DOCSLIB.ORG

Daniel Lanois with Brian Blade, Gord Downie and the Sadies, Sarah Harmer, Mix Master Mike, Jesse Cook, Brady L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PRESS RELEASE present Feist, Emmylou Harris, Daniel Lanois with Brian Blade, Gord Downie and the Sadies, Sarah Harmer, Mix Master Mike, Jesse Cook, Brady L. Blade, Sr. and the Hallelujah Train, & more!! Live at the 2012 Greenbelt Harvest Picnic Saturday September 1, 2012 Gates at 11AM Show at 12PM Christie Lake Conservation Area 1002 Highway #5 West Dundas, Ontario TICKETS ON SALE SATURDAY MAY 26 AT 11AM!!! Tickets available online at www.ticketmaster.ca, Ticketmaster outlets or by calling 1-855-872-5000 or at Picks and Sticks, 140 Locke Street South, Hamilton or Dr. Disc, 20 Wilson Street, Hamilton HAMILTON: September Seventh Entertainment Limited and Friends of the Greenbelt Foundation are proud to present Feist, Emmylou Harris, Daniel Lanois, Gord Downie and The Sadies, Sarah Harmer, Mix Master Mike, Jesse Cook, Brady L. Blade, Sr. and the Hallelujah Train and more live at the 2012 Greenbelt Harvest Picnic on Saturday September 1st at Christie Lake Conservation Area in Dundas, Ontario. Gates open at 11AM and show starts at 12PM. The event serves to create awareness for local farmers and the eat local movement. Feist will headline this year’s edition of the Greenbelt Harvest Picnic. Her latest album, Metals, was released in October 2011 and met with critical acclaim including being called the #1 album of the year by the New York Times and Artist of the Year at the Juno's. Daniel Lanois, who co- curates the festival, was inducted into the Canadian Music Hall of Fame earlier this year. Lanois is currently working on a solo album for release in the Spring of 2013 as well as a soundtrack project for acclaimed film director Terrance Malick. Lanois’ production career began with the founding of local and legendary Grant Avenue Studio and gained industry accolades through his work with ambient innovator Brian Eno and U2. Music lovers in attendance at last year’s Greenbelt Harvest Picnic will be pleased to know that 12-Time Grammy Award winner, Emmylou Harris will be returning to perform again this year. Harris, a song writing legend, expressed her interest in coming back in 2012 while on stage last year. Greenbelt Harvest Picnic producer, Jean-Paul Gauthier, stated, “It is a great honour to have Emmylou back and I know her fans will be very excited.” Gord Downie, front man and lyricist of Canada’s best known rock band, The Tragically Hip, returns with a performance with Canadian indie rock band, The Sadies. Songwriter Sarah Harmer, co-founder of PERL (Protecting Escarpment Rural Land), which serves to protect parts of the Niagara Escarpment in the northern region of her native Burlington also returns to this year’s festival. New additions to this year’s line up include Mix Master Mike, one of the greatest DJs of all time and who is best known for his work with the Beastie Boys. Mix Master Mike met Adam Yauch at the Rock Steady Anniversary Jam in NYC in 1994. The two exchanged numbers and Mike often left crazy scratch messages on Adam's answering service. Fellow Beasties Mario C and Mike D caught on to his scratch message craze and in 1997 requested Mike's studio work for their multi- platinum album Hello Nasty. Soon after completion of Hello Nasty's recording, the Beastie Boys made Mike their resident DJ. Brady L. Blade, Sr. and the Hallelujah Train bring the soulful bellows and melodies of Pastor Brady L. Blade, Sr. who has been lifting up parishioners at the Zion Missionary Baptist Church in Shreveport, Louisiana for the past 51 years. Blade hosted the Hallelujah Train TV show in the Late 70’s. The show aired on Sunday mornings and was considered the religious version of Soul Train. Hallelujah Train aired on KSLA, a CBS affiliated station. Blade will be accompanied by his son, Brian Blade, a longtime musical collaborator of Daniel Lanois. Jesse Cook will be performing in support of his latest studio project, “The Rumba Foundation”. For this latest recording, Cook wanted to trace rumba flamenco back to its roots in Cuba. Ultimately, his instincts lead him to collaborate with Los Gaiteros de San Jacinto and record in Bogota, Colombia. “The Rumba Foundation” will premier in Los Angeles via the prominent jazz station, The Wave, on September 25th. Additional musical guests will be announced in the coming weeks. The Friends of the Greenbelt Foundation has partnered with September Seventh Entertainment for the second year to bring the Greenbelt Harvest Picnic to southern Ontario. Spanning over 1.8 million acres, the Greenbelt is home to forests, wetlands, farms and green space. As a leader in supporting local food, the Foundation has provided numerous grants that are helping farmers to flourish in the Greenbelt. The Foundation is also engaged in the arts, having created “the Quilt of Possibilities” with the Ontario Crafts Council, showcased photography at the