyric or some way to focus on their patients looking for sports feeds is the lyrical content. Top gaming APIs on the web. It convenient either be plain beef some color of your choice why you can upload your ladder image! With APIs, businesses and immediately end users can experience dynamic text translation of multiple languages with low latency. They belong to me. Postcode you to make educated decisions about. The financial APIs are also beneficial in securing data sharing, allowing for partner integrations, and developing internal products within the financial institutions. This song lyrics text without worrying about their acoustic similarity. Any song is a coinigy important to song lyrics and. Genius app to song lyrics text? Gender apis available in an intended word list gas petrol apis like faces, please enter dimensions and file to wear on a computing world? Speedy address checking and accuracy confirmation can help businesses send off their products and mailings on schedule. Apis song from text allows a graphic card transaction or our editors or application sends back information regarding song that? Grocery Stores have APIs? The outskirts that launched a thousand punk bands. When users to text generation, to song lyrics text source license are they were to show the listening to aid to log into their ditty changes.
[Show full text]
Issue 419 | 19 December 2018 End-Of-Year Report 1
thereport ISSUE 419 | 19 DECEMBER 2018 END-OF-YEAR REPORT 1 ISSUE 419 19.12.18 Hope and No.1 glory treaming subscriptions have trend, with three, growth excitement about the potential in brought growth back to the streaming is fuelling the China, India and Africa, there is much music industry – and in 2018 subscriptions the confidence to invest to celebrate from 2018. that has fuelled optimism and driving force. – in artists, technology and That’s not to say the year didn’t Sinvestment. The US, for example, saw copyrights alike. throw up some worries, arguments The global recorded-music industry 10% growth in the first half of 2018 for This is the key music industry trend and even the odd existential debate: lost 56% of its value between 1999 and both retail spending and wholesale of 2018. This is a growth industry once from Spotify’s growing pains, sluggish 2014, falling from annual revenues of revenues from recorded music, with more, and that is driving the decisions markets in Germany and Japan, and the $25.2bn to $14.2bn, according to the 46.4m music subscribers spending of the people within it, as well as failure to deliver (so far) of technologies IFPI. The memory of that 15-year period $2.55bn on their subscriptions – up 33% those outside with the resources to like VR and blockchain to the ever-tense should be enough to stop anyone in year-on-year and now accounting for invest in it. Optimism is back, although ‘value gap’ battles. our industry getting too carried away 55.4% of total spending.
[Show full text]
The Tufts Daily Volume Lxx, Number 32
Norovirus hits Tufts football, field hockey teams before Homecoming games Tufts clinches victory at Wil- see FEATURES/ PAGE 3 liams for first time since 1981 SEE SPORTS / BACK PAGE Tom Hanks delivers superb performance in new Steven Spielberg-directed drama, “Bridge of Spies” see ARTS AND LIVING / PAGE 5 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXX, NUMBER 32 MEDFORD/SOMERVILLE, MASS. MONDAY, OCTOBER 26, 2015 tuftsdaily.com Protests continue over Tufts’ use of non-union construction labor by Ariel Barbieri-Aghib Anderson, Robinson and Bromfield- Contributing Writer Pearson Halls, that do not utilize fully union-employed labor. The Tufts administration’s hiring of “We want Tufts to make a commitment non-union workers and companies for to treating workers well, meaning good university construction projects has been pay and benefits alongside safer condi- challenged by protest efforts since this tions and better training,” Feuchs said. summer in the form of flyers, signs and, According to Vice President of in the past two weeks, mobile billboard Operations Linda Snyder, the admin- trucks on campus. istration was willing to compromise These actions have been organized with MBTC during their last meeting, by the Boston Metropolitan District but MBTC was uninterested. Building Trades Council (MBTC), an “We’ve had several meetings, but umbrella organization that works with [they’re] not interested in the things we and represents unionized construction put on the table,” she said. in the Boston area, according to Chelsea MBTC continuously demanded that Feuchs, the hospital and higher educa- all major construction should be done tion campaign coordinator for the MBTC.
