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Boston Contemporary and Modern Architecture in 2 Boston 7 3 Contemporary and Modern Architecture in Boston... Some 8 known, some off the beaten path. Feb 2017 13 6 10 14 Anthony V. 5 jauntful.com/theAVclub 15 12 4 11 9 1 ©OpenStreetMap contributors, ©Mapbox, ©Foursquare John F. Kennedy Presidential L... 1 Harvard Science Center 2 Design/Research Building 3 MIT Chapel (Building W15) 4 History Museum Science Historic Site Spiritual Although IM Pei's fingerprints are all Sert's only accessible work in Boston. The This modernist building is now home to Although modest, the shimmer of water over Boston, this one best represents his plaza in front was done by Stoss in Anthropology, CitySports and Harvest inside the chapel's walls is magical, and geometric play. trying to make it more usable and (delicious!), but is known for bringing Saarinen's building is accentuated by durable under students' feet. modern Euro designs to the US in the Bertoia's alter and light-like sculpture. 60s/70s Columbia Point, Boston 50 Massachusetts Ave, Cambridge (617) 514-1600 jfklibrary.org 1 Oxford St, Cambridge 48 Brattle St, Cambridge (617) 253-4795 MIT Simmons Hall (Building W79... 5 Baker House 6 Harvard Art Museums 7 Carpenter Center for the Visua... 8 Academic Building Residence Hall Art Museum Quad Hard to get a read of scale, but this dorm This was the first building on campus There's a little Shepley-Bulfinch (Fogg), a LeCorbusier's only building in the US. is an undergrad residence with oddly that sought a renowned architect--Aalto. little James Stirling (Sackler) and a lot of shaped cut-throughs inside the grided Note the curve frontward (to grant more Renzo Piano that attempts to unify building. views to the river) vs the back. these various museums. 229 Vassar St, Cambridge 32 Quincy St, Cambridge (617) 253-5107 362 Memorial Dr, Cambridge (617) 495-9400 harvardartmuseums.org 24 Quincy St, Cambridge Museum of Fine Arts 9 City Hall Plaza 10 Christian Science Plaza 11 John Hancock Tower 12 Art Museum Plaza Plaza Building Although the classical aspect is worth Massive, maligned. Although originally Perhaps the better done of the two Here, you not only have the IM Pei mention, the Wing of the Americas by intended to be smaller, the story is that major plazas, it's a comfortable reflecting H.H. Richardson's Trinity Foster beautifully frames the gallery and it was inspired by Cobb's visit to Siena, modernist plaza by IM Pei just off from Church, you also have McKim Mead and the art--both recedes and articulates. Italy at the last minute. very lively streets and Mother Church in White just across the square. the fore. 465 Huntington Ave, Boston 1 City Hall Sq., Boston 210 Massachusetts Ave, Boston (617) 267-9300 mfa.org (617) 635-4500 cityofboston.gov (617) 450-2000 christianscience.com 200 Clarendon St, Boston MIT Media Lab — Building E14 13 MIT Stata Center (Building 32)... 14 Institute of Contemporary Art 15 Lab Technology Art Museum Fumihiko Maki does a wonderful job in Frank Gehry at his wackiest. It's actually Before they did the High Line in NY, or applying simple geometries that allow two towers unified by the "student anything else for that matter, there was the researchers to accentuate the street" mirroring the Infinite Corridor. the ICA--Diller and Scofidio's first major building with their work. architectural project. 75 Amherst St, Cambridge 100 Northern Ave, Boston (617) 253-5960 media.mit.edu 32 Vassar St, Cambridge (617) 478-3100 icaboston.org Sign up on Jauntful.com to make your own. Jauntful © 2016.

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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C.