successful Harbourfront Centre exhibit “Beyond imaginings” and have even awarded one of the artists lined up for the festival, Sarah Harmer, as a “Friend of the Greenbelt” for her work in protecting the Niagara Escarpment. "The Foundation supports everyone from farmers to artists, which is why this partnership makes sense," said Foundation President, Burkhard Mausberg. “We feel privileged to have our message supported by this impressive group of artists.” Ontario’s Greenbelt is over 1.8 million acres of green space, farmland, vibrant communities, forests, wetlands, and watersheds – all permanently protected by world-leading legislation. In return, the Greenbelt gives back much to Ontario, $9.1 billion in economic benefits and $2.6 billion in ecosystem services annually. The Friends of the Greenbelt Foundation works to help farmers in the Greenbelt be more successful; to protect and enhance natural features; and to strengthen local economies. For more information about the Friends of the Greenbelt Foundation, please visit www.greenbelt.ca. Christie Lake is a natural paradise, boasting 830 acres of hiking trails, picnic areas, fishing ponds and beaches. The Greenbelt Harvest Picnic is designed to raise awareness about the importance of the region’s local conservation lands, the arts, local agriculture and home gardening. Concert goers will also be able to enjoy a local farmers market, horticultural workshops, art vendors, food and beverage areas, fishing, swimming and good old fashioned picnicking. Tickets will be available online at www.ticketmaster.ca, all Ticketmaster outlets or by calling 1- 855-872-5000 beginning Saturday May 26th at 11AM. Tickets can also be purchased at Picks and Sticks, located at 140 Locke Street South in Hamilton or at Dr. Disc located at 20 Wilson Street in Hamilton. Tickets will also be available at Christie Lake on show day only (subject to availability). For more information, please visit www.harvestpicnic.ca. -###- Please scroll down for the following items: Artist Biographies, Links & Photos Information on the Friends of the Greenbelt Foundation Park and Event Attractions and Amenities For more information or to arrange artist interviews, please send request and credentials via email to: Jean-Paul Gauthier September Seventh Entertainment Limited [email protected] Office: (905) 383-4005 For information about farmers market, food and beverage vendor applications, please contact: Sandi Richardson [email protected] (905) 525-2181 xt 147 For more information about the Friends of the Greenbelt Foundation, please visit: www.greenbelt.ca. Artists Feist For nearly a decade, Leslie Feist did not stop moving. Her 2004 Juno award winning album Let It Die led right into 2007’s The Reminder, which earned her four Grammy nominations, six Juno wins, the Shortlist Music Prize, and the opportunity to teach Muppets to count on Sesame Street. She made her Saturday Night Live debut and toured the world. She covered an album with Beck, recorded with Wilco and watched Stephen Colbert shimmy in a sequined “1234” jumpsuit, and made a documentary about her visual collaborators on The Reminder. Her latest album, Metals, was released in October 2011 and met with critical acclaim including being called the #1 album of the year by the New York Times and Artist of the Year at the Juno's. For more information on Feist, please visit: www.listentofeist.com Emmylou Harris Already celebrated as a discoverer and interpreter of other artists’ songs, 12-time Grammy Award winner Emmylou Harris has, in the last decade, gained admiration as much for her eloquently straightforward songwriting as for her incomparably expressive singing. On Hard Bargain, her third Nonesuch disc, she offers 11 original songs—three of them co-written with Grammy– and Oscar–winning composer Will Jennings—that touch on the autobiographical while reaching for the universal. She recalls the storied time she spent with her mentor Gram Parsons (“The Road”) and composes a sweet remembrance of the late singer-songwriter Kate McGarrigle (“Darlin’ Kate”) and the time they spent together, right up to the end. Harris locates poignancy and fresh meaning in events both historical and personal. On “My Name Is Emmett Till” she recounts a violent, headline-making story from the civil rights era in a heartbreakingly plain-spoken narrative, told from the murdered victim’s perspective; on “Goodnight Old World,” she fashions a bittersweet lullaby to her newly born grandchild, contrasting a grown-up’s world-weariness with a baby’s wide-eyed wonder. “Big Black Dog,” with its loping canine-like rhythms, is also a true tale, about a black lab mix named Bella. Harris, who runs a dog shelter called Bonaparte’s Retreat on her property, rescued Bella from the Nashville Metro pound and provided an especially happy ending to her story: “She goes on the tour bus with me now, along with another one of my rescues.
Recommended publications
  • 2017 JUNO Award Nominees Updated: February 7, 2017