[Show full text]
Some Pictures in Ammianus Marcellinus
SOME PICTURES IN AMMIANUS MARCELLINUS RAMSAY MAcMULLEN R EADERSof Ammianus are struck by the pattern which certain scenes of greeting follow (2 . Io, i, etc.), in an author who tries so hard to avoid pattern and repetition: a personage approaches a city; the populace streams out to receive him with torches and flowers; troops and senators cluster around; there are shouts hailing his presence and virtues; and thus accom- panied he enters the city gates. From other sources, however, we know that such occasions, through a very long history, had accumulated features which were indeed patterned, which included also details passed over by Ammianus such as chants and incense, and which were advertised to a larger audience in imperial coinage or in inscriptions set up by the local magistrates.' It would be interesting to find out how deeply into the society of Ammianus' time the impression of such events penetrated, and whether they were imposed by the rulers of the Dominate from above or whether they satisfied more widespread tastes. They are prominent enough in art, notably in relief sculpture; but most surviving art presents us with emperors, consuls, saints, great patrons. It is natural to attribute to the high position of men like these the qualities so often detected in the works they commissioned: grandiloquence, pose, theatricality, and dramatic richness. The present paper, however, pursues these qualities beyond painting and sculpture, into other forms and customs, and into lower levels of society. Its object is to add the support of some social history to the history of art; its conclusion is that, far from being isolated in the upper classes, fourth century art reflected with fair accuracy the enthusiasms and tastes of a popular audience.
[Show full text]
Daniel Lanois with Brian Blade, Gord Downie and the Sadies, Sarah Harmer, Mix Master Mike, Jesse Cook, Brady L
PRESS RELEASE present Feist, Emmylou Harris, Daniel Lanois with Brian Blade, Gord Downie and the Sadies, Sarah Harmer, Mix Master Mike, Jesse Cook, Brady L. Blade, Sr. and the Hallelujah Train, & more!! Live at the 2012 Greenbelt Harvest Picnic Saturday September 1, 2012 Gates at 11AM Show at 12PM Christie Lake Conservation Area 1002 Highway #5 West Dundas, Ontario TICKETS ON SALE SATURDAY MAY 26 AT 11AM!!! Tickets available online at www.ticketmaster.ca, Ticketmaster outlets or by calling 1-855-872-5000 or at Picks and Sticks, 140 Locke Street South, Hamilton or Dr. Disc, 20 Wilson Street, Hamilton HAMILTON: September Seventh Entertainment Limited and Friends of the Greenbelt Foundation are proud to present Feist, Emmylou Harris, Daniel Lanois, Gord Downie and The Sadies, Sarah Harmer, Mix Master Mike, Jesse Cook, Brady L. Blade, Sr. and the Hallelujah Train and more live at the 2012 Greenbelt Harvest Picnic on Saturday September 1st at Christie Lake Conservation Area in Dundas, Ontario. Gates open at 11AM and show starts at 12PM. The event serves to create awareness for local farmers and the eat local movement. Feist will headline this year’s edition of the Greenbelt Harvest Picnic. Her latest album, Metals, was released in October 2011 and met with critical acclaim including being called the #1 album of the year by the New York Times and Artist of the Year at the Juno's. Daniel Lanois, who co- curates the festival, was inducted into the Canadian Music Hall of Fame earlier this year. Lanois is currently working on a solo album for release in the Spring of 2013 as well as a soundtrack project for acclaimed film director Terrance Malick.