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Open Source Architecture, Began in Much the Same Way As the Domus Article
About the Authors Carlo Ratti is an architect and engineer by training. He practices in Italy and teaches at the Massachusetts Institute of Technology, where he directs the Senseable City Lab. His work has been exhibited at the Venice Biennale and MoMA in New York. Two of his projects were hailed by Time Magazine as ‘Best Invention of the Year’. He has been included in Blueprint Magazine’s ‘25 People who will Change the World of Design’ and Wired’s ‘Smart List 2012: 50 people who will change the world’. Matthew Claudel is a researcher at MIT’s Senseable City Lab. He studied architecture at Yale University, where he was awarded the 2013 Sudler Prize, Yale’s highest award for the arts. He has taught at MIT, is on the curatorial board of the Media Architecture Biennale, is an active protagonist of Hans Ulrich Obrist’s 89plus, and has presented widely as a critic, speaker, and artist in-residence. Adjunct Editors The authorship of this book was a collective endeavor. The text was developed by a team of contributing editors from the worlds of art, architecture, literature, and theory. Assaf Biderman Michele Bonino Ricky Burdett Pierre-Alain Croset Keller Easterling Giuliano da Empoli Joseph Grima N. John Habraken Alex Haw Hans Ulrich Obrist Alastair Parvin Ethel Baraona Pohl Tamar Shafrir Other titles of interest published by Thames & Hudson include: The Elements of Modern Architecture The New Autonomous House World Architecture: The Masterworks Mediterranean Modern See our websites www.thamesandhudson.com www.thamesandhudsonusa.com Contents
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PDF Download Palladios Children : Essays on Everyday Environment
PALLADIOS CHILDREN : ESSAYS ON EVERYDAY ENVIRONMENT AND THE ARCHITECT PDF, EPUB, EBOOK N.J. Habraken | 224 pages | 30 Dec 2005 | Taylor & Francis Ltd | 9780415357913 | English | London, United Kingdom Palladios Children : Essays on Everyday Environment and the Architect PDF Book Her area of expertise is the development of civic spaces serving communities whose needs reside at the intersection of architecture, urbanism, and performance. He lectures in architecture and is a former American Institute of Architects bureaucrat. B25 He is the author of seven books, the subject of two recent ones and his recent publication of The Structure of the Ordinary MIT was widely reviewed internationally. He bellowed something about poodles sawing wood and women drawing - no woman, he said, could possibly be an architect. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. There is an entirely new chapter on the Danish architect Jorn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. She had the keenest eye, a gift like her brother's, for the design of space. They are able to measure the amount of order that is necessary for understanding and fascination to prevail even when chaotic actions take place and random objects appear on stage. Habraken studied architecture at Delft Technical University, the Netherlands from This must lead to a reassessment of architects' identities, values and education, and the contribution of the architect in the shaping of the built environment. O69 Radhika Khurana reading aloud to 20 odd year olds in the initial section, and some absorbed older students and teachers reading silently in a subsequent, better-daylit section.
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Me Tabolis Ts House S Under Cons Truction
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The Pritzker Architecture Prize1998[1]. RENZO PIANO 2
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A Fresh Urban Model by Jean-Louis Cohen
NEW YORK 99 A fresh urban model by Jean-Louis Cohen In the late 20th century, New York could, in more than one regard, The Liberty Tower that was planned to stand atop the ascending be considered a metropolis of the past, in which innovation had spiral was gradually reduced to a glass obelisk, a poor substitute dried up, and where commercial architecture reigned supreme. for the prisms of Minoru Yamasaki, and the ingenious façades Invention, which had been one of the city’s industries, whether and structures of the original Twin Towers. Meanwhile, Santiago of a technological variety – Fulton’s steamboats, Otis elevators, Calatrava’s transport centre ends up being of marginal importance Edison’s electric lighting – or in the sphere of urbanism – the 1811 compared to the main logistical platforms located downtown. grid plan, Central Park and the 1916 zoning regulation – seemed to have become a forgotten skill. The hegemony of commercial If we want to find real novelty in New York in the first decade of the companies, the mediocrity of public commissions, and the absence 21st century we should look elsewhere. No one expected Democrat of any vision for urban planning combined to give New York an defector, Michael Bloomberg, to jump-start the biggest urban image of conservatism, cynicism and boredom, while excitement transformation project since John Lindsay was mayor (1966-1973). seemed to be centred on younger cities, apparently less hidebound With his close-knit team, he encouraged the process of gentrification by regulations, like Los Angeles, Houston and even Atlanta. Twenty that had started in the 1970s, and took advantage of the drop in years after his magisterial Delirious New York, Rem Koolhaas was crime levels resulting from the policies of his hard-line predecessor, to focus for a time on the Georgian metropolis, happy to see the Rudolph Giuliani.