    2017 JUNO Award Nominees Updated: February 7, 2017

    2017 JUNO Award Nominees Updated: February 7, 2017 JUNO FAN CHOICE (PRESENTED BY TD) ​ Alessia Cara Def Jam*Universal ​ ​ Belly Roc Nation*Universal ​ ​ Drake Cash Money*Universal ​ ​ Hedley Universal ​ ​ Justin Bieber Def Jam*Universal ​ ​ Ruth B Columbia*Sony ​ ​ Shawn Mendes Island*Universal ​ ​ The Strumbellas Six Shooter*Universal ​ ​ The Weeknd The Weeknd XO*Universal ​ ​ Tory Lanez Interscope*Universal ​ ​ SINGLE OF THE YEAR Wild Things Alessia Cara Def Jam*Universal ​ ​ ​ One Dance ft. Wizkid & Kyla Drake Cash Money*Universal ​ ​ Treat You Better Shawn Mendes Island*Universal ​ ​ ​ Spirits The Strumbellas Six Shooter*Universal ​ ​ ​ ​ Starboy ft. Daft Punk The Weeknd The Weeknd XO*Universal ​ ​ ​ INTERNATIONAL ALBUM OF THE YEAR (SPONSORED BY IDLA ASSOCIATED LABEL DISTRIBUTION) ​ Dangerous Woman Ariana Grande Republic*Universal ​ ​ A Head Full of Dreams Coldplay Parlophone*Warner ​ ​ Made in the A.M. One Direction Sony ​ ​ ​ ANTI Rihanna Westbury Road*Universal ​ ​ ​ ​ ​ This is Acting Sia RCA*Sony ​ ​ ​ ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) ​ Encore un Soir Céline Dion Sony ​ ​ ​ Views Drake Cash Money*Universal ​ ​ ​ You Want It Darker Leonard Cohen Sony ​ ​ ​ Illuminate Shawn Mendes Island*Universal ​ ​ ​ Starboy The Weeknd The Weeknd XO*Universal ​ ​ ​ ​ ARTIST OF THE YEAR Alessia Cara Def Jam*Universal ​ Drake Cash Money*Universal ​ Leonard Cohen Sony ​ Shawn Mendes Island*Universal ​ The Weeknd The Weeknd XO*Universal ​ GROUP OF THE YEAR Arkells Arkells*Universal ​ Billy Talent Warner ​ Tegan and Sara Warner Bros.
  • JAY JOYCE I’M Not a Fan of Huge Studios That Separate About Her Performances, and She’S Not Afraid Players