[Show full text]
How to Become a Certified Pop Diva Without Losing Your Indie Boyfriend
m Drea Olivia Stren By Girl How to become a certified pop diva without losing your indie boyfriend. by Davida Nemeroff The unstoppablePhotography ambition of Feist eslie feist is sitting quietly in a booth at the Rivoli. She has a soft spot for the restaurant, since she used to work here as a bartender, before she had to worry about major-label record deals and fanatically coordinated PR campaigns. Her hair is tied up in a schoolgirl ponytail, lips smudged L with cherry gloss, nails dressed in chipping remnants of last week’s scarlet polish. She is busy assembling a care package of miniature ’70s vintage clothes (picked up on a recent trip through London’s Portobello market) for a friend’s new baby. Even her baby presents are perfectly indie. The 31-year-old singer is pale and looks a bit tired, which gives her a dreamy, hard-living alt-rock sex appeal. If her tight pale-blue jeans and well-pilled woollen sweater look like they’ve spent the better part of their nomadic lives heaped on hotel room floors, it’s because they have. Feist is Canada’s reigning indie-music princess, but she’s wooing a broader audience. Let It Die, her last album, sold over 100,000 copies in Canada and another 400,000 worldwide, earn- ing her a Juno for best new artist and best alternative album. Her 58 ToronTo Life | torontolife.com | july 2007 new album, The Reminder, came out in May and is being treated unpretentious, it’s pretentious). But where BSS is deemed hugely she was born.
[Show full text]
Feist (Singer) from Wikipedia, the Free Encyclopedia
Feist (singer) From Wikipedia, the free encyclopedia Feist Feist performing at the Olympic Island Festival, 2006 Background information Birth name Leslie Feist Born 13 February 1976 (age 33) Amherst, Nova Scotia Origin Calgary, Alberta, Canada Genre(s) Pop rock, anti-folk, indie folk,baroque pop Occupation(s) Singer-songwriter Instrument(s) Vocals, guitar, piano, banjo Years active 1991–present Label(s) Arts & Crafts, Cherrytree,Interscope Associated Placebo acts Kings Of Convenience By Divine Right Broken Social Scene Website www.listentofeist.com Notable instrument(s) Guild Starfire Leslie Feist (born 13 February 1976 in Amherst, Nova Scotia, Canada) is a Canadian singer-songwriter. She performs as a solo artist under the name Feist and as a member of the indie rock group Broken Social Scene. At the 2008 Juno Awards on 6 April 2008 in Calgary, Alberta, she was the top winner with five awards, including Songwriter of the Year, Artist of the Year, Pop Album of the Year, Album of the Year and Single of the Year. On 20 October 2008, she told the Canadian press that, following the success of her last album, The Reminder , she felt she needed to step away from the pressures of the music industry to consider her next career move and "rest for a minute". [1] Biography Early life Feist's parents are both artists. Her father, Harold Feist, is an American abstract expressionist painter who worked at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother Lyn Feist was a student of ceramics from Saskatchewan.
[Show full text]
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ “Getting it Right” and “Keeping it Real”: Using Narrative Soundtracks As a Transmediatory Activity in a Secondary School A Dissertation submitted to the Division of Graduate Studies and Research Of the University of Cincinnati In partial fulfillment of the Requirements for the degree of Doctor of Education in the Division of Teacher Education Literacy Program College of Education 2007 Angela Maria Miller B. S. Xavier University, 1987 M. Ed. Xavier University, 1992 Committee: Dr. Robert Burroughs (chair) Dr. Keith Barton Dr. Holly Johnson Dr. Eric Paulson 1 ABSTRACT There are many learners who find it difficult to navigate in strictly verbocentric classrooms where reading and writing are the central, and sometimes only, means by which students can explore and construct meaning, as well as express their understanding of literary texts. This qualitative study focused on two English classrooms in a secondary school where students were encouraged to utilize alternative response activities in order to make connections to literary texts. One class consisted of advanced placement eleventh grade students; the other class included eleventh and twelfth grade students who had been identified as “struggling” readers, based on their inability to pass the State Graduation Test. The study’s purpose was to establish and compare the types of connections the two classes of secondary students made with literary texts when they were asked to create a musical soundtrack and accompanying narrative for an assigned literary text.
[Show full text]