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Title 10 STORIES OF COLLECTIVE HOUSING Subtitle A graphical analysis of inspiring masterpieces by a+t research group ISBN 978-84-616-4136-9 Authors a+t research group: Aurora Fernández Per Javier Mozas Alex S. Ollero Layout and production: Aurora Fernández Per Alex S. Ollero Delia Argote Coordination: Idoia Esteban Communication and Press: Patricia García Editor English language version: Ken Mortimer Printing: Gráficas Dosbi SL VI 366-2013 Vitoria-Gasteiz, 2013 Published by: a+t architecture publishers General Álava 15, 2ºA. E-01005. Vitoria-Gasteiz. Spain www.aplust.net © Edition: a+t architecture publishers © Texts and drawings: a+t research group © Photos: their authors No part of this publication, including the cover, may be reproduced or transmitted without the express authorization in writing of the publisher. CONTENTS TIMELINE 08 01 THE STREET IN THE AIR JUSTUS VAN EFFEN COMPLEX. Michiel Brinkman. Rotterdam,1919-1922 12 02 THE SINKING OF THE SOCIAL CONDENSER NARKOMFIN DOM-KOMMUNA. Moisei Ginzburg, Ignaty Milinis. Moscow,1928-1930-1932 66 03 CHEAPER, FASTER, LIGHTER AND TALLER CITÉ DE LA MUETTE. Beaudouin, Lods, Mopin, Bodiansky. Paris, 1931-1934 116 04 THE ELEGANCE OF THE DISSIDENT HOUSING FOR BORSALINO EMPLOYEES. Ignazio Gardella. Alessandria,1948-1952 150 05 THE PROJECT AS SCRIPT MULTI-PURPOSE COMPLEX IN CORSO ITALIA. Luigi Moretti. Milan,1949-1956 176 06 AN EXQUISITE GHETTO BARBICAN. Peter Chamberlin, Geoffry Powell, Christof Bon, Arup. London, 1956-1976 216 07 CRISTAL LIQUIDE RÉSIDENCE DU POINT DU JOUR. Fernand Pouillon. Paris,1957-1963 278 08 SLOW CITY HILLSIDE TERRACE. Fumihiko Maki. Tokyo, 1967-1998 322 09 BUILDING MOODS BYKER REGENERATION.
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Fumihiko Maki 1993 Laureate Essay
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Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc.
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Veiled Sustainability: the Screen in the Work of Fumihiko Maki
Speaking of Places Veiled Sustainability: The Screen in the Work of Fumihiko Maki Brendon Levitt Recent articles have applauded the consequently reduce the need for air populated valley. The two pieces of into an architecture that is also cultur- adds and subtracts such sources in an sustainability of Fumihiko Maki’s conditioning, he does not conceive monumental architecture form a poi- ally resonant and aesthetically refined. expedient fashion until he is satisfied. architecture due primarily to his use them as purely energy-saving devices. gnant dichotomy between the old and It is only when the work is done that of screens.1 Ultimately, however, such Rather, they derive from concepts that the new. Traditional Sources one can rationalize this inherently arguments represent a misreading of embody cultural, religious, social, spa- The GEC rests on a heavy, brick Maki’s intellectual flexibility irrational process. intent. In this age of “green-wash- tial, material, artistic, technological, base, up which a series of public spaces allows him to reference various Fundamental to Maki’s notion of ing,” architects often rationalize economic and humanistic ideas. step steeply and extend out to a court- sources during his process of design. space is the Japanese concept oku. screens or sunshades as evidence of To illustrate the complexity of yard. But seeming to float above, its Some concepts such as inner space, There is no completely analogous their buildings’ sustainability. But Maki’s thinking, this article refers to fourth and fifth floors are enclosed veiled space, and relational space word term in English. Oku connotes Maki’s buildings could rarely be con- a number of his designs.
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