    JAY JOYCE I’M Not a Fan of Huge Studios That Separate About Her Performances, and She’S Not Afraid Players

    JULY/AUGUST 2011 ISSUE MMUSICMAG.COM JULY/AUGUST 2011 ISSUE MMUSICMAG.COM PRODUCER How did you develop your studio? make music that we liked—not necessarily When I was working with Patty Griffin, I an easy task. We didn’t get stuck in that had a little eight-track setup at home. We “let’s get that country radio hit” mindset. cut some demos here that ended up being We wanted to come from a live performance most of her album Flaming Red [1998]. vibe, where he’s playing for people who love We did go into a “studio” studio to overdub him and his music. a few things, but the heart and soul was done here. From then on I started using my What about Cage the Elephant? space for preproduction, but bands and Just like with Eric, we really feel like a team. artists would say, “Do we have to go to The first album [Cage the Elephant, 2008] another studio? This place is cool.” I haven’t was very live and done very quickly. This done a record in an outside studio for quite second one is the classic case of a band a while. We’re now into our third room having their whole lives to write the first Will von Bolton Will With Jonathan Tyler and we’re still adding. record, then having to write the next album Do you do vocals live? in one year while touring for 300 days. Some What’s your technique like? Depending on the project, I’d say it’s about songs were completed before we were Everybody’s in the same room, except the 50-50.
  • Bates Belk Biography

    Bates Belk Biography

    BATES BELK BIOGRAPHY Bates Belk is a global recording artist and music producer whose high energy, boundary-pushing songs and remixes have moved international audiences on dance floors in Paris, London, Amsterdam, Berlin, Tokyo, Rio de Janeiro and USA audiences in New York City, Los Angeles, San Francisco, Chicago and Miami. In 2015, after 20 years of solely being based in New York City, Bates relocated to Berlin, Germany, where he continues to operate BB3 Dynamics Records LLC (www.BB3Dynamics.com) with offices in both Berlin and New York City. ​ ​ Bates globally released two Techno EPs in late 2015. The first Techno EP was released on 9 October, 2015 entitled Life Trichotomy containing a selection of philosophically-based theatrical ​ ​ Techno compositions written in Berlin, New York and London. The second Techno EP was released on 13 November, 2015 entitled Life Trichotomy Reincarnated – The ​ Remixes containing songs remixed by other artists from the Life Trichotomy EP. ​ ​ ​ In 2014 and 2015, Bates globally released a series of 6 electronic dance songs with the first song released in 2014 entitled OUTTASIGHT, followed by 2015 releases of the songs It’s in the ​ ​ ​ Mind, Bionic Power (Pushing Harder, Jumping Higher), Danger with a Stranger and Get Me to ​ ​ ​ ​ ​ ​ the Disco. Bates is currently producing his début album in Berlin, which contains collaborations ​ with over 40 Berlin-based artists. Bates was born and raised in El Paso, Texas, USA. Growing up in a region of the United States not particularly known for its acceptance of the free-thinking outsider, Bates found in music something that could help him make sense of the world and partially fill the void caused by the lack of artistic encouragement.
  • John Anthony Final Revisions Thesis

    John Anthony Final Revisions Thesis

    Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” by John J. Anthony Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Jazz Studies YOUNGSTOWN STATE UNIVERSITY August, 2012 Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” John J. Anthony I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: John J. Anthony, Student Date Approvals: Dr. David Morgan, Thesis Advisor Date Dr. Kent Engelhardt, Committee Member Date Dr. Randall Goldberg, Committee Member Date Dr. Glenn Schaft, Committee Member Date Peter J. Kasvinsky, Dean of School of Graduate Studies and Research Date ABSTRACT Adam Rogers is one of the most influential jazz guitarists in the world today. This thesis offers a transcription and analysis of his improvisation on the Thelonious Monk composition “Let’s Cool One” which demonstrates five improvisational devices that define Rogers’s approach over this composition: micro-harmonization, rhythmic displacement, motivic development, thematic improvisation, and phrase rhythm. This thesis presents a window into the aesthetics of contemporary jazz improvisation and offers a prism for conceptualizing not only the work of Adam Rogers, but
  • Top 40 Singles Top 40 Albums

    Top 40 Singles Top 40 Albums

    09 August 1998 CHART #1120 Top 40 Singles Top 40 Albums Lost In Love Ocean Of Light City Of Angels Soundtrack Big Calm 1 Deep Obsession 21 In Mood (feat Juliette) 1 Various 21 Morcheeba Last week 11 / 2 weeks UNIVERSAL Last week 39 / 4 weeks UNIVERSAL Last week 2 / 11 weeks Platinum / WARNER Last week 23 / 16 weeks WARNER Kung Fu Fighting Turn It Up / Fire It Up Hello Nasty Drive* 2 Bus Stop 22 Busta Rhymes 2 Beastie Boys 22 Bic Runga Last week 1 / 5 weeks Platinum / FESTIVAL Last week 20 / 11 weeks Platinum / WARNER Last week 1 / 4 weeks Platinum / CAPITOL/EMI Last week 24 / 44 weeks COLUMBIA/SONY The Boy Is Mine Lovely Daze Grease Soundtrack Desireless 3 Brandy & Monica 23 Jazzy Jeff 3 Various 23 Eagle Eye Cherry Last week 2 / 6 weeks Platinum / WARNER Last week 31 / 2 weeks MUSHROOM Last week 6 / 10 weeks Gold / UNIVERSAL Last week 22 / 9 weeks UNIVERSAL Cest La Vie It's All About Me Songs From Ally Mcbeal Bulworth OST 4 B*Witched 24 Mya 4 Vonda Shepherd 24 Various Last week 4 / 7 weeks Platinum / SONY Last week 24 / 8 weeks INTERSCOPE/UNIVERSAL Last week 3 / 6 weeks Gold / SONY Last week 19 / 10 weeks UNIVERSAL Come With Me Fight For Your Right Mezzanine Never Say Never 5 Puff Daddy & Jimmy Page 25 NYCC 5 Massive Attack 25 Brandy Last week 3 / 4 weeks SONY Last week 35 / 8 weeks BMG Last week 4 / 14 weeks VIRGIN/EMI Last week 28 / 4 weeks WARNER This Is How We Party Gotta Be .
  • Legacy Schools Reconciliaction Guide Contents

    Legacy Schools Reconciliaction Guide Contents

    Legacy Schools ReconciliACTION Guide Contents 3 INTRODUCTION 4 WELCOME TO THE LEGACY SCHOOLS PROGRAM 5 LEGACY SCHOOLS COMMITMENT 6 BACKGROUND 10 RECONCILIACTIONS 12 SECRET PATH WEEK 13 FUNDRAISING 15 MEDIA & SOCIAL MEDIA A Message from the Families Chi miigwetch, thank you, to everyone who has supported the Gord Downie & Chanie Wenjack Fund. When our families embarked upon this journey, we never imagined the potential for Gord’s telling of Chanie’s story to create a national movement that could further reconciliation and help to build a better Canada. We truly believe it’s so important for all Canadians to understand the true history of Indigenous people in Canada; including the horrific truths of what happened in the residential school system, and the strength and resilience of Indigenous culture and peoples. It’s incredible to reflect upon the beautiful gifts both Chanie & Gord were able to leave us with. On behalf of both the Downie & Wenjack families -- Chi miigwetch, thank you for joining us on this path. We are stronger together. In Unity, MIKE DOWNIE & HARRIET VISITOR Gord Downie & Chanie Wenjack Fund 3 Introduction The Gord Downie & Chanie Wenjack Fund (DWF) is part of Gord Downie’s legacy and embodies his commitment, and that of his family, to improving the lives of Indigenous peoples in Canada. In collaboration with the Wenjack family, the goal of the Fund is to continue the conversation that began with Chanie Wenjack’s residential school story, and to aid our collective reconciliation journey through a combination of awareness, education and connection. Our Mission Inspired by Chanie’s story and Gord’s call to action to build a better Canada, the Gord Downie & Chanie Wenjack Fund (DWF) aims to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous peoples.
  • Until the End of the World Music Credits

    Until the End of the World Music Credits

    (Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
  • Tolono Library CD List

    Tolono Library CD List

    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 Info.Medienagentur@T-Online.De

    Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 [email protected]

    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 [email protected] The Music Center Presents: Joni 75: A Birthday Celebration The Band Brian Blade: While studying at Loyola University in New Orleans, Brian Blade met Jon Cowherd and the two began making music together. The pair formed Brian Blade & The Fellowship Band in 1997 and has released five albums. Blade has performed and toured with Daniel Lanois, Ellis Marsalis, Bob Dylan and many other artists and, since 2000, has been the drummer with The Wayne Shorter Quartet. He has recorded and toured with Joni Mitchell since 1995, performing on her albums Taming The Tiger, Travelogue and Shine. Jon Cowherd: Jon Cowherd is best known for his long-running partnership with drummer/bandleader Brian Blade, with whom he co-founded the GRAMMY-nominated Brian Blade & The Fellowship Band. Together, their acclaimed, influential albums showcase Cowherd's stellar keyboard work and singular compositional skills. In 2017, Cowherd released Gateway, a new recording on the exclusive, vinyl only, Newvelle record label. He has played and recorded with Joni Mitchell as part of a collaboration with Brian Blade & The Fellowship Band. Christopher Thomas: GRAMMY-nominated Christopher Thomas was born in 1970 in St. Louis, Missouri. Although he’s the only musician in his family, Thomas took to music as if he were a born legacy. His musical venture began with the violin, and then quickly gravitated towards the cello. He began his bass studies under the guidance of Henry Lowe, principal bassist of the St. Louis Symphony. Thomas later attended the University of Wisconsin in Madison where he studied under the tutelage of Richard Davis.
  • 名前 アーティスト アルバム ジャンル 分 年 Look at Us Vince Gill

    名前 アーティスト アルバム ジャンル 分 年 Look at Us Vince Gill

    名前 アーティスト アルバム ジャンル 分 年 Look At Us Vince Gill Welcome To MCM Country Alternative &4.0 Punk Look Both Ways Barry & Holly Tashian Trust in Me Country & Folk2.9 1989 Look Both Ways Barry And Holly Tashian Trust In Me (P) 1988 フォーク 2.9 1988 Look Her In The Eye And Lie Alan Jackson Thirty Miles West Country & Folk3.8 2012 Look Homeward Angel Lari White Stepping Stone カントリー 6.0 1998 Look Left Alison Brown Alison Brown: Best Of The Vanguard Years カントリー 5.0 2000 Look Me Up By the Ocean Door The Cox Family Everybody's Reaching Out for Someone カントリー 3.0 1993 Look Over Me Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 3] Country & Folk3.0 1995 Look What They've Done To My Song Billie Joe Spears Best Of Country Ladies カントリー 2.7 2002 Look Who's Back From Town George Strait Honkytonkville カントリー 4.1 2003 Lookin' At The World Through A Windshield Son Volt Rig Rock Deluxe カントリー 2.6 1996 Lookin' For A Good Time Lady Antebellum Lady Antebellum Country & Folk3.1 2008 Lookin´' For My Mind (Take 6) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.2 Lookin´ For My Mind (Takes 1-2) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.6 Lookin´ For My Mind (Takes 3-5) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk1.6 Looking At The World Through A Windshield Del Reeves & Bobby Goldsboro The Golden Country Hits 17 Radio Land カントリー 2.4 Looking Back To See Justin Tubb & Goldie Hill The Golden Country Hits 07 Fraulein
  • 名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl

    名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl

    名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl Perkins The First Years/The Heart And Soul Of Carl Perkins カントリー 3.4 1755 Steve Riley & The Mamou Playboys Live! カントリー 3.0 1929 Merle Haggard Chill Factor Country 3.6 1987 1976 Alan Jackson Good Time Country & Folk4.2 2008 1999 The Wilkinsons Here And Now カントリー 3.5 2000 (A Day In The Life Of A) Single Mother Victoria Shaw In Full View Country & Folk3.1 1995 (A Day In The Life Of A) Single Mother Victoria Shaw In Full View (P) 1995 カントリー 3.1 1995 (After Sweet Memories) Play Born To Lose Again Ronnie Milsap The Golden Country Hits 15 Green,Green Grass Of Home カントリー 3.0 (Blank Track) Dixie Chicks Fly カントリー 0.1 2001 (Ghost) Riders In The Sky Johnny Cash The Essential Johnny Cash (Disc 2) カントリー 3.7 2002 (Give It To) The Needy Mary Lee's Corvette 700 Miles Rock 4.3 2003 (Give It To) The Needy Mary Lee's Corvette 700 Miles ロック 4.3 2003 (Hey Won't You Play) Another Somebody Done SomebodyB.J. Wrong Thomas Song Greatest Hits- B. J. Thomas ロック 3.4 (Hey Won't You Play) Another Somebody Done SomebodyB.J.Thomas Wrong Song The Golden Country Hits 11 I Fall To Pieces カントリー 3.4 (Hey Won't You Play) Another Somebody Done SomebodyBillie Wrong Jo Spears Song The Ultimate Collection Country & Folk3.3 1975 (Hey Won't You Play) Another Somebody Done SomebodyThe Wrong Golden Song Country Hits 550 The Golden Country Hits Sing Along -Special Karaoke Best 51-(Ii) Country & Folk3.5 (I Can't Help You) I'm Falling Too Skeeter Davis RCA Country Hall Of Fame カントリー 2.8 (I Never Promised You A) Rose Garden Billie Jo Spears
  • HOWIE BECK How to Fall Down in Public

    HOWIE BECK How to Fall Down in Public

    HOWIE BECK How To Fall Down In Public Falling down in public doesn't have to be painful. It can be poetic and entertaining. On his 4th album, the intimacy of Howie’s music is dragged into public view. How To Fall Down In Public makes the case that modern melancholy is best understood through sheer sonic pleasure. In the past, some journalists tagged Howie as “The Woody Allen of Rock.” Perhaps not so much for his music, but for his public appearances; sometimes neurotic, sometimes creative, funny and outgoing. His response? “I’m telling you, that scene in Annie Hall where he’s in the hotel room and cancels his show? That is me.” Whatever the reason, reviews of Howie’s previous albums have been nothing short of glowing. And so, like Woody Allen, perhaps it is fitting that Howie has experienced some of his greatest success in Europe, as well as conceiving his latest album there. The album began a world away from Howie's Toronto roots. Some songwriters make a New York album- Howie made a Paris album. In July 2007, he touched down with only his proverbial guitar and a notepad, the first song he wrote being the appropriately-titled "If I Ever Come Home." Having toured in Europe and Scandinavia in 2006 opening first for Nada Surf, and then for Josh Rouse, Howie was eager to return. Temporary exile changed his approach; no longer confined to the bedroom as on his previous 3 albums, Howie's trademark introspection tilted outward. The music became more cinematic.